Scientific Research of the Sco Countries: Synergy and Integration
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9781474437257 Refocus The
ReFocus: The Films of Andrei Tarkovsky 66616_Toymentsev.indd616_Toymentsev.indd i 112/01/212/01/21 111:211:21 AAMM ReFocus: The International Directors Series Series Editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes Board of advisors: Lizelle Bisschoff (University of Glasgow) Stephanie Hemelryck Donald (University of Lincoln) Anna Misiak (Falmouth University) Des O’Rawe (Queen’s University Belfast) ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of international film directors, from the celebrated to the ignored, in direct relationship to their respective culture—its myths, values, and historical precepts—and the broader parameters of international film history and theory. The series provides a forum for introducing a broad spectrum of directors, working in and establishing movements, trends, cycles, and genres including those historical, currently popular, or emergent, and in need of critical assessment or reassessment. It ignores no director who created a historical space—either in or outside of the studio system—beginning with the origins of cinema and up to the present. ReFocus brings these film directors to a new audience of scholars and general readers of Film Studies. Titles in the series include: ReFocus: The Films of Susanne Bier Edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice ReFocus: The Films of Francis Veber Keith Corson ReFocus: The Films of Jia Zhangke Maureen Turim and Ying Xiao ReFocus: The Films of Xavier Dolan -
Siberian Mentality Studies" (In Honor of the 90-Th Anniversary of the Birth of Vasily Shukshin) (SHUKSHIN-2019)
The Government of Altai Krai Shukshin Altai State Humanities Pedagogical University Shukshin Memorial Museum in Srostki International Conference on Humanities "Siberian Mentality Studies" (in honor of the 90-th anniversary of the birth of Vasily Shukshin) (SHUKSHIN-2019) Biysk (Srostki), Altai Krai, Russia June 27-29, 2019 Shukshin Altai State Humanities Pedagogical University invites researchers, writers and literary translators to take part in the International Conference on Humanities "Siberian Mentality Studies" (in honor of the 90-th anniversary of the birth of Vasily Shukshin) which will take place in the village of Srostki, Biysk, Altai Krai, Russia on June 27-29, 2019. Shukshin (1929-1974) was one of the unique Russian authors of "village prose". But what is the actual state of the art in Russian village prose studies around the world? What are the language, cultural and psychological features of the prototype heroes of Russian village prose in contemporary Siberian people? The conference aims to discuss the actual issues of Russian and Siberian mentality in philological and cultural studies, philosophy, psychology, history, anthropology, ethnology, cinema and arts. The conference is also aimed at introducing the culture of the contemporary Russian village to the world research and writing communities around the world. The conference is held in the following areas (but not limited to them): Philology Literary translation Russian and Slavic Studies (Slavistics) Language and Literature Cultural studies Cross-cultural communication Philosophy Psychology History Anthropology Ethnology Cinema and arts. Conference working languages: Russian, English, German. REGISTRATION The deadline for registration is May 1, 2019 via e-mail [email protected] Application form 1. -
The Circassian Thistle: Lev Nikolaevich Tolstoy's Khadzhi
ABSTRACT THE CIRCASSIAN THISTLE: TOLSTOY’S KHADZHI MURAT AND THE EVOLVING RUSSIAN EMPIRE by Eric M. Souder The following thesis examines the creation, publication, and reception of Lev Nikolaevich Tolstoy’s posthumous novel, Khadzhi Murat in both the Imperial and Soviet Russian Empire. The anti-imperial content of the novel made Khadzhi Murat an incredibly vulnerable novel, subjecting it to substantial early censorship. Tolstoy’s status as a literary and cultural figure in Russia – both preceding and following his death – allowed for the novel to become virtually forgotten despite its controversial content. This thesis investigates the absorption of Khadzhi Murat into the broader canon of Tolstoy’s writings within the Russian Empire as well as its prevailing significance as a piece of anti-imperial literature in a Russian context. THE CIRCASSIAN THISTLE: TOLSTOY’S KHADZHI MURAT AND THE EVOLVING RUSSIAN EMPIRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of History by Eric Matthew Souder Miami University Oxford, Ohio 2014 Dr. Stephen Norris Dr. Daniel Prior Dr. Margaret Ziolkowski TABLE OF CONTENTS Introduction………………………………………………………………………………………1 Chapter I - The Tolstoy Canon: The Missing Avar……………………………………………….2 Chapter II – Inevitable Editing: The Publication and Censorship of Khadzhi Murat………………5 Chapter III – Historiography and Appropriation: The Critical Response to Khadzhi Murat……17 Chapter IV – Conclusion………………………………………………………………………...22 Afterword………………………………………………………………………………………..24 Bibliography……………………………………………………………………………………..27 ii Introduction1 In late-October 1910, Lev Nikolaevich Tolstoy died at Astopovo Station, approximately 120 miles from his family estate at Yasnaya Polyana in the Tula region of the Russian Empire. -
RAFA 2015.Pdf
www.mkrf.ru RAFA is Russian animated film association. RAFA represents the interests of the Russian animation industry and helps to create favorable conditions for the effective development of anima tion in Russia and worldwide. RAFA represents the interests of animation studios of all sizes, as well as individual flmmakers working in animation, including indep endent directors, production designers, animators etc. The association also includes organizations which are involved in animation: TV networks with an interest in animation,distribution companies and Internet companies, that is, all organizations whose business is related to the field of animation and who are interested in joining forces. • If you need to communicate with any Russian studio, organization or animator, • If you need assistance in participation in festivals and film markets in Russia, • If you need to organize the presentation of your services to Russian partners, • If you need talents and studios for co-production JUST CONTACT RAFA! RAFA is proud to present opportunity of Russian animation to you. Today RAFA is 40 best Russian studios that able for cooperation with you and 200 animators, composers, producers etc that would like to join your team. 4 5 CONTENTS RAFA 3 OPENING WORD 7 RUSSIAN ANIMATION TODAY 8 STUDIOS 10 SHORTS 180 ALPHABETICAL LIST 200 ON THE CATALOG WORKED 203 6 7 Dear friends, Russian Animated Film Association offers you the fourth edition of a catalogue of current animated films. In the new release, you will find information on all latest releases in the Russian animated film industry in 2014 and early in 2015. The new catalogue fundamentally differs from its predecessors. -
Музеи И Этнокультурный Туризм Museums and Ethnocultural Tourism
Международный совет International Counsil музеев ЮНЕСКО for Museums UNESCO Комитет музеологии International Committee Международного совета музеев for Museology Сибирское отделение Siberian branch Российской академии наук of the Russian Academy of Sciences Научный совет по музеям Scientifi c Counsil of Museums Институт истории СО РАН Institute of History of SB RAS Комитет музеологии International Committee Сибири for Museology of Siberia МУЗЕИ MUSEUMS И ЭТНОКУЛЬТУРНЫЙ AND ETHNOCULTURAL ТУРИЗМ TOURISM III Ежегодный симпозиум ИКОФОМСИБ III Annual Simposium ICOFOMSIB Шанхай, Китай Shanghai, China 7–12 ноября 2010 7–12 November 2010 Novosibirsk 2010 ББК 79.1 УДК 069.01 М 89 Approved for publishing by Scientifi c Council of Institute of History SB RAS Reviewers: М. А. Demin, Doctor of Science, Professor, Dean of History Department of Altai State Pedagogical Academy, N. M. Shcherbin, Candidate of historical sciences, manager of Museum department of SB RAS, G. М. Zaporozhchenko, Candidate of historical sciences, chief scientifi c associate of Museum department of SB RAS. Museums and Ethnocultural Tourism: collection of materials of the IIId Annual International Sympo- sium ICOFOM SIB / Under the editorship of О. N. Truevtseva, О. N. Shelegina. Novosibirsk, 2010. 168 p. ISBN 978-5-94356-868-8 The collection includes articles of the participants of the 3d Annual International Symposium of ICOFOM SIB and International Committee of Museum of UNESCO on the topic “Museums and Ethnocultural Tour- ism”. The symposium is organized and held within the framework of the XXIInd General Conference of ICOM “Museums for harmonious society” on November 6–12, 2010, Shanghai, China. The authors pay considerable attention to studying the history of museology in Siberia, integration of museums into tourist business, develop- ment and strengthening of international cooperation, studying cultural heritage of Siberian peoples, adaptation of museums to the conditions of globalization and searching for new forms of activity. -
Russian Politics and Society, Fourth Edition
Russian Politics and Society Having been fully revised and updated to reflect the considerable changes in Russia over the last decade, the fourth edition of this classic text builds on the strengths of the previous editions to provide a comprehensive and sophisticated analysis on Russian politics and society. In this edition, Richard Sakwa seeks to evaluate the evidence in a balanced and informed way, denying simplistic assumptions about the inevitable failure of the democratic exper- iment in Russia while avoiding facile generalisations on the inevitable triumph of global integration and democratisation. New to this edition: • Extended coverage of electoral laws, party development and regional politics • New chapter on the ‘phoney democracy’ period, 1991–3 • Historical evaluation of Yeltsin’s leadership • Full coverage of Putin’s presidency • Discussion of the development of civil society and the problems of democratic consolidation • Latest developments in the Chechnya conflict • More on foreign policy issues such as Russia’s relationship with NATO and the EU after enlargement, Russia’s relations with other post-Soviet states and the problem of competing ‘near abroads’ for Russia and the West • The re-introduction of the Russian constitution as an appendix • An updated select bibliography • More focus on the challenges facing Russia in the twenty-first century Written in an accessible and lively style, this book is packed with detailed information on the central debates and issues in Russia’s difficult transformation. This makes it the best available textbook on the subject and essential reading for all those concerned with the fate of Russia, and with the future of international society. -
Land, Community, and the State in the North Caucasus: Kabardino-Balkaria, 1763-1991
Land, Community, and the State in the North Caucasus: Kabardino-Balkaria, 1763-1991 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ian Thomas Lanzillotti Graduate Program in History The Ohio State University 2014 Dissertation Committee: Professor Nicholas Breyfogle, Advisor Professor Theodora Dragostinova Professor David Hoffmann Professor Scott Levi Copyright by Ian Thomas Lanzillotti 2014 Abstract The Caucasus mountain region in southern Russia has witnessed many of post- Soviet Eurasia’s most violent inter-communal conflicts. From Abkhazia to Chechnya, the region fractured ferociously and neighboring communities took up arms against each other in the name of ethnicity and religion. In the midst of some of the worst conflict in Europe since 1945, the semiautonomous, multiethnic Kabardino-Balkar Republic in the North Caucasus remained a relative oasis of peace. This is not to say there were no tensions—there is no love lost between Kabardians, Balkars, and Russians, Kabardino- Balkaria’s principal communities. But, why did these communities, despite the agitation of ethno-political entrepreneurs, not resort to force to solve their grievances, while many neighboring ones did? What institutions and practices have facilitated this peace? What role have state officials and state structures played in, on the one hand, producing inter- communal conflict, and, on the other hand, mediating and defusing such conflict? And why has land played such a crucial rule in inter-communal relations in the region over the longue durée? More than enhancing our knowledge of a poorly-understood yet strategically important region, the questions I ask of Kabardino-Balkaria are windows on larger issues of enduring global relevance. -
Russian Cinema: a Very Short Story
Zhurnal ministerstva narodnogo prosveshcheniya, 2018, 5(2) Copyright © 2018 by Academic Publishing House Researcher s.r.o. Published in the Slovak Republic Zhurnal ministerstva narodnogo prosveshcheniya Has been issued since 2014. E-ISSN: 2413-7294 2018, 5(2): 82-97 DOI: 10.13187/zhmnp.2018.2.82 www.ejournal18.com Russian Cinema: A Very Short Story Alexander Fedorov a , a Rostov State University of Economics, Russian Federation Abstract The article about main lines of russian feature film history: from 1898 to modern times. The history of Russian cinema goes back more than a century, it knew the stages of rise and fall, ideological repression and complete creative freedom. This controversial history was studied by both Russian and foreign scientists. Of course, Soviet and Western scientists studied Soviet cinema from different ideological positions. Soviet filmmakers were generally active in supporting socialist realism in cinema, while Western scholars, on the contrary, rejected this method and paid great attention to the Soviet film avant-garde of the 1920s. After the collapse of the Soviet Union, the situation changed: russian and foreign film historians began to study cinema in a similar methodological manner, focusing on both ideological and socio-cultural aspects of the cinematographic process. Keywords: history, film, movie, cinema, USSR, Russia, film historians, film studies. 1. Introduction Birth of the Russian "Great Mute" (1898–1917). It is known that the French brought the movies to Russia. It was at the beginning of 1896. However, many Russian photographers were able to quickly learn a new craft. Already in 1898, documentary plots were shot not only by foreign, but also by Russian operators. -
Power Relations Reflected in Leo Tolstoy's Hadji Murad (1904)
POWER RELATIONS REFLECTED IN LEO TOLSTOY’S HADJI MURAD (1904) : A SOCIOLOGICAL APPROACH Submitted as Partial Fulfillment of Requirement for Getting Bachelor Degree of Education in English Department by: FADHLILLAH MAHADIKA A320120261 DEPARTMENT OF ENGLISH EDUCATION SCHOOL OF TEACHER TRAINING AND EDUCATION UNIVERSITAS MUHAMMADIYAH SURAKARTA 2018 i POWER RELATIONS REFLECTED IN LEO TOLSTOY’S HADJI MURAD (1904) : A SOCIOLOGICAL APPROACH Abstract The objectives of the study are (1) To identify the indicators of power relation in Hadji Murad.(2) To describe how the power relation depicted in the literary work.(3) To reveal why Leo Tolstoy addressed power relation related the novel. The type of this research is descriptive qualitative research, because it does not need statistic data to get the fact. Descriptive qualitative research is a research which is the result of the data is a written data. The researcher uses two data sources, The primary data source of the study is Hadji Murad novel by Leo Tolstoy which is published in 1904. and The sources of secondary data are taken from other resources which are related to the study; website, articles, biography of the author, and some books which dealing with the research. Based on the analysis, the researcher gets some conclusions. (1) Authority, where the cahracter in the novel have their own authority as a power of relation, such as Hadj Murad with his charismatic character he can make great relationship with his fellowship. (2) The Depiction of Power Relation in the Novel can be seen through Character, where Hadji Murad is an assertive, ambitious, imposing, forgiving and permissive character. -
The Myth of Russian Stupidity in Rfl Lessons
International Scientific-Pedagogical Organization of Philologists (ISPOP) DOI: THE MYTH OF RUSSIAN STUPIDITY IN RFL LESSONS Natalia V. Roitberg PhD in Philology, lecturer University of Haifa (Haifa, Israel) e-mail: [email protected] Abstract. This study addresses the use of folklore materials among advanced and intermediate-level students of Russian. Special attention is devoted to the Russian folk character Ivan the Fool, the myth of Russian stupidity, and mechanisms by which the theme of foolishness presented in Russian folklore and literature. The paper focuses on the reading Russian fairy folk tales of Ivan the Fool (Leo Tolstoy’s “The Tale of Ivan the Fool and his two brothers” and the tale “Before the Cock Crows Thrice” by Vasily Shukshin) and the interpreting Russian proverbs and sayings about fools which are shown as conceptions of the myth of Russian stupidity. It was determined that the use of Russian folktales and proverbs as curriculum materials have a great educational significance, linguistic importance on Russian language teaching, as well as on the Russian language acquisition. Furthermore, folklore materials are considered efficient tools for foreign students’ deeper insight into Russian mentality and folk lore. Keywords: Russian as a foreign language lesson (RFL lesson), folklore materials, fairy tales, Ivan the Fool, the myth of Russian stupidity МИФ О РУССКОЙ ГЛУПОСТИ НА УРОКАХ РКИ Наталья Владимировна Ройтберг Кандидат филологических наук, лектор Хайфский Университет (Хайфа, Израиль) e-mail: [email protected] Аннотация. В статье рассматривается использование материалов устного народного творчества на уроках русского языка как иностранного студентам среднего и продвинутого уровней. Отдельное внимание уделено образу Ивана-дурака, мифу о русской глупости и способам репрезентации темы «простофильства» в русском фольклоре и литературе. -
Barbican October Highlights
For immediate release: Thursday 29 August 2019 Barbican October highlights • Into the Night: Cabarets and Clubs in Modern Art, a new Barbican Art Gallery exhibition explores the social and artistic role of cabarets, cafés and clubs around the world, spanning the 1880s to the 1960s. • The second New Suns: A Feminist Literary Festival – a book fair and day of talks, workshops and screenings – explores feminist approaches to technology. • Continuing our commitment to bring Russia’s finest acting ensembles to London, Moscow’s prestigious Theatre of Nations makes its Barbican debut, performing two UK premieres: Shukshin’s Stories, and Chekhov’s enigmatic play Ivanov. • Cyberfeminism on Film: Gender, Sexuality, Technology curated by author So Mayer, takes author Donna Haraway’s The Cyborg Manifesto as a starting point to explore still radical ways of thinking about gender, sexuality and technology. • The Australian Chamber Orchestra conducted by Richard Tognetti return to the Barbican for three performances, in their second year as the resident International Associate Ensemble at Milton Court. CINEMA Hidden Figures: Euzhan Palcy Sun 6 Oct–Sat 26 Oct 2019, Cinema 1 & 2 Despite winning the Silver Lion at the Venice Film Festival, directing Marlon Brando to an Oscar nomination, and having created a range of acclaimed dramas that explore race and liberation across the world, Euzhan Palcy’s work remains neglected in the UK, and her films are rarely shown. The season includes her feature debut, Sugar Cane Alley (Martinque/France 1983), which remains one of cinema’s great coming-of-age films about a mischievous orphan and his indomitable grandmother. -
The Good Russian Prisoner: Naturalizing Violence in the Caucasus Mountains
The Good Russian Prisoner: Naturalizing Violence in the Caucasus Mountains Bruce Grant Swarthmore College Almost daily, the Caucasus hits the front page. War in Chechnya, the struggles of breakaway republics, oil politics, security issues, and the election of autocrats are among the stories that bring the region to our attention. Much of recent scholarship has focused on these issues in which violence, as it so often does, speaks for itself. At best, one finds a language of challenge and riposte in which conflicts are read as retributive justice for past violence in a dialectical exchange of blows. Yet the more common practice after years of the Chechen war, in Russia and elsewhere, is to venture that the peoples of the Caucasus are by nature violent or corrupt. In this article, I argue for a close reading of the lived experience of violence in the Caucasus in the patterned artifacts of Russian popular culture that have been keystones of knowledge for Russians and Caucasians alike. Asking how diverse genres of Russian popular culture have come to constitute the Caucasus as a zone of violence to Russian audiences not only illuminates these particular logics of sovereign rule butinvites a more nuanced view of violence and its consequences in this region. For almost two hundred years, Russian poets, short story writers, novelists, journalists, choreographers, opera librettists, and filmmakers have narrated a re- markably persistent story of kidnapping in the Caucasus. Taking the social, poli- tical, and economic dislocations of Russia’s early 19th-century imperial campaign as its setting, this tale of two star-crossed lovers—the kidnapped young Russian man-in-chains and the Caucasian woman who sets him free—presents one of the dominant means by which successive generations of Russian publics have come to know and understand the fractious populations living along their mountainous southern border.