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Review of Bruno Bettinelli Complete Works for Guitar by Davide Ficco

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Review of Bruno Bettinelli Complete Works for Guitar by Davide Ficco BRUNO BETTINELLI, DAVIDE FICCO, NAXOS, REVIEW #ReviewNeuGuitars of Bruno Bettinelli Complete Works for Guitar by Davide Ficco, Naxos, 2011 on #neuguitars #blog Posted by ANDREA AGUZZI on 29 AUGUST 2018 Review of Bruno Bettinelli Complete Works for Guitar by Davide Ficco, Naxos, 2011 http://www.davideficco.com/ http://www.naxos.com/catalogue/item.asp?item_code=9.70026 Unfortunately, I say unfortunately, the Italian Maestro Davide Ficco loves to take some time to think long enough between a record and the other. Never mind, each one of his recordings is always worthy of interest and attention. In 2011 he returned with this CD for the prestigious Naxos record label, which in recent years seems to have reserved the role of presenting and imposing to the public a whole series of high-level contemporary guitar works and composers. After the Carlo Mosso’s monography released in 2006 for the Italian Stradivarius label, in 2011 he came back with this full edition of the guitar music composed by Bruno Bettinelli. Born in Milan in 1913, Bettinelli studied at the Conservatory “G. Verdi”, where he was for years professor of composition, from whose class came out many young musicians known now in the international arena both as composers and as performers or musicologists. Not unimportant, this composer has devoted considerable attention to the classical guitar made several compositions of considerable value and interest. In a period from 1970 to 1994 were composed: Improvvisazione (1970), the Five Preludes (1971), the Four Pieces (1972), the Sonata Breve (1976), the Twelve Studies (1977), Come una Cadenza (1983), Notturno (1985) and the Mutazioni su Tre Temi Noti (1994), all recorded for this cd. Bruno Bettinelli’s work comes directly from the search for a “pure” instrumental space, not the same melodramatic or excessively melodic pursued in Italy by the previous exceptional generation of composers that included: Casella, Malipiero, Ghedini and Petrassi, generating a rigorous and stringent writing, dry, rhythmically precise and well defined, but at the same time airy and chromatically intense, perfect for the chiaroscuro taht the guitar can interpret with measured elegance. This cd is a rigorous monographic work that counts as many as 30 tracks for a total duration of almost 74 minutes: practically here there is a whole musical universe, the whole personal research lasted a life of a unique style, outside of any school or musical fashion, a very “Milanese” way, that talks about a Milan town that is still wrapped into the Navigli’s fog, showing a kind tenacity, a polite industriousness, a quiet modesty. Davide Ficco has been able to approach with respect and sincerity this “forma mentis” with his guitar, recording a splendid job that I hope, relying on the international distribution that Naxos can count, can have a rapid and effective feedback. I would like also to highlight the exceptional price / quality ratio of this CD. Bruno Bettinelli Davide Ficco Naxos Review FOLLOW BLOG VIA EMAIL Enter your email address to follow this blog and receive notifications of new posts by email. Join 2,475 other followers Enter your email address FOLLOW Search … RECENT POSTS #Interview with Marios Joannou Elia (March 2019) on #neuguitars #blog #Review of Codice a Barre by Oronzo Persano and Andrea Epifani, L’Arca del Blues, 2015 on #neuguitars #blog #Recensione di Codice a Barre di Oronzo Persano e Andrea Epifani, L’Arca del Blues, 2015 su #neuguitars #blog RECENT COMMENTS Doctor Nerve – Nothing You Can Do Hurt#Intervista Me – at con Le Fili… Poisson onRouge, #Recensione NYC – Feb di 13 2012 on Macchie#neuguitars di Fili #blog… Fretless Guitar #IntervistaNews con… Filippoon Erkan Giuffrè (Marzo 2019)Ogur/Telvin su #neuguitars – Live… #blog Michael Clayton on Eliot Fisk & Paco Peña: NP… Sergio Altamura | Bl… on #Intervista per Sergio Altamur… #Recensione di G2,44… on Rafael Toral Wave Field, ARCHIVESMoney… March 2019 February 2019 January 2019 December 2018 November 2018 October 2018 September 2018 August 2018 July 2018 June 2018 May 2018 April 2018 March 2018 February 2018 January 2018 December 2017 November 2017 October 2017 September 2017 August 2017 July 2017 June 2017 May 2017 April 2017 March 2017 February 2017 January 2017 December 2016 November 2016 October 2016 September 2016 August 2016 July 2016 June 2016 May 2016 April 2016 March 2016 October 2015 September 2015 October 2014 CATEGORIES 2015 2016 2017 2xHD Aaron Larget-Caplan Aaron Rubinstein Adam Rudolph Adolfo La Volpe Adrian Belew Adrian Utley’s Guitar Orchestra Agustín Castilla-Ávila Akira Miyoshi Alan Licht Alba Records Albany Records Alberto Girardi Alberto Mesirca Alberto Ponce AlchEmistica Aldo Clementi Alessandra Novaga Alessandro Blanco Alessandro Fedrigo Alessandro Notari Alexandre Ethier Alexandre Lagoya Allan Holdsworth Almendra Music Alvaro Company Alvaro Henrique Alvin Lucier Alvise Seggi Amadeus Paragon Ambiances Magnétiques Amelie Berson Amirani Records András Párniczky André Fischer Andrea Aguzzi Andrea Bolzoni Andrea Dieci Andrea Epifani Andrea Massaria Andrea Monarda Andrea Rubini Andres Segovia Andrey Lebedev AnMa production Anoushka Shankar Antigoni Goni Antonio Amodeo Antonio De Torres Antonio Rugolo Ariel Elijovich Arion Arnaldo Volani Arnold Schoenberg Arspublica Arturo Tallini Aspen Edities Astor Piazzolla Athenaeum Guitar Trio ATMA Classique Auand AUM Fidelity Auvidis/Naive Ava Mendoza Avant Axel Borup Jørgensen Ádám Mészáros Bach Guitar Duo Baden Powell Bandcamp Barry Seroff Béla Fleck Ben Johnston Benjamin Britten Bern Nix Bertrand Chavarría-Aldrete Biennale di Venezia Bill Frisell Bill Nace Bill Orcutt Bis Northern Lighs BMC Body Meta Body/Head Bola Sete Bolt Records Book BookofHeads BORGUITAR FESTIVAL Boris Brad Faberman Brakophonic Records Brandon Seabrook Brian Ferneyhough Bridge Records Brilliant Records Bruce Ditmas Bruno Bettinelli Bruno Giuffredi Bruno Maderna Bubblemath Buck Curran Buon Natale C.O.D. 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