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Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
Ken Whittingham Is an American Television Director Who Has Been in the Industry for Over 25 Years
DIRECTOR BIOGRAPHIES KEN WHITTINGHAM (Director – Episodes 101 & 102) Ken Whittingham is an American television director who has been in the industry for over 25 years. He has directed episodes for a wide variety of television series including “Parks and Recreation,” “Brooklyn Nine- Nine,” “Suburgatory,” “Parenthood,” “About a Boy,” “30 Rock,” “The Middle,” “The Office,” “Entourage,” “Community,” “Scrubs,” “My Name is Earl,” “Everybody Hates Chris,” “Rules of Engagement,” “Gilmore Girls,” “King of Queens,” “The Bernie Mac Show,” “Yes, Dear,” “Still Standing,” and many more. Whittingham has been nominated for multiple NAACP Image Awards for “30 Rock,” “Parenthood,” “Entourage,” and “Everybody Hates Chris” and has won four times. He won for Outstanding Directing for a Comedy Series for the “Parks and Recreation” episode “How a Bill Becomes a Law;” “30 Rock” for episode “The Funcooker;” and for “The Office” episodes “Phyllis’s Wedding” and “Michael’s Birthday.” PETER SEGAL (Director – Episode 103) Peter Segal is an award-winning film and television director, producer, and writer whose movies have grossed over $1.1 billion to date. He recently directed Robert De Niro, Sylvester Stallone and Kevin Hart in Warner Bros. boxing comedy Grudge Match. Before that, he teamed up with Steve Carell and Anne Hathaway and Dwayne Johnson in the big screen adaptation of Mel Brooks and Buck Henry’s legendary television series Get Smart, which made $230 million worldwide. In fact, that movie became Segal’s fifth consecutive film to gross over $100 million in domestic box office. A frequent collaborator with Adam Sandler, Segal has directed the actor in such films as 50 First Dates, with Drew Barrymore; Anger Management, which also starred Jack Nicholson, and The Longest Yard, currently the highest-grossing comedy remake of all time and the second-highest grossing sports comedy in history. -
RICH FOX Editor
RICH FOX Editor PROJECTS DIRECTORS STUDIOS/PRODUCERS ECHOES Various Directors NETFLIX / Paul Leonard Limited Series Brian Yorkey, Quinton Peeples JOE PICKETT John Dowdle PARAMOUNT TV / CHARTER/SPECTRUM Season 1 Various Directors Kari Hobson, John Dowdle, Drew Dowdle 13 REASONS WHY Jessica Yu PARAMOUNT TV / NETFLIX Seasons 3 - 4 Aurora Guerrero Kim Cybulski, Brian Yorkey Russell Mulcahy THE ARRANGEMENT Jonas Pate UNIVERSAL CABLE PRODUCTIONS / E! Series Robert Duncan McNeill Chris Connolly, Jonathan Abrahams Lukas Ettlin AQUARIUS Jonas Pate ITV STUDIOS / NBC Series Michael Offer John McNamara, Desiree Cadena Nelson McCormick David Duchovny 1BR David Marmor EPICENTER / Alok Mishra Feature Film Sam Sandweiss, Shane Vorster GAME OF SILENCE Niels Arden Oplev SONY / NBC Pilot & Series Brad Tanenbaum Carol Mendelsohn, Julie Weitz Holly Dale Sabra Ruel BELIEVE Alfonso Cuarón BAD ROBOT / WARNER BROS. / NBC Season 1 Timothy Good, Mark Friedman, Kathy Lingg 7 DAYS IN HAVANA Benicio Del Toro BIR FILM / Laura Bickford “El Yuma” segment Laurent Baudens, Didar Domehri GLEE Eric Stoltz NBC / Alexis Woodall Season 4 – Episode 3 Bradley Buecker, Ryan Murphy BRIEF INTERVIEWS John Krasinski IFC FILMS WITH HIDEOUS MEN Eva Kolodner Official Selection – Sundance Film Festival TODAY’S SPECIAL David Kaplan INIMITABLE FILMS Official Selection – London Film Festival Lillian LaSalle THE HAMMER Charles Herman- THE WEINSTEIN COMPANY Official Selection – Tribeca Film Festival Wurmfeld Eric Ganz / Eden Wurmfeld THE KILLING FLOOR Gideon Raff LIGHTENING ENT. Add’l Editing -
CHRIS LAVASSEUR Director of Photography
CHRIS LAVASSEUR Director of Photography www.chrislavasseur.com WARRIOR NUN (series) – Netflix/Reality Distortion Fiel; Prods: Amy Berg, Simon Barry, Stephen Hegyes, Terri Hughes Burton; Dirs: Jet Wilkinson w/ Ally Bader, Jessica Ross-Salonga DAREDEVIL (series) – Netflix/Marvel/ABCP; Prods: Erik Oleson, Marco Ramirez, Steven S De Knight, Drew Goddard, Tom Lieber, Karim Zreik, Jim Chory, Evan Perrazo; Dirs: Jet Wilkinson, Marc Jobst, Lukas Ettlin, Jennifer Getzinger, Alex Garcia Lopez, Julian Holmes, Steve Surjik, Toa Fraser, Alex Zakrzewski, Jennifer Lynch; w/ Charlie Cox, Vincent D’Onofrio INSTINCT (series) – CBS/CBSP; Prods: Michael Rauch, Heather Kadin, Aaron Baiers, Kristin Bernstein; Dirs: Alex Pillai, John Behring, Janice Cooke, Joe Collins, Cherie Nowlan, Lee Rose; w/ Alan Cummin, Bojan Novakovic, Naveen Andrews FEAR THE WALKING DEAD (Series) — AMC; Prods Dave Erickson, Robert Kirkman, Gale Ann Hurd, Frank Hildebrand, Andrew Bernstein; Dir: Andrew Bernstein, Stefan Schwartz, Courtney Hunt, Paco Cabeza, Alrick Riley; w/ Kim Dickens, Cliff Curtis, Frank Dillane, Alycia Debnam-Carey IRON FIST (series) – Netflix/Marvel/ABC TV; Prods: Scott Buck, Quinton Peeples, Scott Reynolds, Allie Goss, Jeph Loeb, Stan Lee, Evan Perazzo; Dirs: John Dahl, Miguel Sapochnik, Peter Hoar, Deborah Chow, Uta Briesewitz, Tom Shankland, Farren Blackburn, Andy Goddard; w/ Finn Jones, Jessica Henwick HAPPY! (episode) – SyFy/UCP; Prods: Patrick McManus, Grant Morrison, Brian Taylor, Neal Moritz, Pavun Shetty, Toby Jaffe, Tom Sellitti; Dir: David Petrarca THE -
JASON PICCIONI Visual Effects Supervisor / 2Nd Unit Director
JASON PICCIONI Visual Effects Supervisor / 2nd Unit Director TELEVISION DIRECTOR/PRODUCER PROD. CO. / STUDIO CASTLE ROCK Sam Shaw Bad Robot / HULU VFX Supervisor RUN FOR YOUR LIFE (pilot) Patricia Riggen Blumhouse VFX Supervisor AMERICAN CRIME STORY: VERSACE Ryan Murphy FX VFX Supervisor AMERICAN HORROR STORY Ryan Murphy FX VFX Supervisor, 2nd Unit Director Bradley Buecker Winner - Primetime Emmy Award Alfonso Gomez-Rejon Winner - VES Award RUNAWAYS (pilot) Brett Morgan Marvel VFX Supervisor BARRY Bill Hader HBO VFX Supervisor SNOWFALL Thomas Schlamme FX VFX Supervisor AMERICAN CRIME (season 3) John Ridley ABC VFX Supervisor I’M DYING UP HERE Michael Aguilar Showtime VFX Supervisor FEUD Ryan Murphy 20th Century Fox VFX Supervisor CITIZEN (pilot) Alfonso Gomez-Rejon Paramount / HULU VFX Supervisor PRESENCE (pilot) John Ridley ABC VFX Supervisor SALEM Brannon Braga 20th Century Fox / WGN VFX Supervisor MANHATTAN Thomas Schlamme Lionsgate / WGN VFX Supervisor CRIMINAL MINDS: BEYOND BORDERS Colin Bucksey CBS / ABC VFX Supervisor REALLY (pilot) Jay Chandrasekhar Amazon Studios VFX Supervisor THE BLACKLIST (season 2) Michael Watkins NBC VFX Supervisor (LA) TALES FROM THE DARKSIDE (pilot) Bradley Buecker K&O / CBS VFX Supervisor THE REBELS (pilot) Jay Chandrasekhar Amazon Studios VFX Supervisor SCREAM QUEENS (pilot) Ryan Murphy 20th Century Fox VFX Supervisor GANG RELATED Nelson McCormick 20th Century Fox VFX Supervisor, 2nd Unit Director MURDER IN THE FIRST (pilot) Thomas Schlamme TNT VFX Supervisor WILD BLUE (pilot) Michael Dinner Sony Pictures Television VFX Supervisor LEGENDS (pilot) David Semel Fox 21 VFX Supervisor THE FRONTIER (pilot) Thomas Schlamme Sony Pictures Television VFX Supervisor, 2nd Unit Director GLEE Ryan Murphy 20th Century Fox VFX Supervisor INTERCEPT (pilot) Kevin Hooks ABC Family VFX Supervisor DEADWOOD (pilot) Walter Hill HBO Additional VFX Supervisor FEATURES DIRECTOR PROD. -
Mymovies.Pdf
1 COLUMBIA PICTURES Presenta una Produzione PLAN B ENTERTAINMENT (Eat Pray Love) JULIA ROBERTS JAMES FRANCO RICHARD JENKINS VIOLA DAVIS BILLY CRUDUP e JAVIER BARDEM Supervisione alle musiche P J BLOOM Musiche di DARIO MARIANELLI Costumi di MICHAEL DENNISON Montaggio di BRADLEY BUECKER Scenografie di BILL GROOM Direttore della fotografia ROBERT RICHARDSON Executive Producers BRAD PITT, STAN WLODKOWSKI e JEREMY KLEINER Tratto dal libro di ELIZABETH GILBERT Sceneggiatura di RYAN MURPHY e JENNIFER SALT Prodotto da DEDE GARDNER Regia di RYAN MURPHY Data di uscita: 17 settembre 2010 Durata: 140 minuti sonypictures.it Distribuito da Sony Pictures Releasing Italia 2 CARTELLO DOPPIATORI – MANGIA PREGA AMA UFFICIO STAMPA Cristiana Caimmi Dialoghi Italiani Elettra Caporello Direzione del Doppiaggio Sandro Acerbo Voci ELISABETH – Cristina Boraschi RICHARD – Carlo Valli FELIPE – Roberto Pedicini STEPHEN – Alessio Cigliano DELIA – Alessandra Cassioli DAVID – Massimiliano Manfredi Fonico di Mix Alessandro Checcacci Fonico di Doppiaggio Fabrizio Salustri Assistente al Doppiaggio Caterina Piferi Doppiaggio eseguito presso CDC SEFIT GROUP 3 NOTE DI PRODUZIONE Liz Gilbert (Julia Roberts) ha tutto ciò che una donna moderna può sognare – un marito, una casa e una carriera di successo – ma come tante altre donne, è insoddisfatta, confusa ed è alla ricerca di cosa effettivamente desidera dalla vita. Appena divorziata, trovandosi ad un bivio, Liz decide di allontanarsi dal suo ambiente rischiando tutto e, per dare un cambiamento radicale alla sua vita, intraprende un viaggio intorno al mondo, un percorso per ritrovare se stessa. Nel suo viaggio in Italia riscopre il piacere di mangiare; in India arricchisce la sua spiritualità e, inaspettatamente, a Bali ritrova il suo equilibrio interiore grazie al vero amore. -
Embargoed Until 8:35Am Pt on July 16, 2015
EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and UnBreakaBle Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination. -
Amanda Krieg Thomas Music Supervisor
AMANDA KRIEG THOMAS MUSIC SUPERVISOR MOTION PICTURES THE PROM Ryan Murphy, dir. Netflix PLAN B Natalie Morales, dir. Hulu THE BOYS IN THE BAND Joe Mantello, dir. Netflix SID IS DEAD Eli Gonda, dir. American High MADELINE’S MADELINE Josephine Decker, dir. Parris Pictures GIRL FLU. Dorie Barton, dir. Free Chicken Films BILLY BOY Bradley Buecker, dir. Gravitas Ventures GRACE STIRS UP SUCCESS Vince Marcello, dir. Universal Pictures Home Entertainment FRENCH DIRTY Jesse Allain-Marcus, Wade Netflix Allain-Marcus, dirs.. OPERATION POPCORN David Grabias, dir. PAPERBACK Adam Bowers, dir. GoDigital OFF THE FLOOR: THE RISE OF THE Katherine Celia, Mathew Celia, CONTEMPORARY POLE DANCE dirs.. Butter & Sugar JUNE, ADRIFT Adrienne Subia, dir. Circus Road Films 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 AMANDA KRIEG THOMAS MUSIC SUPERVISOR MOTION PICTURES (Cont.) GOING ATTRACTIONS April Wright, dir. Passion River Films TELEVISION PAM & TOMMY Rob Siegel, DV DeVincentis, Hulu Craig Gillespie, creators AMERICAN CRIME STORY: Ryan Murphy, Brad Simpson, IMPEACHMENT creators FX KINGS OF NAPA Janine Sherman Barrois, creator OWN MONSTER Ryan Murphy, Ian Brennan, Netflix creators THE SHRINK NEXT DOOR Michael Showalter, Georgia Apple TV+ Pritchett, creators BIG MOUTH Nick Kroll, Andrew Goldberg, Netflix creators HUMAN RESOURCES Nick Kroll, Andrew Goldberg, Netflix creators PANIC Adam Schroeder, exec. prod. Amazon HALSTON Ryan Murphy, Alexis Martin Netflix Woodall, creators DOPESICK Danny Strong, Barry Levinson, FX/Hulu -
States of Fandom: Community, Constituency, Public Sphere
STATES OF FANDOM: COMMUNITY, CONSTITUENCY, PUBLIC SPHERE A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Hannah Ruth Mueller January 2017 © 2017 Hannah Ruth Mueller STATES OF FANDOM: COMMUNITY, CONSTITUENCY, PUBLIC SPHERE Hannah Mueller, Ph.D. Cornell University 2017 Approaching grassroots fan communities as political constituencies, this dissertation traces the historical development of self-organized fan groups from the 1930s to the present, focusing specifically on conceptions of community, the negotiation of public discourse, processes of decision-making, and fannish engagement with social and political issues. While fan studies scholarship previously has emphasized the relationship between text and fan, this study thus steers attention towards the relationships between fans themselves and articulates the interrelations between fan activism, transformative fan practices, and the discursive conditions within fandom. On the basis of archival and online-ethnographic research, the dissertation investigates crucial controversies in the Western literary science-fiction and fantasy community from the 1930s to the 1980s as well as in contemporary online transformative fandom to show how historical context, the demographic makeup of the fandom, fans’ use of communication technologies, and their self- conception as community influence the negotiation and resolution of internal conflicts. Drawing on different theories of community formation and the public sphere, the first chapter of the study proposes that pre-internet literary science-fiction fandom was dominated by a communitarian ideal that regulated in-/exclusion by prioritizing the community over its individual members. In contrast, transformative online fandom promotes the ideal of a non-hierarchical, inclusionary, unregulated alternative public sphere, in which the ethical principles of consensus-building have to be constantly re-negotiated. -
Open Editfest Program
20:21 EDITING E M a tt Marjorie Bruce Fran Make a big production less of a production. “Productions is the fi nal puzzle piece for making Premiere Pro an undeniable choice for any scale movie. Th e ability to share projects and organize media across them, combined with Premiere’s existing dynamic workfl ows, lets our entire team work and collaborate incredibly fast.” —Ben Insler, First Assistant Editor, MANK © 2021 Adobe. All rights reserved. Adobe, the Adobe logo, and Adobe Premiere are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Creativity for all. TABLE CONTENTS E :05 Welcome :06 Itinerary :12 Sponsors :14 ACE President Kevin Tent, ACE :15 SATURDAY | PANEL 1 Editing for Musicals :23 SATURDAY | PANEL 2 Inside the Cutting Room with Bobbie O’Steen A Conversation with Tom Cross, ACE :27 Saturday Breakout Room Speakers :39 SUNDAY | PANEL 1 From Assistant to Editor Mentoring the Next Generation :51 SUNDAY | PANEL 2 International Partnership Program Launch Strengthening the Art of Editing in the Global Film Community :59 Sunday Breakout Room Speakers :71 Production Credits :72 ACE Member Roster :80 EditFestGlobal.com :03 WELCOME EDITFEST 2021 The American Cinema Editors is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession. There were 108 editors at that first meeting. Today we number over 1,000 members, from all over the world and, like those who came before us, we wish to educate others about our craft, and our dedication to advancing the art and dignity of the editing profession. -
American Horror Story : Asylum Murphy's Queer Reality
Droits d'auteurs Cette création est mise à disposition selon le Contrat : « Attribution-Pas d'Utilisation Commerciale-Pas de modification 4.0 International » disponible en ligne : http://creativecommons.org/licenses/by-nc-nd/4.0/ Corentin! Fricard | Mémoire de Master | Université de Limoges | 2016 ! 2 ! Synopsis In 1964, Massachusetts, a serial-killer named Bloody-Face kills and skins women. After having presumably killed his girlfriend, Kit Walker is accused of being the infamous killer and is interned in the Briarcliff Manor, home for the criminally insane. The asylum is maintained under strict religious order by Sister Jude; a former drunk and bar singer, who turned nun after a hit-and-run in which the life of a young girl was threatened . Jude is "determined to force “productivity, prayer, and purification” on her patients1." Due to the arrival of Bloody Face, the asylum becomes the center of media attention. Lana Winters, a lesbian journalist, begins to investigate the care and treatment provided to the patients of the asylum. As she begins to discover the hidden horror, Sister Jude detains Lana as a patient to cure her homosexuality, and prevents the truth from ever getting out. What ensues is a tale of sexual violence against women: electro-convulsive therapy, aversion/conversion therapy, rape, wire-hanger abortion, etc. Under these conditions, Lana forms new relationships with the patients and discovers the asylum's darker secrets. Dr Arden, employee of the institution, is a former Nazi who found refuge in the asylum after the Second World War, and uses the asylum to experiment on patients. -
How to Get Started
Directing Change – How to Get Started 1. Follw us on social media “Directing Change CA” • This way you will receive notifications and announcements about the program, and you can post questions to the team. Facebook: @DirectingChangeCA, Instagram: @directingchange, Twitter: @DirectChangeCA. 2. Review the contest rules and FAQ! If at any time you are experiencing an The contest is open to young people in California in two groups: emotional crisis, are • Middle School students (grades 6-8) associated with a middle school. thinking about suicide • High School students (grades 9-12) and Youth and young adults (ages 12-25) who are or are concerned about submitting in partnership with a college, university, community-based organization, program, club or other agency. someone call the o All film teams need to identify an adult advisor to review the film. National Suicide o There is no limit on the number of submissions by participants, schools or Prevention Lifeline organizations. Immediately: o There is no limit on the number of people who can work on a film. 1-800-273-TALK (8255). Review the complete set of rules and FAQ at www.DirectingChangeca.org/rules-and- faq/ This is a free 24-hour hotline. 3. Visit the “For Schools” page on the Directing Change website Here you can find mental health and suicide prevention resources, information about school-based programs and activities, short videos on a range of topics such as "Mental Health 101", as well as tools to promote the program at your school or organization. • Before proceeding with this contest in your school, or at your organization, be sure to review the protocol and procedures in place at your school or organization for addressing the needs of youth in an emotional crisis.