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BUSCAPRONTA www.buscapronta.com ARQUIVO 35 DE PESQUISAS GENEALÓGICAS 306 PÁGINAS – MÉDIA DE 98.500 SOBRENOMES/OCORRÊNCIA Para pesquisar, utilize a ferramenta EDITAR/LOCALIZAR do WORD. A cada vez que você clicar ENTER e aparecer o sobrenome pesquisado GRIFADO (FUNDO PRETO) corresponderá um endereço Internet correspondente que foi pesquisado por nossa equipe. Ao solicitar seus endereços de acesso Internet, informe o SOBRENOME PESQUISADO, o número do ARQUIVO BUSCAPRONTA DIV ou BUSCAPRONTA GEN correspondente e o número de vezes em que encontrou o SOBRENOME PESQUISADO. Número eventualmente existente à direita do sobrenome (e na mesma linha) indica número de pessoas com aquele sobrenome cujas informações genealógicas são apresentadas. O valor de cada endereço Internet solicitado está em nosso site www.buscapronta.com . Para dados especificamente de registros gerais pesquise nos arquivos BUSCAPRONTA DIV. ATENÇÃO: Quando pesquisar em nossos arquivos, ao digitar o sobrenome procurado, faça- o, sempre que julgar necessário, COM E SEM os acentos agudo, grave, circunflexo, crase, til e trema. Sobrenomes com (ç) cedilha, digite também somente com (c) ou com dois esses (ss). Sobrenomes com dois esses (ss), digite com somente um esse (s) e com (ç). (ZZ) digite, também (Z) e vice-versa. (LL) digite, também (L) e vice-versa. Van Wolfgang – pesquise Wolfgang (faça o mesmo com outros complementos: Van der, De la etc) Sobrenomes compostos ( Mendes Caldeira) pesquise separadamente: MENDES e depois CALDEIRA. Tendo dificuldade com caracter Ø HAMMERSHØY – pesquise HAMMERSH HØJBJERG – pesquise JBJERG BUSCAPRONTA não reproduz dados genealógicos das pessoas, sendo necessário acessar os documentos Internet correspondentes para obter tais dados e informações. DESEJAMOS PLENO SUCESSO EM SUA PESQUISA. -
The Superintendent's Update / Page 2 of 16
The Superintendent’s Update June 3, 2015 NEWS FROM KELLY While this past year definitely presented challenges, there were also many successes. CUSD continues to provide excellent educational opportunities for our students, and this is never more evident than at this time of the year. Our students are winning awards, graduating, and heading off to all parts of the country to further their education and continue their lives. They are able to do this because of the education and support they received here in Chico. Thank you to each and every CUSD staff member as each of you plays a role in the success of our students—and they are why we are all here. While it is exciting to see our students promote from one grade to the next, and ultimately graduate, it is much harder when it comes to saying goodbye to our colleagues when they make that decision to “graduate” into retirement. We see their happiness, and we want to be happy for them, but still, it is hard to envision not having them with us when we come back and start the new school year. To help those of us they are leaving behind, we ask our retirees to find some time occasionally to come by and say hello as they will be missed. Please join me in congratulating the following CUSD staff members who have either retired during the 2014-2015 school year or who have submitted their intent to retire at the end of this school year. They have my sincere appreciation for their years of dedication to education and I wish them all health and happiness in their retirement. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Man on Wire Discussion Guide
www.influencefilmclub.com Man on Wire Discussion Guide Director: James Marsh Year: 2008 Time: 94 min You might know this director from: Project Nim (2011) Shadow Dancer (2012) The King (2005) FILM SUMMARY MAN ON WIRE is the story of French tightrope walker Philippe Petit who, on August 7, 1974, broke into the newly constructed Twin Towers of Manhattan. After months of painstaking preparations, he managed to enter the buildings during the night and string a wire between the two towers. For the next 45 minutes, Philippe Petit walked, danced, kneeled, and laid down on the wire - an expeirence he had dreamt of ever since he read about the Twin Towers six years before. Using contemporary interviews, archival footage, and Philippe’s own creations, this film tells the story of Philippe’s previous walks between towers such as the Notre Dame and the Sydney Harbour Bridge. Viewers learn about his passions, his friendships, and how he accomplished his Twin Towers walk, from getting the wire into the towers and hiding from guards to mounting the wire and taking the first step. The result is a story of daring, beauty, dedication to the point of insanity, loyalty and heartbreak, and the firm belief that nothing is impossible. Discussion Guide Man on Wire 1 www.influencefilmclub.com FILM THEMES On the surface, MAN ON WIRE may appear to be about one man’s determination to achieve his dream, but the story reveals a lot about human nature, from friendship and loyalty to dreaming beyond the norm “I must be a and achieving the impossible. -
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
Read Ebook {PDF EPUB} Super Active Film Making by James Marsh
Read Ebook {PDF EPUB} Super Active Film Making by James Marsh James Marsh is the author of super.activ Film Making (0.0 avg rating, 0 ratings, 0 reviews), Film Making (0.0 avg rating, 0 ratings, 0 reviews, published... Nov 07, 2014 · James Marsh: In terms of scale of filmmaking and resources, it absolutely was and it was so welcome to have a bigger budget. I’ve always worked very efficiently on small budgets, both in ... May 30, 2013 · Now, 50 Marsh consistently crafts films that viscerally delve into the human experience. His deft navigation between documentary and feature have inspired comparisons to Werner Herzog. Marsh’s third narrative feature, Shadow Dancer, is no different. Set in Belfast in the early ’90s, the morose, slow-burning thriller eschews political intricacies and instead focuses on Collette McVeigh (an vulnerable and nuanced Andrea Riseborough), a single mother and member of an active … Project Nim, is also directed by Marsh, but it doesn't have the same suspense that that film had. Man on Wire kept me interested in how Petit was able to achieve his goal, he was a very charismatic figure, and on the other hand Project Nim was kind of slow paced and didn't have any interesting characters…3.6/5(3K)Director: James MarshProduce Company: BBC Films, Red Box Films, Passion PicturesTeam of Artists Transformed Eddie Redmayne Into Stephen ...https://variety.com/2014/artisans/production/large...Nov 06, 2014 · He starts film at 21, an able- bodied, fresh-faceed, young man with whole world in front of him. -
Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky. -
Tales from the Crypt
Ah, HBO. Here in the year 2014, those three little initials are shorthand for quality, original programming; small screen event television almost certain to be immeasurably superior to the megabucks offerings of your local multiplex. The network also boasts a rich tradition of brining monsters into our living rooms, with the unsavoury actions of Livia Soprano, Gyp Rosetti, Cy Tolliver and Joffrey Baratheon horrifying viewers of all walks of life. Way back in the late 1980s, however, HBO introduced us to an altogether different kind of miscreant; a wisecracking living corpse, a teller of tall tales that focussed on vampires, zombies and the evil that men do. Jackanory it most certainly wasn’t – we’re referring, of course, to the legendary Tales from the Crypt. In the 80s, TV anthology horror was as much a fixture as leg warmers, John Hughes movies and the musical stylings of Duran Duran. Rod Serling’s Twilight Zone had enjoyed a redux, James Coburn invited us to his Darkroom, a certain pizza-faced dream demon hosted Freddy’s Nightmares, and genre enthusiasts were gripped by the Ray Bradbury Theater. Perhaps the most prosperous purveyor of small screen shivers was producer Richard Rubinstein, who enjoyed phenomenal success with Tales from the Darkside (the brainchild of none other than George Romero, director of the beloved portmanteau picture Creepshow) and Monsters. Bright and breezy 30-minute creature features with their tongue frequently placed firmly in their cheek, these shows were heavily influenced by the infamous EC horror comics of the 1950s, with a perverse sense of morality at the dark heart of the stories. -
Staging the Urban Soundscape in Fiction Film
Echoes of the city : staging the urban soundscape in fiction film Citation for published version (APA): Aalbers, J. F. W. (2013). Echoes of the city : staging the urban soundscape in fiction film. Maastricht University. https://doi.org/10.26481/dis.20131213ja Document status and date: Published: 01/01/2013 DOI: 10.26481/dis.20131213ja Document Version: Publisher's PDF, also known as Version of record Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 10,000 B.C. (2 Disc Special Edition) M Contains medium level violence FVLB 105.00 28/09/2010 DVD The Warehouse Roland Emmerich No cut noted Slick Yes 28/09/2010 18 Year Old Russians Love Anal R18 Contains explicit sex scenes OFLC 125.43 21/09/2010 DVD Calvista NZ Ltd Max Schneider No cut noted Slick Yes 21/09/2010 28 Days Later R16 Contains violence,offensive language and horror FVLB 113.00 22/09/2010 Blu-ray Roadshow Entertainment Danny Boyle No cut noted Awaiting POS No 27/09/2010 4.3.2.1 R16 Contains violence,offensive language and sex scenes FVLB 111.55 22/09/2010 DVD Universal Pictures Video Noel Clarke/Mark Davis No cut noted 633 Squadron G FVLB 91.00 28/09/2010 DVD The Warehouse Walter E Grauman No cut noted Slick Yes 28/09/2010 7 Hungry Nurses R18 Contains explicit sex scenes OFLC 99.17 08/09/2010 DVD Calvista NZ Ltd Thierry Golyo No cut noted Slick Yes 08/09/2010 8 1/2 Women R18 Contains sexual references FVLB 120.00 15/09/2010 DVD Vendetta Films Peter Greenaway No cut noted Slick Yes 15/09/2010 AC/DC Highway to Hell A Classic Album Under Review PG Contains coarse language FVLB 78.00 07/09/2010 DVD Vendetta Films Not Stated No cut noted Slick Yes 07/09/2010 Accidents Happen M Contains drug use and offensive language FVLB 88.00 13/09/2010 DVD Roadshow Entertainment Andrew Lancaster No cut noted Slick Yes 13/09/2010 Acting Shakespeare Ian McKellen PG FVLB 86.00 02/09/2010 DVD Roadshow Entertainment