Collection Adultes Et Jeunesse
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CHIFFRES ET NOMBRES GD ES PTE S L G 01:45 1 ENGLAND Yan 100
CHIFFRES ET NOMBRES GD PTE L ES S G 01:45 1 ENGLAND Yan 100% cachemire 3 3 LEMERCIER Valérie 10 canoës, 150 lances et 3 2 DE-HEER Rolf épouses 10 Cloverfield lane 2 1 TRACHTENBERG Dan 10e chambre - Instants 2 DEPARDON Raymond d'audiences 10 jours sans Maman 3 4 BERNARD Ludovic 11.6 (The French Job) 2 GODEAU Philippe 11 commandements (Les) 2 DE-MADRID Les-Reals 12 ans d'âge 2 2 PROUST Frédéric 12 jours 2 2 DEPARDON Raymond 12 years a slave (homme) 3 McQUEEN(II) Steve 12 years a slave (paysage) 2 2 McQUEEN(II) Steve 13 hours 2 BAY Michael 15 ans et demi 2 2 DESAGNAT François 15H17 pour Paris (Le) (The 1 1 EASTWOOD Clint 15:17 to Paris) 15 minutes 3 HERZFELD John 16 ans ou presque 1 2 SÉGUÉLA Tristan 17, rue bleue 3 2 CHENOUGA Chad 17 fois Cécile Cassard 3 2 HONORÉ Christophe 18 ans après 3 SERREAU Coline 19 (Nineteen) 1 WATANABE Kazushi 1917 ANNONCE 1 1 MENDES Sam 20 ans d'écart 1 MOREAU David 21 grammes 2 4 IÑARRITU Alejandro- Gonzáles 22 janvier tout doit disparaître 2 MUYL Philippe (Le) 22 Miles (Mile 22) 2 BERG Peter 24 city (Er shi si cheng ji) 1 2 JIA Zhang-Ke 24 hour party people u 2 WINTERBOTTOM Michael 24 mesures 2 1 LESPERT Jalil 27 robes (27 Dresses) 1 FLETCHER Anne 28 semaines plus tard (28 1 1 FRESNADILLO Juan- Weeks Later) Carlos 2 automnes 3 hivers 2 2 BETBEDER Sébastien 2 days in New York u 2 3 DELPY Julie 2 days in Paris u 1 DELPY Julie 2e sous-sol 3 4 KHALFOUN Franck 2 filles d'aujourd'hui (Career 3 1 LEIGH Mike Girls) m 3, chronique d'une famille 1 2 STOLL-WARD Pablo singulière 300 : La naissance d'un empire 2 1 MURRO -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
GOVPUB-CS1-4C9e09d16748d10e2bdd184198d2c071-1.Pdf
I 1 Proi Of RECORDS, [NISTRATION f 4&**i /$ Tio,r «c0iSrte^u REGISTER OF ALL OFFICERS AND AGENTS, CIVIL, MILITARY, AND NAVAL, IN SERVICETHE OF THE UNITED STATES, ON The Thirtieth September, 1851. WITH THE NAMES, FORCER AND CONDITION OP ALL SHIPS AND VESSELS BELONG-- ING TO THE UNITED STATES, AND WHEN AND WHERE BUILT ; TOGETHER WITH THE NAMES AND COMPENSATION OF ALL PRINTERS IN ANY WAX EMPLOYED BY CONGRESS, OB ANY DEPARTMENT OR OFFICER OF THE GOVERNMENT. PREPARED AT THE DEPARTMENT OF STATE, In pursuance of Resolutions of Congress of April 27,1816, and July 14,1832. WASHINGTON: GIDEON AND CO., PRINTERS. 1851. RESOLUTION requiring the Secretary of State to compile and print, once in every two years, a register of all officers and agents, civil, military, and naval, in the service ot tne United States. Resolved by the Senate and House of Representatives of the United States of America in Con gress assembled, That, once in two years, a Register, containing correct lists of all the officers and agents, civil, military, and naval, in the service of the United States, made up to the last day of September of each year in which a new Congress is to assemble, be compiled and printed, under the direction of the Secretary for the Department of State. And, to ena ble him to form such Register, he, for his own Department, and the Heads of the other De partments, respectively, shall, in due time, cause such lists as aforesaid, of all officers and agents, in their respective Departments, including clerks, cadets, and midshipmen, to be made and lodged in the office of the Department of State. -
ERIC NORRIS Stunt Coordinator / 2Nd Unit Director
ERIC NORRIS Stunt Coordinator / 2nd Unit Director FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS DYLAN DOG: DEAD OF NIGHT Kevin Munroe Gil Adler, Ashok Amritraj / Platinum Studios 2nd Unit Director / Stunt Coordinator TEKKEN Stunt Coordinator Dwight H. Little Benedict Carver, Steven Paul / Crystal Sky I LOVE YOU PHILLIP MORRIS Glenn Ficarra Richard Middleton, Andrew Lazar Stunt Coordinator & John Requa Jeff Harlacker / Fox Searchlight RIGHTEOUS KILL Stunt Coordinator Jon Avnet Rob Cowan, Emmett/Furla Films / Overture MISSION: IMPOSSIBLE III J.J. Abrams Tom Cruise, Paula Wagner Stunt Coordinator Stratton Leopold / Paramount BEYOND A REASONABLE DOUBT Stunt Coord. Peter Hyams Kevin Cornish, Ted Hartley GET SMART’S BRUCE AND LLOYD Gil Junger Richard Middleton, Andrew Lazar OUT OF CONTROL Stunt Coordinator Warner Bros. THE CUTTER Stunt Coordinator William Tannen Avi Lerner, Trevor Short / Sony THE MUMMY LIVES Stunt Coordinator Gerry O’Hara Allan Greenblatt / Global Pictures STUNTS THE GREEN HORNET Michael Gondry Neal Moritz / Columbia DUE DATE Stunt Driver Todd Phillips Daniel Goldberg / Warner Bros. THE TOWN Stunt Driver Ben Affleck Basil Iwanyk, Graham King / Warner Bros. MACHETE Ethan Maniquis & Dominic Cancilla, Rick Schwartz Robert Rodriguez Quentin Tarantino, Elizabeth Avellan / Fox SALT Stunt Driver Phillip Noyce Lorenzo Di Bonaventura / Sony Columbia OLD DOGS Walt Becker Brian Robbins, Robert Levy, Garrett Grant / Disney ANGELS & DEMONS Ron Howard Brian Grazer / Sony Columbia 12 ROUNDS Renny Harlin Mark Gordon / Fox Atomic CLOVERFIELD Matt Reeves Guy Riedel, Bryan Burke / Bad Robot / Paramount THE GREAT DEBATERS Denzel Washington David Crockett, Todd Black, Joe Roth / MGM RUSH HOUR 3 Brett Ratner Jonathan Glickman, Jay Stern Roger Birnbaum / New Line Cinema THE GOOD GERMAN Steven Soderbergh Ben Cosgrove / Warner Bros. -
Liste Dvd Consult
titre réalisateur année durée cote Amour est à réinventer (L') * 2003 1 h 46 C 52 Animated soviet propaganda . 1 , Les impérialistes américains * 1933-2006 1 h 46 C 58 Animated soviet propaganda . 2 , Les barbares facistes * 1941-2006 2 h 16 C 56 Animated soviet propaganda . 3 , Les requins capitalistes * 1925-2006 1 h 54 C 59 Animated soviet propaganda . 4 , Vers un avenir brillant, le communisme * 1924-2006 1 h 54 C 57 Animatix : une sélection des meilleurs courts-métrages d'animation française. * 2004 57 min. C 60 Animatrix * 2003 1 h 29 C 62 Anime story * 1990-2002 3 h C 61 Au cœur de la nuit = Dead of night * 1945 1 h 44 C 499 Autour du père : 3 courts métrages * 2003-2004 1 h 40 C 99 Avant-garde 1927-1937, surréalisme et expérimentation dans le cinéma belge * 1927-1937 1 h 30 C 100 (dvd 1&2) Best of 2002 * 2002 1 h 12 C 208 Caméra stylo. Vol. 1 * 2001-2005 2 h 25 C 322 Cinéma différent = Different cinema . 1 * 2005 1 h 30 C 461 Cinéma documentaire (Le) * 2003 2 h 58 C 462 Documentaire animé (Le). 1, C'est la politique qui fait l'histoire : 9 films * 2003-2012 1 h 26 C 2982 Du court au long. Vol. 1 * 1973-1986 1 h 52 C 693 Fellini au travail * 1960-1975 3 h 20 C 786 (dvd 1&2) Filmer le monde : les prix du Festival Jean Rouch. 01 * 1947-1984 2 h 40 C 3176 Filmer le monde : les prix du Festival Jean Rouch. -
Knowing Good Sex Pays Off: the Image of the Journalist As a Famous, Exciting and Chic Sex Columnist Named Carrie Bradshaw in HBO’S Sex and the City
Knowing Good Sex Pays Off: The Image of the Journalist as a Famous, Exciting and Chic Sex Columnist Named Carrie Bradshaw in HBO’s Sex and the City By Bibi Wardak Abstract New York Star sex columnist Carrie Bradshaw lives the life of a celebrity in HBO’s Sex and the City. She mingles with the New York City elite at extravagant parties, dates the city’s most influential men and enjoys the adoration of fans. But Bradshaw echoes the image of many female journalists in popular culture when it comes to romance. Bradshaw is thirty-something, unmarried and unsure about having children. Despite having a successful career and loyal friends, she feels unfulfilled after each failed romantic relationship. I. Introduction “A wildly successful career and a relationship -- I was afraid…women only get one or the other.”1 That’s a fear Carrie Bradshaw just can’t shake. The sex columnist for the New York Star is unmarried, career-oriented and unsure if she will ever have a traditional family.2 Just like other modern sob sisters, she is romantically unfulfilled and has sacrificed aspects of her personal life for professional success.3 Bradshaw, played by Sarah Jessica Parker in HBO’s hit television show Sex and the City, portrays a stereotypical image of female journalists found in television and film.4 She and other female journalists in the series struggle to balance a successful Knowing Good Sex Pays Off: The Image of the Journalist as a Famous, Exciting and Chic Sex Columnist Named Carrie Bradshaw in HBO’s Sex and the City By Bibi Wardak 2 career and satisfying romantic life. -
GIDEON AMIR Producer / UPM
GIDEON AMIR Producer / UPM PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS DOOM PATROL Various Directors WARNER BROS. TV / DC UNIVERSE Pilot & Series Jeremy Carver, Greg Berlanti Location: Atlanta Sarah Schechter CARNIVAL ROW Jon Amiel LEGENDARY TV / AMAZON Pilot & Series Various Directors Rene Echevarria, Travis Beacham Location: Prague KNIGHTFALL Various Directors A+E STUDIOS Episodes 105 – 110 THE HISTORY CHANNEL Location: Prague Dominic Minghella, Jeremy Renner GUILT Gary Fleder LIONSGATE TV Pilot Stephen McPherson, Kathryn Price Location: London Nichole Millard DEVIOUS MAIDS Various Directors LIFETIME / ABC Series Marc Cherry, Sabrina Wind Location: Atlanta RESURRECTION Various Directors ABC Series Dan Attias, JoAnn Alfano, Tara Butters Location: Atlanta Michele Fazekas THE FRONTIER Thomas Schlamme SONY Pilot Shaun Cassidy, Rich Frank Location: Australia MISSING Steve Shill ABC Pilot & Series Gina Matthews, Grant Scharbo Location: Prague LEVEL UP Peter Lauer CARTOON NETWORK 2hr Pilot Mark Costa Location: Vancouver UNTITLED JOHN WELLS MEDICAL Chris Chulack WARNER BROS. TV Pilot Jon Paré, John Wells Location: Wilmington BEN 10: ALIEN SWARM Alex Winter CARTOON NETWORK 2hr Pilot Mark Costa Location: Atlanta SURRENDER DOROTHY Charles McDougall CBS MOW Wendy Finerman, Diane Keaton Location: San Diego Bill Robinson THE MISTS OF AVALON Uli Edel TNT MOW Lisa Alexander, James Coburn Location: Prague Mark Wolper JACKIE’S BACK Robert Townsend LIFETIME MOW Doug Chapin, Barry Krost Location: Los Angeles FATHERLAND Christopher Menaul HBO MOW Jerry Leider, John Calley, Mike Nichols Location: Prague Mr. Amir also has filmed in Europe, Eastern Europe, Israel, Africa, South Africa, New Zealand, Sri Lanka, and the Philippines, and is local in Wilmington, NC and Los Angeles. INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
RÉALISATEURS ANNÉE PAYS Du R É E N Ou Ve Au X E N
Droit de passage RÉALISATEURS ANNÉE PAYS TITRES des FILMS VERSION DCP DCP Durée Enfants Nouveaux Abitbol (Judith) 2013 F 103 A BAS BRUIT COUL 229 € Kontchalovsky (Andrei) 1985 USA 111 A BOUT DE COURSE (RunawAy trAin) d'A. Kontchalovsky COUL S/RES Godard (JeAn-Luc) 1960 F 87 A BOUT DE SOUFFLE NB 341 € WAng (PAtrick) 2019 USA 120 NDCP A BREAD FACTORY (A) PArt 2 - Un petit coin de parAdis COUL 231 € ThomAs (PAscAl) 2019 F 100 NDCP A CAUSE DES FILLES COUL 284 € CArpignano (Jonas) 2017 I-USA 118 A CIAMBRA COUL 284 € LAine (MArion) 2012 F 87 A COEUR OUVERT COUL 284 € Johnson (RiAn) 2019 USA 131 NDCP A COUTEAUX TIRES COUL 558 € Collectif (*) 2016 F 38 E A DEUX C'EST MIEUX ! 7 c.m; COUL animAtion 270 € JAcquot (Benoît) 2016 F-P 86 A JAMAIS de B. JAcquot COUL 299 € Collectif (*) 2017 F 90 E A LA DECOUVERTE DU MONDE COUL 227 € KormAkur (BAltAzAr) 2018 USA 98 A LA DERIVE COUL 421 € WAng (Bing) 2014 CHINE 227 A LA FOLIE COUL 371 € Lloyd (HArold) 1930 USA 80 A LA HAUTEUR NB MUET 341 € Rossi (Andrew) 2011 USA 90 A LA UNE DU NEW YORK TIMES COUL documentAire 270 € ZilbermAnn (JeAn-JAcques) 2014 F 104 A LA VIE COUL 328 € MArAis (PiA) 2012 D 95 A L'AGE D'ELLEN COUL 296 € Ford (John) 1917 USA A L'ASSAUT DU BOULEVARD NB MUET SONORISE S/RES KAzAn (EliA) 1954 USA 115 A L'EST D'EDEN COUL SCOPE 407 € BAtrA (Ritesh) 2018 GB 108 A L'HEURE DES SOUVENIRS COUL 371 € GitAi (Amos) 2017 ISR-F 84 A L'OUEST DU JOURDAIN COUL documentAire 284 € VideAu (Frédéric) 2011 F 94 A MOI SEULE COUL 274 € RAyhana (*) 2017 DZ-F 90 A MON AGE JE ME CACHE ENCORE POUR FUMER COUL 274 € PiAlAt (MAurice) 1982 F 102 A NOS AMOURS COUL 444 € FromentAl (Antoine) 2017 F 91 A NOUS DE JOUER ! COUL documentAire 227 € Bouzid (LeylA) 2015 TUN 102 A PEINE J'OUVRE LES YEUX COUL 227 € LAfosse (Joachim) 2012 B 111 A PERDRE LA RAISON COUL SCOPE 274 € JiA (Zhangke) 2013 CHINE 129 A TOUCH OF SIN COUL SCOPE 371 € BergmAn (IngmAr) 1961 S 90 A TRAVERS LE MIROIR NB 341 € De_FreitAs / Ly (Stéphane / LAdj) 2017 F 99 A VOIX HAUTE COUL 299 € SollimA (StefAno) 2011 I 112 A.C.A.B. -
The West Wing Weekly 5.04: “Han” Guest: Paula Yoo
The West Wing Weekly 5.04: “Han” Guest: Paula Yoo [Frédéric Chopin – Prelude in E-minor (Op.28, No.4) excerpt] HRISHI: Here we go. JOSH: Hi guys. Wipe away those tears and listen to The West Wing Weekly. There's hope, there's always hope. [laughter] I'm Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: For those of you wondering, I was playing left hand, [Hrishi laughs] and Hrishi was playing right hand. HRISHI: Today, we're talking about “Han.” It's episode 4 of season 5 of The West Wing. JOSH: This episode was written by Peter Noah. Peter Noah would later go on to many things, including being a consulting producer on, I believe, 40 episodes of Scandal. He's a great writer, and story credit for this episode goes to Peter Noah and Mark Goffman. That's Peter Noah & Mark Goffman and, A-N-D, Paula Yoo. The direction is by the always-magnificent Christopher Misiano. The episode first aired on October 22nd, 2003. HRISHI: In this episode, a North Korean pianist comes to the White House for a performance, but things get complicated when he tells the president he wants to defect. C.J.'s for it, but everyone else is pretty much against it, and the president has to weigh both arguments. Meanwhile, Will is having a hard time writing an inspiring speech about the nomination and confirmation of vice president-to-be Bob Russell. Josh is battling one congressman who plans to be a holdout vote against the nomination. Toby wants to get away from speechwriting, but every time he thinks he's out, they keep pulling him back in.