10/02/21 LT121: Introduction to Film Studies | University of Essex LT121: Introduction to Film Studies View Online [1] L. Braudy and M. Cohen, Film theory and criticism: introductory readings, 7th ed. New York: Oxford University Press, 2009. [2] J. Geiger and R. L. Rutsky, Film analysis: a Norton reader, Second edition. New York: W. W. Norton & Company, 2013. [3] D. Bordwell and K. Thompson, Film art: an introduction, 10th ed. New York: McGraw-Hill, 2012. [4] J. Monaco, How to read a film: movies, media, and beyond : art, technology, language, history, theory, 4th ed. Oxford: Oxford University Press, 2009. [5] Jill Nelmes, Introduction to film studies, 5th ed. Abingdon: Routledge, 2012 [Online]. Available: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth &target=https://app.kortext.com/borrow/3051 [6] 1/24 10/02/21 LT121: Introduction to Film Studies | University of Essex J. Nelmes and dawsonera, Introduction to film studies, 5th ed. London: Routledge, 2012 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/s hibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/ S9780203824139 [7] P. Cook, The cinema book, 3rd ed. London: BFI, 2007 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=2612799 [8] D. Robinson, From peep show to palace: the birth of American film. New York: Columbia University Press, 1996. [9] G. Mast and B. F. Kawin, A short history of the movies, 9th ed. New York: Pearson/Longman, 2006. [10] D. Thomson, The new biographical dictionary of film, 4th ed. London: Little, Brown, 2002. [11] E. Katz, F. Klein, and R. D. Nolen, The film encyclopedia, 3rd ed. / rev. by Fred Klein and Ronald Dean Nolan [i.e. Nolen]. New York: HarperPerennial, 1998. [12] T. Corrigan, A short guide to writing about film, 6th ed., vol. The short guide series. New York: Pearson/Longman, 2007. [13] 2/24 10/02/21 LT121: Introduction to Film Studies | University of Essex D. Shepard and T. A. Edison, ‘The great train robbery’, Landmarks of early film, vol. Blackhawk Films collection. Film Preservation Associates, [S.l.], 1903. [14] D. Shepard and T. A. Edison, ‘The girl and her trust’, Landmarks of early film, vol. Blackhawk Films collection. Film Preservation Associates, [S.l.], 1912. [15] B. Keaton, K. McGuire, J. Keaton, M. Leahy, and W. Beery, ‘Sherlock Jr: and, Three ages.’ Kino International, New York, 2010. [16] B. Keaton and J. Keaton, ‘Sherlock Jr.’, Buster Keaton. Stonevision Entertainment, Salford, 1924 [Online]. Available: https://www.youtube.com/watch?v=fZuqWxITq38 [17] W. K. Everson, American silent film, vol. A History of the American film. New York: Oxford University Press, 1978. [18] C. Musser, ‘The Travel Genre in 1903-1904: Moving Towards Fictional Narrative’, in Early cinema: space frame narrative, London: BFI, 1990, pp. 123–132 [Online]. Available: https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=6342 215 [19] ‘Rescued by Rover’, Early cinema: primitives and pioneers. BFI Video, London, 1905. [20] D. W. Griffith, ‘Biograph shorts, 1909-1913: collection of early works by the cinema’s most influential pioneer : twenty-three complete films’, vol. Griffith masterworks. Kino on Video, 3/24 10/02/21 LT121: Introduction to Film Studies | University of Essex New York, NY, 2002. [21] ‘The Lumiere Brothers’, Early cinema: primitives and pioneers. BFI Video, London, 1895. [22] G. Méliès, ‘Voyage to the Moon’, Early cinema: primitives and pioneers. BFI Video, London, 1902 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F010895A8%3Fbcast%3D128257088 [23] M. Gorky, ‘A Review of the Lumière Programme’, in Kino: a history of the Russian and Soviet film, London: Allen & Unwin, 1960. [24] T. Gunning, ‘An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009. [25] K. Littau, ‘Arrival of a Train at La Ciotat’, in Film analysis: a Norton reader, Second edition., New York: W. W. Norton & Company, 2013, pp. 42–62. [26] ‘How it feels to be run over’, Early cinema: primitives and pioneers. BFI Video, United Kingdom, 1900. [27] 4/24 10/02/21 LT121: Introduction to Film Studies | University of Essex ‘Rough sea at Dover’, Early cinema: primitives and pioneers. BFI Video, United Kingdom, 1895. [28] ‘Voyage a travers l’impossible’, Early cinema: primitives and pioneers. BFI Video, France, 1904. [29] R. Wiene, W. B. Krauss, and C. Veidt, ‘Das cabinet des Dr. Caligari.’ Eureka Video, [S.l.], 2000 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F004D7890%3Fbcast%3D106840826 [30] S. Kracauer, ‘The Cabinet of Dr. Caligari’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009. [31] P. Coates, ‘The Cabinet of Dr Caligari’, in Film analysis: a Norton reader, Second edition., New York: W. W. Norton & Company, 2013, pp. 98–117. [32] Boris Ingster, ‘Stranger on the third floor.’ Odeon Entertainment, [London], 1940 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F000797C5%3Fbcast%3D33178723 [33] F. W. Murnau et al., ‘Nosferatu.’ British Film Institute, London, 2001. 5/24 10/02/21 LT121: Introduction to Film Studies | University of Essex [34] F. W. Murnau and E. Jannings, ‘The last laugh: Der letzte Mann.’ Kino International, New York, NY, 2001. [35] Alfred Hitchcock, ‘Psycho.’ Columbia Tristar, U.K., 1960 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0000E859%3Fbcast%3D122012920 [36] R. Wood, ‘Psycho’, in Hitchcock’s films revisited, Revised ed., New York: Columbia University Press, 2002. [37] Alfred Hitchcock and Sidney Gottlieb, ‘On style’, in Hitchcock on Hitchcock: selected writings and interviews, London: Faber and Faber, 1995, pp. 285–302 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&db=nlebk& amp;AN=41623 [38] A. Hitchcock, ‘On style’, in Hitchcock on Hitchcock: selected writings and interviews, Berkeley: University of California Press, 1995, pp. 285–302 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&db=nlebk&AN= 41623 [39] N. Redfern, ‘“Leading them down the garden path,” another look at Hitchcock’s Psycho’, EnterText, vol. 1, no. 3, pp. 48–63 [Online]. Available: https://www.brunel.ac.uk/creative-writing/research/entertext/documents/entertext013/Nick -Redfern-Leading-them-down-the-Garden-Path-Another-Look-at-Hitchcocks-Psycho.pdf [40] 6/24 10/02/21 LT121: Introduction to Film Studies | University of Essex W. Rothman, ‘Psycho’, in Hitchcock - the murderous gaze, vol. Harvard film studies, Cambridge, Mass: Harvard University Press, 1982, pp. 245–341 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&scope=site &db=nlebk&db=nlabk&AN=549573 [41] S. Eisenstein, ‘The dramaturgy of film form’, in Film theory and criticism: introductory readings, 7th ed., New York: Oxford University Press, 2009, pp. 25–41. [42] Alfred Hitchcock, ‘Marnie’, vol. Alfred Hitchcock Collection. Universal Studios, Universal City, CA, 1964 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F0000E857%3Fbcast%3D122665240 [43] E. Hunter, A. Hitchcock, R. Taylor, J. Tandy, S. Pleshette, and T. Hedren, ‘The birds’, vol. The Alfred Hitchcock collection. Universal Studios Home Video, Universal City, CA, 2000 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F001BDDDD%3Fbcast%3D89213920 [44] A. Hitchcock, H. Fonda, V. Miles, and A. Quayle, ‘The wrong man.’ Distributed by Warner Home Video, Burbank, CA, 2004 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F00097F07%3Fbcast%3D97494856 [45] ‘Alfred Hitchcock Presents - YouTube.’ [Online]. Available: https://www.youtube.com/results?search_query=alfred+hitchcock+presents 7/24 10/02/21 LT121: Introduction to Film Studies | University of Essex [46] Billy Wilder, ‘Some like it hot.’ MGM/UA Home Video, London, 1959 [Online]. Available: https://login.learningonscreen.ac.uk/wayfless.php?entityID=https%3A%2F%2Fidp0.essex.a c.uk%2Fshibboleth&target=https%3A%2F%2Flearningonscreen.ac.uk%2Fondemand %2Findex.php%2Fprog%2F001AAE13%3Fbcast%3D60102496 [47] David Bordwell, ‘An excessively obvious cinema’, in The classical Hollywood cinema: film style & mode of production to 1960, London: Routledge, 1988, pp. 3–11 [Online]. Available: https://0-www-taylorfrancis-com.serlib0.essex.ac.uk/books/e/9780203358818/chapters/10. 4324/9780203358818-10 [48] D. Bordwell, ‘An excessively obvious cinema’, in The classical Hollywood cinema: film style & mode of production to 1960, London: Routledge, 1988 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&db=nlebk&AN= 93873 [49] A. Kuhn, ‘Classical Hollywood Narrative’, in The cinema book, 3rd ed., London: BFI, 2007, pp. 45–48 [Online]. Available: http://0-search.ebscohost.com.serlib0.essex.ac.uk/login.aspx?direct=true&db=nlebk& amp;AN=2612799&site=ehost-live&ebv=EB&ppid=pp_45 [50] D.