DOCSLIB.ORG

The Reel Latina/O Soldier in American War Cinema

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-26-2012 12:00 AM The Reel Latina/o Soldier in American War Cinema Felipe Q. Quintanilla The University of Western Ontario Supervisor Dr. Rafael Montano The University of Western Ontario Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Felipe Q. Quintanilla 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Quintanilla, Felipe Q., "The Reel Latina/o Soldier in American War Cinema" (2012). Electronic Thesis and Dissertation Repository. 928. https://ir.lib.uwo.ca/etd/928 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE REEL LATINA/O SOLDIER IN AMERICAN WAR CINEMA (Thesis format: Monograph) by Felipe Quetzalcoatl Quintanilla Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Felipe Quetzalcoatl Quintanilla 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr. Rafael Montano Dr. William A. Nericcio Supervisory Committee ______________________________ Dr. Silvia Perpiñán ______________________________ Dr. Victoria Wolff ______________________________ Dr. Anabel Quan-Haase ______________________________ Dr. Juan Luis Suárez The thesis by Felipe Quetzalcoatl Quintanilla entitled: The Latina/o Soldier in American War-minded Cinema is accepted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies ______________________ _______________________________ Date Chair of the Thesis Examination Board ii Abstract This study carries out archaeological research around the representation of the Latina/o soldier in American war-minded cinema. The theoretical orientation is comprised of a synthesis of sociological, New Historical, and genre-studies frameworks. I start from the assumption that images of Latinas/os in war-minded cinema—whether “negative” or “positive,” marginal or center-stage—come to propose, and in most cases reinforce, modes of “being” in the nation. Whether in the form of a colourful tokenism, vile-stereotypes, or suspect models of identity, these representations are hardwired to prescribe specific valances, to heed or to follow, of patriotism, sacrifice and positionality vis-á-vis the (white) heroes and all Others. It is by way of these prescriptions, I propose, that the filmic bodies of Latinas/os are effectively mobilized through the spaces opened up by war: those spaces typically imagined as being part of the homefront/warfront, as well as those less obvious sites forming around the imaginaries of the past, present and future, class, gender, language and citizenship. In sum, the tales of mobility we will encounter are ultimately also narratives of assimilation whereby the Latina/o is finally “accepted” into the fold of the nation. Of course, there are certainly films where the Latina/o is represented in more ambiguous terms. Hence, the Latina/o may be altogether absent from the narrative, for instance, or present in such a way that the predominant mobilization of his/her currency is challenged. It is here, I argue, where the Latina/o may transcend the tyranny of the “negative/positive,” in order to find a more richly represented existence. There are a small number of articles which have tangentially touched on the representation of a few Latino-soldier characters and a few others focusing specifically on the emergence of the warring Latina. As there is no current work holistically tackling the representation of the Latina/o soldier in war films, this dissertation aims to be the first comprehensive approach. Keywords Motion pictures, United States, Hispanic Americans, Latina/o studies, war film, ethnic representation, Second World War, Vietnam War, Korean War, Cold War, Gulf War, War on terror, homefront, warfront, imagined nation, stereotypes, models of identity, film stars, Mexican-American history, Mexican American culture, Hollywood, Hollywood history iii Acknowledgments I am forever indebted to my professors, colleagues and friends who have inspired me on my path. I would not be writing these words had it not been for you. Thus, I thank my grade eleven English teacher, Monsieur Charland, who fresh out of school came to us with music and queer readings of Shakespeare. I credit my academic mother/father, Dr. Rosalía Cornejo- Parriego, in whose classes I first heard the concepts, names and images that have come to influence this very work, as likewise I thank the other great professors at the University of Ottawa who also had a hand at turning me on to literature, film and criticism: Dr. Gastón Lillo, Dr. Juana Liceras, Dr. Guillermo Renart, Dr. Rodney Williamson, and Dr. Fernando de Diego. I thank the kind professors at the University of Western Ontario: Dr. Joyce Bruhn de Garavito, Dr. Dominique Russell, Dr. Juan Luis Suárez, and Dr. Christopher Gittings. Special words of appreciation should go to Dr. Nandi Bhatia who first opened my eyes to the possibility of pursuing the PhD, as well as to el condenado Dr. William A. Nereccio (from San Diego State University, in Califas) whose many ideas I have stolen taken for the purposes of this study. I am infinitely agradecido towards my dear supervisor, friend and fellow salvatrucha, Dr. Rafael Montano. Big gracias also go out to my insightful second reader, Dr. Victoria Wolf, librarian extraordinaire Peggy Ellis, Teresa Aconito, the vatos locos Rolando Aguilera-Moradipour and Kennet Schmitz, Miharu Miyasaka, Mike Gordon, Russell Burrell, Steve Marty, Agnieszka Herra, Dr. Shiddarta Vasquez, los tres gatos Dr. Andrea Ávila Becerril, Manuel Sánchez López and Randol Pérez Alas, Dr. Eduard Arriaga, Dr. Marie Eugenia de Luna Villalón, my Twitter informants (#FF xicano007, sjrivera, Chicano_Soul, eyegiene, mividavixen, AztlanReads, SheriBiesen, herreraylozano, NickRivera, mexicanwoman, ginaruiz, torqueflite, sordaradical, brownboyrocks, luisracuna, GustavoArellano, AztecMuse, sarachild, iamsharpe, SheriBiesen, BobbyRiversTV), and my dear carnales Juan G. Sánchez and Dr. Gerardo Barajas-Garrido. Finally, mil gracias a mi familia: my abuelitos Felipe and Josefina Nava, my parents Dolores and Mario Quintanilla, my tío-guerrillero Chito, my tío-soldado José, mi hermano Itzcoatl, mi hermana Ayenia, my ex-partner-in-all-crimes, Ivonne, and our little monster, Emma Nicte-ha. iv Table of Contents CERTIFICATE OF EXAMINATION ........................................................................... ii Abstract .............................................................................................................................. iii Acknowledgments.............................................................................................................. iv Table of Contents ................................................................................................................ v List of Figures .................................................................................................................. viii Preface................................................................................................................................ ix Chapter 1 ............................................................................................................................. 1 1 Introduction .................................................................................................................... 1 Chapter 2 ............................................................................................................................. 6 2 Hi/story, War Film and Archaeology ............................................................................. 6 2.1 A Hi/story of Representation .................................................................................. 6 2.2 Genre, Temporality and Archaeology ................................................................... 15 2.2.1 Genre ......................................................................................................... 15 2.2.2 Temporality ............................................................................................... 29 2.2.3 Archaeology .............................................................................................. 42 Chapter 3 ........................................................................................................................... 51 3 Latina/o representation ................................................................................................. 51 3.1 Between Stereotypes and Models of Identity ....................................................... 51 3.2 Latina/o Brownness ............................................................................................... 60 3.2.1 Whiteness /Brownness .............................................................................. 69 3.2.2 Latina/o Brownness .................................................................................
Recommended publications
  • THE PHILIPPINES, 1942-1944 James Kelly Morningstar, Doctor of History

    THE PHILIPPINES, 1942-1944 James Kelly Morningstar, Doctor of History

    ABSTRACT Title of Dissertation: WAR AND RESISTANCE: THE PHILIPPINES, 1942-1944 James Kelly Morningstar, Doctor of History, 2018 Dissertation directed by: Professor Jon T. Sumida, History Department What happened in the Philippine Islands between the surrender of Allied forces in May 1942 and MacArthur’s return in October 1944? Existing historiography is fragmentary and incomplete. Memoirs suffer from limited points of view and personal biases. No academic study has examined the Filipino resistance with a critical and interdisciplinary approach. No comprehensive narrative has yet captured the fighting by 260,000 guerrillas in 277 units across the archipelago. This dissertation begins with the political, economic, social and cultural history of Philippine guerrilla warfare. The diverse Islands connected only through kinship networks. The Americans reluctantly held the Islands against rising Japanese imperial interests and Filipino desires for independence and social justice. World War II revealed the inadequacy of MacArthur’s plans to defend the Islands. The General tepidly prepared for guerrilla operations while Filipinos spontaneously rose in armed resistance. After his departure, the chaotic mix of guerrilla groups were left on their own to battle the Japanese and each other. While guerrilla leaders vied for local power, several obtained radios to contact MacArthur and his headquarters sent submarine-delivered agents with supplies and radios that tie these groups into a united framework. MacArthur’s promise to return kept the resistance alive and dependent on the United States. The repercussions for social revolution would be fatal but the Filipinos’ shared sacrifice revitalized national consciousness and created a sense of deserved nationhood. The guerrillas played a key role in enabling MacArthur’s return.
  • On Celestial Wings / Edgar D

    On Celestial Wings / Edgar D

    Library of Congress Cataloging-in-Publication Data Whitcomb. Edgar D. On Celestial Wings / Edgar D. Whitcomb. p. cm. Includes bibliographical references. 1. United States. Army Air Forces-History-World War, 1939-1945. 2. Flight navigators- United States-Biography. 3. World War, 1939-1945-Campaigns-Pacific Area. 4. World War, 1939-1945-Personal narratives, American. I. Title. D790.W415 1996 940.54’4973-dc20 95-43048 CIP ISBN 1-58566-003-5 First Printing November 1995 Second Printing June 1998 Third Printing December 1999 Fourth Printing May 2000 Fifth Printing August 2001 Disclaimer This publication was produced in the Department of Defense school environment in the interest of academic freedom and the advancement of national defense-related concepts. The views expressed in this publication are those of the author and do not reflect the official policy or position of the Department of Defense or the United States government. This publication has been reviewed by security and policy review authorities and is cleared for public release. Digitize February 2003 from August 2001 Fifth Printing NOTE: Pagination changed. ii This book is dedicated to Charlie Contents Page Disclaimer........................................................................................................................... ii Foreword............................................................................................................................ vi About the author ..............................................................................................................
  • Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much

    Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much

    cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good.
  • Black Soldiers in Liberal Hollywood

    Black Soldiers in Liberal Hollywood

    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
  • Public Politics/Personal Authenticity

    Public Politics/Personal Authenticity

    PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change
  • Introduction

    Introduction

    Notes Introduction 1. Although throughout this book, the identification of a Jewish "race" is associ­ ated with an anti-Semitic impulse, Jewish usage of "racial" terminology indi­ cates a certain ambivalence. See Harriet D. Lyons and Andrew P. Lyons, "A Race or Not a Race: The Question of Jewish Identity in the Year of the First Universal Races Congress;' in Ethnicity, Identity, and History, ed. Joseph B. Maier and Chaim I. Waxman, 499-518 (New Brunswick: Transaction Books, 1983). Even today, many Jews use the term "the Jewish race" with pride. 2. The Haskalah, or Jewish Enlightenment, which began in late eighteenth century, Germany, was a response to the European Enlightenment. Middle-class Jews, anxious to distance themselves from the ghetto and religious prejudice, sought to modernize Jewish communities by exposing them to secular thought. The Maskilim (the proponents of the Haskalah) believed that Jews were persecuted because they differed from dominant communities in terms of culture, language, education, dress and manners. By modernizing their schools, learning the spo­ ken language of the country in which they lived, and adapting their manners to those of their neighbors, it was hoped that individual Jews would be treated like any other citizens. 3. Steve Allen, Funny People (New York: Stein and Day, 1981), 11. 4. Most of the women listed here are not discussed further in this book, although I would like to suggest that they could be. Also, this study does not confine itself (at least in its earlier chapters) to comic performance. I present this list self­ consciously and order it alphabetically as an attempt at organization.
  • Collection Adultes Et Jeunesse

    Collection Adultes Et Jeunesse

    bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal.
  • PAINESVILLE TELEGRAPH 1884 Use Control + F to Search This Document

    PAINESVILLE TELEGRAPH 1884 Use Control + F to Search This Document

    PAINESVILLE TELEGRAPH 1884 © Judy J. Stebbins 7/7/2020 Use Control + F to search this document. PAINESVILLE TELEGRPAH M. P. Graham, age 74 as of last Sept. 13th, Painesville, Ohio formerly of Lake Co., writes a letter to the editor J. F. Scofield, Editor and Proprietor about Kansas. Jan. 3, 1884 Thursday p. 2 (col. 1) Lewis Johnson, age 64, a gambler of p. 1 BUSINESS DIRECTORY Putnam, Ohio, lost $200 on a game and ATTORNEYS committed suicide. Homer Harper – Attorney and Counselor at Law --Louis Griffith, a farmer of Salem, Ohio, had a Hill & Jerome – Attorneys at Law difficulty with his 17-yr. old son and was later Amidon & Paine – Attorneys at Law found in the woods shot through the heart. The Lord Sterling – Attorney & Collector for the son is a suspect. Business Men’s Union of Painesville, Ohio --Wm. Kirk, a prominent businessman of MARBLE AND GRANITE WORKS Cincinnati was murdered in broad daylight in his Morley & Rich – Repository Building, Corner own stable by his hostler and an accomplice. State and Washington streets. Painesville, Ohio They have been arrested and made a confession. DENTISTS --General Grant received a severe injury by a fall D. C. Wilson & Son – Dentists, 88 Main Street, on the snowy and slippery pavement as he Painesville, Ohio (laughing gas, vitalized air, or alighted from a carriage at his residence in New th nitro-oxide for extracting teeth without pain) York on the 27 . He injured his leg and should Wm. H. Fowler– Dentist, Milwaukee Block over only be in the house for a few days to recover.
  • The West Wing Weekly 5.04: “Han” Guest: Paula Yoo

    The West Wing Weekly 5.04: “Han” Guest: Paula Yoo

    The West Wing Weekly 5.04: “Han” Guest: Paula Yoo [Frédéric Chopin – Prelude in E-minor (Op.28, No.4) excerpt] HRISHI: Here we go. JOSH: Hi guys. Wipe away those tears and listen to The West Wing Weekly. There's hope, there's always hope. [laughter] I'm Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: For those of you wondering, I was playing left hand, [Hrishi laughs] and Hrishi was playing right hand. HRISHI: Today, we're talking about “Han.” It's episode 4 of season 5 of The West Wing. JOSH: This episode was written by Peter Noah. Peter Noah would later go on to many things, including being a consulting producer on, I believe, 40 episodes of Scandal. He's a great writer, and story credit for this episode goes to Peter Noah and Mark Goffman. That's Peter Noah & Mark Goffman and, A-N-D, Paula Yoo. The direction is by the always-magnificent Christopher Misiano. The episode first aired on October 22nd, 2003. HRISHI: In this episode, a North Korean pianist comes to the White House for a performance, but things get complicated when he tells the president he wants to defect. C.J.'s for it, but everyone else is pretty much against it, and the president has to weigh both arguments. Meanwhile, Will is having a hard time writing an inspiring speech about the nomination and confirmation of vice president-to-be Bob Russell. Josh is battling one congressman who plans to be a holdout vote against the nomination. Toby wants to get away from speechwriting, but every time he thinks he's out, they keep pulling him back in.
  • December 2007

    December 2007

    CAMPUS SPOTLIGHT Charlize Filbin sleeping, drooling girl at the FAC EDITOR-IN-CHIEF David Strauss But soft! Mine eyes must be whilst I need to print a paper Turn-ons: not having to get minority study groups, study buddies FEATURES EDITOR Bradley Jackson fries with your Wendy’s combo, who are just a bit too excited to be whispering unto me the most for philosophy. I would wake NEWS EDITOR Kathryn Edwards fantastic of falsehoods, for it thee, but I shall wait instead, for diet Red Bull, all-nighters, flannel study buddies, looking presentable could not be thee, O sleeping, I would sooner fail a thousand pants, headbands, side ponytails, DESIGN EDITOR Matt Hutcheson your ex-boyfriend’s sweatshirt, Motto: “(Snort), what...are you talk- drooling FAC girl, the perfect hu- philosophy papers, and endure ing to me?” PHOTO EDITOR Veronica Hansen man form beneath a tent of flan- the tempestuous gall of my Old Navy flip-flops, flexible-framed glasses, procrastination, sound- ART EDITOR Chris Friend nel and elastic waistbands. embittered TA’s than wake the proof headphones, Thine behalo’d head rests amidst supernal, drooling DeMilo half not giving a shit ASSOCIatE Sara Kanewske the ruins of your #6 Wen- supine before me. Behold, thine anymore EDITORS Stephen Short dy’s combo, sitting hair adorned in grease and PUBLICITY Sabrina Abdulla Turn-offs: at computer V2 tangles, with spectacles Erica Grundish all askew—be still my waking up beating heart! Sleep with desk Sara Nienkerk soft, my salivating lines on your WRITING staFF Mike Faerber seraphim, whilst I go face, loud typists, Kelsey Lamb swiping your ID after get a Rockstar and Ross Luippold some M&M’s.
  • Steve Aaron CAS Resume

    Steve Aaron CAS Resume

    Steve C. Aaron, C.A.S. - Production Sound Mixer - Page 1 of 6 Professional sound mixing for the motion picture industry for over 35 years. Complete equipment packages to accommodate all aspects of location, stage and remote recording, as well as sync music playback, wireless ear wig prompting & ‘Voice Of God’ PA systems. Comprehensive background in ‘Post Production’ processing to include final mixing to ADR. “Solid sound tracks back up my body of work”. All credits listed are ‘actual worked’ credits. Feature film credits “Clover“ (aka She Hulk) MARVEL Studio Productions “Architect“ (aka LOKI) MARVEL Studio Productions Producers: Kevin Feige, Wendy Jacobson, Brad Winderbaum, Producers: Kevin Feige, Michael Waldron, Victoria Alonso, Victoria Alonso, Louis D’Esposito, Producer / Writer: Jessica Gao Louis D’Esposito, Tom Hiddleston Supervising Prod: Kevin Wright Line Producer: Trish Stanard Production Super: Amy Chance Line Producer: Trish Stanard Production Super: Amy Chance Director: Kat Coiro, Anu Valia Director: Kate Herron “Fear Street“ (Trilogy features 1994, 1666 & 1978) 20th Century Fox “Goosebumps 2“ – Sony Pictures Producers: Timothy Bourne, Peter Chernin, David Ready, Kori Adelson Producers: Timothy Bourne, Tania Landau, Neal Moritz, Deborah Forte Prod. Supervisor: Heath Howard Director: Leigh Janiak Prod. Supervisor: Heath Howard Director: Ari Sandel “MILE 22“ – STX Entertainment “The Hate U Give“ – 20th Century Fox Producers: Peter Berg, Mark Wahlberg, Stuart Besser, Stephen Levinson Producers: Tim Bourne, Wick Godfrey, Robert Teitel, Marty Bowen, Prod. Supervisor: Sharyn Shimada Director: Peter Berg Prod. Supervisor: Heath Howard Director: George Tillman Jr. “The Best of Enemies“ – Peachtree Cinema 2 “Simon vs The Homo Sapien Agenda“ – 20th Century Fox Prodrs: Jeremiah Sanders, Fred Bernstein, Dominique Telson, Matt Berenson Prodrs: Wyck Godfrey, Marty Bowen, Tim Bourne, Pouya Shahbazian Prod.
  • Newsletter 19/06 DIGITAL EDITION Nr

    Newsletter 19/06 DIGITAL EDITION Nr

    ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets.