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James Rowson Phd Thesis Politics and Putinism a Critical Examination
Politics and Putinism: A Critical Examination of New Russian Drama James Rowson A thesis submitted for the degree of Doctor of Philosophy Royal Holloway, University of London Department of Drama, Theatre & Dance September 2017 1 Declaration of Authorship I James Rowson hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract This thesis will contextualise and critically explore how New Drama (Novaya Drama) has been shaped by and adapted to the political, social, and cultural landscape under Putinism (from 2000). It draws on close analysis of a variety of plays written by a burgeoning collection of playwrights from across Russia, examining how this provocative and political artistic movement has emerged as one of the most vehement critics of the Putin regime. This study argues that the manifold New Drama repertoire addresses key facets of Putinism by performing suppressed and marginalised voices in public arenas. It contends that New Drama has challenged the established, normative discourses of Putinism presented in the Russian media and by Putin himself, and demonstrates how these productions have situated themselves in the context of the nascent opposition movement in Russia. By doing so, this thesis will offer a fresh perspective on how New Drama’s precarious engagement with Putinism provokes political debate in contemporary Russia, and challenges audience members to consider their own role in Putin’s autocracy. The first chapter surveys the theatrical and political landscape in Russia at the turn of the millennium, focusing on the political and historical contexts of New Drama in Russian theatre and culture. -
Moscow, Russia
Moscow, Russia INGKA Centres The bridge 370 STORES 38,6 MLN to millions of customers VISITORS ANNUALLY From families to fashionistas, there’s something for everyone meeting place where people connect, socialise, get inspired, at MEGA Belaya Dacha that connects people with inspirational experience new things, shop, eat and naturally feel attracted lifestyle experiences. Supported by IKEA, with more than to spend time. 370 stores, family entertainment and on-trend leisure and dining Our meeting places will meet people's needs & desires, build clusters — it’s no wonder millions of visitors keep coming back. trust and make a positive difference for local communities, Together with our partners and guests we are creating a great the planet and the many people. y w h e Mytischi o k v s la Khimki s o r a Y e oss e sh sko kov hel D RING RO c IR AD h ov Hwy TH S ziast ntu MOSCOW E Reutov The Kremlin Ryazansky Avenue Zheleznodorozhny Volgogradskiy Prospect Lyubertsy Kuzminki y Lyublino Kotelniki w H e o Malakhovka k s v a Dzerzhinsky h s r Zhukovskiy a Teply Stan V Catchment Areas People Distance Kashirskoe Hwy Lytkarino Novoryazanskoe Hwy ● Primary 1,600,000 < 20 km ● Secondary 1,600,000 20–35 km ● Tertiary 3,800,000 35–47 km Gorki Total area: <47 km: 7,000,000 Leninskiye Volodarskogo 55% 25 3 METRO 34 MIN CUSTOMERS BUS ROUTES STATIONS AVERAGE COME BY CAR NEAR BY COMMUTE TIME A region with Loyal customers MEGA Belaya Dacha is located at the heart of the very dynamic population development in strong potential the South-East of Moscow and attracts shoppers from all over Moscow and surrounding areas. -
MEGA Belaya Dacha Le N in G R Y a D W S H V K Olo O E K E O O Mytischi Lam H K Sk W S O Y Av E
MEGA Belaya Dacha Le n in g r y a d w s h V k olo o e k e o o Mytischi lam h k sk w s o y av e . sl o h r w a y Y M K Tver A Market overview D region Balashikha Dmitrov Krasnogorsk y Welcome v hw Sergiev-Posad hw uziasto oe y nt Klin Catchment Peoplesk Distance E Vladimir region izh or Reutov ov to MEGA N Mytischi Pushkin areas Schelkovo Belaya Dacha Moscow Zheleznodorozhny Primary 1,589,000 < 20 km Smolensk region Odintsovo N Naro-Fominsk o Podolsk v o ry a Klimovsk wy z Secondary 1,558,800 h 20–35 km a oe n k sk ins o Obninsk Kolomna M e y h hw w oe y Serpukhov Tertiary 3,787,300 35–47vsk km ALONG WITH LONDON’S WESTFIELD Kaluga region Kie AND ISTANBUL’S FORUM, MEGA BELAYA y y w Tula region h w h DACHA IS ONE OF EUROPE’S LARGEST e ko e Total area: 6,965,200 s o z h k RETAIL COMPLEXES. s lu Troitsk a v K a h s r a Domodedovo V It has more than 350 tenants and the centre Moscow has the highest density of retailers façade runs for four km. Major brands such of all Russian cities with tenants occupying as Auchan, Inditex brands, TopShop, H&M, 4.5 million square metres, according to fig- Uniqlo, T.G.I. Fridays, Debenhams, MAC, ures for 2013. Many world-famous retailers IKEA, OBI, MediaMarkt, Kinostar, Cosmic, have outlets here and the city is the first M.Video, Detsky Mir, Deti and Decathlon to show new trends. -
Revista Inclusiones Issn 0719-4706 Volumen 7 – Número Especial – Octubre/Diciembre 2020
CUERPO DIRECTIVO Mg. Amelia Herrera Lavanchy Universidad de La Serena, Chile Director Dr. Juan Guillermo Mansilla Sepúlveda Mg. Cecilia Jofré Muñoz Universidad Católica de Temuco, Chile Universidad San Sebastián, Chile Editor Mg. Mario Lagomarsino Montoya OBU - CHILE Universidad Adventista de Chile, Chile Editor Científico Dr. Claudio Llanos Reyes Dr. Luiz Alberto David Araujo Pontificia Universidad Católica de Valparaíso, Chile Pontificia Universidade Católica de Sao Paulo, Brasil Dr. Werner Mackenbach Editor Europa del Este Universidad de Potsdam, Alemania Dr. Aleksandar Ivanov Katrandzhiev Universidad de Costa Rica, Costa Rica Universidad Suroeste "Neofit Rilski", Bulgaria Mg. Rocío del Pilar Martínez Marín Cuerpo Asistente Universidad de Santander, Colombia Traductora: Inglés Ph. D. Natalia Milanesio Lic. Pauline Corthorn Escudero Universidad de Houston, Estados Unidos Editorial Cuadernos de Sofía, Chile Dra. Patricia Virginia Moggia Münchmeyer Portada Pontificia Universidad Católica de Valparaíso, Chile Lic. Graciela Pantigoso de Los Santos Editorial Cuadernos de Sofía, Chile Ph. D. Maritza Montero Universidad Central de Venezuela, Venezuela COMITÉ EDITORIAL Dra. Eleonora Pencheva Dra. Carolina Aroca Toloza Universidad Suroeste Neofit Rilski, Bulgaria Universidad de Chile, Chile Dra. Rosa María Regueiro Ferreira Dr. Jaime Bassa Mercado Universidad de La Coruña, España Universidad de Valparaíso, Chile Mg. David Ruete Zúñiga Dra. Heloísa Bellotto Universidad Nacional Andrés Bello, Chile Universidad de Sao Paulo, Brasil Dr. Andrés Saavedra Barahona Dra. Nidia Burgos Universidad San Clemente de Ojrid de Sofía, Bulgaria Universidad Nacional del Sur, Argentina Dr. Efraín Sánchez Cabra Mg. María Eugenia Campos Academia Colombiana de Historia, Colombia Universidad Nacional Autónoma de México, México Dra. Mirka Seitz Dr. Francisco José Francisco Carrera Universidad del Salvador, Argentina Universidad de Valladolid, España Ph. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova
Compiled by Irina Kuzmina Marina Medkova English version Olga Perevezentseva Dmitry Osipenko Digital version Dmitry Osipenko Graphic Design Lilia Garifullina Theatre Union of the Russian Federation Strastnoy Blvd., 10, Moscow, 107031, Russia Tel: +7 (495) 6502846 Fax: +7 (495) 6500132 e-mail: [email protected] www.stdrf.ru Russian Theatre Festivals Guide Compiled by Irina Kuzmina, Marina Medkova. Moscow, Theatre Union of Russia, April 2016 A reference book with information about the structure, locations, addresses and contacts of organisers of theatre festivals of all disciplines in the Russian Federation as of April, 2016. The publication is addressed to theatre professionals, bodies managing culture institutions of all levels, students and lecturers of theatre educational institutions. In Russian and English. All rights reserved. No part of the publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the publisher. The publisher is very thankful to all the festival managers who are being in constant contact with Theatre Union of Russia and who continuously provide updated information about their festivals for publication in electronic and printed versions of this Guide. The publisher is particularly grateful for the invaluable collaboration efforts of Sergey Shternin of Theatre Information Technologies Centre, St. Petersburg, Ekaterina Gaeva of S.I.-ART (Theatrical Russia Directory), Moscow, Dmitry Rodionov of Scena (The Stage) Magazine and A.A.Bakhrushin State Central Theatre Museum. 3 editors' notes We are glad to introduce you to the third edition of the Russian Theatre Festival Guide. -
Moscow, Russia
Moscow, Russia INGKA Centres A marketplaceKonakovo with a difference 32 MLN VISITORS ANNUALLY A family friendly shopping destination with the total catchment spend, as well as 90% brand awareness, MEGA Khimki attracts area of 5.6 million people located within a densely populated people from a great distance. Recently cafes and restaurantsDmitrov district, MEGA Khimki is a shopping centre and meeting place zone was transformed into a gastronomic and socio-cultural for the local community, leisure destination and family day cluster — Taste Boulevard, which became the heart of MEGA out with a difference. Besides a well-balanced mix of fashion Khimki and local community. Here our guest could meet, stores and a wide food & beverage offering, the centre has communicate, celebrate, get new gastronomical experience a unique indoor fresh-market, where customers can buy groceries and create new traditions, shop, eat and naturally feel attracted produced and sold directly by farmers. Having IKEA, the market to spend time with family and friends. leader in home furnishingKlin as an anchor, a sizeable media Yakhroma L e n in g ra d 9 s kilometers to k o e Sheremetyevo s h o Int. Airport s s e Zelenograd y w h Istra e Mytischi o k s av sl o r a Y wy iastov H tuz En Krasnogorsk RING IRD ROA TH D Novori zhskoe MOSCOW Reutov shoss e The Kremlin Ryazansky Avenue Zheleznodorozhny Zvenigorod Volgogradskiy Prospect Catchment Areas People Distance Balashikha Ruza Lyubertsy ● Primary 691,847 16 km y w H ● Secondary 869,229 16–40km e o k Kashirskoe Hwy Belaya -
A Flash Report on MITEM III „Now I Need the Epic Spaciousness of Time” Portrait Sketch of an Independent Artist
szcenárium MITEM English, April 2017 A Flash Report on MITEM III ÁGNES PÁLFI – ZSOLT SZÁSZ „Now I Need the Epic Spaciousness of Time” THREE INTERVIEWS WITH ATTILA VIDNYÁNSZKY Portrait Sketch of an Independent Artist GEORGE BANU ABOUT SILVIU PURCĂRETE A Nemzeti Színház művészeti folyóirata szcenárium MITEM English, April 2017 contents inaugural Zsolt Szász: “Grasp the Life of Man Complete!” • 3 Three Interviews with Attila Vidnyánszky • 5 Dialogue with the Spectators (by Vera Prontvai) • 6 “Now I Need the Epic Spaciousness of Time” (by Zsolt Szász) • 9 “We are Now Witnessing a Welcome Change in Pace” (by Zsolt Szász) • 18 (Translated by Dénes Albert and Anikó Kocsis) mitem 2016 Ágnes Pálfi – Zsolt Szász: It Has Been a Real Inauguration of Theatre! A Flash Report on MITEM III (Translated by Nóra Durkó) • 23 Justyna Michalik: Tadeusz Kantor’s Experiments in the Theatre Notes for The Space of Memory Exhibition (Translated by András Pályi and Anikó Kocsis) • 43 mitem 2017 Dostoevsky in Kafka’s Clothes An Interview With Valery Fokin by Sándor Zsigmond Papp (Translated by Dénes Albert) • 55 Why Did We Kill Romanticism? An Interview With Stage Director David Doiashvili by György Lukácsy (Translated by Dénes Albert) • 59 “Self-Expression Was Our Rebellion” An Interview With Eugenio Barba by Rita Szentgyörgyi (Translated by Anikó Kocsis) • 63 Eugenio Barba: Eurasian Theatre • 67 George Banu: Silviu Purcărete Portrait Sketch of an Independent Artist (Translated by Eszter Miklós and Dénes Albert) • 75 Helmut Stürmer: Poet of the Italian Tin Box (Translated -
9781474437257 Refocus The
ReFocus: The Films of Andrei Tarkovsky 66616_Toymentsev.indd616_Toymentsev.indd i 112/01/212/01/21 111:211:21 AAMM ReFocus: The International Directors Series Series Editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes Board of advisors: Lizelle Bisschoff (University of Glasgow) Stephanie Hemelryck Donald (University of Lincoln) Anna Misiak (Falmouth University) Des O’Rawe (Queen’s University Belfast) ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of international film directors, from the celebrated to the ignored, in direct relationship to their respective culture—its myths, values, and historical precepts—and the broader parameters of international film history and theory. The series provides a forum for introducing a broad spectrum of directors, working in and establishing movements, trends, cycles, and genres including those historical, currently popular, or emergent, and in need of critical assessment or reassessment. It ignores no director who created a historical space—either in or outside of the studio system—beginning with the origins of cinema and up to the present. ReFocus brings these film directors to a new audience of scholars and general readers of Film Studies. Titles in the series include: ReFocus: The Films of Susanne Bier Edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice ReFocus: The Films of Francis Veber Keith Corson ReFocus: The Films of Jia Zhangke Maureen Turim and Ying Xiao ReFocus: The Films of Xavier Dolan -
Siberian Mentality Studies" (In Honor of the 90-Th Anniversary of the Birth of Vasily Shukshin) (SHUKSHIN-2019)
The Government of Altai Krai Shukshin Altai State Humanities Pedagogical University Shukshin Memorial Museum in Srostki International Conference on Humanities "Siberian Mentality Studies" (in honor of the 90-th anniversary of the birth of Vasily Shukshin) (SHUKSHIN-2019) Biysk (Srostki), Altai Krai, Russia June 27-29, 2019 Shukshin Altai State Humanities Pedagogical University invites researchers, writers and literary translators to take part in the International Conference on Humanities "Siberian Mentality Studies" (in honor of the 90-th anniversary of the birth of Vasily Shukshin) which will take place in the village of Srostki, Biysk, Altai Krai, Russia on June 27-29, 2019. Shukshin (1929-1974) was one of the unique Russian authors of "village prose". But what is the actual state of the art in Russian village prose studies around the world? What are the language, cultural and psychological features of the prototype heroes of Russian village prose in contemporary Siberian people? The conference aims to discuss the actual issues of Russian and Siberian mentality in philological and cultural studies, philosophy, psychology, history, anthropology, ethnology, cinema and arts. The conference is also aimed at introducing the culture of the contemporary Russian village to the world research and writing communities around the world. The conference is held in the following areas (but not limited to them): Philology Literary translation Russian and Slavic Studies (Slavistics) Language and Literature Cultural studies Cross-cultural communication Philosophy Psychology History Anthropology Ethnology Cinema and arts. Conference working languages: Russian, English, German. REGISTRATION The deadline for registration is May 1, 2019 via e-mail [email protected] Application form 1. -
Friday, December 7, 2018
Friday, December 7, 2018 Registration Desk Hours: 7:00 AM – 5:00 PM, 4th Floor Exhibit Hall Hours: 9:00 AM – 6:00 PM, 3rd Floor Audio-Visual Practice Room: 7:00 AM – 6:00 PM, 4th Floor, office beside Registration Desk Cyber Cafe - Third Floor Atrium Lounge, 3 – Open Area Session 4 – Friday – 8:00-9:45 am Committee on Libraries and Information Resources Subcommittee on Copyright Issues - (Meeting) - Rhode Island, 5 4-01 War and Society Revisited: The Second World War in the USSR as Performance - Arlington, 3 Chair: Vojin Majstorovic, Vienna Wiesenthal Institute for Holocaust Studies (Austria) Papers: Roxane Samson-Paquet, U of Toronto (Canada) "Peasant Responses to War, Evacuation, and Occupation: Food and the Context of Violence in the USSR, June 1941–March 1942" Konstantin Fuks, U of Toronto (Canada) "Beyond the Soviet War Experience?: Mints Commission Interviews on Nazi-Occupied Latvia" Paula Chan, Georgetown U "Red Stars and Yellow Stars: Soviet Investigations of Nazi Crimes in the Baltic Republics" Disc.: Kenneth Slepyan, Transylvania U 4-02 Little-Known Russian and East European Research Resources in the San Francisco Bay Area - Berkeley, 3 Chair: Richard Gardner Robbins, U of New Mexico Papers: Natalia Ermakova, Western American Diocese ROCOR "The Russian Orthodox Church and Russian Emigration as Documented in the Archives of the Western American Diocese of the Russian Orthodox Church Outside of Russia" Galina Epifanova, Museum of Russian Culture, San Francisco "'In Memory of the Tsar': A Review of Memoirs of Witnesses and Contemporaries of Emperor Nicholas II from the Museum of Russian Culture of San Francisco" Liladhar R. -
Revisiting Skaz in Ivan Vyrypaev's Cinema And
STUDIES IN RUSSIAN AND SOVIET CINEMA https://doi.org/10.1080/17503132.2018.1511260 ARTICLE Revisiting skaz in Ivan Vyrypaev’s cinema and theatre: rhythms and sounds of postdramatic rap Susanna Weygandt Department of Languages, Literatures and Cultures, Saint Louis University, Saint Louis, MO, USA ABSTRACT KEYWORDS Over the last two decades, the stage director and filmmaker Ivan Russian cinema; New Drama; Vyrypaev has developed his own aesthetic practice, which tests the Ivan Vyrypaev; sound theory; energy, reception, and affective appeal of the stage performance to skaz forge a new artistic method that is meaningful to a modern audience. Like the notable avant-garde directors before him, he rejects the tradition of mimetic representation and physical verisimilitude, and has initiated a shift to the field of verbal signification – most notably in his rediscovery of skaz – and to the cognition of aural phenomena, thus situating his work within recent academic discourse on sound. His plays and films distinguish themselves from most visual media by their long, descriptive monologues and by the use of music. Verbal and sonic elements, not physical actions or stage directions, vividly describe changes, mutations, disease, transfer states, and traumas of the characters. This article argues that Vyrypaev’s theatre and cinema engages with a 21st-century audience through its resonance with its affective and emotional registers. Ivan Vyrypaev is one of the leading playwrights of Russian New Drama (Novaia drama), a vibrant movement that has gained visibility through numerous artists’ and writers’ festivals since the late 1990s, including Liubimovka, New Drama and Golden Mask festivals, but also through theatres across Russia, Europe and the U.S.