The Writings of James Stephens

Total Page:16

File Type:pdf, Size:1020Kb

The Writings of James Stephens THE WRITINGS OF JAMES STEPHENS By the same author THE DREAM PHYSICIAN, by Edward Martyn (editor) EDUCATION FOR THE ITINERANT STUDENT JAMES STEPHENS Photograph by courtesy of Mrs Iris Wise THE WRITINGS OF JAMES STEPHENS Variations on a Theme of Love Patricia 11cFate © Patricia McFate 1979 Softcover reprint ofthe hardcover 1st edition 1979 978-1-349-16029-7 All rights reserved, No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1979 by THE MACMILLAN PRESS LTD London and Basingstoke Assoeiated eompanies in Delhi Dublin Hong Kong Johannesburg Lagos Melbourne New rork Singapore Tokyo Typeset in (;reat Britain hy SANTYPE LTD, SALISBURY British Library Cataloguing in PublicatioD Data McFate, Patricia The writings of James Stephens I, Stephens, James, b, 1882~Criticism and interpretation I. Title 821 ',9'1 2 PR6037,T4 Z ISBN 978-1-349-16029-7 ISBN 978-1-349-16027-3 (eBook) DOI 10.1007/978-1-349-16027-3 This book is sold suhjeet to the standard eonditions 01 the Net Book Agreement For Mary Bliss McFate and Warren Cheston Contents Acknowled,gements x Chronology xu Stephens: the Man, the Writer, the Enigma 2 The Dance of Life 23 3 The Quest that Destiny Commands 58 4 Make it Sing/Make it New 88 5 The Art and Craft of Prose 120 6 The Marriage of the Contraries 142 Notes and Riferences 155 Selected Bibliography 168 Index of Works by James Stephens 173 General Index 178 Acknowledgements Many people have contributed to this book, but none so much as Iris and Norman Wise. Their kindness and help have been a constant encouragement. Indeed, the book would not have been possible without the aid of Iris Wise; she has been most generous with her time and her information. Professor Richard Finneran has also been obliging to me in many ways. It was through his good offices that I first met Mr. and Mrs. Wise, and I wish to thank him particularly for that courtesy. His edition of the Stephens Letters has been consulted frequently in the writing of the book; and his chronology is one of the sources for the one which appears in this volume. The initial research for this book has been aided immeasur- ably by Dr. Lola Szladits, Curator, the Henry W. and Albert A. Berg Collection of the New York Public Library. Professor Daniel Murphy has offered invaluable assistance with my research in Ireland. Professor Richard Ellmann has served as mentor, critic of my work, and good friend for many years. Others who, in the past and present, have given freely of their time and to whom I am indebted include M. L. Rosenthal, Liam Miller, Maurice Harmon, William Feeney, Donald Torchiana, the late John Gordan, Vivian Mercier, Janet Fendrych, Mrs. Thomas Bodkin, Mervyn Wall, Marjorie Wynn, Michael Hanlon, Kenneth Goldstein, James McNulty, Acknowledgements Xl and David Parson. My indebtedness to Sarkes Tarzian IS beyond recompense. For her participation in the bibliographical aspects of the study, lowe a debt of gratitude to Doretta Fuhs. I wish to thank Pam Gennusa, Loretta Dentley, and Miriam Boykin for cheerfully typing the many drafts of these chapters. The research support p.rovided by the Office of the Chancel- lor and the Graduate College of the University of Illinois at Chicago Circle and the staff support in the Office of the Vice Provost of the University of Pennsylvania are grate- fully acknowledged. The Staffs of the Berg Collection, the National Library of Ireland, Newberry Library of Chicago, Northwestern University Library, and the British Museum have been consistently helpful. The people to whom this book is dedicated provided the patience and understanding necessary to a writer. My mother and father encouraged me to begin my first studies of James Stephens fifteen years ago. Since that time, my mother and her family have given me more love and attention than I deserve. Warren Cheston is, in a real sense, responsible for the best parts of this book. For permission to quote from the printed works and manu- scripts of James Stephens, I am indebted to Mrs. Iris Wise; the Society of Authors, London; and the Henry W. and Albert A. Berg Collection, the New York Public Library, Astor, Lenox and Tilden Foundations. Quotations from Letters rif James Stephens are reprinted by permission of Macmillan, London and Basingstoke. "And It Was Windy Weather" is reprinted with the permission of Macmillan Publishing Company, Inc., New York. Chronology 1880 (g February). Possible date of birth of James Stephens in Dublin. (2 February). Date of birth used by Stephens. Attended Meath Protestant Industrial School for Boys. 18g6 Employed as a clerk by a Dublin solicitor, Mr. Wallace. Igol On a gymnastic team which won the Irish Shield. Employed by Reddington & Sainsbury, solicitors. Ig06 Employed as a clerk-typist in the office of T. T. Mecredy & Son, solicitors. Began regular contributions to Sinn Fein. Birth of stepdaugh ter, I ris, on 14 June; shortly thereafter announced that he had a wife, "Cynthia" (Millicent Josephine Gardiner Kavanagh, 22 May 1882-18 December Ig60). Discovered by George W. Russell (AE). Igog Acted in the Theatre of Ireland's two productions of Seumas O'Kelly's The Shuiler's Child. Birth of son, James Naoise, on 26 October. Insurrections. IgIO Acted in the Theatre of Ireland production of Gerald Macnamara's The Spurious Sovereign. Associated with David Houston, Thomas MacDonagh, and Padraic Colum in founding and editing the Irish. Review (published March Igl I-November 1914). Chronology xiii 19 I I Acted in Padraic 0 Conaire's Bairbre Ruadh. The Marriage oj Julia Elizabeth produced by the Theatre of Ireland. 19 12 The Charwoman's Daughter; The Hill of Vision; The Crock oj Gold. Received a commission from The Nation (London) to write a series of short stories. Moved to Paris. Another production of The Marriage oj Julia Elizabeth at the Hardwicke Street Theatre. The Crock oj Gold awarded the Polignac Prize. Here Are Ladies; Five New Poems. The Demi-Gods. Elected Unestablished Registrar of the National Gal- lery of Ireland. Songs from the Clay; The Adventures oj Seumas Beg! The Rocky Road to Dublin. Green Branches; The Insurrection in Dublin. Appointed Registrar of the National Gallery of Ire- land. Reincarnations . Married "Cynthia" (then a widow) in London on 14 May. The Wooing oj Julia Elizabeth (identical with The Mar- riage oj Julia Elizabeth) produced at the Abbey Theatre by the Dublin Drama League. One of a series of operations for gastric ulcers. Irish Fairy Tales. Arthur Griffith: Journalist and Statesman. Deirdre. Deirdre presented the medal for fiction at the Aonach Tailteann festival. Resigned from the National Gallery (effective 1925). Little Things; In the Land oj Youth. On lecture tour in America. Returned to London; shortly thereafter settled in the Kingsbury subu;b of London. To America for another lecture tour. A Poetry Recital; Christmas in Freelands. Collected Poems. Friendship with James Joyce commenced. Joyce sug- gested that Stephens complete Finnegans Wake if he was unable to do so; this proposal made more formally in 1929. First BBC broadcast. Lecturer at the Third Interna- xiv Chronology tional Book Fair in Florence. Etched in Moonlight; On Prose and Verse. In Rumania; met Queen Marie. Trip to America; stay with W. T. H. Howe. Julia Elizabeth,' A Comedy in One Act; The Optimist; The Outcast. Trip to America; stay with Howe. Theme and Varia- tions. Trip to America; stay with Howe. How St. Patrick Saves the [rish; Strict Joy. Trip to America; stay with Howe. A founder member of the Irish Academy of Letters. 1933-35 Yearly lecture tours to America; visits with Howe. 1937 Began regular series of BBC broadcasts. Accidental death of son, James Naoise, on 24 December. 1938 Kings and the Moon. 1940 Moved to Woodside Chapel in Gloucestershire. 1942 Awarded British Civ:l List Pension. 1945 Returned to London. 1947 Awarded honorary D. Litt. degree from Dublin University (Trinity College). Final BBC broadcast. Death at Eversleigh on 26 December. .
Recommended publications
  • UNCOLLECTED PROSE of JAMES STEPHENS Volume 2, 1916-48
    UNCOLLECTED PROSE OF JAMES STEPHENS Volume 2, 1916-48 James Stephens was an adventurous writer, exploring all the territories of prose. He wrote fiction, essays, radio scripts, literary reviews, drama, journalistic reports as well as other forms of literature. His career began in 1907 with a modest essay in an Irish nationalist journal, and proceeded for forty-three years until the last of his broadcasts on the BBC shortly before his death at his home in London in 1950. During this period, Stephens progressed from talented amateur to highly-regarded professional, from an un­ known essayist to a prominent writer, and from an author of printed works to a popular radio commentator. While his career progi-essed, his reputation as an artist increased to the point where he enjoyed the admiration ofW. B. Yeats, Lady Gregory, George Moore and George Russell and where his abilities persuaded James Joyce to ask him to complete Finnegans Wake if Joyce could not do so. While these two volumes are by no means a complete collection of Stephens' prose, this is the first time his work has been collected in this way and the pieces are carefully chosen to demonstrate the development of his artistic craftmanship. Readers of this edition who may know Stephens as the beloved author of The Crock oJGold, The Charwoman's Daughter and other novels, can observe him in a variety of other roles: as political journalist, dramatist, speaker, critic, and storyteller. The editor Patricia A. McFate is President of the American-Scandinavian Foundation in New York. Her previous appointments have in­ cluded Deputy Chairman of the National Endowment for the Humanities, Vice Provost of the University of Pennsylvania and she has taught at City College of New York, Northwestern University, and the Universities of Illinois and Pennsylvania.
    [Show full text]
  • James Stephens - Poems
    Classic Poetry Series James Stephens - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Stephens(9 February 1882 - 26 December 1950) James Stephens was an Irish novelist and poet. James Stephens produced many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humor and lyricism (Deirdre, and Irish Fairy Tales are often especially praise). He also wrote several original novels (Crock of Gold, Etched in Moonlight, Demi-Gods) based loosely on Irish fairy tales. "Crock of Gold," in particular, achieved enduring popularity and was reprinted frequently throughout the author's lifetime. Stephens began his career as a poet with the tutelage of "Æ" (<a href="http://www.poemhunter.com/george-william-a-e-russell-2/">George William Russel</a>l). His first book of poems, "Insurrections," was published during 1909. His last book, "Kings and the Moon" (1938), was also a volume of verse. During the 1930s, Stephens had some acquaintance with <a href="http://www.poemhunter.com/james-joyce/">James Joyce</a>, who found that they shared a birth year (and, Joyce mistakenly believed, a birthday). Joyce, who was concerned with his ability to finish what later became Finnegans Wake, proposed that Stephens assist him, with the authorship credited to JJ & S (James Joyce & Stephens, also a pun for the popular Irish whiskey made by John Jameson & Sons). The plan, however, was never implemented, as Joyce was able to complete the work on his own. During the last decade of his life, Stephens found a new audience through a series of broadcasts on the BBC.
    [Show full text]
  • James Stephens at Colby College
    Colby Quarterly Volume 5 Issue 9 March Article 5 March 1961 James Stephens at Colby College Richard Cary. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.9, March 1961, p.224-253 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary.: James Stephens at Colby College 224 Colby Library Quarterly shadow and symbolize death: the ship sailing to the North Pole is the Vehicle of Death, and the captain of the ship is Death himself. Stephens here makes use of traditional motifs. for the purpose of creating a psychological study. These stories are no doubt an attempt at something quite distinct from what actually came to absorb his mind - Irish saga material. It may to my mind be regretted that he did not write more short stories of the same kind as the ones in Etched in Moonlight, the most poignant of which is "Hunger," a starvation story, the tragedy of which is intensified by the lucid, objective style. Unfortunately the scope of this article does not allow a treat­ ment of the rest of Stephens' work, which I hope to discuss in another essay. I have here dealt with some aspects of the two middle periods of his career, and tried to give significant glimpses of his life in Paris, and his .subsequent years in Dublin. In 1915 he left wartime Paris to return to a revolutionary Dub­ lin, and in 1925 he left an Ireland suffering from the after­ effects of the Civil War.
    [Show full text]
  • The George Russell Collection at Colby College
    Colby Quarterly Volume 4 Issue 2 May Article 6 May 1955 The George Russell Collection at Colby College Carlin T. Kindilien Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 4, no.2, May 1955, p.31-55 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Kindilien: The George Russell Collection at Colby College Colby Library Quarterly 3 1 acted like a lot of bad boys in their conversation with each other but they did it in beautiful English. I never knew AE to tell a story which was in the slightest degree off color or irreverent. And yet, of an evening, he could grip your closest attention as you listened steadily to an endless flow of words from nine in the evening till two in the morn­ ing. In 1934 Mary Rumsey offered to pay AE's expenses to come to this country to consult with the Department of Agriculture. Robert Frost was somewhat annoyed because he felt we should have called him in rather than AE. At the moment, however, AE, when talking to our Exten­ sion people, furnished a type of profound inspiration which I thought was exceedingly important. He worked largely out of the office of M. L. Wilson, who later became Under-Secretary of Agriculture and Director of Extension. In this period I had him out to our apartment with Justice Stone, the Morgenthaus, and others.
    [Show full text]
  • Notes and References
    Notes and References STEPHENS: THE MAN, THE WRITER, THE ENIGMA I. "An Interview with Mr. James Stephens," by James Esse. The Irish Statesman (22 Sep 1923) 48. Stephens used this pseudonym on more than one occasion. 2. Birgit Bramsback, James Stephens: A Literary and Bibliographical Study (Uppsala: A. B. Lundequistska Bokhandeln, 1959) pp. 16, 19; George Brandon Saul, "Withdrawn in Gold," Arizona Q.uarterly, 9 (1953) 115. Mary Colum expressed doubts that Joyce and Stephens were born in the same year; Life and the Dream (Garden City: Doubleday, 1947) p. 392. Norah Hoult gave Stephens' birth date as 1883; Hilde Poepping stated that it was 1884. "James Stephens," Irish Writing, No. 27 (June 1954) 55; James Stephens: Eine Untersuchung iiber die Irische Erneuerungsbewe- gung in der Zeit von 1900-1930 (Halle/Saale: N. Niemeyer, 1940) p. 22. 3. Stanley Kunitz (ed.), Twentieth Century Authors, 1st supp. (New York: H. W. Wilson, 1955) p. 956. Stephens had made this remark about himselfin a speech in 1935 published in a Royal Literary Fund pamphlet. 4. Hilary· Pyle, James Stephens: His Work and an Account if His Life (London: Routledge & Kegan Paul, 1965) pp. 4-5; L. G. Wickham Legg and E. T. Williams (eds), Dictionary if National Biography (London: Oxford University Press, 1959) p. 834· 5. Richard J. Finneran (ed.), Letters if James Stephens (London: Macmillan, 1974) pp. 417-19. Hereafter cited as Letters. 6. George Moore, 'Hail and Farewell!': Vale (London: William Heinemann, 19 14) p. 237· 7. The broadsides were: Where the Demons Grin (1908), Why Thomas Cam Was Grumpy (1909), The Adventures if Seumas Beg: The Visit from Abroad (19 IO), The Adventures if Seumas Beg: In the Orchard (1910), The Adventures if Seumas Beg: Treasure Trove (19 10 ), and The Spy (1910).
    [Show full text]
  • Parody in James Stephens's Deirdre
    Studi irlandesi. A Journal of Irish Studies, n. 8 (2018), pp. 377-392 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-23383 How Deirdre and the Sons of Uisneac Took the GPO: Parody in James Stephens’s Deirdre (1923) Audrey Robitaillié University of Edinburgh (<[email protected]>) Abstract: This article looks at the parodical aspects of James Stephens’s nov- el Deirdre, published in 1923. It uses Linda Hutcheon’s theoretical framework on parody to analyse how Stephens both follows the me- dieval tradition and the Revivalists, and distances his work from their influence. He breathes life into the age-old narrative of Deirdre by adding dialogues, psychological insights and humour to the story, but also by implicitly comparing the Sons of Uisneac to the Irish Volunteers of 1916. This serves to glorify the rebels, whom he had portrayed in his witness account The Insurrection in Dublin, but the depiction of the fratricidal fight at the court of Emain Macha at the end of the Deirdre legend also acts as a critique of the Irish civil war. Keywords: Deirdre, Irish Revival, James Stephens, Parody, 1916 In the 1920s, James Stephens set out to rewrite the great Irish epic Táin Bó Cuailnge in five volumes. The ancient narrative relates the war between Maeve of Connacht and Conachúr mac Nessa of Ulster1, in which Cúchulinn achieved fame by single-handedly defending Ulster from the Connacht assailants. Ste- phens’s ambitious endeavour never reached completion, but he thus produced Deirdre in 1923, an introductory novel to these events also known as “The Cat- tle-Raid of Cooley”.
    [Show full text]
  • Patrick Pearse's Reimagination of the Epic Hero
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2020 Humanizing the Hero: Patrick Pearse’s Reimagination of the Epic Hero for Modern Ireland Chelsea Armstrong University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other English Language and Literature Commons Recommended Citation Armstrong, Chelsea, "Humanizing the Hero: Patrick Pearse’s Reimagination of the Epic Hero for Modern Ireland" (2020). University of New Orleans Theses and Dissertations. 2833. https://scholarworks.uno.edu/td/2833 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Humanizing the Hero: Patrick Pearse’s Reimagination of the Epic Hero for Modern Ireland A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English British Literature by Chelsea Kristine Armstrong B.A.
    [Show full text]
  • Univerzita Palackého V Olomouci
    UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA ANGLISTIKY A AMERIKANISTIKY Traditional and Modernist View on Irish Mythology (Master Thesis) Irská mytologie z tradičního a modernistického pohledu (Diplomová práce) Author: Andrea Kafoňková Anglická filologie Vedoucí práce: Matthew Sweney, PhDr. Ph.D. Olomouc 2013 1 Prohlášení: Prohlašuji, že jsem tuto práci vypracovala samostatně a uvedla v ní předepsaným způsobem všechnu použitou literaturu. V Olomouci dne Podpis: 2 Poděkování Děkuji vedoucímu práce za cenné rady, ochotu a trpělivost. 3 Contents Introduction………………………………………………………………………….……6 1. Traditional View on Irish Mythology ………………………………………….…....13 1.1. The Origins of the Sídh …………………………………………..……...…..13 1.2. Literary Recordings of the Irish Mythology in the Four Cycles and in the Tale Types………………………………………………………………………....15 1.2.1. Characterization of the Heroic Tales ……………………...………….16 2. Traditional Image of the Figures of Irish Mythology – Roles, Characteristics, Functions and Ambiguities…….………………………………...……...…………...22 2.1. Fairies…………………………………………………………………………...23 2.1.1. The Pooka ……………………………………………………….…….....25 2.1.2. The Banshee ……………………………………….……………………..27 2.1.3. Leprechaun …………………………..…………………………………...29 2.2. Legendary Heroes ……………………………………………..………….…....31 2.2.1. Cú Chulainn ………………………………………..…………………....31 2.2.2. Fionn mac Cumhaill ………………………………………………….....34 2.2.3. Oisín …………………………………………………………….……….36 2.3. Irish Gods …………………………...………………………….…………........37 2.3.1. Aengus Óg ………………………………..…………………….………...37 2.4. Irish Kings ………………………………………………………………………38 2.4.1. Buile Suibhne …………………..………………………………………....38 2.5. Conclusion ……………………………………………………………………....41 3. The Origins of Fiction in the Period of Irish Literary Revival …………………....…42 3.1. The Problem of the Anglo-Irish Unity in Irish Literature …………………….....43 3.2. The Irish Peasant as an Essential Part of the National Character …………….....45 4. The Use of Mythology in Flann O‟ Brien‟s At Swim-Two-Birds.………..….…..…...49 4 4.1.
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „The Easter Rising in Irish Literature. A Comparison of James Stephens’ The Insurrection in Dublin, Liam O’Flaherty’s Insurrection and Tom Murphy’s The Patriot Game“ Verfasserin Sophie Piotrowski angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 190 344 313 Studienrichtung lt. Studienblatt: UF Englisch UF Geschichte u. Sozialkunde Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten diesen Hinweis bei der Lektüre zu beachten 2 Declaration of Authenticity I confirm to have conceived and written this Master thesis in English all by myself. Quotations from other authors are clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identifies in the footnotes. 3 Table of Contents 1.0. Introduction 6 2.0. The Easter Rising: A Short History 8 2.1. The Involved Forces 8 2.1.1. The IRB, Sinn Féin, and the Irish Volunteers 8 2.1.2 Irish Citizen Army, ICA 11 2.1.3 Arms from Germany 11 2.1.4 The Military Council 12 2.2.
    [Show full text]
  • Macdonagh, Thomas by Lawrence William White
    MacDonagh, Thomas by Lawrence William White MacDonagh, Thomas (1878–1916), teacher, writer, and republican revolutionary, was born 1 February 1878 in Cloughjordan, Co. Tipperary, third child and eldest son among six surviving children (four sons and two daughters; three elder children had died in infancy) of Joseph MacDonagh (1834–94), native of Co. Roscommon, and Mary MacDonagh (née Parker), Dublin native of English parentage (her father had moved to Dublin to become compositor in Greek for Trinity College Press); both were national school teachers. His father (who claimed descent from the medieval Mac Donnchadha clan of Ballymote castle, Co. Sligo), the son of a small farmer, received through the efforts of his widowed mother and her brother, a parish priest, teacher training in Dublin. He met and married MacDonagh's mother while both were teaching in Cloghan, Co. Offaly; they were transferred to Cloughjordan the year before MacDonagh's birth. Both parents were averse to political partisanship (‘great cry and little wool, like the goats of Connacht’ in his father's estimate (Parks, 1)). While his father's was a jovial, kindly, indulgent personality, MacDonagh received from his mother (a convert before marriage from unitarianism to Roman catholicism) deep interests in music and literature, and a grave sense of high moral purpose. Education and early career After primary education under his father in Cloughjordan, MacDonagh studied under the Holy Ghost fathers at Rockwell College, Cashel, Co. Tipperary (1892–6), where in 1894 he entered the order's junior scholasticate to prepare for the catholic priesthood. Joining the college faculty as teacher of English, French, and Latin literature (1896–1901), after experiencing a profound crisis of faith he abandoned his vocation for the priesthood for a career as teacher and writer.
    [Show full text]
  • The Call of the Sidhe: Poetic and Mythological Influences in Ireland's Struggle for Freedom
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2014 The Call of the Sidhe: Poetic and Mythological Influences in Ireland's Struggle for Freedom Anna Wakeling Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Celtic Studies Commons, European History Commons, European Languages and Societies Commons, and the Literature in English, British Isles Commons Recommended Citation Wakeling, Anna, "The Call of the Sidhe: Poetic and Mythological Influences in Ireland's Struggle for Freedom" (2014). Honors Theses. 234. https://scholarlycommons.obu.edu/honors_theses/234 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. The Call Of che Sidhe: poecic aud ffiycholosical luflue.uces iu lRelaud's ScRuSsle fOR fReedom Anna Wakeling The host is riding from Knocknarea (Maeve's tomb) And over the grave of Clooth-na-bare; (fairy who drowned herself in Lough fa, Sligo) Caolte tossing his burning hair (Caoilte mac Ronain, Finn'sfavorite warrior) And Niarnh calling Away, come away: Empty your heart of its mortal dream. The winds awaken, the leaves whirl round, Our cheeks are pale, our hair is unbound, Our breasts are heaving, our eyes 'are a-gleam, Our arms are waving, our lips are apart; And if any gaze on our rushing band, We come between him and the deed ofhis hand, We come between him and the hope of his heart.
    [Show full text]
  • Easter 1916 in Poetry and Prose (Dublin)
    Christine Cozzens, Agnes Scott College 1 Easter 1916 in Poetry and Prose (Dublin) Christine Cozzens Charles A. Dana Professor of English Agnes Scott College Please read and think about William Butler Yeats’s famous poem, “Easter, 1916” on page 3, which will be the focal point of our study of the events and literature of Easter 1916 during our visit to Dublin. I have included in this handout some more poems by Yeats and others (Frances Ledwidge, Patrick Pearse, Cecil Day-Lewis) about the Easter Rising, as well as a funeral oration Patrick Pearse gave ten months before the Rising that is considered to be “the spark that lit the fire,” the proclamation of Ireland’s independence that Pearse wrote and read in front of the General Post Office in Dublin to launch the Rising, and a timeline of the Irish independence movement. You may also wish to read Sean O’Casey’s Easter Rising play, The Plough and the Stars. For most of the twentieth century, a single, heroic vision of the Easter Rising and the events it inspired was sacrosanct Ireland; even today, heated arguments break out about how to interpret the events and evaluate the participants. O’Casey (1880-1964) dared to take a critical view of the independence movement in his three plays (also Juno and the Paycock and Shadow of a Gunman). These great works were controversial from the beginning and were banned from Dublin stages during the fiftieth anniversary celebrations in 1966. It is a measure of the more open-minded intellectual climate of today that all three plays are in production at Dublin’s major theatres, the Gate and the Abbey, in this centenary year.
    [Show full text]