PETER RENIERS Director of Photography

Total Page:16

File Type:pdf, Size:1020Kb

PETER RENIERS Director of Photography PETER RENIERS Director of Photography REELS Feature Films & Television PROJECT DIRECTOR STUDIO/PRODUCTION CO. POSE Gwyneth Horder-Payton FX / Ryan Murphy Productions Season 2, Additional Photography Tina Mabry EP: Steven Canals, Brad Falchuk, Ryan Murphy ENEMY WITHIN Gabriel Robertson 27 Ten Productions / Affirmative Entertainment Cast: Joe Naufahu, Kazuma Spano, Beulah Koale Prod: Ken Petrie, Ileen Maisel, Peter Morris THE BLACKLIST Michael Carracciolo NBC / Sony Pictures Television Season 5, Ep. 17 Prod: Jon Bokenkamp, John Eisendrath ELEMENTARY Ron Fortunato CBS / Timberman-Beverly Productions Seasons 4-5 (4 episodes) EP: Carl Beverly, Sarah Timberman THE SLAP (miniseries) Lisa Cholodenko, Ken Olin NBC / Universal Television Episode #7 + Additional Photography Michael Morris EP: Walter Parkes, Laurie MacDonald THE GIFT (short) Gabriel Robertson Independent BREAKING BAD Colin Bucksey AMC / Sony Pictures Television Season 3, 2 Episodes Michael Slovis EP: Vince Gilligan, Mark Johnson 2nd Unit DP, 11 Episodes 30 ROCK Various NBC / Universal Television Seasons 6-7, 22 Episodes EP: Tina Fey, Lorne Michaels RUBICON Brad Anderson, Michael Slovis, AMC / Warner Horizon 3 Episodes Henry Bromell EP: Henry Bromell, Jason Horwitch RUNNING WILDE Adam Bernstein Fox / Lionsgate Television 2 Episodes Troy Miller EP: Mitchell Hurwitz, Will Arnett NEW AMSTERDAM Ep. 8: Matt Penn Fox / Regency Television Episode #8 Pilot: Lasse Hallstrom EP: David Manson Pilot: Additional Photography LAW & ORDER: SVU Peter Leto NBC Episode #157 LAW & ORDER Constantine Makris, NBC 2 Episodes Jace Alexander LOOSE WOMEN Paul Bernard InMotion Entertainment Cast: Melissa Errico, Tom Verica TWO EVIL EYES George Romero ADC Films Cast: Adrienne Barbeau, Harvey Keitel BLOODSUCKING PHARAOHS IN PITTSBURGH Dean Tschetter Saratoga Film Group NIGHT VISITORS David Fulk Valley Film Group 2nd Unit PROJECT DIRECTOR STUDIO/PRODUCTION CO. BABYLON FIELDS Michael Cuesta NBC/ 20th Century Fox DP: John Peters UNTITLED RICHARD LAGRAVENESE PILOT Taylor Hackford ABC / ABC Studios DP: Ousama Rawi THE SORCERER'S APPRENTICE Jon Turtletaub Walt Disney Pictures DP: Bojan Bazeli IT'S COMPLICATED Nancy Meyers Universal Pictures DP: John Toll WORLD TRADE CENTER Oliver Stone Paramount Pictures DP: Seamus McGarvey (NYC) CELEBRITY Woody Allen Miramax Films DP: Swen Nyquist 54 Mark Christopher Miramax Films DP: Alex Gruszynski DECONSTRUCTING HARRY Woody Allen Fine Line DP: Carlo DiPalma PASSED AWAY Charlie Peters Buena Vista DP: Arthur Albert STRICTLY BUSINESS Kevin Hooks Warner Bros. DP: Zoltan David 1645 Vine Street #402, Los Angeles, CA 90028 | p 323.856.3000 | [email protected] | www.easterntalent.net .
Recommended publications
  • DAVID KLOTZ Music Editor TELEVISION CREDITS
    DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers:
    [Show full text]
  • Emmy Nominations
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
    [Show full text]
  • Weekly Nightlife Section in Weekly Nightlife Section In
    /nightspots @nightspotschicago /nightspots @nightspotschicago /nightspots @nightspotschicago nightspots nightspots weekly nightlife section in weekly nightlife section in weekly nightlife section in 26 June 6, 2018 WINDY CITY TIMES TELEVISION REVIEW From the very beginning, when the House of Abundance breaks into a museum for costumes, Pose we are immediately presented with a piece of work that thinks outside the box. We may not Director: Ryan Murphy (first two episodes) agree with everything the characters do but Pose Starring: Evan Peters, MJ Rodriguez is going to show us everything, warts and all. and Dominique Jackson, among others The cast lives each part possibly from expe- Time: Varies rience, and the scenes feel authentic. Murphy Premiere date: June 3 insisted on using trans actors to convey his poi- gnant story where the real category is finding a BY JERRY NUNN job to survive. One heartbreaking scene has An- gel, portrayed by Indya Moore, trying desperately The new FX series Pose is set in the ‘80s, and to work at an upscale clothing store—only to be tells the story of slices of life in the Big Apple. rejected to return to a life of hustling. Times may In each episode the characters (a slew of LGBTQ have not changed drastically but bringing aware- individuals, in a television set-up that is way ness to this discrimination is a step in the right overdue) face challenges that grow deeper with direction. Murphy has done his part by employing each episode. and spotlighting a diverse cast that deserves to The drag-ball scene is depicted, with the House be there for this important journey.
    [Show full text]
  • Where We Are on Tv 2018 – 2019 Where We Are on Tv 2018 – 2019
    WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 2018–2019 Where We Are on TV 1 PB WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 Contents 4 From the Desk of Sarah Kate Ellis 5 Methodology 6 Executive Summary 8 Summary of Broadcast Findings 10 Summary of Cable Findings 12 Summary of Streaming Findings 14 Gender Representation 16 Race & Ethnicity 18 Representation of Black Characters 20 Representation of Latinx Characters 22 Representation of Asian-Pacific Islander Characters 24 Representation of Characters With Disabilities 26 Representation of Bisexual+ Characters 28 Representation of Transgender Characters 30 Representation in Alternative Programming 31 Representation in Daytime, Kids & Family Programming 32 Representation on Other SVOD Streaming Services 33 Representation in Spanish-Language Programming 34 About GLAAD 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 From the Desk of Sarah Kate Ellis GLAAD has tracked the presence of lesbian, gay, Inclusive shows also pay off in the ratings. NBC’s bisexual, transgender, and queer (LGBTQ) characters season nine premiere of Will & Grace counted 15 on television for 23 years, and this year marks our million viewers in the first week of release, ABC’s 14th report since expanding that focus into what is Modern Family ranked in the top 20 broadcast series now the Where We Are on TV (WWAOTV) report among 18-49 year old viewers for the entirety of its in 2005.
    [Show full text]
  • Press 3 February 2021 the 25 Defining Works of the Black
    TIME The 25 Defining Works of the Black Renaissance 3 February 2021 The 25 Defining Works of the Black Renaissance “I’m rooting for everybody Black.” So said Issa Rae on the red carpet at the 2017 Emmy Awards, capturing the electricity of a moment when “everybody Black” referred to quite a large group of ascendant voices—not only those up for awards that night, and not only those in Hollywood, but artists across the cultural landscape. While there has never been a shortage of Black artists making great work, the past six or so years have seen these creators claiming the spotlight like never before. Image: O.J. Made in America: ESPN Films/Everett Collection; Slave Play: Sarah Krulwich—The New York Times/Redux; Black Panther: Marvel/Walt Disney Studios Motion Pictures/Everett Collection; Getty Images In fact, the hardest part of compiling this list of 25 works that have defined the current Black Renaissance was coming to terms with what had to be left out: vital films, series, albums, books, poetry collections, plays and works of fashion. For guidance, TIME assembled some of the era’s most influential figures—artists who have also become advocates, mentors and changemakers—to help curate the list. These luminaries across disciplines voted on hundreds of works to reach a compilation of original, ambitious art, from paintings that will live in perpetuity in the National Portrait Gallery to music that became the soundtrack to a movement; books about marriage and memory and TV series that are as weird as they are wise. The works of this new canon are defined by their breadth and diversity—a movement of pop stars and public intellectuals, superheroes and screwups, horror and ecstasy, individuality and unity.
    [Show full text]
  • BLANCA EVANGELISTA from POSE1 José Javier Torres
    CHOSEN FAMILIES AND FEMINIST MOTHERING IN THE BALLROOM COMMUNITY: BLANCA EVANGELISTA FROM POSE1 José Javier Torres Fernández2 Chosen Families and Feminist Mothering in the Ballroom Community: Blanca Evangelista from POSE. Abstract: The ballroom community and its subculture present the notion of chosen families as a group of, mainly, Black and Latinx LGBTQ people who gather in a socially configured structure called a house. Ballroom houses are families in which queer mothering is presented as feminist mothering embodied by Black and Latinx trans women in POSE (2018–present). Ruddick’s maternal thinking and O’Reilly’s feminist mothering weaken the normative patriarchal discourse of mothering and motherhood and convey new meanings to this practice. This article tackles these concepts as part of Blanca Evangelista’s identity as a woman and as a mother in POSE. Keywords: motherhood, ballroom, identity, family, community, gender studies, trans studies, performativity. Familias elegidas y maternidad feminista en la comunidad del ballroom: Blanca Evangelista en POSE. Resumen: La comunidad del ballroom y su subcultura presentan el concepto de familias elegidas como un grupo de, en su mayoría, personas negras y latinas LGTBQ que se juntan en casas, estructuras configuradas socialmente. Las casas del ballroom son familias en las cuales la maternidad queer se presenta como feminista representada por mujeres trans negras y latinas en POSE (2018–presente). El pensamiento maternal de Ruddick y la maternidad feminista de O’Reilly debilitan el discurso patriarcal normativo de la maternidad y otorga nuevos significados a esta práctica. Este artículo desarrolla estos conceptos como parte de la identidad de Blanca Evangelista como madre y como mujer en POSE.
    [Show full text]
  • "Series Finale"
    FEBRUARY 9, 2021 PRODUCTION DRAFt BLUE REVISIONS 2/10/21 PINK REVISIONS 3/1/21 YELLOW REVISIONS 3/7/21 GREEN REVISIONS 3/14/21 GOLDENROD REVISIONS 3/17/21 2ND WHITE REVIISIONS 3/22/21 POSE "SERIES FINALE" 3WBF07 WRITTEN BY RYAN MURPHY BRAD FALCHUK STEVEN CANALS JANET MOCK & OUR LADY J DIRECTED BY STEVEN CANALS REVISED PAGES: TITLE PAGE RYAN MURPHY TELEVISION ALL RIGHTS RESERVED. COPYRIGHT © 2021 TOUCHSTONE TELEVISION CORPORATION. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD, OR DISTRIBUTED BY ANY MEANS OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ANY WEB SITE, WITHOUT PRIOR WRITTEN CONSENT OF 2021 TOUCHSTONE TELEVISION. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. No portion of this script may be performed, published, reproduced, sold or distributed by any means or quoted or published in any medium, without prior written consent of FX Productions, LLC. In no event, may any participant monetize or profit off the script in any way. © 2018 FX Productions, LLC. All rights reserved. “Series Finale” Production Draft 2/9/21 CAST LIST Pray Tell Kiki Pendavis David Doom* Blanca B. Hawk Lala Doom* Elektra Gay Men’s Chorus Riot Rouge* Angel Safaree* Rhonda Rouge* Papi Waiter* Rough Rouge* Lulu Teena* Rally Rouge* Ricky Justice* Fresca Rouge* Nurse Judy Dessa* Michael Johnson* Lemar Dionne* Jeffrey Stewart* Manhattan Janitor* Larry Kramer* Castle Swan* Peter Hughes* Jack Paulo Pendavis* Sarah Soundress* Tyrone Chanel Pendavis* Daniel Trial* Christopher Marco Pendavis* Steven Marcus*
    [Show full text]
  • Ballroom Community As Resistance and Protest
    PERFORMANCE IN POSE: BALLROOM COMMUNITY AS RESISTANCE AND PROTEST. JOSÉ JAVIER TORRES FERNÁNDEZ UNIVERSIDAD DE ALMERÍA Premiering in 2018 on FX, POSE (2018–present) is a worldwide acclaimed drama series created by Ryan Murphy, Brad Falchuk, and Steven Canals comprised of two seasons. The series begins with the introduction of character Blanca Evangelista (M. J. Rodríguez), a member of the New York ballroom community. After being diagnosed as HIV-positive, Blanca decides to leave a prominent house in this subculture (the House of Abundance) to start her own: The House of Evangelista. She is joined by Damon (Ryan Jamaal Swain), a young boy who is kicked out of his parents’ home after coming out as gay. POSE follows the story of these two main characters in both the ballroom community and the outside world. Within the ballroom subculture, a safe space and an alternative world for LGBTQ people, these houses are like teams and also, as per the series, chosen families. There the participants organize balls, which Blanca herself defines as “a gathering of people who are not welcome to gather anywhere else, a celebration of a life that the rest of the world does not deem worthy of celebration” (POSE 2018, “Pilot”). These balls follow specific themes that dictate the dress codes and performance styles required of participants. Following Marlon M. Bailey’s work, although drag performances have been essential to ballroom subculture, new categories have emerged within this scene that include more expansive gender and sexuality diversity that better represents the community (2011, 375). Ballroom emerged as a countercultural practice that defied the gendering of clothes.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance F Is For Family • The Stinger • Netflix • Wild West Television in association with Gaumont Television Kevin Michael Richardson as Rosie Family Guy • Con Heiress • FOX • 20th Century Fox Television Seth MacFarlane as Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire, Tom Tucker, Seamus Family Guy • Throw It Away • FOX • 20th Century Fox Television Alex Borstein as Lois Griffin, Tricia Takanawa The Simpsons • From Russia Without Love • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Moe, Carl, Duffman, Kirk When You Wish Upon A Pickle: A Sesame Street Special • HBO • Sesame Street Workshop Eric Jacobson as Bert, Grover, Oscar Outstanding Animated Program Big Mouth • The Planned Parenthood Show • Netflix • A Netflix Original Production Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark J. Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Supervising Producer Ben Kalina, Supervising Producer Chris Prynoski, Supervising Producer Shannon Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Gil Ozeri, Producer Kelly Galuska, Producer Nate Funaro, Produced by Emily Altman, Written by Bryan Francis, Directed by Mike L. Mayfield, Co-Supervising Director Jerilyn Blair, Animation Timer Bill Buchanan, Animation Timer Sean Dempsey, Animation Timer Jamie Huang, Animation Timer Bob's Burgers • Just One Of The Boyz 4 Now For Now • FOXP •a g2e0 t1h Century
    [Show full text]
  • Star Channels, June 24-30
    JUNE 24 - 30, 2018 staradvertiser.com STRIKE A POSE After Candy (Angelica Ross) is criticized at a ball, she becomes even more insecure about her appearance in a new episode of Pose. Set against the backdrop of the 1980s house ball scene, the musical series pulls back the curtain on the LGBTQ subculture featuring over-the-top dancing and vogueing. The show is the latest offering from TV dream team Ryan Murphy and Brad Falchuk. Airing Sunday, June 24, on FX. – ROlelo has helped HART increase our transparency in the community. AUKAI REYNOLDS, Multimedia Administrator, HART Through a partnership with R2 olelo.org ON THE COVER | POSE Beauty’s where you find it Ball culture goes mainstream for them, caring for them, and helping them in 2016, thousands of TV viewers watched any way that you can,” Murphy said. Jackson in Oxygen’s six-episode reality TV in ‘Pose’ He also revealed he plans to hit up his bosses series “Strut,” which chronicled the lives of at 20th Century Fox and FX for donations, transgender models. By Kyla Brewer hopes to hold fundraisers and is even consid- Always at Elektra’s side is Lulu Abundance TV Media ering setting up scholarships for LGBTQ youth. (Hailie Sahar, “Transparent”), second-in- “Pose” isn’t only groundbreaking for raising command at House Abundance. A dancer and lot of television series offer viewers typ- awareness about the LGBTQ community, but singer, Sahar has also been crowned Miss ical slice-of-life stories, but TV also has also because the show boasts the largest cast L.A.
    [Show full text]
  • LOGLINE July / August 2018 Volume 11: Number 4 the Screenwriter’S Ezine
    LOGLINE July / August 2018 Volume 11: Number 4 The Screenwriter’s eZine Published by: Letter From the Editor The PAGE International Screenwriting Awards 7190 W. Sunset Blvd. #610 Welcome to all our new readers! This year’s PAGE Awards Hollywood, CA 90046 competition is now closed for entries, and we’ve begun the www.pageawards.com season of excitement, pride, and fervent finger-crossing as writers around the world wait with bated breath for the In this issue: July 15 announcement of our 2018 Quarter-Finalists. Will you LO be one of them? Whether this is your first or fifteenth contest 1 Latest News From run, we wish you the very best of luck! the PAGE Awards That brings me to this issue of our LOGLINE eZine. While even the most gifted of writers needs a little bit of luck to shed their anonymity and become a known 2 The Writer’s Perspective quantity in Hollywood, the Roman philosopher Seneca tells us that luck is what happens when preparation meets opportunity. Prepare yourself for your opportunity How Conquering with the publication that offers both industry know-how and the experience of Cancer Made Me a Better Screenwriter working writers, all to help you approach the entertainment industry like a pro. Larry Postel This summertime issue gets underway with 2005 Grand Prize winner Larry Postel discussing his encounter with cancer and its impact on his writing. PAGE Judge Ryan Slayton explains the benefit of outlining – specifically, three-act principles – to every 3 The Judge’s P.O.V. stage of the writing process.
    [Show full text]
  • Crime Rate Down 8% in Selected Areas Mayor Eric Garcetti Appoints Black
    Harold R. Gray Creates Aware- ness Around the Power of Self, Community Food Distribution Through Fashion Brand, ‘Habits (Drive Thru Only) July 18, 2020 Reflects Greatness’ 9am-12pm located at the Los (See page A-2) Angeles Sentinel (See page A-3) VOL. LXXXVI NO. 29, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, JULY 16, 2020 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 Mayor Eric Garcetti appoints Black Crime rate down 8% in selected areas woman to lead Racial Equity Action Plan BETTI HALSELL Contributing Writer Today, the future of community protection is being reimagined after countless disparities con- tinue to come to past and throughout the history of public safety. Due to the current policing system be- ing rooted in chattel slav- ery, the present structure is entangled with racial pro- filing, extreme use of force on people of color, and a lack of trust or knowl- edge of the community. The cries for change are PHOTO COURTESY OF BRENDA SHOCKLEY showcased in catastroph- PHOTO BY BETTI HALSELL PHOTO BY BETTI HALSELL ic moments, such as the Council Member Council Member Marqueece Chief Equity Officer and Deputy Mayor of Economic city uprisings in 1992 and Herb Wesson Harris-Dawson Opportunity Brenda Shockley. most recent global protests and rise of awareness of tive includes: “Healing Cir- all spectrums of the city tiative also reduced “over BETTI HALSELL ficer, Shockley looks to George Floyd; people are cles, which provides mental joined Los Angeles Public policing” of South L.A.
    [Show full text]