The Ghost of London's Past
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Charles Dickens' Corruption and Idealization Personified in Oliver Twist
Western Oregon University Digital Commons@WOU Academic Excellence Showcase Proceedings Student Scholarship 2018-06-02 Charles Dickens’ Corruption and Idealization Personified in Oliver Twist Ellie Phillips Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/aes Part of the English Language and Literature Commons Recommended Citation Phillips, Ellie, "Charles Dickens’ Corruption and Idealization Personified in Oliver Twist" (2018). Academic Excellence Showcase Proceedings. 150. https://digitalcommons.wou.edu/aes/150 This Article is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Academic Excellence Showcase Proceedings by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Byrd 1 Ellie Byrd Dr. Lange ENG 218w Charles Dickens’ Corruption and Idealization Personified in Oliver Twist In Charles Dickens’ Oliver Twist, the depictions of corruption and virtue are prevalent throughout most of the novel and take the physical form in the city and the country. Oliver spends much of his time in London among criminals and the impoverished, and here is where Dickens takes the city of London and turns it into a dark and degraded place. Dickens’ London is inherently immoral and serves as a center for the corruption of mind and spirit which is demonstrated through the seedy scenes Dickens paints of London, the people who reside there, and by casting doubt in individuals who otherwise possess a decent moral compass. Furthermore, Dickens’ strict contrast of the country to these scenes further establishes the sinister presence of London. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
THE PICKWICK PAPERS Required Reading for the Dickens Universe
THE PICKWICK PAPERS Required reading for the Dickens Universe, 2007: * Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. 407-28. * Marcus, Steven. "The Blest Dawn." Dickens: From Pickwick to Dombey. New York: Basic Books, 1965. 13-53. * Patten, Robert L. Introduction. The Pickwick Papers. Harmondsworth: Penguin, 1972. 11-30. * Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text." Literature and History: A Journal for the Humanities 10 (1984): 203-217. Rpt. in Modes of Production of Victorian Novels. Chicago: University of Chicago Press, 1986. * Chittick, Kathryn. "The qualifications of a novelist: Pickwick Papers and Oliver Twist." Dickens and the 1830s. Cambridge: Cambridge UP, 1990. 61-91. Recommended, but not required, reading: Marcus, Steven."Language into Structure: Pickwick Revisited," Daedalus 101 (1972): 183-202. Plus the sections on The Pickwick Papers in the following works: John Bowen. Other Dickens : Pickwick to Chuzzlewit. Oxford, U.K.; New York: Oxford UP, 2000. Grossman, Jonathan H. The Art of Alibi: English Law Courts and the Novel. Baltimore: Johns Hopkins UP, 2002. Woloch, Alex. The One vs. The Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton: Princeton UP, 2003. 1 SELECTED BIBLIOGRAPHY Compiled by Hillary Trivett May, 1991 Updated by Jessica Staheli May, 2007 For a comprehensive bibliography of criticism before 1990, consult: Engel, Elliot. Pickwick Papers: An Annotated Bibliography. New York: Garland Publishing Inc., 1990. CRITICISM Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. -
2013 Holiday Television Programming
2013 Holiday Television Programming Eloise At Christmastime ABCFAM Dec 19, 7AM Mary Poppins ABCFAM Dec 19, 9AM 12 Dates Of Christmas ABCFAM Dec 19, 12PM Holiday In Handcuffs ABCFAM Dec 19, 2PM The Family Man ABCFAM Dec 19, 4PM Rudolph The Red-Nosed Reindeer And The Island Of Misfit Toys ABCFAM Dec 19, 7PM Dr. Seuss' How The Grinch Stole Christmas ABCFAM Dec 19, 8:30PM Deck The Halls ABCFAM Dec 19, 12AM Chasing Christmas ABCFAM Dec 20, 7AM Christmas Every Day ABCFAM Dec 20, 9AM Christmas Do-Over ABCFAM Dec 20, 11AM The Family Man ABCFAM Dec 20, 1PM Rudolph The Red-Nosed Reindeer And The Island Of Misfit Toys ABCFAM Dec 20, 4PM Frosty's Winter Wonderland ABCFAM Dec 20, 5:30PM A Chipmunk Christmas ABCFAM Dec 20, 6PM All She Wants for Christmas LIFETIME Dec 20, 6PM Dr. Seuss' How The Grinch Stole Christmas ABCFAM Dec 20, 6:30PM National Lampoon's Christmas Vacation ABCFAM Dec 20, 9PM Nestor, The Long-Eared Christmas Donkey ABCFAM Dec 21, 7AM The Little Drummer Boy ABCFAM Dec 21, 7:30AM Pinocchio's Christmas ABCFAM Dec 21, 8AM The Life And Adventures Of Santa Claus ABCFAM Dec 21, 9AM 'Twas The Night Before Christmas ABCFAM Dec 21, 10AM Rudolph's Shiny New Year ABCFAM Dec 21, 10:30AM Rudolph And Frosty's Christmas In July ABCFAM Dec 21, 11:30AM The Year Without A Santa Claus ABCFAM Dec 21, 1:30PM The Christmas Consultant LIFETIME Dec 20, 2PM Santa Claus Is Comin' To Town ABCFAM Dec 21, 2:30PM A Chipmunk Christmas ABCFAM Dec 21, 3:30PM National Lampon's Christmas Vacation ABCFAM Dec 21, 4PM Comfort and Joy LIFETIME Dec 21, 4PM The Santa Clause -
Protecting Characters Through Copyright Law: Paving a New Road Upon Which Literary, Graphic, and Motion Picture Characters Can All Travel
DePaul Law Review Volume 41 Issue 2 Winter 1992 Article 4 Protecting Characters through Copyright Law: Paving a New Road upon Which Literary, Graphic, and Motion Picture Characters Can All Travel Dean D. Niro Follow this and additional works at: https://via.library.depaul.edu/law-review Recommended Citation Dean D. Niro, Protecting Characters through Copyright Law: Paving a New Road upon Which Literary, Graphic, and Motion Picture Characters Can All Travel , 41 DePaul L. Rev. 359 (1992) Available at: https://via.library.depaul.edu/law-review/vol41/iss2/4 This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Law Review by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. PROTECTING CHARACTERS THROUGH COPYRIGHT LAW: PAVING A NEW ROAD UPON WHICH LITERARY, GRAPHIC, AND MOTION PICTURE CHARACTERS CAN ALL TRAVEL* Dean D. Niro** INTRODUCTION Most everyone would recognize Bugs Bunny, Charlie Brown, Ebenezer Scrooge, and James Bond. These characters appear in a variety of mediums, including cartoons, comic strips, novels, and motion pictures. Today, in the age of sequels and retail advertising, characters have become an important com- mercial commodity. Characters, thus, need legal protection. The federal copy- right statute may provide this protection. The federal copyright statute provides an author protection in his "original work of authorship fixed in a tangible medium of expression., 1 Thus, a fic- tional character is protected by the copyright of the work in which the charac- ter originally appears.2 Sometimes, however, a character can be removed from the original work in which it appeared, then resurface in another completely unrelated work. -
Fiction Excerpt: from Oliver Twist by Charles Dickens
Fiction Excerpt: From Oliver Twist by Charles Dickens Oliver Twist was the second novel written by Charles Dickens. It was first published as a serial, with new chapters printed monthly in the magazine Bentley’s Miscellany over the course of two years (1837–1839). The novel tells the story of an orphan named Oliver Twist, who was born in a workhouse and later escaped to join a gang of thieves. This excerpt takes place during Oliver’s time in the workhouse. The room in which the boys were fed, was a large stone hall, with a copper [a large, heated copper pot] at one end: out of which the master, dressed in an apron for the purpose, and assisted by one or two women, ladled the gruel [a watery cereal like very thin oatmeal] at mealtimes. Of this festive composition each boy had one porringer [small bowl], and no more—except on occasions of great public rejoicing, when he had two ounces and a quarter of bread besides. The bowls never wanted washing. The boys polished them with their spoons till they shone again; and when they had performed this operation (which never took very long, the spoons being nearly as large as the bowls), they would sit staring at the copper, with such eager eyes, as if they could have devoured the very bricks of which it was composed; employing themselves, meanwhile, in sucking their fingers most assiduously [diligently], with the view of catching up any stray splashes of gruel that might have been cast thereon. Boys have generally excellent appetites. -
FOR IMMEDIATE RELEASE the Gift of Laughter Is Yours with Desert Star’S New Comedy
FOR IMMEDIATE RELEASE The Gift Of Laughter Is Yours With Desert Star’s New Comedy MURRAY, UT, Nov, 2019 --/ Desert Star at Christmas time is a Utah family tradition! This season's comedy for all ages, A Christmas Carol Part 2: Scrooged Again! weaves classic Dickens's characters into the holiday high jinks and hilarity Desert Star is famous for. The show opens Thursday, November 14th. Have you ever wondered what happened to Ebenezer Scrooge after he decided to reform? Come and laugh your way to the answer in this hilarious sequel to the Christmas classic. A vengeful Bob Cratchit wants to repay Scrooge for the years of misery he suffered. With the help of his now corrupt son, a not-so-tiny-Tiny Tim, he plans to destroy Scrooge’s business. Scrooge’s long lost love, becomes an unwitting pawn in Cratchit’s evil plans. Now it’s up to the madcap Spirits of Christmas to once again visit Scrooge on Christmas Eve and make things right! Filled with music, laughs, wacky characters, heartfelt moments, and a stellar cast of talented performers, it’s the perfect entertainment for the holiday season! This show is full of all the over-the-top humor you’ve come to expect from Desert Star along with plenty of comedic nods to all things Christmas. The show is followed by our Holiday Olio featuring wonderful Christmas music and more side-splitting humor to help you wrap up the year in comedy! ## # CALENDAR: “A Christmas Carol Part 2: Scrooged Again!” Plays November 14, 2019 thru January 4, 2020 Check website for show times: www.DesertStarPlayhouse.com Tickets: Adults: $26.95-$30.95, Children: $14.95-$18.95 (Children 11 and under), depending on performance 4861 S. -
“A Second Chance” by Nehir T. First Place Award a Writer Uses Many
“A Second Chance” By Nehir T. First Place Award A writer uses many different literary devices within a piece of literature. One such device is characterization; it is not only the physical description of a character, but also his/her actions, thoughts, and voiced conversations. It is also how the character interacts with others, and what others think of the said character. For example, Charles Dickens, the writer of A Christmas Carol, depicts the persona of Ebenezer Scrooge, his protagonist/antagonist, as a dynamic character. Ebenezer begins by having more vices than virtues, but transitions into a new personage. Therefore, Dickens’ use of characterization brings to life the underlying message that people can change for the better when given a second chance. In the exposition of the novella, Dickens’ physical description of Scrooge creates a lonely, elderly man. Scrooge has a “cold within him [that] froze his old features, nipped his pointed nose, shriveled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and [have the quality of a] grating voice’’(2). Due to his frigidity, “nobody ever stopped him in the street [to say hello]’’(2). When two charitable gentlemen enter his office for a Christmas donation for the poor, Scrooge mentions that he already supports establishments and that he does not want to donate any money to make “idle people merry”(6). He also says “if the poor would rather die than be sent to workhouses, then . they had better do it, and decrease the surplus population” (6). Initially Scrooge is insensitive toward mankind. -
Spotlight Guide 2020 - 2021
Spotlight Guide 2020 - 2021 In this hilarious, twisted take on the holiday classic, it’s one year after A Christmas Carol and Scrooge has returned to his miserly ways… The Te Trial of Ghosts of Christmas are on trial for breaking and entering, kidnapping, Ebenezer Scrooge slander, pain and suffering, attempted murder, and the intentional infliction of By Mark Brown emotional distress as Scrooge rants and raves to the court. Both silly and sweet, The Trial of Ebenezer Scrooge is a heartwarming comedy for the whole family! Activities and Lesson Plan What is a Sequel? The Trial of Ebenezer Scrooge by Mark Brown is a sequel to A Christmas Carol, by famed English playwright Charles Dickens. In modern times we see the sequel concept in films such as Batman, Superman, various Disney films and the like. Do the movies have a sequel? If not, take a minute to briefly describe what that sequel might be for one of those movies (What characters would remain and which ones will be written out of or added to the story)? Write a Review After seeing the production, have each student write a review of Orlando Shakes’ production. The review should include one paragraph each for acting, design and special effects. Discussion & Themes What lesson does Scrooge learn? Are we responsible for others less fortunate than we? See the full study guide for expanded activities. Florida Standards LAFS.910.RL.1: Key Ideas and Details LAFS.910.RH.1: Key Ideas and Details LAFS.1112.SL.1: Comprehension and Collaboration LAFS.1112.RL.1: Key Ideas and Details TH.912.F.2: Careers in and related to the arts TH.68.S.1: The arts are inherently experiential. -
It's a Conspiracy
IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse. -
Film Essay for "The Best Years of Our Lives"
The Best Years of Our Lives Homer By Gabriel Miller Wermels (Harold Russell), a “The Best Years of Our Lives” originated in a recommen- seaman, who dation from producer Samuel Goldwyn's wife that he read has long a “Time” magazine article entitled "The Way Home" been en- (1944), about Marines who were having difficulty readjust- gaged to the ing to life after returning home from the war. Goldwyn girl next door. hired novelist MacKinlay Kantor, who had flown missions He returns as a correspondent with the Eighth Air Force and the from the war Royal Air Force (and would go on to win the Pulitzer Prize a spastic, in 1955 for his Civil War novel “Andersonville”), to use that unable to article as the basis for a fictional adaptation of approxi- control his mately 100 pages. Inexplicably, Kantor turned in a novel movements. in verse that ran closer to 300 pages. Goldwyn could barely follow it, and he wanted to shelve the project but Sherwood was talked into letting Kantor work on a treatment. and Wyler made some William Wyler, his star director, returned to Goldwyn significant Studios in 1946, having been honorably discharged from changes that the Air Force as a colonel, also receiving the Legion of added more Merit Award. Wyler's feelings about his life and profession complexity had changed: "The war had been an escape into reality … and dramatic Only relationships with people who might be dead tomor- force to the row were important." Wyler still owed Goldwyn one more story. In film, and the producer wanted him to make “The Bishop's Kantor's ver- Wife” with David Niven.