UA68/6/2 Voices, Vol. VI, No. 2 Western Writers
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Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory
Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory Reuben M. Reynolds III, Music Director Craig Coogan, Executive Director Chad Weirick, Principal Accompanist and Assistant Music Director LeWana Clark, American Sign Language Interpreter Jared West, General Manager Brian C. Griffin, Operations Manager Daniel John Carroll, Communications Intern Leadership Sponsor OFFICIAL AIRLINE Corporate Sponsors with support from This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administered by the Mayor’s Office of Arts, Tourism and Special Events. At Ipswitch, community involvement is an integral part of our culture and values. At the heart of our commitment is the recognition that the vitality of our company is linked to the health of our communities. And we know that our communities cannot flourish unless we invest in their future. We make more than software. We make a difference. Visit www.ipswitch.com to learn more about our company, our products and our commitment to our communities. 2 From the Maestro One of the greatest things about singing in BGMC is the adventures we get to have together. One of those started several years ago when I stumbled across a recording of Only Heaven, a set of songs for soprano by Ricky Ian Gordon to text of Langston Hughes. Intrigued – we sang Ricky’s Love, My Sweet Rain a few years ago. I adore the poetry of Langston Hughes and I fell madly in love with the music. It sang to me of optimism, of people living their lives unfettered by the restrictions of society. -
Loss and Grief Manual
LOSS & GRIEF: A manual to help those living with ALS, their families, and those left behind. Mourn not just for the loss of what was but also for what will never be. And then gently, lovingly let go. Copyright © application pending 2007 by The ALS Association, St. Louis Regional Chapter All rights reserved. No part of this book may be used or reproduced in any manner without written permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. Special Acknowledgement to Ms. Jan Korte-Brinker, TKS Graphics, Highland, Illinois for assisting with the design of the front cover. The ALS Association, St. Louis Regional Chapter is dedicated to improving the quality of life for those affected by Amyotrophic Lateral Sclerosis, educating the community, and supporting research. To learn more about the services provided through The ALS Association, St. Louis Regional Chapter in Eastern Missouri as well as Central and Southern Illinois: visit our website at www.alsa-stl.org Table of Contents I. Patients with ALS II. Adults, Spouses, and Caregivers III. Parents and Caregivers of Children ▲ Children – 12 and under ▲ Teenagers – 13-18 ▲ Young Adults – 18-25 ▲ - pullout sections for parents to give to children LOSS AND GRIEF As you deal with your diagnosis of ALS and its effects on your life, you and your family will be confronted with numerous changes and losses. You will face the loss of physical abilities coupled with changes in your role and responsibilities within your family and your community. In addition, you will be facing the inevitable loss of life, while trying to understand and reconcile the experience of having ALS. -
Sneed-Rojas Hands That Hold
Hands that Hold By Emilio Rojas and Pamela Sneed Commissioned by the Centre for Human Rights and the Arts Bard College, 2021 Let me sip your sap Through a sumac straw I am a vessel, Overflowing. Let me drink your blood of my blood, Your roots imbibe water from the ground Who owns this land? Who was here before us? Whose hands worked the fields, picked up the fruits? My arms, your branches, My torso, your trunk My lungs, your leaves Alveoli, A tree lives inside me, Upside down, I inhale oxygen, Exhale CO2 You inhale CO2 Exhale oxygen Beings in symbiosis Invisible rhythms, we’ve forgotten how to breathe into each other’s utterances, language became a thing of the mouth, And the vocal cords, And the body forgot its speech, when did we think ourselves different from the land from each other? then our mother? How much blood, sap, serum, suero, sweat has fed this soil? Whose hands, whose sweat, whose blood has dripped into this dirt, we try to call home? Even if we have been displaced to many times to count or carry, We are settlers in stolen territories How can anyone be illegal in looted land? What is the weight of the blood running through my veins, valves, and vacancies? Each drop a portal a place to be, The sweet locus of your origin Blood like sap traveling Through my body. I inhale oxygen, Exhale CO2 You inhale CO2 Exhale oxygen Am I drinking from the roots, or from the branches? Which way does your scarlet gown flow, the color of cardinals and martyrs, sweet rain and iron Our bodies swelling, made of water and matter. -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Tethered a COMPANION BOOK for the Tethered Album
Tethered A COMPANION BOOK for the Tethered Album Letters to You From Jesus To Give You HOPE and INSTRUCTION as given to Clare And Ezekiel Du Bois as well as Carol Jennings Edited and Compiled by Carol Jennings Cover Illustration courtesy of: Ain Vares, The Parable of the Ten Virgins www.ainvaresart.com Copyright © 2016 Clare And Ezekiel Du Bois Published by Heartdwellers.org All Rights Reserved. 2 NOTICE: You are encouraged to distribute copies of this document through any means, electronic or in printed form. You may post this material, in whole or in part, on your website or anywhere else. But we do request that you include this notice so others may know they can copy and distribute as well. This book is available as a free ebook at the website: http://www.HeartDwellers.org Other Still Small Voice venues are: Still Small Voice Youtube channel: https://www.youtube.com/user/claredubois/featured Still Small Voice Facebook: Heartdwellers Blog: https://heartdwellingwithjesus.wordpress.com/ Blog: www.stillsmallvoicetriage.org 3 Foreword…………………………………………..………………………………………..………….pg 6 What Just Happened?............................................................................................................................pg 8 What Jesus wants you to know from Him………………………………………………………....pg 10 Some questions you might have……………………………………………………….....................pg 11 *The question is burning in your mind, ‘But why?’…………………....pg 11 *What do I need to do now? …………………………………………...pg 11 *You ask of Me (Jesus) – ‘What now?’ ………………………….….....pg -
Cost University $2 Million by '88 of the Student Code of by Dave Urbanski Conduct
Today's - weather: Cloudy and NON PROfiT ORG US POSTAGE cold. Chance PAID of snow. Newark. Del ., Permtt No 26 Highs in the 30s. ' Vot 111 No. 40 Student Center, University of Delaware, Newark, Delaware 19716 Friday, March 7, 1986 r '~Budget cuts to · cost university $2 million by '88 of the Student Code of by Dave Urbanski Conduct. Assistant-News Editor The new policy. which was The university is slated to created in response to the lose as much as $2 million in harassment of gay and lesbian federal funding for building students in the past two years. maintenance, utility and other broadens the scope of the administrative costs over the policy, Dean of Students next two years. Timothy Brooks said. The proposed cuts, part of The revised code redefines the Gramm-Rudman deficit harassment as "deliberately reduction plan. are scheduled acting with intent to harass to begin April 1, Provost L. any member or guest of the Leon Campbell told the univer university community" based sity Faculty Senate during its on the person's race, sex, meeting Monday. religion, political beliefs, sex "We cannot accept this ual orienlation or disability. change," university Treasurer The original policy specified Robert Harrison said. only racism, sexism and anti The Federal Office of Semitism a~ harassment. Management and Budget is in Todd Christie <AS 86), a charge of reducing the funds, Delaware Undergraduate Stu which are known as indirect dent Congress•representative costs, Harrison said. to the Faculty Senate, said he The university . faculty was pleased with the policy favors the cuts in indirect change. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Deeperthan the Soli
PAGES WEEKLY. K�NSAS, JUNE 17, 18'85. {SIXTEENPRICE. 81.50 A YEAR. VOL.ESTABLISHED.IRR3.}XXIII. No. 24. TOPEKA, ltveredhts semi-annual address, which was. excellent of straw business. The great difficulty In the way'of HORTIOULTURAL SOOIETY. fourth a. crop. An crop KANSAS carelessnes·lI. If a thoughtful and well-written paper, urging berries, currants" and gooseberries. Only a success was the proverbial or- measures till; Society and vines the same attenti lD was given to the fruit very cautionary by The Fifteenth Semi-annual Session, Held fair crop of grapes; some ten-year-old members the of Indorsing fruit as Is to farm crops to make its In way 11th and 12th. were winter-killed. chards given at Oswego, June that 'are con-' them there would be no question as theories, varlous devices, etc., Montgomery.-Apples a poor crop, except succeed, FIRST.DAY. the members and So- to the success of fruit staqtly pressed upon of the the Ben Davis. Jonathan and Malden's growing. 'I'he fif.tecJlth seml-aununl session swindlers and unreliable Missouri on the Orchard clety. Traveling State Horticultural held at Blush. The Winesap and Pippin The committee Apple Kansas Society, nurserles were roundly scored in the paper. bloomed but reduced Manual at the last annual meet- the 10th and 12th lnst., was full, greatly by drop appotnted vis Oswego, Kansas, After II few remarks by members and will a F. Leaven- most sessions held ping of the fruit. Pears produce good ing, consisting of Wellfinuse, line of the entertalnlna itors, and the passing of resolutlnns thank on the bottom laud poor worth Wm. -
The Role of Music in the Lives of Homeless Young People
Tuned Souls: The Role of Music in the Lives of Homeless Young People Jill P. Woelfer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: David Hendry, Chair Susan Kemp Batya Friedman Julie A. Hersberger Program Authorized to Offer Degree: The Information School ©Copyright 2014 Jill P. Woelfer University of Washington Abstract Tuned Souls: The Role of Music is the Lives of Homeless Young People Jill P. Woelfer Chair of the Supervisory Committee: Associate Professor, David G. Hendry The Information School Although music is considered to be an important part of adolescence and young adulthood, little is known about music and homeless youth. Accordingly, this dissertation research investigated the role of music in the lives of homeless young people, aged 15-25. The study was conducted in Seattle, Washington and Vancouver, British Columbia and engaged homeless young people (n=202) and service providers staff who work at agencies that provide support for homeless young people (n=24). Homeless young people completed surveys (n=202), design activities, which included drawing and story writing (n=149), and semi-structured interviews (n=40). Service providers completed semi-structured interviews (n=24). Data analysis included descriptive analysis of survey data and qualitative coding of the design activities and interview responses. Findings indicated that music was an important part of everyday life for homeless young people, who listened to music daily (98%), owned music players (89%), and had wide- ranging and eclectic tastes in music which did not vary based on location. -
T H E F I N E L I
THE FINE LINE A student publication Bishop Brady High School Volume VII MAGAZINE Editor Staff James Marceau Maria Bailey Jane Bradley Margaux Guion Anusha Murali Advisor Mrs. Sica Tech Support Mrs. Marinace 2 MAGAZINE Table of Contents Poetry Short Fiction 06 The Loaf - Anusha Murali 10 The Story of Us - James Marceau 07 Summer Lover - Anusha Murali 24 The Ringling Brothers: Barnum, Bailey, and Burn - Maya Heafield 08 All Because Two People Fell in Love - Jane Bradley 30 Great Blasket 1892 - Ana Carroll 09 Survivors - Chris Carmichael 36 Try and Keep the Conversation 16 Wishing Well - Maria Bailey Alive - Jane Bradley 16 Home - Johanna Fitzgibbons 41 Emerald City - Lauren Lamberger 17 Graffiti - Olivia Galvin 18 In A Moment - Ana Carroll 19 Inspired Poetry - Caitlin Mallahan 20 The Beach - Lauren Lamberger 21 ACK - Alex Sacco 22 Cape Cod - Margaux Guion 23 That Was The Summer - Jordan Bergeron 28 I Could Only Think of Him - Jordan Bergeron 29 The House That Stands No More - Samuel Buzzotta 34 Field of Flowers - Jane Bradley 35 Seasons - Margaux Guion 39 I Hate Sonnets by Caitlin Mallahan 40 The Wolf - Maya Heafield 46 Stevie - Mikaela Newman Three Machines 3 by Kyle Cioffi (pastel) Letter from the Editor Dear Readers, hen Mrs. Sica told our E Period Creative Writing class at the beginning of the semester that one of our final goals was to create and publish a literary Wmagazine, I was a little bit skeptical. I didn't believe that we could bring back The Fine Line in all of its former glory. As the year progressed, however, I began to understand that our class was more than capable of completing the task. -
Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Compact Disc F75 2016 1-14.Pdf
PROGRAM CD {-7f/7;4S/ Program subject to change I BALLET 75;40 Z FEELINGS AND THINGS q'.5""2.. 3 AND ON THE THIRD DAY l2.j.b.~.........................................................................................Michael Gibbs 1" BLUE COMEDY '1-;1:; t;; SWEET RAIN (g~'t~ Bill Frisell, guitar Cuong Vu, trumpet Luke Bergman, bass Ted Poor, drums ue;vej (p" 2. 2 (9 THE UNANSWERED QUESTION ..............~.......'.......................................................................... Charles Ives Bill Frisell, guitar Cuong Vu, trumpet Natalie Ham, Sabrina Bounds, McKenzie Rickman and Leanna Keith, flutes String section of the UW Symphony (backstage) with Abbie Naze, conductor David Alexander Rahbee, conductor INTERMISSION CD 2.. -7ff"ii'f51. NoaURNE VULGAIRE .............1..:..t;.3.................................................................................. Michael Gibbs z.. THROB..............................1.::..f;!:t........................................................................................... Michael Gibbs 3 RICHTER 858 #7 ..........................;f...;//:....................................................................... Bill Frisell, arr. Gibbs t (JULIET OF THE SPIRITS(........70,:-o·<t..................·......·......·..........·..·........................... Nino Rota, arr. Gibbs LRAG ...........................~........................................................................................... Bill Frisell, arr. Gibbs 5: M ~lY1a-rJes - I've 5> - (; '+1 -uw ~ymphony Bill Frisell, guitar Cuong