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Polish Film Magazine Is That Ceived the Silver Bear Award for Best Screenplay in Berlin for Unit- Poland Is a Great Partner for Film Crews from the All Continents

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Polish Film Magazine Is That Ceived the Silver Bear Award for Best Screenplay in Berlin for Unit- Poland Is a Great Partner for Film Crews from the All Continents POLISH FILM Oscars 2017: Wim Wenders Poland on Andrzej and European Hollywood’s Wajda’s desires radar MAGAZINE Afterimage 3|2016 EDITORIAL PFM 3|2016 3 It has been a year since the special The work of great masters like Andrzej envelope for minority co-productions Wajda, Krzysztof Kieślowski or Wo- was created within the Polish Film In- jciech Has has been an inspiration for stitute. 15 out of 39 submitted projects the likes of Martin Scorsese and Tom received financing, which is why I en- Tykwer. Poland is known not only for courage you to cooperate with Polish great films. Also Polish cinematogra- producers on inspiring projects, with phers have a great reputation and they support from the Polish Film Institute. work all over the globe. But many of 2016 has brought a number of sig- you already know that. What you may nificant awards for Polish filmmakers. not know and what we are trying to Young director Tomasz Wasilewski re- show you in Polish Film Magazine is that ceived the Silver Bear Award for Best Screenplay in Berlin for Unit- Poland is a great partner for film crews from the all continents. ed States of Love. Andrzej Seweryn, one of Poland’s most acclaimed In September we invited a group of American location managers actors, received the Leopard award in Locarno for his performance to show them what our country has to offer. As one of the partic- in The Last Family by first-time director Jan P. Matuszyński. Jerzy ipants said: “From the depths of the underground river in Łódź Skolimowski received the Lifetime Achievement Award in Venice and the Wieliczka Salt Mines, to soaring above forests, farmland, and — at the other end of the filmmaking career spectrum — castles and forts - Poland offers an amazingly diverse selection young filmmaker Klara Kochańska received the student Oscar for of unique locations.”(see page 34). No wonder that again a lot fiction short Tenants. In this year’s Oscar race, Poland will be rep- new international projects have found their way to producing in resented by the last film by the great Andrzej Wajda, whose recent Poland. The Korean Unfinished, the German Kalte Wasser or the passing we are still mourning. Wajda, one of the most acclaimed co-production The Valley of the Gods starring John Malkovich and filmmakers in world cinema, made forty feature films; Afterimage, Josh Harnett are some examples of successful ventures in Poland. which premiered at the 41st Toronto International Film Festival, Locations are not the only critical point in being competitive sadly marks the final chapter in his oeuvre. in international markets. We have great postproduction outlets December 10 will mark an extraordinary event for our Europe- like Toya Studios (page 26), skillful and ambitious producers like an film family. The city of Wrocław will host the 29th European Balapolis (page 20) and we can definitely prove that Polish film- Film Awards ceremony. The first ever award for Best European makers can work miracles with small budgets (The Last Family, Film, back then known as the Felix Awards, went to Krzysztof page 16) as well as with the bigger ones and are not intimidated Kieślowski for A Short Film About Killing. This year we commem- by big Hollywood names (True Crimes, page 18). As Wrocław hosts orate the 20th anniversary of the passing of this exceptional the next European Film Awards the president of European Film director. It is a unique opportunity to take a look at Kieślowski’s Academy, and amazing director Wim Wenders in an exclusive oeuvre and restate the questions he posed in his films. When interview tells us (page 6) that EFA wants: “to be an open house accepting his Felix award, Kieślowski said “I hope that Poland for filmmakers from all geographic, cultural and professional is a part of Europe.” Today, when we see the growing interest of backgrounds.” We invite you to the Polish Film Magazine. the international audience in Polish movies, I have no doubt that our films are seen as an integral part of European cinema. Magdalena Sroka Tomasz Dąbrowski General Director of the Polish Film Institute Head of Film Commission Poland ANNA WŁOCH / AKSON STUDIO © Publisher: Film Commission Poland (Tomasz Dąbrowski, Anna E. Dziedzic, Dana Pohl). CONTENTS Contact details: ul. Krakowskie Przedmieście 7, 00-068 Warsaw, Poland. email: [email protected] Editorial 1 TALENTS LOCATE&SHOOT Writers: Anna Bielak, Production news 2 The Last Family 16 The Famtastic Tour 32 Michael Brooke, Carmen Gray, Darek Kuźma, Urszula Lipińska, Jakub Majmurek, Marcin Wim Wenders 6 True Crimes 18 Become the king of our Malatyński, Anna Serdiukow, Will Tizard. Balapolis 20 castle 36 Graphic Designer: Anna Myśluk. ANDRZEJ WAJDA Agi Bagi 22 Layout Designer: Marcin Kiedio. / PISF, FILM COMMISSION POLAND; COVER: Man of Reel 8 Artur Żurawski 24 REMAINS OF THE DAY Photo Editor: Marcin Kapica. Toya Studios 26 Goodfellas of Łódź 38 Translation (pages 20-23, 26,32,33): Tomasz Duda. Polish cinema: The Wrong English Editor: Steve Canty. OSCARS 2017 MONEY BANK Question 40 Special thanks: Robert Baliński, Marzena Cieślik, Afterimage 12 Get financed in Poland 28 Olga Domżała, Rafał Jankowski of Polish Film Get Shorties 14 Box office 30 Institute, Łódź Film School, Marion Döring. MARCIN KUŁAKOWSKI © Key Polish Film Festivals 31 This magazine is supported by Polish Film Institute. 2 PFM 3|2016 NEWS PFM 3|2016 3 that he has just met the love Blind Chance of his life. He starts painting will happen at EFA images that reflect not only his personal experiences, but also The short fiction The Best Films that have received a support from the Polish Film the trauma of his entire gener- Fireworks Ever tells a story of Institute’s minority co-production scheme ation. Sebastian Koch (The Lives three friends, whose lives are of Others, Homeland), Saskia suddenly shaken by that violent TITLE DIRECTOR POLISH PRODUCER SUBSIDY Rosendahl, and Ina Weisse play political protest that escalates IN EUR supporting roles. The DoP is to the size of a civil war. The High Life Claire Denis Madants Sp. z o.o. 352 112 Caleb Deschanel (The Patriot, film, written and directed by The Passion of Christ). The crew Aleksandra Terpińska, was Dovlatov Aleksiej German jr Message Film Sp. z o.o. 211 267 2016 worked on location in Germa- partly inspired by the political / 2 Hostages Rezo Gigineishvili Extreme Emotions S.c. 129 108 ny (Berlin, Saxony and North situation in the Ukraine. She Rhine-Westphalia) and Poland won a competition organized Scaffolding Matan Yair Film Produkcja Sp. z o.o. 58 685 (Lower Silesia, which stands by TV channel Kino Polska SESSION Radiogram Rouzie Hassanova Film Produkcja Sp. z o.o. 35 211 in for Dresden). Polish services for the best script inspired by were provided by Tempus Film. Krzysztof Kieślowski’s Blind Frost Sharunas Bartas Donten & Lacroix Films Sp. z o.o. 129 108 Werk Ohne Autor is produced by Chance. Terpińska’s film was When the Trees Fall Maria Nikitiuk Message Film Sp. z o.o. 93 896 Jan Mojto, Quirin Berg, Florian produced by Munk Studio. 2016 Henckel von Donnersmarck, The Best Fireworks Ever will be / Garden Store: Family Jan Hrebejk MD4 Sp. z o.o. 82 159 THE ART 3 and Max Wiedermann. The screening during the European Friend Frost production companies are Per- Film Awards Gala. The partners And Forgive Us Our Antonio Marabito Agresywna Banda Alessandro 70 422 OF WAR gamon Film and Wiedemann & of the competition were Tor SESSION Debts Leone Von Donnersmarck, who wrote Schilling, Oh, Boy!) escapes to Berg Film Production. Film Studio, Munk Studio and Oscar-winning Harvest Etienne Kallos LAVA FILMS Sp. z o.o. 46 948 director Florian and directed the enormously West Germany. However, he The film was co-produced by the Polish Audiovisual Produc- successful The Lives of Others is still haunted by experiences ARD Degeto and Bayerischer ers Chamber of Commerce. Heckel von (2006 Academy Award for Best from his childhood and early Rundfunk and supported by Donnersmarck shoots Foreign Language Film) is adolescence, a period which Medienboard Berlin-Bran- his new film in Poland returning with Werk Ohne Autor coincided with Nazi rule and denburg, FFA, FFF Bayern, ADVERTISMENT (Work Without Author). The film the East German commu- Film-und Medienstiftung NRW, is a psychological thriller set nist regime. When he meets and MDM Mitteldeutsche Me- in post-war Germany. A young university student Ellie (Paula dienförderung. World sales are artist, Kurt Barnet (Tom Beer, Frantz), he is convinced being handled by Beta Cinema. Skolimowski’s golden roar Veteran Polish director Jerzy me,” Skolimowski said in his Skolimowski received a life- acceptance speech. He studied time achievement award at film directing at the Łódź Film the recent Venice Film Festival. School. In the early 1960s The Golden Lion was present- he co-wrote the scripts for ed by Paolo Baratta, head of Andrzej Wajda’s Innocent Sor- the Venice Biennale, and actor cerers and Roman Polański’s Jeremy Irons, who worked Knife in the Water. In 1967, after with Skolimowski on Moon- his film Hands up! was shelved Korean action film Unfinished wrapped lighting. “I need to make a few by the communist censors, shooting in Wrocław and Legnica more films in order to prove Skolimowski left Poland and that I deserve this award, so embarked on an international The story revolves around a se- the Korean company D.seeD. that it’s not taken away from career. cret agent (Tiger Lee), who has Polish production service was to play a dangerous game for provided by Stanisław Dziedzic the sake of his family.
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