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Black Magic & White Supremacy
Portland State University PDXScholar University Honors Theses University Honors College 2-23-2021 Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power Nicholas Charles Peters Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Television Commons Let us know how access to this document benefits ou.y Recommended Citation Peters, Nicholas Charles, "Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power" (2021). University Honors Theses. Paper 962. https://doi.org/10.15760/honors.986 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power By Nicholas Charles Peters An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in English and University Honors Thesis Adviser Dr. Michael Clark Portland State University 2021 1 “Being burned at the stake was an empowering experience. There are secrets in the flames, and I came back with more than a few” (Head 19’15”). Burning at the stake is one of the first things that comes to mind when thinking of witchcraft. Fire often symbolizes destruction or cleansing, expelling evil or unnatural things from creation. “Fire purges and purifies... scatters our enemies to the wind. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Why the Inimitable Sarah Paulson Is the Future Of
he won an Emmy, SAG Award and Golden Globe for her bravura performance as Marcia Clark in last year’s FX miniseries, The People v. O.J. Simpson: American Crime Story, but it took Sarah Paulson almost another year to confirm what the TV industry really thinks about her acting chops. Earlier this year, her longtime collaborator and O.J. executive producer Ryan Murphy offered the actress the lead in Ratched, an origin story he is executive producing that focuses on Nurse Ratched, the Siconic, sadistic nurse from the 1975 film One Flew Over the Cuckoo’s Nest. Murphy shopped the project around to networks, offering a package for the first time that included his frequent muse Paulson attached as star and producer. “That was very exciting and also very scary, because I thought, oh God, what if they take this out, and people are like, ‘No thanks, we’re good. We don’t need a Sarah Paulson show,’” says Paulson. “Thankfully, it all worked out very well.” In the wake of last year’s most acclaimed TV performance, everyone—TV networks and movie studios alike—wants to be in business with Paulson. Ratched sparked a high-stakes bidding war, with Netflix ultimately fending off suitors like Hulu and Apple (which is developing an original TV series strategy) for the project last month, giving the drama a hefty Why the inimitable two-season commitment. And that is only one of three high- profile TV series that Paulson will film over the next year. In Sarah Paulson is the 2018, she’ll begin production on Katrina, the third installment in Murphy’s American Crime Story anthology series for FX, and continue on the other Murphy FX anthology hit that future of TV. -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
The Perpetuation of Historical Myths in New Orleans Tourism
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-31-2021 Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism Madeleine R. Roach University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Oral History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Roach, Madeleine R., "Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism" (2021). University of New Orleans Theses and Dissertations. 2902. https://scholarworks.uno.edu/td/2902 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Don’t Be Myth-taken: The Perpetuation of Historical Myths in New Orleans Tourism A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the in the requirements for the degree of Master of Arts in History Public History By Madeleine Roach B.A. -
{PDF} Legion Ebook, Epub
LEGION PDF, EPUB, EBOOK Dan Abnett | 412 pages | 26 Aug 2014 | Games Workshop(uk) | 9781849708159 | English | United States Legion PDF Book Episode List. There is a sense in a lot of these stories that everything always builds to a big fight In , Syfy began airing the television series Dominion , a sequel set 25 years after the end of the film. Retrieved July 20, Was this review helpful to you? Noah Hawley and Nathaniel Halpern. Company Credits. Looking for some great streaming picks? Alternate Versions. Things changed when my father left a few years later, leaving her to raise me and my brothers in a place on the edge of the Mojave Desert. Cary Loudermilk 27 episodes, Jeremie Harris Retrieved January 28, Dictionary Entries near legion leghorn Leghorn legible legion legionary legionary ant legioned See More Nearby Entries. Bloody Disgusting. The attempt to transport Howard to the hospital is thwarted by a gigantic swarm of flies that surrounds the diner and isolates its patrons from the outside world. Get exclusive access to content from our First Edition with your subscription. Retrieved July 30, Technical Specs. Accordingly, the Romans evolved a new tactical system based on small and supple infantry units called maniples. It's a three or four or five act story where each season is another chapter in that story. Michael Uppendahl. Retrieved February 8, The Wrap. Legion Writer Archived from the original on March 24, Both Gonzales and Wrobleski previously worked with Hawley on Fargo. After looting a weapons warehouse and stealing a police car, he travels towards the Paradise Falls Diner, near the edge of the Mojave Desert. -
Media Kit Fact Sheet P
Beaver MEDIA KIT Fact Sheet p. 2 Background p. 5 Faculty & Staff p. 6 Press Coverage p. 10 Presentations p. 13 Notable Alumni p. 14 College List p. 15 Beaver Country Day School Media Contact 791 Hammond Street Meredith Frazier Chestnut Hill, MA 02467 [email protected] Phone: 617-738-2700 617-738-2745 www.bcdschool.org 1 Beaver FACT SHEET Founded 130 1920 50%53% 50% Grades Middle School Students 6 - 12 Students from public Students from independent & charter schools & parochial schools Local Communities 338 (in and around Boston) 70 25% 25% 24% Languages Upper School 20 Students Students of color Faculty of color Financial aid OVERVIEW Beaver Country Day School is a NEASC- accredited school for grades six through 12 located three miles west of Boston in Brookline, Mass. Through its multidimensional approach to teaching, Beaver stands at the forefront of education and empowers students to succeed in today’s constantly-changing world. Innovative partnerships, challenging academics and a technology- driven educational environment make Beaver a leader in independent, college- preparatory education. Beaver students come from more than 70 communities in and around Boston and speak 20 different languages at home. MISSION Beaver offers an academically challenging curriculum in an environment that promotes balance in students’ lives. Deeply committed to individual student success, teachers inspire students to: • Reason and engage deeply with complex ideas and issues; • Be intellectually curious, open-minded and fair; • Identify and build upon their strengths; • Develop leadership and teamwork skills; • Act effectively within a genuinely diverse cultural and social framework; • Serve both school and society with integrity, respect and compassion. -
Emergency! FREE REGISTRY SERVICE
FINAL-1 Sat, Dec 30, 2017 5:14:57 PM Your Weekly Guide to TV Entertainment for the week of January 6 - 12, 2018 OLD FASHIONED SERVICE Emergency! FREE REGISTRY SERVICE Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” Massachusetts’ First Credit Union When tragedy strikes, police officer Athena Located at 370 Highland Avenue, Salem John Doyle Grant (Angela Basset, “What’s Love Got to Do St. Jean's Credit Union INSURANCEDoyle Insurance AGENCY With It,” 1993), paramedic Bobby Nash (Peter 3 x 3 Voted #1 1 x 3 Krause, “Six Feet Under”) and other first re- Serving over 15,000 Members • A Part of your Community since 1910 Insurance sponders answer the call in “9-1-1,” airing Agency Wednesday, Jan. 10, on Fox. The new drama Supporting over 60 Non-Profit Organizations & Programs from the creators of “Glee” and “American Serving the Employees of over 40 Businesses Horror Story” follows first responders as they Auto • Homeowners • Business • Life Insurance struggle to balance their high pressure careers 978.219.1000 www.stjeanscu.com 978-777-6344 with their personal lives. Offices also located in Lynn, Newburyport & Revere Federally Insured by NCUA www.doyleinsurance.com FINAL-1 Sat, Dec 30, 2017 5:14:58 PM 2 • Salem News • January 6 - 12, 2018 First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer ment deal with 20th Century Fox work, Bassett is best known for Resnick in 2016. In addition to her feld,” “Cybill” and “Sports Night” TV Media Studios. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
A Critical Analysis of American Horror Story: Coven
Volume 5 ׀ Render: The Carleton Graduate Journal of Art and Culture Witches, Bitches, and White Feminism: A Critical Analysis of American Horror Story: Coven By Meg Lonergan, PhD Student, Law and Legal Studies, Carleton University American Horror Story: Coven (2013) is the third season an attempt to tell a better story—one that pushes us to imag- analysis thus varies from standard content analysis as it allows of the popular horror anthology on FX1. Set in post-Hurricane ine a better future. for a deeper engagement and understanding of the text, the Katrina New Orleans, Louisiana, the plot centers on Miss Ro- symbols and meaning within the text, and theoretical relation- This paper combines ethnographic content analysis bichaux’s Academy and its new class of female students— ships with other texts and socio-political realities. This method and intersectional feminist analysis to engage with the televi- witches descended from the survivors of the witch trials in Sa- is particularly useful for allowing the researcher deep involve- sion show American Horror Story: Coven (2013) to conduct a lem, Massachusetts in 16922. The all-girls school is supposed ment with the text to develop a descriptive account of the com- close textual reading of the show and unpack how the repre- to be a haven for witches to learn about their heritage and plexities of the narrative (Ferrell et al. 2008, 189). In closely sentations of a diversity of witches can be read and under- powers while fostering a community which protects them from examining the text (Coven) to explore the themes and relation- stood as representing a diversity of types of feminism. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
DAVID KLOTZ Music Editor TELEVISION CREDITS
DAVID KLOTZ Music Editor David Klotz has devoted his career to the music side of the film and tv industry, primarily as a music editor, but also as a composer, songwriter and music supervisor. He has won six Emmy awards for his work on Stranger Things, Game of Thrones, and American Horror Story. He got his start music supervising Christopher Nolan’s critically acclaimed film, Memento. Soon after, he moved into music editing, working on the shows Buffy The Vampire Slayer, Angel, Firefly, and Blade, the TV Series, to name a few. In 2005, he formed Galaxy Beat Media, his music editorial and production company, working on TV shows including Entourage, Prison Break, Glee, and the Marvel feature film, Iron Man. David co-wrote and performed the theme song to the 2001 Robert Rodriguez blockbuster, Spy Kids. He most recently produced and arranged a cover of the 1984 classic “Never Ending Story” for Stranger Things Season 3, available on the show’s soundtrack album. David’s band Dream System 8 has created music for dozens of TV shows including 9-1-1, American Horror Story, Scream Queens, and Pose. TELEVISION CREDITS Perry Mason (TV Series) I Am Not Okay with This (TV Series) Executive Producers: Robert Downey Jr., Susan Downey, Executive Producers: Josh S. Barry, Dan Cohen, Jonathan Ron Fitzgerald, Rolin Jones, Timothy Van Patten, Entwistle, Christy Hall, Dan Levine & Shawn Levy Matthew Rhys, Amanda Burrell & Joseph Horacek 21 Laps Entertainment/Netflix HBO American Horror Story (TV Series – Seasons 1- Ratched (TV Series) 10) Executive Producers: