The Writings of James Stephens
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UNCOLLECTED PROSE of JAMES STEPHENS Volume 2, 1916-48
UNCOLLECTED PROSE OF JAMES STEPHENS Volume 2, 1916-48 James Stephens was an adventurous writer, exploring all the territories of prose. He wrote fiction, essays, radio scripts, literary reviews, drama, journalistic reports as well as other forms of literature. His career began in 1907 with a modest essay in an Irish nationalist journal, and proceeded for forty-three years until the last of his broadcasts on the BBC shortly before his death at his home in London in 1950. During this period, Stephens progressed from talented amateur to highly-regarded professional, from an un known essayist to a prominent writer, and from an author of printed works to a popular radio commentator. While his career progi-essed, his reputation as an artist increased to the point where he enjoyed the admiration ofW. B. Yeats, Lady Gregory, George Moore and George Russell and where his abilities persuaded James Joyce to ask him to complete Finnegans Wake if Joyce could not do so. While these two volumes are by no means a complete collection of Stephens' prose, this is the first time his work has been collected in this way and the pieces are carefully chosen to demonstrate the development of his artistic craftmanship. Readers of this edition who may know Stephens as the beloved author of The Crock oJGold, The Charwoman's Daughter and other novels, can observe him in a variety of other roles: as political journalist, dramatist, speaker, critic, and storyteller. The editor Patricia A. McFate is President of the American-Scandinavian Foundation in New York. Her previous appointments have in cluded Deputy Chairman of the National Endowment for the Humanities, Vice Provost of the University of Pennsylvania and she has taught at City College of New York, Northwestern University, and the Universities of Illinois and Pennsylvania. -
James Stephens - Poems
Classic Poetry Series James Stephens - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Stephens(9 February 1882 - 26 December 1950) James Stephens was an Irish novelist and poet. James Stephens produced many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humor and lyricism (Deirdre, and Irish Fairy Tales are often especially praise). He also wrote several original novels (Crock of Gold, Etched in Moonlight, Demi-Gods) based loosely on Irish fairy tales. "Crock of Gold," in particular, achieved enduring popularity and was reprinted frequently throughout the author's lifetime. Stephens began his career as a poet with the tutelage of "Æ" (<a href="http://www.poemhunter.com/george-william-a-e-russell-2/">George William Russel</a>l). His first book of poems, "Insurrections," was published during 1909. His last book, "Kings and the Moon" (1938), was also a volume of verse. During the 1930s, Stephens had some acquaintance with <a href="http://www.poemhunter.com/james-joyce/">James Joyce</a>, who found that they shared a birth year (and, Joyce mistakenly believed, a birthday). Joyce, who was concerned with his ability to finish what later became Finnegans Wake, proposed that Stephens assist him, with the authorship credited to JJ & S (James Joyce & Stephens, also a pun for the popular Irish whiskey made by John Jameson & Sons). The plan, however, was never implemented, as Joyce was able to complete the work on his own. During the last decade of his life, Stephens found a new audience through a series of broadcasts on the BBC. -
James Stephens at Colby College
Colby Quarterly Volume 5 Issue 9 March Article 5 March 1961 James Stephens at Colby College Richard Cary. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.9, March 1961, p.224-253 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary.: James Stephens at Colby College 224 Colby Library Quarterly shadow and symbolize death: the ship sailing to the North Pole is the Vehicle of Death, and the captain of the ship is Death himself. Stephens here makes use of traditional motifs. for the purpose of creating a psychological study. These stories are no doubt an attempt at something quite distinct from what actually came to absorb his mind - Irish saga material. It may to my mind be regretted that he did not write more short stories of the same kind as the ones in Etched in Moonlight, the most poignant of which is "Hunger," a starvation story, the tragedy of which is intensified by the lucid, objective style. Unfortunately the scope of this article does not allow a treat ment of the rest of Stephens' work, which I hope to discuss in another essay. I have here dealt with some aspects of the two middle periods of his career, and tried to give significant glimpses of his life in Paris, and his .subsequent years in Dublin. In 1915 he left wartime Paris to return to a revolutionary Dub lin, and in 1925 he left an Ireland suffering from the after effects of the Civil War. -
The George Russell Collection at Colby College
Colby Quarterly Volume 4 Issue 2 May Article 6 May 1955 The George Russell Collection at Colby College Carlin T. Kindilien Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 4, no.2, May 1955, p.31-55 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Kindilien: The George Russell Collection at Colby College Colby Library Quarterly 3 1 acted like a lot of bad boys in their conversation with each other but they did it in beautiful English. I never knew AE to tell a story which was in the slightest degree off color or irreverent. And yet, of an evening, he could grip your closest attention as you listened steadily to an endless flow of words from nine in the evening till two in the morn ing. In 1934 Mary Rumsey offered to pay AE's expenses to come to this country to consult with the Department of Agriculture. Robert Frost was somewhat annoyed because he felt we should have called him in rather than AE. At the moment, however, AE, when talking to our Exten sion people, furnished a type of profound inspiration which I thought was exceedingly important. He worked largely out of the office of M. L. Wilson, who later became Under-Secretary of Agriculture and Director of Extension. In this period I had him out to our apartment with Justice Stone, the Morgenthaus, and others. -
Notes and References
Notes and References STEPHENS: THE MAN, THE WRITER, THE ENIGMA I. "An Interview with Mr. James Stephens," by James Esse. The Irish Statesman (22 Sep 1923) 48. Stephens used this pseudonym on more than one occasion. 2. Birgit Bramsback, James Stephens: A Literary and Bibliographical Study (Uppsala: A. B. Lundequistska Bokhandeln, 1959) pp. 16, 19; George Brandon Saul, "Withdrawn in Gold," Arizona Q.uarterly, 9 (1953) 115. Mary Colum expressed doubts that Joyce and Stephens were born in the same year; Life and the Dream (Garden City: Doubleday, 1947) p. 392. Norah Hoult gave Stephens' birth date as 1883; Hilde Poepping stated that it was 1884. "James Stephens," Irish Writing, No. 27 (June 1954) 55; James Stephens: Eine Untersuchung iiber die Irische Erneuerungsbewe- gung in der Zeit von 1900-1930 (Halle/Saale: N. Niemeyer, 1940) p. 22. 3. Stanley Kunitz (ed.), Twentieth Century Authors, 1st supp. (New York: H. W. Wilson, 1955) p. 956. Stephens had made this remark about himselfin a speech in 1935 published in a Royal Literary Fund pamphlet. 4. Hilary· Pyle, James Stephens: His Work and an Account if His Life (London: Routledge & Kegan Paul, 1965) pp. 4-5; L. G. Wickham Legg and E. T. Williams (eds), Dictionary if National Biography (London: Oxford University Press, 1959) p. 834· 5. Richard J. Finneran (ed.), Letters if James Stephens (London: Macmillan, 1974) pp. 417-19. Hereafter cited as Letters. 6. George Moore, 'Hail and Farewell!': Vale (London: William Heinemann, 19 14) p. 237· 7. The broadsides were: Where the Demons Grin (1908), Why Thomas Cam Was Grumpy (1909), The Adventures if Seumas Beg: The Visit from Abroad (19 IO), The Adventures if Seumas Beg: In the Orchard (1910), The Adventures if Seumas Beg: Treasure Trove (19 10 ), and The Spy (1910). -
Parody in James Stephens's Deirdre
Studi irlandesi. A Journal of Irish Studies, n. 8 (2018), pp. 377-392 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-23383 How Deirdre and the Sons of Uisneac Took the GPO: Parody in James Stephens’s Deirdre (1923) Audrey Robitaillié University of Edinburgh (<[email protected]>) Abstract: This article looks at the parodical aspects of James Stephens’s nov- el Deirdre, published in 1923. It uses Linda Hutcheon’s theoretical framework on parody to analyse how Stephens both follows the me- dieval tradition and the Revivalists, and distances his work from their influence. He breathes life into the age-old narrative of Deirdre by adding dialogues, psychological insights and humour to the story, but also by implicitly comparing the Sons of Uisneac to the Irish Volunteers of 1916. This serves to glorify the rebels, whom he had portrayed in his witness account The Insurrection in Dublin, but the depiction of the fratricidal fight at the court of Emain Macha at the end of the Deirdre legend also acts as a critique of the Irish civil war. Keywords: Deirdre, Irish Revival, James Stephens, Parody, 1916 In the 1920s, James Stephens set out to rewrite the great Irish epic Táin Bó Cuailnge in five volumes. The ancient narrative relates the war between Maeve of Connacht and Conachúr mac Nessa of Ulster1, in which Cúchulinn achieved fame by single-handedly defending Ulster from the Connacht assailants. Ste- phens’s ambitious endeavour never reached completion, but he thus produced Deirdre in 1923, an introductory novel to these events also known as “The Cat- tle-Raid of Cooley”. -
Patrick Pearse's Reimagination of the Epic Hero
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2020 Humanizing the Hero: Patrick Pearse’s Reimagination of the Epic Hero for Modern Ireland Chelsea Armstrong University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other English Language and Literature Commons Recommended Citation Armstrong, Chelsea, "Humanizing the Hero: Patrick Pearse’s Reimagination of the Epic Hero for Modern Ireland" (2020). University of New Orleans Theses and Dissertations. 2833. https://scholarworks.uno.edu/td/2833 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Humanizing the Hero: Patrick Pearse’s Reimagination of the Epic Hero for Modern Ireland A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English British Literature by Chelsea Kristine Armstrong B.A. -
Univerzita Palackého V Olomouci
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA ANGLISTIKY A AMERIKANISTIKY Traditional and Modernist View on Irish Mythology (Master Thesis) Irská mytologie z tradičního a modernistického pohledu (Diplomová práce) Author: Andrea Kafoňková Anglická filologie Vedoucí práce: Matthew Sweney, PhDr. Ph.D. Olomouc 2013 1 Prohlášení: Prohlašuji, že jsem tuto práci vypracovala samostatně a uvedla v ní předepsaným způsobem všechnu použitou literaturu. V Olomouci dne Podpis: 2 Poděkování Děkuji vedoucímu práce za cenné rady, ochotu a trpělivost. 3 Contents Introduction………………………………………………………………………….……6 1. Traditional View on Irish Mythology ………………………………………….…....13 1.1. The Origins of the Sídh …………………………………………..……...…..13 1.2. Literary Recordings of the Irish Mythology in the Four Cycles and in the Tale Types………………………………………………………………………....15 1.2.1. Characterization of the Heroic Tales ……………………...………….16 2. Traditional Image of the Figures of Irish Mythology – Roles, Characteristics, Functions and Ambiguities…….………………………………...……...…………...22 2.1. Fairies…………………………………………………………………………...23 2.1.1. The Pooka ……………………………………………………….…….....25 2.1.2. The Banshee ……………………………………….……………………..27 2.1.3. Leprechaun …………………………..…………………………………...29 2.2. Legendary Heroes ……………………………………………..………….…....31 2.2.1. Cú Chulainn ………………………………………..…………………....31 2.2.2. Fionn mac Cumhaill ………………………………………………….....34 2.2.3. Oisín …………………………………………………………….……….36 2.3. Irish Gods …………………………...………………………….…………........37 2.3.1. Aengus Óg ………………………………..…………………….………...37 2.4. Irish Kings ………………………………………………………………………38 2.4.1. Buile Suibhne …………………..………………………………………....38 2.5. Conclusion ……………………………………………………………………....41 3. The Origins of Fiction in the Period of Irish Literary Revival …………………....…42 3.1. The Problem of the Anglo-Irish Unity in Irish Literature …………………….....43 3.2. The Irish Peasant as an Essential Part of the National Character …………….....45 4. The Use of Mythology in Flann O‟ Brien‟s At Swim-Two-Birds.………..….…..…...49 4 4.1. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „The Easter Rising in Irish Literature. A Comparison of James Stephens’ The Insurrection in Dublin, Liam O’Flaherty’s Insurrection and Tom Murphy’s The Patriot Game“ Verfasserin Sophie Piotrowski angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 190 344 313 Studienrichtung lt. Studienblatt: UF Englisch UF Geschichte u. Sozialkunde Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten diesen Hinweis bei der Lektüre zu beachten 2 Declaration of Authenticity I confirm to have conceived and written this Master thesis in English all by myself. Quotations from other authors are clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identifies in the footnotes. 3 Table of Contents 1.0. Introduction 6 2.0. The Easter Rising: A Short History 8 2.1. The Involved Forces 8 2.1.1. The IRB, Sinn Féin, and the Irish Volunteers 8 2.1.2 Irish Citizen Army, ICA 11 2.1.3 Arms from Germany 11 2.1.4 The Military Council 12 2.2. -
Macdonagh, Thomas by Lawrence William White
MacDonagh, Thomas by Lawrence William White MacDonagh, Thomas (1878–1916), teacher, writer, and republican revolutionary, was born 1 February 1878 in Cloughjordan, Co. Tipperary, third child and eldest son among six surviving children (four sons and two daughters; three elder children had died in infancy) of Joseph MacDonagh (1834–94), native of Co. Roscommon, and Mary MacDonagh (née Parker), Dublin native of English parentage (her father had moved to Dublin to become compositor in Greek for Trinity College Press); both were national school teachers. His father (who claimed descent from the medieval Mac Donnchadha clan of Ballymote castle, Co. Sligo), the son of a small farmer, received through the efforts of his widowed mother and her brother, a parish priest, teacher training in Dublin. He met and married MacDonagh's mother while both were teaching in Cloghan, Co. Offaly; they were transferred to Cloughjordan the year before MacDonagh's birth. Both parents were averse to political partisanship (‘great cry and little wool, like the goats of Connacht’ in his father's estimate (Parks, 1)). While his father's was a jovial, kindly, indulgent personality, MacDonagh received from his mother (a convert before marriage from unitarianism to Roman catholicism) deep interests in music and literature, and a grave sense of high moral purpose. Education and early career After primary education under his father in Cloughjordan, MacDonagh studied under the Holy Ghost fathers at Rockwell College, Cashel, Co. Tipperary (1892–6), where in 1894 he entered the order's junior scholasticate to prepare for the catholic priesthood. Joining the college faculty as teacher of English, French, and Latin literature (1896–1901), after experiencing a profound crisis of faith he abandoned his vocation for the priesthood for a career as teacher and writer. -
The Call of the Sidhe: Poetic and Mythological Influences in Ireland's Struggle for Freedom
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2014 The Call of the Sidhe: Poetic and Mythological Influences in Ireland's Struggle for Freedom Anna Wakeling Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Celtic Studies Commons, European History Commons, European Languages and Societies Commons, and the Literature in English, British Isles Commons Recommended Citation Wakeling, Anna, "The Call of the Sidhe: Poetic and Mythological Influences in Ireland's Struggle for Freedom" (2014). Honors Theses. 234. https://scholarlycommons.obu.edu/honors_theses/234 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. The Call Of che Sidhe: poecic aud ffiycholosical luflue.uces iu lRelaud's ScRuSsle fOR fReedom Anna Wakeling The host is riding from Knocknarea (Maeve's tomb) And over the grave of Clooth-na-bare; (fairy who drowned herself in Lough fa, Sligo) Caolte tossing his burning hair (Caoilte mac Ronain, Finn'sfavorite warrior) And Niarnh calling Away, come away: Empty your heart of its mortal dream. The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes 'are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed ofhis hand, We come between him and the hope of his heart. -
Easter 1916 in Poetry and Prose (Dublin)
Christine Cozzens, Agnes Scott College 1 Easter 1916 in Poetry and Prose (Dublin) Christine Cozzens Charles A. Dana Professor of English Agnes Scott College Please read and think about William Butler Yeats’s famous poem, “Easter, 1916” on page 3, which will be the focal point of our study of the events and literature of Easter 1916 during our visit to Dublin. I have included in this handout some more poems by Yeats and others (Frances Ledwidge, Patrick Pearse, Cecil Day-Lewis) about the Easter Rising, as well as a funeral oration Patrick Pearse gave ten months before the Rising that is considered to be “the spark that lit the fire,” the proclamation of Ireland’s independence that Pearse wrote and read in front of the General Post Office in Dublin to launch the Rising, and a timeline of the Irish independence movement. You may also wish to read Sean O’Casey’s Easter Rising play, The Plough and the Stars. For most of the twentieth century, a single, heroic vision of the Easter Rising and the events it inspired was sacrosanct Ireland; even today, heated arguments break out about how to interpret the events and evaluate the participants. O’Casey (1880-1964) dared to take a critical view of the independence movement in his three plays (also Juno and the Paycock and Shadow of a Gunman). These great works were controversial from the beginning and were banned from Dublin stages during the fiftieth anniversary celebrations in 1966. It is a measure of the more open-minded intellectual climate of today that all three plays are in production at Dublin’s major theatres, the Gate and the Abbey, in this centenary year.