TURKISH EDUCATİON PROGRAM 1 Year
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The Effects of Westernization Efforts on the Turkish Education System1
International Journal of Educational Research Review The Effects of Westernization Efforts on the Turkish Education System1 Seyithan DEMİRDAĞ2, Muhammad KHALIFA3 ARTICLE INFO ABSTRACT Article History: Westernization refers to the establishment of a system based on science and technology in the life of Received 01.12.2019 a society and encourages developing countries to learn and then use what the West has found in Received in revised form science, technology, human rights, prosperity, and art. In this paper, we have argued the effects of 12.04.2020 Westernization efforts and how the power holding groups use these efforts on their behalf to have Accepted Tarih girmek için authority over governmental institutions and change the education policy of Turkey according to burayı tıklatın. their ideology. Quijano’s notion of Coloniality was used to explain how people, who had a control Available online 01.07.2020 over governmental authorities used Westernization to impose their own ideology in Turkish education policy. In the paper, firstly, we argued why the conflicts due Westernization arise between pro-Westerners and anti-Westerners and how this situation effects the education policy of some societies in the world. Second, we discussed the Westernization efforts made in Turkey. Third, we explained criticism towards Westernization since the Ottoman period. Lastly, we argued how the conflicts between pro-Westerners and anti-Westerners ended up in military coups. © IJERE. All rights reserved 4 Keywords: Westernization, Turkish Education, Military Coups, Anti-Westerners. INTRODUCTION Westernization efforts have influenced the education systems of many nations throughout the world. Such efforts have impacted education in recent Turkish history as well. -
Istinye University Turkish Language and Literature Department Course Contents
ISTINYE UNIVERSITY TURKISH LANGUAGE AND LITERATURE DEPARTMENT COURSE CONTENTS 1st Semester English I The aim of this program is teaching basicly English to the students. This contains some technics of the study of English lesson. Ottoman Turkish I This program is Ottoman Turkish language lesson. In this lesson firstly Arabic script will be instructed. Then with this script some texts readings will be done. Phonology ın Turkish The structure of Turkish phonology will be instructed in this program. Then some functions of the sounds of Turkish language will be demonstrated. Modernization in Turkish Literature 1: Tanzimat Period The aim of this program is firtly indicating politic, social and cultural sructure of Ottoman State in Tanzimat period. Secondly some differences in those areas with the effects of West civilisation will be presented. And thirstly how these basicly differences have resulted in the literary texts like novels, poems and theatral plays in this period will be instructed. All these subjects will be demonstrated with the help of the thoughts of Tanzimat intellectuals and authors. Introduction to Divan Literature The aim of this program is indicating to the students some characteristics of Divan Literature. In this lesson the students will be showed the artistic figures of Old Turkish Literature like metaphor, comparison, allegory, implication, harmony, contrast, exaggeration.. 2nd Semester English II The aim of this program is teaching English to the students on secondary stage. This contains some secondary technics of the study of English lesson. Ottoman Turkish II This program is Ottoman Turkish language lesson on secondary stage. In this lesson some texts readings with Arabic script will be done. -
Bosnian Muslim Reformists Between the Habsburg and Ottoman Empires, 1901-1914 Harun Buljina
Empire, Nation, and the Islamic World: Bosnian Muslim Reformists between the Habsburg and Ottoman Empires, 1901-1914 Harun Buljina Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Harun Buljina All rights reserved ABSTRACT Empire, Nation, and the Islamic World: Bosnian Muslim Reformists between the Habsburg and Ottoman Empires, 1901-1914 Harun Buljina This dissertation is a study of the early 20th-century Pan-Islamist reform movement in Bosnia-Herzegovina, tracing its origins and trans-imperial development with a focus on the years 1901-1914. Its central figure is the theologian and print entrepreneur Mehmed Džemaludin Čaušević (1870-1938), who returned to his Austro-Hungarian-occupied home province from extended studies in the Ottoman lands at the start of this period with an ambitious agenda of communal reform. Čaušević’s project centered on tying his native land and its Muslim inhabitants to the wider “Islamic World”—a novel geo-cultural construct he portrayed as a viable model for communal modernization. Over the subsequent decade, he and his followers founded a printing press, standardized the writing of Bosnian in a modified Arabic script, organized the country’s Ulema, and linked these initiatives together in a string of successful Arabic-script, Ulema-led, and theologically modernist print publications. By 1914, Čaušević’s supporters even brought him to a position of institutional power as Bosnia-Herzegovina’s Reis-ul-Ulema (A: raʾīs al-ʿulamāʾ), the country’s highest Islamic religious authority and a figure of regional influence between two empires. -
The Human World and Musical Diversitv
The Human World and Musical Diversitv: Proceedings Irom the Fourth Meeting 01 the leTM Studv Group "Music and Minorities" in Varna, Bulgaria 2006 The Human World aod Musical Diversity: Proceedings Irom Ihe Fourlh Meeling 01 Ihe leTM Sludy Group "Music and Minorilies" in Varna, Bulgaria 2006 Ediled by Rosemary Sialeiova, Angela Rodel, Lozanka Peycheva, Ivanka Vlaeva and Venlsislav Dimov II1Hcmumym 3a '\.u3Kycmß03HaHue ~~rAPCKA AKAAEM~R HA HAYK~TE Bulgarian Musicology. Studies ~ !.. -yj InstituteBULGARtAN ACADEMY OF SCIENCES oF Art Stuc1les Sofia. 2008 The Institute of Art Studies would like to thank: ~ 6"b1\rAPCKA AKAAEMI1JI The Bulgarian Academy of Science --1869--HaHAYKI1TE The International Council for Traditional Music ~ ~~;~~~CHThe Austrian Science and Research Liaison Office Sofia The Municipality of Varna for the support of the publication Managing editor Elisaveta Valchinova-Chendova © Cover Peter Zhelev © Design and Layout Ekaterina Takova Technical assistant Margarita Kerpitchian Format 70/100/16 Total print 500 Printed in Bulgaria © Institute of Art Studies - Bulgarian Academy of Science, 2008 Bulgarian Musicology. Studies ISBN 978-954-8594-11-0 Music and Minorities 172 Transmission of Musical Traditions of the Alevi Ceremony: Musical Education of Young People Playing Baglama in Berlin Dorit Klebe In my paper I will report on the transmission of the musical traditions of the cem,l an Alevy2 worship ceremony, outside of its ceremonial context. I will focus on the specif- ic vocal/instrumental genre deyifi, which will be examined in the context of baglama3 playing and the training of children and young people from Alevitic families, showing some recent developments in the practice in Berlin. -
Turkish Literature from Wikipedia, the Free Encyclopedia Turkish Literature
Turkish literature From Wikipedia, the free encyclopedia Turkish literature By category Epic tradition Orhon Dede Korkut Köroğlu Folk tradition Folk literature Folklore Ottoman era Poetry Prose Republican era Poetry Prose V T E A page from the Dîvân-ı Fuzûlî, the collected poems of the 16th-century Azerbaijanipoet Fuzûlî. Turkish literature (Turkish: Türk edebiyatı or Türk yazını) comprises both oral compositions and written texts in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. The Ottoman Turkish language, which forms the basis of much of the written corpus, was influenced by Persian and Arabic and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic are the Orhon inscriptions, found in the Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of oral epics, such as the Book of Dede Korkut of the Oghuz Turks—the linguistic and cultural ancestors of the modern Turkish people—and the Manas epic of the Kyrgyz people. Beginning with the victory of the Seljuks at the Battle of Manzikert in the late 11th century, the Oghuz Turks began to settle in Anatolia, and in addition to the earlier oral traditions there arose a written literary tradition issuing largely—in terms of themes, genres, and styles— from Arabic and Persian literature. -
The Socioeconomics of State Formation in Medieval Afghanistan
The Socioeconomics of State Formation in Medieval Afghanistan George Fiske Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 George Fiske All rights reserved ABSTRACT The Socioeconomics of State Formation in Medieval Afghanistan George Fiske This study examines the socioeconomics of state formation in medieval Afghanistan in historical and historiographic terms. It outlines the thousand year history of Ghaznavid historiography by treating primary and secondary sources as a continuum of perspectives, demonstrating the persistent problems of dynastic and political thinking across periods and cultures. It conceptualizes the geography of Ghaznavid origins by framing their rise within specific landscapes and histories of state formation, favoring time over space as much as possible and reintegrating their experience with the general histories of Iran, Central Asia, and India. Once the grand narrative is illustrated, the scope narrows to the dual process of monetization and urbanization in Samanid territory in order to approach Ghaznavid obstacles to state formation. The socioeconomic narrative then shifts to political and military specifics to demythologize the rise of the Ghaznavids in terms of the framing contexts described in the previous chapters. Finally, the study specifies the exact combination of culture and history which the Ghaznavids exemplified to show their particular and universal character and suggest future paths for research. The Socioeconomics of State Formation in Medieval Afghanistan I. General Introduction II. Perspectives on the Ghaznavid Age History of the literature Entrance into western European discourse Reevaluations of the last century Historiographic rethinking Synopsis III. -
Imge Ve Cumhuriyet Dönemi Türk Şiirinde “Su” Imgesi
İMGE VE CUMHURİYET DÖNEMİ TÜRK ŞİİRİNDE “SU” İMGESİ Mustafa KARABULUT1 Özet İmge, zihinlerde kurulan resimler ve görüntüler olup şiirin anlamını, yapısını etkileyen, şiire farklı bakış açıları kazandıran bir kavramdır. İmgenin oluşumunda şairin dış dünyaya ait gözlemleri, sanatçı duyarlılığı, hayal gücü, nesneler arasında kurduğu bağıntılar ön plandadır. Şair, gözlemlerinden yeni tasarımlar oluşturur. Bu şekilde oluşan tasarımlar özgün bir yapı taşır. Cumhuriyet dönemi Türk şiiri kaynağını Türk halk edebiyatı, Divan edebiyatı ve Batı edebiyatından alır. Bu bakımdan bu dönem şairlerinin çoğu bu üç kaynaktan da büyük ölçüde beslenmişlerdir. “Su”, Cumhuriyet dönemi Türk şiirinde birçok şairin imge dünyasını zenginleştiren bir kavramdır. Çalışmada ilk olarak imge hakkında bilgiler verildikten sonra, su imgesinin İslamiyet Öncesi Türk edebiyatından Cumhuriyet dönemine kadar Türk edebiyatının bazı kullanımlarına örnekler verildi. Daha sonra çalışmanın asıl bölümü olarak su imgesinin kullanımı konusunda Cumhuriyet dönemi Türk edebiyatından birkaç şiir incelendi. Konu oldukça geniş bir sahaya yayıldığından bu makalede birkaç şair seçilerek sınırlandırma yapıldı. Çalışmada şu şairlerin şiirlerine bakıldı: Ziya Osman Saba, Ömer Bedrettin Uşaklı, Cahit Sıtkı Tarancı, Orhan Veli Kanık, Necip Fazıl Kısakürek, İlhan Berk, Sezai Karakoç, Nâzım Hikmet Ran ve Nurullah Genç. Yukarıda isimleri belirlerken bu şairlerin Cumhuriyet dönemi Türk şiirinin farklı ekollerinden olmaları ve şiirlerinde su imgesine önem vermeleri ölçüt alınmıştır. Bu makalede yöntem -
Auerbach, Tanpınar and Edib in Istanbul: Reinventing the Humanities and Comparative Literature
Auerbach, Tanpınar and Edib in Istanbul: Reinventing the Humanities and Comparative Literature An Interview with Efe Khayyat on Istanbul 1940 and Global Modernity: The World according to Auerbach, Tanpınar, and Edib OĞUZ TECİMEN uring the last decade ground-breaking studies on Erich Auerbach have appeared Din English, reviving the interest in Auerbach’s extraordinary work worldwide. Kader Konuk’s East West Mimesis (2010), for instance, demonstrates the historical, geo- graphical and academic circumstances that conditioned Auerbach’s writing of Mimesis in Istanbul. Konuk aptly shows how Auerbach’s masterpiece is not just a work of exile, as Edward Said and others once argued, but was thoroughly informed by Auerbach’s tenure in Istanbul between 1936-1947. As another example, the collection of writings by Auerbach, Time, History and Literature (translated by Jane O. Newman, 2013) along with James I. Porter’s comprehensive introduction to the volume, covers Auerbach’s in- tellectual trajectory from beginning to end, depicting Auerbach as a multifaceted intel- lectual (philologist, philosopher, historian, literary critic), and revealing the relevance of Auerbach’s work to comparative and world literary studies today. Despite these and many other extraordinary contributions to Auerbach scholarship, there seemed to be something missing in this ever-expanding corpus. Did Auerbach not have any non-Western colleagues to work with in Istanbul? Did he not have Turkish colleagues at Istanbul University in addition to Turkish students? If Auerbach -
A History of Ottoman Poetry
51 told against him, and still more the extreme penury in which the greater part of his life was passed. This compelled him to place his immediate wants before all else ; he could not afford to work for art's sake alone, and many of his verses were written either for money or in the hopes of gaining it. That under such conditions he should have attained the high position that he did proves him to have been possessed of more than ordinary ability, and the remark of the critics quoted by Latifi is well-founded that it must have been by sheer force of native talent that a man without education, who had never sat at the feet of muderris or professor, was able to produce works of imaginative art that filled the cultured with admiration and amazement. The biographer just mentioned waxes enthusiastic when discussing Zati's gifts; not only is he the most prolific of the lyrists, but had it not been for his deafness and his poverty it is certain that not one of all tliose who went before or followed after him could have approached him, for he would have been uiiif|uc in the cycle and pre-eminent on the earth; 'many an age must the circling heavens roll ere mother earth bring forth to the world fiom the womb of nature one of loft\' genius like to i)ini.' 'i'lic wrilci' adds thai tin- critics are agreed that he was a master in subtile fancies and imaginative language, and compared him to the IV-rsian pott She\kh Kem.il;' for which among the arts of |ioetr\- did lie not |)ractise, and to what virgin lanc\' did iiol his |)ieriiiu; wit attain:' L.ttih's, liow(;ver, is no .it imie Uhnd .k hnii ion ; he is .il>l<' ,((• to the weakness as well a. -
Turkish Folklore
HUMANITIES INSTITUTE TURKISH FOLKLORE Course Description: Designed for English-speaking students, this course will cover some of the major issues surrounding Turkish folklore and oral literature. Among the subjects are the Turkish epic, romantic epic (or hikâye), Turkish name-giving traditions, folklore and nationalism, folk religion, the structure and performance of Turkish romances, the formula in oral creation, performer-audience relationship, folklore as a political instrument, digression in oral narrative, proverbs and social change, folk theater, orality in the written text, and the gender dynamics of oral literature and performance. The course will also integrate some of the fundamental theoretical works of the field of Folklore, and their applicability to the Turkish context. About the Professor This course was developed by Kemal Silay, Ph.D., Chair of Ottoman and Modern Turkish Studies Department, Central Eurasian Studies, Indiana University. Required Texts: • Richard Bauman, Verbal Art as Performance. Prospect Heights, Illinois: Waveland Press, Inc., 1977. • The Book of Dede Korkut: A Turkish Epic. Translated into English and edited by Faruk Sümer, Ahmet E. Uysal, Warren S. Walker. Austin, Texas: University of Texas Press, 1972. • Albert B. Lord, The Singer of Tales. Cambridge, Massachusetts: Harvard University Press, 1960. • Walter J. Ong, Orality and Literacy: The Technologizing of the Word. London and New York: Methuen, 1982. • Vladimir Propp, Morphology of the Folktale. Austin, Texas: University of Texas Press, 2009 [First published by the American Folklore Society and Indiana University in 1968]. • Kemal Silay, Ed., Turkish Folklore and Oral Literature: Selected Essays of İlhan Başgöz. Bloomington, Indiana: Indiana University Turkish Studies Series, 1998. • Jan Vansina, Oral Tradition as History. -
A Comparison of Mehmet Akif Ersoy and Ziya Gökalp
ISLAMIST AND TURKIST CONCEPTUALIZATION OF NATION IN THE LATE OTTOMAN PERIOD: A COMPARISON OF MEHMET AKİF ERSOY AND ZİYA GÖKALP A THESIS SUBMITTED TO THE INSTITUTE OF SOCIAL SCIENCES OF ANKARA YILDIRIM BEYAZIT UNIVERSITY BY KEMAL UFUK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF INTERNATIONAL RELATIONS IN THE DEPARTMENT OF INTERNATIONAL RELATIONS JUNE 2019 Approval of the Institute of Social Sciences: __________________________________ Doç. Dr. Seyfullah YILDIRIM Manager of Institute I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. ____________________________________ Prof. Dr. Birol AKGÜN Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. _____________________________________ Asst. Prof. Dr. Bayram SİNKAYA Supervisor Examining Committee Members Assoc. Prof. Dr. Mustafa Serdar PALABIYIK (TOBB ETU, PSIR)__________________ Asst. Prof. Dr. Bayram SİNKAYA (AYBU, IR) __________________ Asst. Prof. Dr. Güliz DİNÇ (AYBU, PSPA) __________________ ii I hereby declare that all information in this thesis has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work; otherwise I accept all legal responsibility. Name, Last name : Kemal UFUK Signature : iii ABSTRACT ISLAMIST AND TURKIST CONCEPTUALIZATION OF NATION IN THE LATE OTTOMAN PERIOD: A COMPARISON OF MEHMET AKİF ERSOY AND ZİYA GÖKALP UFUK, Kemal M.A., Department of International Relations Supervisor: Asst. -
An Analysis of the English Translations of Erzurum Folk Riddles in the Light of Raymond Van Den Broeck's Translation Critici
Hacettepe University Graduate School of Social Sciences Department of Translation and Interpreting AN ANALYSIS OF THE ENGLISH TRANSLATIONS OF ERZURUM FO LK RIDDLES IN THE LIGHT OF RAYMOND VAN DEN BROECK’S TRANSLATION CRITICISM MODEL Duygu DALASLAN Master’s Thesis Ankara, 2015 AN ANALYSIS OF THE ENGLISH TRANSLATIONS OF ERZURUM FOLK RIDDLES IN THE LIGHT OF RAYMOND VAN DEN BROECK’S TRANSLATION CRITICISM MODEL Duygu DALASLAN Hacettepe University Graduate School of Social Sciences Department of Translation and Interpreting Master’s Thesis Ankara, 2015 iii DEDICATION I would like to dedicate my thesis to deceased Asst. Prof. Dr. İsmail BOZTAŞ who supported me a lot throughout my academic life. I feel very proud to be one of his students. iv ACKNOWLEDGEMENTS Writing this thesis is one of the most difficult tasks of my life but I have been lucky for being surrounded by wonderful people who have never given up helping me during the course of writing my thesis. First of all, I would like to express my sincere feelings of appreciation to my thesis advisor Prof. Dr. Asalet ERTEN who has never hesitated to take the time to read all the sentences in my thesis one by one and to guide me through all of the difficulties I have experienced until the end. I am highly grateful for her patience. I would also like to thank all of the academicians, especially Asst. Prof. Dr. Hilal ERKAZANCI and Asst. Prof. Dr. Elif ERSÖZLÜ in the Department of Translation and Interpretation in English. This thesis would not have existed without their guidance and suggestions.