10/02/21 LT121: Introduction to Film Studies | University of Essex
LT121: Introduction to Film Studies View Online
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D. Shepard and T. A. Edison, ‘The girl and her trust’, Landmarks of early film, vol. Blackhawk Films collection. Film Preservation Associates, [S.l.], 1912.
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‘Rescued by Rover’, Early cinema: primitives and pioneers. BFI Video, London, 1905.
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D. W. Griffith, ‘Biograph shorts, 1909-1913: collection of early works by the cinema’s most influential pioneer : twenty-three complete films’, vol. Griffith masterworks. Kino on Video,
3/24 10/02/21 LT121: Introduction to Film Studies | University of Essex
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‘The Lumiere Brothers’, Early cinema: primitives and pioneers. BFI Video, London, 1895.
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G. Méliès, ‘Voyage to the Moon’, Early cinema: primitives and pioneers. BFI Video, London, 1902 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F010895A8%3Fbcast%3D128257088
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M. Gorky, ‘A Review of the Lumière Programme’, in Kino: a history of the Russian and Soviet film, London: Allen & Unwin, 1960.
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T. Gunning, ‘An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009.
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K. Littau, ‘Arrival of a Train at La Ciotat’, in Film analysis: a Norton reader, Second edition., New York: W. W. Norton & Company, 2013, pp. 42–62.
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‘How it feels to be run over’, Early cinema: primitives and pioneers. BFI Video, United Kingdom, 1900.
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‘Rough sea at Dover’, Early cinema: primitives and pioneers. BFI Video, United Kingdom, 1895.
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‘Voyage a travers l’impossible’, Early cinema: primitives and pioneers. BFI Video, France, 1904.
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R. Wiene, W. B. Krauss, and C. Veidt, ‘Das cabinet des Dr. Caligari.’ Eureka Video, [S.l.], 2000 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F004D7890%3Fbcast%3D106840826
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S. Kracauer, ‘The Cabinet of Dr. Caligari’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009.
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Boris Ingster, ‘Stranger on the third floor.’ Odeon Entertainment, [London], 1940 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000797C5%3Fbcast%3D33178723
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F. W. Murnau et al., ‘Nosferatu.’ British Film Institute, London, 2001.
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Alfred Hitchcock, ‘Psycho.’ Columbia Tristar, U.K., 1960 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0000E859%3Fbcast%3D122012920
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W. Rothman, ‘Psycho’, in Hitchcock - the murderous gaze, vol. Harvard film studies, Cambridge, Mass: Harvard University Press, 1982, pp. 245–341 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=549573
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Alfred Hitchcock, ‘Marnie’, vol. Alfred Hitchcock Collection. Universal Studios, Universal City, CA, 1964 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0000E857%3Fbcast%3D122665240
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A. Hitchcock, H. Fonda, V. Miles, and A. Quayle, ‘The wrong man.’ Distributed by Warner Home Video, Burbank, CA, 2004 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F00097F07%3Fbcast%3D97494856
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Billy Wilder, ‘Some like it hot.’ MGM/UA Home Video, London, 1959 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F001AAE13%3Fbcast%3D60102496
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S. Eisenstein, ‘Dickens, Griffith and ourselves’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009.
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Luc Besson, ‘Leon.’ Touchstone Home Video, London, 2000 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000B90CA%3Fbcast%3D2218778
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