TPTV Schedule Oct 21St – Oct 27Th 2019

Total Page:16

File Type:pdf, Size:1020Kb

TPTV Schedule Oct 21St – Oct 27Th 2019 TPTV Schedule Oct 21st – Oct 27th 2019 Date Time Programme Synopsis Mon 21 01:35 Quatermass 1967. Mystery. Director: Roy Ward Baker. Stars James Donald, Andrew Keir & Oct 19 and the Pit Barbara Shelley. A mysterious artefact is found in London and the famous scientist Bernard Quatermass helps investigate it. Mon 21 03:35 The Point Of No Return. Captain Matt Holbrook (Robert Taylor) leads a squad of brave Oct 19 Detectives and tough detectives tackling crime. Also Stars: Tige Andrews, Russell Thorson, Adam West Mon 21 04:30 The Flying 1957. Crime. Director: Compton Bennett. Stars Lee Patterson, Kay Callard & Alan Oct 19 Scot Gifford. After learning what's being transported on the Flying Scot, Ronnie Cowan plans the biggest robbery of all time Mon 21 06:00 Chipperfields Exclusively brought to you from Richard Hearne's private collection of home movies. Oct 19 Circus with He started performing in the circus at the age of 7, following his father's footsteps, Mr Pastry who was a circus clown. Mon 21 06:15 The Broken 1953. Crime drama. A hit and run victim is operated on by Dr. Fenton (Robert Beatty), Oct 19 Horseshoe the victim is later murdered and the doctor is involved. Starring Elizabeth Sellars. (SUBTITLES AVAILABLE) Mon 21 07:50 Marilyn 1953. Crime drama directed by Wolf Rilla and starring Maxwell Reed and Sandra Oct 19 Dorne. The wife of the garage owner is caught with the mechanic, when he is accidentally killed and a cover up begins. (SUBTITLES AVAILABLE) Mon 21 09:10 Folly To Be 1952. Comedy. Stars Alastair Sim, Elizabeth Allan & Roland Culver. Newly arrived Oct 19 Wise Army Chaplin, Captain Paris (Alastair Sim) attempts to book various acts for the entertainment of a troop of soldiers. Mon 21 11:00 Stagecoach The Outcasts. Western with Wayne Rogers & Robert Bray, who run a stagecoach line Oct 19 West in the Old West where they come across a wide variety of killers, robbers and ladies in distress. Mon 21 12:00 Inn For 1960. Comedy. Based on the hit TV series, The Larkins. Peggy Mount and David Oct 19 Trouble Kossoff are given a pub to run but face many problems. (SUBTITLES AVAILABLE) Mon 21 13:45 IWM: Channel Short fictional film about the evacuation of Dunkirk, directed by Anthony Asquith, Oct 19 Incident with Peggy Ashcroft, Robert Newton and Kenneth Griffith (1940) Mon 21 14:00 Colonel The Sorcerer. 1956. Stars Boris Karloff, Ewan Roberts & Eric Pohlmann. A Oct 19 March of psychologist is murdered in a sealed room. Inspector March needs to decide who Scotland Yard had the most reason to kill him (S1, E1) Mon 21 14:30 The Devil & 1941. Drama. Starring James Craig as Jabez Stone. As a down-on-his-luck New Oct 19 Daniel England farmer, Stone makes a deal with the Devil to give up his soul for seven years Webster of prosperity and good luck. Mon 21 16:30 Target: The The Million Dollar Dump. 1961. Stars Stephen McNally, Robert Harland & Harold J. Oct 19 Corruptors Stone. Investigative reporters Paul Marino & Jack Flood investigate various cases of industrial corruption. (S1, E1) Mon 21 17:30 Robin's Nest Three Times Table. Stars: Richard O'Sullivan, Tessa Wyatt & Tony Britton. Setting Oct 19 outdoor dining at Bistro, Mr. Nicholls suggests new locations after receiving an offer for the bistro. Mon 21 18:00 Big Ben 1935. Musical about a cafe proprietress, a radio salesman and a composer who set Oct 19 Calling up a pirate radio station. Starring Leslie French, Hughie Green & Mary Lawson. (SUBTITLES AVAILABLE) Mon 21 18:50 All the Fun at Take a trip to the traditional Fairground in the late 1950s. The side shows, the Oct 19 the Fair - dancing girls, the carousel, the dodgems and a lovely carnival atmosphere. Glimpses Mon 21 18:55 IWM: Next of Ealing Studios production, directed by Thorold Dickinson, demonstrating the perils of Oct 19 Kin 'careless talk' during wartime, with Mervyn Johns, Jack Hawkins, Basil Radford, Naunton Wayne and Nova Pilbeam. Mon 21 21:00 Special Reliable Sources. 1969. Stars: Wensley Pithey, Derren Nesbitt, Jennifer Wilson. The Oct 19 Branch Security Commission has met to consider the leak that tipped a spy during the Troika affair. Mon 21 22:00 The Long 1951. Crime. Directed by Reginald Beck & Anthony Bushell. Stars Rex Harrison, Lilli Oct 19 Dark Hall Palmer, Tania Heald & Raymond Huntley. An alcoholic showgirl is murdered. A man who helped her is the only suspect. Mon 21 23:45 All The Way 1970. Comedy. Directed by James MacTaggart. Stars Warren Mitchell, Pat Heywood Oct 19 Up & Elaine Taylor. An ambitious man must make his family socially acceptable before gaining a promotion. Date Time Programme Synopsis Tue 22 01:45 Cone of 1960. Drama. Director: Charles Frend. Stars Michael Craig, Peter Cushing & Bernard Oct 19 Silence Lee. A veteran pilot faces a court inquiry after a jet airliner crashes. His daughter fights to clear his name. Tue 22 03:35 Jack London 1943. Adventure. Directed by Alfred Santell. Stars Michael O'Shea, Susan Hayward Oct 19 and Virginia Mayo. Biopic of the thrill-seeking writer and his travels in the late 19th and early 20th Century. (SUBTITLES AVAILABLE) Tue 22 05:35 King of the Made in 1943. An interview with The Great English Pianist, Arthur Dulay, who played Oct 19 Keyboard from a repertoire of over 7000 pieces at the Avenue Pavilion Cinema in Shaftesbury Avenue London. Tue 22 05:55 Snipshots Early silent animation made in 1935, charming hand drawn cartoon and story. Oct 19 Tue 22 06:00 Life In 1959. Drama. Based on the smash hit TV series about the daily life and the ups and Oct 19 Emergency downs of a hospital. Stars Michael Craig, Wilfred Hyde-White and Joan Sims. Ward 10 (SUBTITLES AVAILABLE) Tue 22 07:45 Interrupted 1949. Thriller. Director: Daniel Birt. Stars Valerie Hobson, Richard Todd, Christine Oct 19 Journey Norden & Tom Walls. John's wife appears to have been shot after her body is found in the wreckage of a train crash. Tue 22 09:25 Cuckoo 1967. Comedy. Freddie Garrity of Freddie and the Dreamers fame is the scout cub Oct 19 Patrol leader of a bunch of misfits. Stars: Kenneth Connor, John Le Mesurier and Bernie Dwyer (SUBTITLES AVAILABLE) Tue 22 11:00 Stagecoach The Remounts. Western with Wayne Rogers & Robert Bray, who run a stagecoach line Oct 19 West in the Old West where they come across a wide variety of killers, robbers and ladies in distress. Tue 22 12:00 The Rainbow 1954. Drama. Directed by Basil Dearden. Stars Robert Morley, Kay Walsh & Edward Oct 19 Jacket Underdown. A champion jockey is banned from racing so spends his time helping a young lad to become the next champion. Tue 22 14:00 Colonel The Abominable Snowman. 1956. Stars Boris Karloff, Ewan Roberts & Eric Pohlmann. Oct 19 March of Members of the Himalayan Mountaineering Club are threatened by what appears to Scotland Yard be the abominable snowman (S1, E2) Tue 22 14:30 Great West St Martin's Theatre. Donald Sinden explores St Martin's Theatre, in which - The Oct 19 End Theatres Mousetrap - has been staged since the 1974s. Tue 22 15:25 Ring of Bright 1969. Drama. Directed by Jack Couffer. Stars Bill Travers, Virginia McKenna & Peter Oct 19 Water Jeffrey. Graham buys a frisky otter but soon realizes that a cramped London bathtub is no place for such a creature. (SUBTITLES AVAILABLE) Tue 22 17:30 Robin's Nest Great Expectations. Stars: Richard O'Sullivan, Tessa Wyatt & Tony Britton. Robin's not Oct 19 too happy when a fruit machine is wheeled into the bistro, and talk of pregnancy gets them all excited Tue 22 18:00 IWM: The Home Guard volunteers Bernard Miles and Percy Walsh discuss the causes of war Oct 19 Dawn Guard and their hopes for the peace, directed by Roy Boulting (1941) Tue 22 18:10 The Spiral 1945. Drama. Directed by Robert Siodmak. Stars Dorothy Maguire, Rhonda Fleming, Oct 19 Staircase Ethel Barrymore & George Brent. A young mute woman is frightened by a maniac who is killing off people with disabilities Tue 22 19:50 The Edgar The Man Who Was Nobody. 1960. Directed by Montgomery Tully. Stars Hazel Court, Oct 19 Wallace John Crawford, Lisa Daniely, Jack Watson & Paul Eddington. Two men search for a Mystery young tearaway who has vanished Theatre Tue 22 21:00 Gideon's Way The White Rat. Stars John Gregson, Alexander Davion and Daphne Anderson. A Oct 19 series of warehouse robberies are led by a creepy character who obsesses over a pet rat. Tue 22 22:00 The Anderson 1971. Crime Thriller. Directed by Sidney Lumet. Starring Martin Balsam, Dyan Oct 19 Tapes (1971) Cannon, Sean Connery, Christopher Walken. A habitual criminal looks for funding to set up his next robbery. (SUBTITLES AVAILABLE) Date Time Programme Synopsis Wed 23 00:00 No Place For 1950. Drama. Directed by Henry Cass. Stars Leo Genn, Rosamund John, Janette Oct 19 Jennifer Scott & Guy Middleton. When 9-year-old Jennifer's parents get divorced, she is sent to a centre for maladjusted children. Wed 23 01:45 Double Bunk 1961. Comedy Stars Ian Carmichael, Janette Scott, Sidney James & Liz Fraser. A Oct 19 newlywed couple are desperate to get back home after their houseboat runs out of fuel in France. Wed 23 03:35 Liz Fraser's Liz Fraser Exclusively discusses her life in film. Oct 19 Life in Film Wed 23 03:55 I Know Where 1945.
Recommended publications
  • La Construcción Histórica En La Cinematografía Norteamericana
    Tesis doctoral Luis Laborda Oribes La construcción histórica en la cinematografía norteamericana Dirigida por Dr. Javier Antón Pelayo Facultad de Filosofía y Letras Departamento de Historia Moderna Universidad Autónoma de Barcelona 2007 La historia en la cinematografía norteamericana Luis Laborda Oribes Agradecimientos Transcurridos ya casi seis años desde que inicié esta aventura de conocimiento que ha supuesto el programa de doctorado en Humanidades, debo agradecer a todos aquellos que, en tan tortuoso y apasionante camino, me han acompañado con la mirada serena y una palabra de ánimo siempre que la situación la requiriera. En el ámbito estrictamente universitario, di mis primeros pasos hacia el trabajo de investigación que hoy les presento en la Universidad Pompeu Fabra, donde cursé, entre las calles Balmes y Ramon Trias Fargas, la licenciatura en Humanidades. El hado o mi más discreta voluntad quisieron que iniciara los cursos de doctorado en la Universidad Autónoma de Barcelona, donde hoy concluyo felizmente un camino repleto de encuentros. Entre la gente que he encontrado están aquellos que apenas cruzaron un amable saludo conmigo y aquellos otros que hicieron un alto en su camino y conversaron, apaciblemente, con el modesto autor de estas líneas. A todos ellos les agradezco cuanto me ofrecieron y confío en haber podido ofrecerles yo, a mi vez, algo más que hueros e intrascendentes vocablos o, como escribiera el gran bardo inglés, palabras, palabras, palabras,... Entre aquellos que me ayudaron a hacer camino se encuentra en lugar destacado el profesor Javier Antón Pelayo que siempre me atendió y escuchó serenamente mis propuestas, por muy extrañas que resultaran.
    [Show full text]
  • Lesen Sie Weiter Auf Der Seite 44 ¾
    Ausg. Nr. 128 • 27. Feber 2014 Unparteiisches, unabhängiges Monats- magazin speziell für Österreicherinnen und Österreicher in aller Welt in vier verschiedenen pdf-Formaten http://www.oesterreichjournal.at Lesen Sie weiter auf der Seite 44 ¾ Sie sehen hier die Variante US-Letter mit 72 dpi und geringer Qualität von Bildern und Grafiken ÖSTERREICH JOURNAL NR. 128 / 27. 02. 2014 2 Die Seite 2 Liebe Leserinnen und Leser, die Verlagerung unseres Magazininhalts auf die Rubrik »Östereich, Europa und die Welt«, dem wir diesmal wieder mehr als 50 Seiten gewidmet haben, stößt erfreulicherweise auf Ihre Zustimmung. Informationen über das aktuelle innenpolitische Geschehen holen Sie sich, wie wir vielfach bestätigt bekamen, ohnehin von tagesaktuellen Internetseiten (auch unsere sind dabei, danke dafür). Wir möchten mit dieser Schwerpunktsetzung gerne möglichst viel Interessantes transportieren, worauf wir gemeinsam stolz sein können. Wenn Sie Serie »1914 – 2014« S 30 dazu beitragen möchten, es steht ausreichend Raum für Berichte über Ihre vielfältigen Tätigkeiten zur Verfügung… Michael Mössmer Der Inhalt der Ausgabe 128 Teil 3 der Serie: Europawahl 2014: Ein Künstlerdorf erobert Brüssel 70 Diesmal geht's um mehr! 3 Land fördert Kurzzeitpflege 73 Wählerevidenz bzw. Europa- Neue Gründerinnenoffensive im Wählerevidenz 8 Südburgenland gestartet 73 12. Februar 1934 S 63 Wahl-Informationen für Innovationspreis an Geodatenstelle AuslandsösterreicherInnen 9 des Landes 75 Stimmungslage vor der EU-Wahl 10 »Kultour für alle Sinne« 77 Verantwortung in der Welt 13 ---------- Teufelskreis des Menschenhandels 100 Jahre Silvius Magnago 78 durchbrechen 14 EU: Herausforderung Korruption 79 Prammer trifft afghanischen Amtskollegen Ibrahimi 15 Verhaltenes Wirtschaftswachstum… 81 25. Mai als Termin für die Konjunkturerholung mit geringem Europawahl fixiert 16 Tempo.
    [Show full text]
  • When Cultures Collide: Leading Across Cultures, Third Edition by Richard D
    When Cultures Collide: Leading Across Cultures, Third Edition by Richard D. Lewis Nicholas Brealey Publishing. (c) 2006. Copying Prohibited. Reprinted for Kristen Dammers, Sapient [email protected] All rights reserved. Reproduction and/or distribution in whole or in part in electronic,paper or other forms without written permission is prohibited. When Cultures Collide: Leading Across Cultures, Third Edition Chapter 13: Britain Overview For decades the British film industry, enriched by the talents of such actors as Alec Guinness, Peter O'Toole, John Gielgud, Ralph Richardson, Alastair Sim, George Cole and Charles Laughton, has put the typical Englishman on the screen for the world to see. The BBC, in such admirable programs as Upstairs, Downstairs and Yes, Minister, has reinforced the image. The Englishman dresses in tweeds or a three-piece pin-striped suit and a Burberry raincoat on rainy days. He wears a bowler hat, carries a tightly furled, black umbrella with a cane handle and has a pink newspaper tucked under his left armpit. He goes to church on Sunday mornings and eats roast beef with Yorkshire pudding for Sunday lunch. He is a man of principle, insists on fair play for underdogs, does things in a proper manner and shows more affection for horses, cats and dogs than for children, foxes and grouse. He probably went to Eton and Oxford (Cambridge?) and frequents Ascot, Wimbledon, Twickenham, Lord's and Wentworth. He believes in the Monarchy, the Empire and the Conservative Party. When not in his Club (no ladies allowed), he sits in the local pub with gardeners and game wardens, with whom he sips warm beer called real ale.
    [Show full text]
  • Newsletter 14/12 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17.
    [Show full text]
  • A Discursividade No Filme Hamlet: Uma Interpretação Hermenêutica
    Paula Regina Puhl A Discursividade no Filme Hamlet: Uma Interpretação Hermenêutica Pontifícia Universidade Católica do Rio Grande do Sul Porto Alegre, abril de 2003 2 Índice Resumo7 Abstract9 Introdução 11 1 Hamlet: da oralidade do teatro à linguagem cinemato- gráfica 17 1.1 A condição humana traduzida através das palavras 18 1.2 A obra cinematográfica – A tradução do pensa- mento pelas imagens............... 30 1.3 Hamlet de 1948: A representação shakespeareana vai ao Cinema................... 39 2 Barthes e Thompson: Um encontro no filme Hamlet 47 2.1 Pelos caminhos barthesianos........... 48 2.1.1 Imagem – A linguagem como instrumento transformador............... 48 2.1.2 Cultura – A intertextualidade no que não está à mostra............... 54 2.1.3 Poder – A busca de uma energia prazerosa 56 2.1.4 Discurso – A divisão das linguagens e as relações de Poder............. 58 2.2 O método..................... 62 2.2.1 Hermenêutica: A busca do oculto.... 63 3 2.2.2 Hermenêutica de Profundidade e a Trí- plice Análise............... 67 2.2.3 Thompson, um guia, e Barthes, uma luz: A união através da HP.......... 75 3 A tríplice análise e as categorias barthesianas se en- contram em Hamlet 81 3.1 Análise Sociohistórica – Textos e contextos no filme Hamlet, de 1948............... 82 3.1.1 A história e William Shakespeare.... 83 3.1.2 Considerações sociohistóricas...... 102 3.2 Análise Formal ou Discursiva........... 105 3.2.1 Descrição das cenas........... 106 3.2.2 Considerações discursivas sobre as For- mas Simbólicas.............. 168 3.3 Interpretação/Re-interpertação – Os resultados da Tríplice Análise.................
    [Show full text]
  • Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
    DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111....
    [Show full text]
  • Miller, Hugh Edinburgh
    THE GEOLOGICAL CURATOR VOLUME 10, NO. 7 HUGH MILLER CONTENTS EDITORIAL by Matthew Parkes ............................................................................................................................ 284 THE MUSEUMS OF A LOCAL, NATIONAL AND SUPRANATIONAL HERO: HUGH MILLER’S COLLECTIONS OVER THE DECADES by M.A. Taylor and L.I. Anderson .................................................................................................. 285 Volume 10 Number 7 THE APPEAL CIRCULAR FOR THE PURCHASE OF HUGH MILLER'S COLLECTION, 1858 by M.A. Taylor and L.I. Anderson .................................................................................................. 369 GUIDE TO THE HUGH MILLER COLLECTION IN THE ROYAL SCOTTISH MUSEUM, EDINBURGH, c. 1920 by Benjamin N. Peach, Ramsay H. Traquair, Michael A. Taylor and Lyall I. Anderson .................... 375 THE FIRST KNOWN STEREOPHOTOGRAPHS OF HUGH MILLER'S COTTAGE AND THE BUILDING OF THE HUGH MILLER MONUMENT, CROMARTY, 1859 by M. A. Taylor and A. D. Morrison-Low ..................................................................................... 429 J.G. GOODCHILD'S GUIDE TO THE GEOLOGICAL COLLECTIONS IN THE HUGH MILLER COTTAGE, CROMARTY OF 1902 by J.G. Goodchild, M.A. Taylor and L.I. Anderson ........................................................................ 447 HUGH MILLER AND THE GRAVESTONE, 1843-4 by Sara Stevenson ............................................................................................................................ 455 HUGH MILLER GEOLOGICAL CURATORS’
    [Show full text]
  • An Impossible Task? Scripting the Chilian Club
    Chapter 5 An Impossible Task? Scripting The Chilian Club Andrew Spicer Introduction This chapter will explore the multifarious drafting and redrafting of scripts and full screenplays for a film based on George Shipway’s controversial political satire The Chilian Club (1971), the story of a quartet of elderly assassins – former army officers – who believe they are saving their country from Communist subversion. Although The Chilian Club was never produced, ten complete adaptations were written involving four different hands – writer- directors Peter Collinson and Mike Hodges, Benny Green, the well- known radio scriptwriter and broadcaster, and Michael Klinger who was to have been the film’s producer – over a six- year period (1972–7). As discussions of screenwriting often emphasize (Rilla 1973: 12–16; Cook and Spicer 2008: 213–16; Maras 2009: 11–15), it is important to establish what is understood to be the object of study. Thus, although there will be a detailed examination of the scripts themselves and the aesthetic difficulties of realizing Shipway’s novel, the chapter will also pay close attention to the fluctuating nature of the collaborations involved and contextual factors that shaped them. This was a period of exceptional volatility and uncertainty in the British film industry, and Klinger, as an independent producer, faced extreme difficulties that had a direct bearing on his attempts to film The Chilian Club. Figure 5.1 The strapline for Klinger News with a typical headline; courtesy of Tony Klinger 72 Andrew Spicer My analysis of the deeper forces at work in attempting to realize The Chilian Club will be based on hitherto unused material in the University of the West of England’s Michael Klinger Papers that shed light on the convoluted relationships between screenwriters, distributors, potential investors, public bodies and large corporations, all pivoting round the figure of Michael Klinger as the producer.
    [Show full text]
  • The French Lieutenant's Woman
    1993/ /2014 Whose Story?: The Screen Adaptation of John Fowles’s The French Lieutenant’s Woman Sara Martín Alegre Tesina/(MA) Dissertation Programa de Doctorat en Filologia Anglesa Departament de Filologia Anglesa i de Germanística Universitat Autònoma de Barcelona Contents Abstract ........................................................................................................................ 1 1. Introduction: Establishing the Ownership of Stories ................................................... 1 1.1. Reconsidering the Role of the Screen Playwright ................................................ 4 1.2. Reconsidering Screen Adaptations .................................................................... 13 2.The Novel and the Novelist: Obsessive Authorial Control ......................................... 19 2.1. Vindicating the Victorian Author: The Problem of Controlling the Female Protagonist .............................................................................................................. 19 2.2. The French Lieutenant’s Woman in Conversation with Other Texts: Overcoming the Need for a Husband ........................................................................................... 30 3. The Novel and the Screenwriter: Rewriting from Scratch......................................... 41 3.1. Between Stage and Screen: Harold Pinter ......................................................... 41 3.2. From Project to Film: Selling The French Lieutenant’s Woman to American Audiences ...............................................................................................................
    [Show full text]
  • Colonel March of Scotland Yard Dave Mann, Independent Scholar, UK
    Epicurean Disdain and the Rhetoric of Defiance: Colonel March of Scotland Yard Dave Mann, Independent Scholar, UK In the 1950s and early 1960s, the lower reaches of the British film industry underwent a profound transition -- it shifted from the production of programme fillers and supporting features to making TV/Film series (called telefilm in America). This transition has yet to undergo sustained critical scrutiny principally because this emergent form falls between two, compartmentalised, areas of scholarship -- Film Studies and Television Studies. Yet these early series are deserving of our attention because, firstly, they became a staple of the domestic film production and, secondly, because they articulate a series of complex ideological engagements. One of the most important of these dialogic exchanges was with the American television market. Primarily this was because British series could not recoup their costs by supplying the fledgling indigenous television sector alone and thus had to achieve American distribution. Far earlier than her British counterparts, the American arriviste Hannah Weinstein saw the potential for producing TV/Film series in Britain where production costs were significantly lower. She also recognised a shift in the American market from anthologies made up of discrete episodes drawing on a variety of genres and fronted by former Hollywood stars, such as the domestically-produced Douglas Fairbanks Presents (1953-56), to more economic series which exploited a regular cast and standard sets. To date, accounts of Weinstein's work focus on her role as head of Sapphire Films producing internationally successful swashbucklers beginning with The Adventures of Robin Hood (1955-59; see Neale, 2003: 245-257 and 2005a: 73-87).
    [Show full text]
  • Losey S'est Souvent Passionné Pour Les Rapports De Classe Et La Tension Sexuelle Entre Les Êtres
    LE DÉMIURGE, SA FEMME ET SON AMANT Du fascinant The Servant (1963) à Accident (1967), sans oublier Le Messager (1971), Joseph Losey s'est souvent passionné pour les rapports de classe et la tension sexuelle entre les êtres. Inspiré par L'Ennui de Moravia, radiographie existentielle de la désagréga- tion de la bourgeoisie et de son oisiveté, Une Anglaise romantique est sans doute l'une des œuvres les plus méconnues - et les plus exaltantes - de son auteur. S'attachant souvent à faire imploser les couples, il s'intéresse ici aux rapports désormais inexistants entre un écrivain à succès, un rien blasé, et sa femme profondément désœuvrée. Car c'est bien d'ennui, au sens de Moravia, qu'il s'agit : dans leur grande maison cossue, où chaque objet est à sa place, les deux époux lisent sagement dans leur lit l'un à côté de l'autre, dans un plan des plus éloquents sur l'apathie de leur union. Lorsque Michael Caine demande à Glenda Jackson si elle est insatisfaite, celle-ci, souffrant d'une forme moderne de bovarysme, répond qu'elle aimerait bien, mais qu'elle ne s'y sent pas autorisée. Pensant briser les chaînes conjugales, elle quitte la grande propriété où elle étouffe pour se réfugier à Baden-Baden afin, dit-elle, de "se trouver". Elle y fera la connaissance de Thomas, un gigolo au visage d'ange à qui Helmut Berger prête ses traits, qui la suivra jusqu'en Angleterre. Le duo devient alors trio. Et comme souvent, les figures triangulaires exacerbent les tensions qui peuvent conduire à l'explosion.
    [Show full text]
  • Memorias Del Club De Cine: Más Allá De La Pantalla 2008-2015
    Memorias del Club de Cine: Más allá de la pantalla 2008-2015 MAURICIO LAURENS UNIVERSIDAD EXTERNADO DE COLOMBIA Decanatura Cultural © 2016, UNIVERSIDAD EXTERNADO DE COLOMBIA Calle 12 n.º 1-17 Este, Bogotá Tel. (57 1) 342 0288 [email protected] www.uexternado.edu.co ISSN 2145 9827 Primera edición: octubre del 2016 Diseño de cubierta: Departamento de Publicaciones Composición: Precolombi EU-David Reyes Impresión y encuadernación: Digiprint Editores S.A.S. Tiraje de 1 a 1.200 ejemplares Impreso en Colombia Printed in Colombia Cuadernos culturales n.º 9 Universidad Externado de Colombia Juan Carlos Henao Rector Miguel Méndez Camacho Decano Cultural 7 CONTENIDO Prólogo (1) Más allá de la pantalla –y de su pedagogía– Hugo Chaparro Valderrama 15 Prólogo (2) El cine, una experiencia estética como mediación pedagógica Luz Marina Pava 19 Metodología y presentación 25 Convenciones 29 CUADERNOS CULTURALES N.º 9 8 CAPÍTULOS SEMESTRALES: 2008 - 2015 I. RELATOS NUEVOS Rupturas narrativas 31 I.1 El espejo - I.2 El diablo probablemente - I.3 Padre Padrone - I.4 Vacas - I.5 Escenas frente al mar - I.6 El almuerzo desnudo - I.7 La ciudad de los niños perdidos - I.8 Autopista perdida - I.9 El gran Lebowski - I.10 Japón - I.11 Elephant - I.12 Café y cigarrillos - I.13 2046: los secretos del amor - I.14 Whisky - I.15 Luces al atardecer. II. DEL LIBRO A LA PANTALLA Adaptaciones escénicas y literarias 55 II.1 La bestia humana - II.2 Hamlet - II.3 Trono de sangre (Macbeth) - II.4 El Decamerón - II.5 Muerte en Venecia - II.6 Atrapado sin salida - II.7 El resplandor - II.8 Cóndores no entierran todos los días - II.9 Habitación con vista - II.10 La casa de los espíritus - II.11 Retrato de una dama - II.12 Letras prohibidas - II.13 Las horas.
    [Show full text]