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ADAM PENN, ACE EDITOR TELEVISION HUNTERS (Season 2) Amazon Prod: Nikki Toscano, David Weil, Jordan Peele Dir: Various David Rosen, Alfonso Gomez-Rejon POSE (Pilot) FX/Ryan Murphy Productions Prod: Ryan Murphy, Alexis Martin Woodall Dir: Ryan Murphy Brad Falchuk, Steven Canals FEUD: BETTE AND JOAN (Pilot) FX/Ryan Murphy Productions Prod: Ryan Murphy, Alexis Martin Woodall Dir: Ryan Murphy Dede Gardner, Tim Minear *Nominated, ACE Eddie Award for Best Edited Miniseries or Motion Picture for Television MR. ROBOT (Season 2) NBC Universal/USA Prod: Sam Esmail, Steve Golin, Chad Hamilton Dir: Sam Esmail (Co-Producer & Supervising Editor) AMERICAN CRIME STORY: FX/Ryan Murphy Productions Prod: Ryan Murphy, Alexis Martin Woodall Dir: Ryan Murphy THE PEOPLE VS. OJ SIMPSON (Season 1) Brad Falchuk, Nina Jacobson *Nominated, ACE Eddie Award for Best Edited Miniseries or Motion Picture for Television *Nominated, Primetime Emmy for Outstanding Single-Camera Picture Editing for a Limited Series or a Movie SCREAM QUEENS (Pilot) FX/Ryan Murphy Productions Prod: Ryan Murphy, Alexis Martin Woodall Dir: Ryan Murphy Ian Brennan, Brad Falchuk AMERICAN HORROR STORY FX/Ryan Murphy Productions Prod: Ryan Murphy, Alexis Martin Woodall Dir: Ryan Murphy (Seasons 8 - 9 – Supervising Producer) Bradley Buecker, Brad Falchuk (Season 7 – Producer) (Seasons 1 - 5 – Editor) NIP/TUCK (Seasons 5 - 6) FX/Ryan Murphy Productions Prod: Ryan Murphy, Alexis Martin Woodall Dir: Ryan Murphy Bradley Buecker FEATURES THE NORMAL HEART HBO Prod: Ryan Murphy, Scott Ferguson, Jason Blum Dir: Ryan Murphy Alexis Martin Woodall, Brad Pitt *Winner, ACE Eddie Award for Best Edited Miniseries or Motion Picture for Television *Nominated, Primetime Emmy for Outstanding Single-Camera Picture Editing for a Limited Series or a Movie 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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The Superintendent's Update / Page 2 of 16
The Superintendent’s Update June 3, 2015 NEWS FROM KELLY While this past year definitely presented challenges, there were also many successes. CUSD continues to provide excellent educational opportunities for our students, and this is never more evident than at this time of the year. Our students are winning awards, graduating, and heading off to all parts of the country to further their education and continue their lives. They are able to do this because of the education and support they received here in Chico. Thank you to each and every CUSD staff member as each of you plays a role in the success of our students—and they are why we are all here. While it is exciting to see our students promote from one grade to the next, and ultimately graduate, it is much harder when it comes to saying goodbye to our colleagues when they make that decision to “graduate” into retirement. We see their happiness, and we want to be happy for them, but still, it is hard to envision not having them with us when we come back and start the new school year. To help those of us they are leaving behind, we ask our retirees to find some time occasionally to come by and say hello as they will be missed. Please join me in congratulating the following CUSD staff members who have either retired during the 2014-2015 school year or who have submitted their intent to retire at the end of this school year. They have my sincere appreciation for their years of dedication to education and I wish them all health and happiness in their retirement.
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PETER RENIERS Director of Photography
PETER RENIERS Director of Photography REELS Feature Films & Television PROJECT DIRECTOR STUDIO/PRODUCTION CO. POSE Gwyneth Horder-Payton FX / Ryan Murphy Productions Season 2, Additional Photography Tina Mabry EP: Steven Canals, Brad Falchuk, Ryan Murphy ENEMY WITHIN Gabriel Robertson 27 Ten Productions / Affirmative Entertainment Cast: Joe Naufahu, Kazuma Spano, Beulah Koale Prod: Ken Petrie, Ileen Maisel, Peter Morris THE BLACKLIST Michael Carracciolo NBC / Sony Pictures Television Season 5, Ep. 17 Prod: Jon Bokenkamp, John Eisendrath ELEMENTARY Ron Fortunato CBS / Timberman-Beverly Productions Seasons 4-5 (4 episodes) EP: Carl Beverly, Sarah Timberman THE SLAP (miniseries) Lisa Cholodenko, Ken Olin NBC / Universal Television Episode #7 + Additional Photography Michael Morris EP: Walter Parkes, Laurie MacDonald THE GIFT (short) Gabriel Robertson Independent BREAKING BAD Colin Bucksey AMC / Sony Pictures Television Season 3, 2 Episodes Michael Slovis EP: Vince Gilligan, Mark Johnson 2nd Unit DP, 11 Episodes 30 ROCK Various NBC / Universal Television Seasons 6-7, 22 Episodes EP: Tina Fey, Lorne Michaels RUBICON Brad Anderson, Michael Slovis, AMC / Warner Horizon 3 Episodes Henry Bromell EP: Henry Bromell, Jason Horwitch RUNNING WILDE Adam Bernstein Fox / Lionsgate Television 2 Episodes Troy Miller EP: Mitchell Hurwitz, Will Arnett NEW AMSTERDAM Ep. 8: Matt Penn Fox / Regency Television Episode #8 Pilot: Lasse Hallstrom EP: David Manson Pilot: Additional Photography LAW & ORDER: SVU Peter Leto NBC Episode #157 LAW & ORDER Constantine Makris, NBC 2 Episodes Jace Alexander LOOSE WOMEN Paul Bernard InMotion Entertainment Cast: Melissa Errico, Tom Verica TWO EVIL EYES George Romero ADC Films Cast: Adrienne Barbeau, Harvey Keitel BLOODSUCKING PHARAOHS IN PITTSBURGH Dean Tschetter Saratoga Film Group NIGHT VISITORS David Fulk Valley Film Group 2nd Unit PROJECT DIRECTOR STUDIO/PRODUCTION CO.
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Agnese Discusses Guns, Progress by Stephen M
VOL. 116. NO. 4 www.uiwlogos.org October 2015 Agnese discusses guns, progress By Stephen M. Sanchez LOGOS NEWS EDITOR The University of the Incarnate Word community will be polled to get its views on the state’s new law allowing concealed guns on campus but UIW will likely opt out, the president said. Dr. Louis J. Agnese Jr., who’s been president 30 years, shared this with those who attended his annual “State of the University” address on Oct. 6 at CHRISTUS Heritage Hall. Agnese also gave a mostly upbeat report on the university’s growth in his “Looking Ahead to 2020” PowerPoint presentation, pointing out how UIW has grown from 1,300 students and a budget of $8 mil- lion when he first became president in 1985 to its 11,000 students globally and budget in the hundreds of millions today. He’s seen a small college morph into the fourth-largest private school in the state and the largest Catholic institution in the state. UIW currently has 10 campuses in San Antonio, one in Corpus Christi, and another in Killeen. The university also contracts with 144 sister schools overseas in its Study Abroad program. More than 80 majors are offered including bachelor’s, master’s and doctoral degrees. UIW also has professional schools in pharmacy, optometry and physical therapy with a School of Osteopathic Medicine set to open in fall 2017 at Brooks City Base. UIW students also receive more than $150 million annually in financial aid. - Cont. on page 2 Stephen M. Sanchez/ LOGOS NEWS EDITOR -Agnese discusses progress.
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings.
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Why the Inimitable Sarah Paulson Is the Future Of
he won an Emmy, SAG Award and Golden Globe for her bravura performance as Marcia Clark in last year’s FX miniseries, The People v. O.J. Simpson: American Crime Story, but it took Sarah Paulson almost another year to confirm what the TV industry really thinks about her acting chops. Earlier this year, her longtime collaborator and O.J. executive producer Ryan Murphy offered the actress the lead in Ratched, an origin story he is executive producing that focuses on Nurse Ratched, the Siconic, sadistic nurse from the 1975 film One Flew Over the Cuckoo’s Nest. Murphy shopped the project around to networks, offering a package for the first time that included his frequent muse Paulson attached as star and producer. “That was very exciting and also very scary, because I thought, oh God, what if they take this out, and people are like, ‘No thanks, we’re good. We don’t need a Sarah Paulson show,’” says Paulson. “Thankfully, it all worked out very well.” In the wake of last year’s most acclaimed TV performance, everyone—TV networks and movie studios alike—wants to be in business with Paulson. Ratched sparked a high-stakes bidding war, with Netflix ultimately fending off suitors like Hulu and Apple (which is developing an original TV series strategy) for the project last month, giving the drama a hefty Why the inimitable two-season commitment. And that is only one of three high- profile TV series that Paulson will film over the next year. In Sarah Paulson is the 2018, she’ll begin production on Katrina, the third installment in Murphy’s American Crime Story anthology series for FX, and continue on the other Murphy FX anthology hit that future of TV.
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SKYDANCE MEDIA CASTS NATALIA REYES, DIEGO BONETA, and GABRIEL LUNA to STAR in UPCOMING TERMINATOR PROJECT After a Global Ta
SKYDANCE MEDIA CASTS NATALIA REYES, DIEGO BONETA, AND GABRIEL LUNA TO STAR IN UPCOMING TERMINATOR PROJECT After a global talent search, Skydance Media announced today Natalia Reyes ("Lady, La Vendedora de Rosas"), Diego Boneta (“Scream Queens,” Rock of Ages), and Gabriel Luna (“Marvel’s Agents of S.H.I.E.L.D.”) will join MaCkenzie Davis as the new stars of the latest Terminator project directed by Tim Miller (Deadpool) and produced by James Cameron and David Ellison. Specific details on the characters are being kept under wraps As previously announced, Arnold Schwarzenegger and Linda Hamilton are set to star in the film which is scheduled for release the Friday before Thanksgiving on November 22, 2019. The movie will be a direct sequel to Cameron's Terminator 2: Judgment Day, with Schwarzenegger and Hamilton anchoring the story while passing the baton to a new generation of characters. The film will be distributed domestically by Paramount Pictures and internationally by 20th Century Fox. Natalia Reyes, is a Colombian actress best known for her starring role in Sony's hit Latin America series "Lady, La Vendedora de Rosas" and as one of the stars of Peter Webber’s Netflix original film Pickpockets. In 2017, she shot Sumergible produced by Ecuadorian director Sebastián Cordero and was part of Sticks and Stones a film by Martin SkovbJerg in Denmark. She Just finished shooting Running with the Devil, an upcoming American thriller starring Nicolas Cage. Reyes is a graduate of the Lee Strasberg Theatre and Film Institute (New York City). Mexican-born actor Diego Boneta, made his feature debut in the musical Rock of Ages.
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Finery at Vinery
SOUTHEAST ALABAMA FLORIDA GEORGIA MISSISSIPPI NORTH CAROLINA SOUTH CAROLINA TENNESSEE Finery SOUTHEAST at Vinery In This Section LEADING SIRES IN FLORIDA BY 2011 PROGENY EARNINGS Florida training center under LEADING SIRES IN FLORIDA Ian Brennan sends out winners in bunches BY 2011 WINNERS BY LENNY SHULMAN ometimes it pays to be contrarian. While other operations have contracted over Advertisers’ the past few years, Tom Simon’s Vinery has gotten aggressive. It has supported Index Sits young stallions More Than Ready and Congrats and turned them into major success stories; it has enhanced its racing stable and come up with horses such as Kodiak Kowboy, a NATC champion in both the United States and Canada who 687 WWW.NATC.CC has now joined the Vinery stallion roster; and last year Vinery made its debut as a consignor of 2-year- VINERY SOUTH olds in training at various juvenile auctions. 689 WWW.VINERY.COM To achieve such success takes coordination among WINNING IMAGES PHOTOGRAPHY/JOSEPH DIORIO PHOTOS Ian Brennan directs Vinery's successful Florida training center 686 BloodHorse.com ■ MARCH 12, 2011 37% of our 2010 Graded Stakes Winning Graduates Won Grade I Stakes “From 2004-2008 buyers purchased 2,310 runners as juveniles for $100,000 or more. An impressive 14% went on to become stakes winners with 26% earning black type..” -The Blood-Horse MarketWatch, Feb. 2011 DAKOTA PHONE-G1 WICKEDLY PERFECT-G1 DEVIL MAY CARE-G1 Find your next Graded Stakes Winner at an upcoming Two-Year-Olds in Training Sale Mar. 15-16 OBS Selected Sale, Ocala, FL Mar.
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Media Kit Fact Sheet P
Beaver MEDIA KIT Fact Sheet p. 2 Background p. 5 Faculty & Staff p. 6 Press Coverage p. 10 Presentations p. 13 Notable Alumni p. 14 College List p. 15 Beaver Country Day School Media Contact 791 Hammond Street Meredith Frazier Chestnut Hill, MA 02467 [email protected] Phone: 617-738-2700 617-738-2745 www.bcdschool.org 1 Beaver FACT SHEET Founded 130 1920 50%53% 50% Grades Middle School Students 6 - 12 Students from public Students from independent & charter schools & parochial schools Local Communities 338 (in and around Boston) 70 25% 25% 24% Languages Upper School 20 Students Students of color Faculty of color Financial aid OVERVIEW Beaver Country Day School is a NEASC- accredited school for grades six through 12 located three miles west of Boston in Brookline, Mass. Through its multidimensional approach to teaching, Beaver stands at the forefront of education and empowers students to succeed in today’s constantly-changing world. Innovative partnerships, challenging academics and a technology- driven educational environment make Beaver a leader in independent, college- preparatory education. Beaver students come from more than 70 communities in and around Boston and speak 20 different languages at home. MISSION Beaver offers an academically challenging curriculum in an environment that promotes balance in students’ lives. Deeply committed to individual student success, teachers inspire students to: • Reason and engage deeply with complex ideas and issues; • Be intellectually curious, open-minded and fair; • Identify and build upon their strengths; • Develop leadership and teamwork skills; • Act effectively within a genuinely diverse cultural and social framework; • Serve both school and society with integrity, respect and compassion.
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Glee: Uma Transmedia Storytelling E a Construção De Identidades Plurais
UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE HUMANIDADES, ARTES E CIÊNCIAS PROGRAMA MULTIDISCIPLINAR DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Salvador 2012 ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação apresentada ao Programa Multidisciplinar de Pós-graduação, Universidade Federal da Bahia, como requisito parcial para obtenção do título de mestre em Cultura e Sociedade, área de concentração: Cultura e Identidade. Orientador: Prof. Dr. Djalma Thürler Salvador 2012 Sistema de Bibliotecas - UFBA Lima, Roberto Carlos Santana. Glee : uma Transmedia storytelling e a construção de identidades plurais / Roberto Carlos Santana Lima. - 2013. 107 f. Inclui anexos. Orientador: Prof. Dr. Djalma Thürler. Dissertação (mestrado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2012. 1. Glee (Programa de televisão). 2. Televisão - Seriados - Estados Unidos. 3. Pluralismo cultural. 4. Identidade social. 5. Identidade de gênero. I. Thürler, Djalma. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.4572 CDU - 791.233 TERMO DE APROVAÇÃO ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Cultura e Sociedade, Universidade Federal da Bahia, pela seguinte banca examinadora: Djalma Thürler – Orientador -------------------------------------------------------------
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AMERICAN HORROR STORY TEMP 9 CAP 8 9 Pasfox
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Facts Are Stubborn Things": Protecting Due Process from Virulent Publicity
Touro Law Review Volume 33 Number 2 Article 8 2017 "Facts Are Stubborn Things": Protecting Due Process from Virulent Publicity Benjamin Brafman Darren Stakey Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Civil Procedure Commons, Civil Rights and Discrimination Commons, and the First Amendment Commons Recommended Citation Brafman, Benjamin and Stakey, Darren (2017) ""Facts Are Stubborn Things": Protecting Due Process from Virulent Publicity," Touro Law Review: Vol. 33 : No. 2 , Article 8. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol33/iss2/8 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Brafman and Stakey: Facts Are Stubborn Things “FACTS ARE STUBBORN THINGS”: PROTECTING DUE PROCESS FROM VIRULENT PUBLICITY by Benjamin Brafman, Esq.* and Darren Stakey, Esq.** *Benjamin Brafman is the principal of a seven-lawyer firm Brafman & Associates, P.C. located in Manhattan. Mr. Brafman’s firm specializes in criminal law with an emphasis on White Collar criminal defense. Mr. Brafman received his law degree from Ohio Northern University, in 1974, graduating with Distinction and serving as Manuscript Editor of The Law Review. He went on to earn a Masters of Law Degree (LL.M.) in Criminal Justice from New York University Law School. In May of 2014, Mr. Brafman was awarded an Honorary Doctorate from Ohio Northern University Law School. Mr. Brafman, a former Assistant District Attorney in the Rackets Bureau of the New York County District Attorney’s Office, has been in private practice since 1980.
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Why Emma Roberts Is My Spirit Animal
Dating Tip #77: Google the person. Thursday, October 15, 2015 12A The Valdosta Daily Times The video !! art of brain tra surgery FROM JOE Medical Degrees: 0 Malpractice Suits: Too many to count XX he patient is readied. My #vdtxtra assistants are ready. My Thands are washed. It’s time to start on an appendectomy. Just as I make my first incision, I get the horrific realization I forgot some- thing. Maybe it’s the fact the patient just let out a bone-chilling scream that could be heard by everyone on the helipad six stories above us. My lead assistant looks at me, not really im- pressed with my minor mistake. “You know, that wasn’t really the proper procedure,” he tells me, as calm as ever. The chief surgeon, trying to make par 3 on the 15th in one stroke, had his phone go off just as he made the shot. When he stormed into my vicinity, I thought he was going to wrap his 5-iron around my throat. “I am outraged at your unbelievable incompetence!” he roared in my direc- tion. Gee, thanks. I found out later his shot wound up beaning someone Gerald Ford-style. My job was now to take care of this guy. JOE By the way, I should point out that I’m really just playing a game — “Life and Death,” a game by Software Toolworks which came out in 1988. The first game focused on the lower body — the appendix, the stomach, etc. Its sequel, “Life and Death II,” focused on the brain.
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