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Top 100 Most Requested Latin Songs
Top 100 Most Requested Latin Songs Based on millions of requests played and tracked through the DJ Intelligence® music request system at weddings & parties throughout 201 9 RANK ARTIST SONG 1 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 2 Pitbull Feat. John Ryan Fireball 3 Jennifer Lopez Feat. Pitbull On The Floor 4 Cardi B Feat. Bad Bunny & J Balvin I Like It 5 Pitbull Feat. Ne-Yo, Afrojack & Nayer Give Me Everything 6 Marc Anthony Vivir Mi Vida 7 Elvis Crespo Suavemente 8 Bad Bunny Feat. Drake Mia 9 Pitbull Feat. Ne-Yo Time Of Our Lives 10 DJ Snake Feat. Cardi B, Ozuna & Selena Gomez Taki Taki 11 Gente De Zona Feat. Marc Anthony La Gozadera 12 Daddy Yankee Gasolina 13 Prince Royce Corazon Sin Cara 14 Daddy Yankee Dura 15 Shakira Feat. Maluma Chantaje 16 Celia Cruz La Vida Es Un Carnaval 17 Prince Royce Stand By Me 18 Daddy Yankee Limbo 19 Nicky Jam & J Balvin X 20 Carlos Vives & Shakira La Bicicleta 21 Daddy Yankee & Katy Perry Feat. Snow Con Calma 22 Luis Fonsi & Demi Lovato Echame La Culpa 23 J Balvin Ginza 24 Becky G Feat. Bad Bunny Mayores 25 Ricky Martin Feat. Maluma Vente Pa' Ca 26 Nicky Jam Hasta El Amanecer 27 Prince Royce Darte Un Beso 28 Romeo Santos Feat. Usher Promise 29 Romeo Santos Propuesta Indecente 30 Pitbull Feat. Chris Brown International Love 31 Maluma Felices Los 4 32 Pitbull Feat. Christina Aguilera Feel This Moment 33 Alexandra Stan Mr. Saxobeat 34 Daddy Yankee Shaky Shaky 35 Marc Anthony Valio La Pena 36 Azul Azul La Bomba 37 Carlos Vives Volvi A Nacer 38 Maluma Feat. -
Everything's Coming up Roses for Actor Dominic Cooper. the 29-Year-Old
Everything’s coming up roses for actor Dominic Cooper. The 29-year-old star of The History Boys has ditched the classroom for jailbreaks photography Toyin with Brian Cox, Abba tunes with Meryl Streep and sex scenes with Keira Knightley. If only he could forget about his upcoming birthday, he tells Matt Mueller Black tuxedo and white shirt by Dolce & Gabbana, Bow tie by Tom Ford “In the final number ofMama Mia!, we’re all wearing outrageous spandex suits – mine’s pink and opened down to there,” he says, motioning to his waistline. “It could be the end of my career but, you know, anything goes.” Any way you slice it, this There’s no doubt this vulnerability His other major role comes opposite will be a year to remember caught the eye of Nicholas Hytner, the Keira Knightley in Saul Dibb’s The for Dominic Cooper. Turning 30; National Theatre svengali who Cooper Duchess, playing aristocratic MP Earl buying a flat away from the southeast can thank for his career. Plucking the Grey, who conducted a passionate affair London neighbourhood where he’s laid actor straight from drama school, Hytner with 18th-century scandal magnet the tracks his entire life; and starring in three cast him in swift succession in Mother Duchess of Devonshire. According to couldn’t-be-more-dissimilar films, any Clap’s Molly House, as Will in His Dark Cooper, his sex scenes with Knightley were one of which could propel him to the big Materials and, of course, The History “damn good fun” but his behaviour during league of Brit stars currently occupied by Boys. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Most Requested Songs of 2019
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLVI, Issue 2 Spring 2017 Dominican Migrants, Plural Identities, and Popular Music Angelina Tallaj, Guttman Community College, CUNY In an age of globalization marked by proliferating population movements, ever-faster communication, and cultural exchanges across nations, diasporic communities strive, often through music, to maintain connection to a homeland identity. In doing so they create new styles in adapting to their new host society, and offer musi- cal experiences that complicate the home/host binary positions. Dominican-American music, while influenced by American genres such as R&B, house, and hip hop, also features specifically Dominican Spanish lyrics and distinctive local Dominican rhythms to assure a continuity with Dominicans’ identity as Latinos or Hispanics. Dominican genres in New York, especially merengue and bachata, have become symbols of Latinidad (pan- Latino solidarity) for many migrants from Latin America precisely because they blend local and global genres of music. These genres mix rural Latin American cultural references with urban elements from New York City in ways that Spanish-speaking groups, who also experience newly fluid racial and ethnic identities away from their homeland, can identify with. Experiencing these Dominican-American genres is a way for migrants to rei- magine new and more porous borders of geography, race, and history. They combine past and present, rural and urban, and home and host countries in ways that create new and more plural models of identities. For many Dominicans, New York is just another Dominican city: we call upper Manhattan Quisqueya Heights, citing the Taíno Native Indian name for the island of Haiti and the Dominican Republic. -
Hbo Premieres Original Drama Film the Normal Heart
HBO PREMIERES ORIGINAL DRAMA FILM “THE NORMAL HEART” Broadway run, and directed by Emmy® winner Ryan Murphy, the powerful film tells the story of the rise of the HIV-AIDS crisis in New York in the early 80’s. It takes an unflinching look at the nation’s sexual politics as gay activists and their allies in the medical community fought to expose the truth about the burgeoning epidemic to a city and nation in denial. The Normal Heart brings together a cast of talented actors, including Mark Ruffalo as Ned Weeks, a gay writer looking for answers as he witnesses how the mysterious illness begins to take a heavy toll on the gay community; Matt Bomer as Felix Turner, a reporter who becomes Ned’s lover; Taylor Kitsch as Bruce Niles, a closeted investment banker who becomes a prominent AIDS activist; Emmy® winner Jim Parsons as activist Tommy Boatwright, the same role he played on the Broadway version in 2011; and for the first time in an HBO production, Julia Roberts as Dr. Emma Brookner, a childhood survivor of polio who treats many of the early victims of HIV-AIDS. The drama also stars Alfred Molina in the role of Ben, a successful attorney and Ned’s older brother; Tony® winner Joe Mantello as Mickey Marcus; Jonathan Groff (HBO’s “Looking”) as Craig; Denis O’Hare (HBO’s “True Blood”) as Hiram Keebler; Stephen Spinella as Sanford; Corey Stoll as John Bower; Finn Wittrock as Albert; and BD Wong (HBO’s “Oz”) as Buzzy. The Normal Heart was directed by Ryan Murphy (“Eat, Pray, Love” and “Glee”); written by Larry Kramer; executive produced by Murphy, Dante Di Loreto, Jason Blum, Brad Pitt and Dede Gardner; co-executive produced by Ruffalo; and produced by Scott Ferguson (HBO’s “Temple Grandin”). -
Why Emma Roberts Is My Spirit Animal
Dating Tip #77: Google the person. Thursday, October 15, 2015 12A The Valdosta Daily Times The video !! art of brain tra surgery FROM JOE Medical Degrees: 0 Malpractice Suits: Too many to count XX he patient is readied. My #vdtxtra assistants are ready. My Thands are washed. It’s time to start on an appendectomy. Just as I make my first incision, I get the horrific realization I forgot some- thing. Maybe it’s the fact the patient just let out a bone-chilling scream that could be heard by everyone on the helipad six stories above us. My lead assistant looks at me, not really im- pressed with my minor mistake. “You know, that wasn’t really the proper procedure,” he tells me, as calm as ever. The chief surgeon, trying to make par 3 on the 15th in one stroke, had his phone go off just as he made the shot. When he stormed into my vicinity, I thought he was going to wrap his 5-iron around my throat. “I am outraged at your unbelievable incompetence!” he roared in my direc- tion. Gee, thanks. I found out later his shot wound up beaning someone Gerald Ford-style. My job was now to take care of this guy. JOE By the way, I should point out that I’m really just playing a game — “Life and Death,” a game by Software Toolworks which came out in 1988. The first game focused on the lower body — the appendix, the stomach, etc. Its sequel, “Life and Death II,” focused on the brain. -
Download Epk (Pdf)
CRYPTO PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/crypto/ Rating: R for language throughout, some violence, sexuality and drug use Running Time: 105 Minutes U.S. Release Date: In Select Theaters and On Demand April 12, 2019 For more information, please contact: Amy Utley Danny Duran Lionsgate ddPR [email protected] [email protected] CRYPTO LIONSGATE Trailer: https://youtu.be/_tbY8gclLYY Publicity Materials: www.lionsgatepublicity.com/theatrical/crypto/ Genre: Thriller Rating: R for language throughout, some violence, sexuality and drug use Copyright: © 2018 Examiner the Movie, LLC. All Rights Reserved. U.S. Release Date: April 12, 2019 (Theatrical and On Demand) Run Time: 105 Minutes Cast: Beau Knapp (Martin Duran, Jr.), Alexis Bledel (Katie), Luke Hemsworth (Caleb Duran), Jeremie Harris (Earl Simmons), Jill Hennessy (Robin Whiting), Malaya Rivera Drew (Penelope Rushing), with Vincent Kartheiser (Ted Patterson) and Kurt Russell (Martin Duran, Sr.) Directed by: John Stalberg Jr. Written by: Carlyle Eubank & David Frigerio Story by: Jeffrey Ingber Produced by: Jordan Yale Levine Jordan Beckerman David Frigerio Director of Photography: Pieter Vermeer Production Designer: Eric Whitney Editor: Brian Berdan, ACE Costume Designer: Annie Simon Sound Design by: Flavorlab Music by: Nima Fakhrara Casting by: Brandon Henry Rodriguez, CSA Film by: John Stalberg Jr. Credits not contractual SYNOPSIS In this cyber-thriller starring Kurt Russell and Beau Knapp, a Wall Street banker connects a small-town art gallery to a global conspiracy, putting his own family in grave danger. DIRECTOR’S STATEMENT I love the moment in film when the mundane morphs suddenly into menace—when people who believe they fit into their worlds suddenly, sometimes violently—no longer do. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Ryan Murphy As Curator of Queer Cultural Memory
ORIGINAL SCIENTIFIC PAPER 7.097:305-055.3 791.632-051 М АРФИ Р. DOI:10.5937/ ZRFFP47-14867 NIKOLA N. S TEPIĆ1 CONCORDIA U NIVERSITY CENTRE FOR I NTERDISCIPLINARY S TUDIES IN S OCIETY AND C ULTURE SPECTACLES OF SHAME: RYAN MURPHY AS CURATOR OF QUEER CULTURAL MEMORY ABSTRACT. In the anthology Queer Shame , edited by David M. Halperin and Valerie Traub, “the personal and the social shame attached to eroticism” is taken to task in relation to the larger contemporary discourse surrounding gay pride (understood in terms of activism and cultural production), while being seen as a defining characteristic of queer history, culture and identity. Shame, as theorized by Eve Kosofsky Sedgwick, Halperin and others, is predicated on a larger issue of queer people’s access to discursive power, which Sedgwick herself had theorized in The Epistemology of the Closet . Such a conceptual- izing of queer culture and queer politics begs the interrogation of how queer shame is contained and negotiated in contemporary popular culture. One of the most successful auteurs working in film and television today, Ryan Murphy’s opus is marked by a constant dialogue with queer cultural artifacts. The excitement that his productions generate is typically predicat- ed on his use of queer cultural objects, especially as they are rearticulated for mainstream audiences. This paper investigates the inherent shame of queer memory as embodied in Murphy’s show American Horror Story through ref- erence and negotiation of queer icons, filmic traditions and on-screen bodies. Utilizing queer and film theory as its framework, this paper treats Murphy’s queer vernacular as the uncanny that destabilizes conventions of both the horror genre and mainstream television, in turn legitimizing and ex- ploiting “shameful” queer categories such as trauma, excess, diva worship and camp through the language of popular television and the bodies that populate it.