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Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
UNCOLLECTED PROSE of JAMES STEPHENS Volume 2, 1916-48
UNCOLLECTED PROSE OF JAMES STEPHENS Volume 2, 1916-48 James Stephens was an adventurous writer, exploring all the territories of prose. He wrote fiction, essays, radio scripts, literary reviews, drama, journalistic reports as well as other forms of literature. His career began in 1907 with a modest essay in an Irish nationalist journal, and proceeded for forty-three years until the last of his broadcasts on the BBC shortly before his death at his home in London in 1950. During this period, Stephens progressed from talented amateur to highly-regarded professional, from an un known essayist to a prominent writer, and from an author of printed works to a popular radio commentator. While his career progi-essed, his reputation as an artist increased to the point where he enjoyed the admiration ofW. B. Yeats, Lady Gregory, George Moore and George Russell and where his abilities persuaded James Joyce to ask him to complete Finnegans Wake if Joyce could not do so. While these two volumes are by no means a complete collection of Stephens' prose, this is the first time his work has been collected in this way and the pieces are carefully chosen to demonstrate the development of his artistic craftmanship. Readers of this edition who may know Stephens as the beloved author of The Crock oJGold, The Charwoman's Daughter and other novels, can observe him in a variety of other roles: as political journalist, dramatist, speaker, critic, and storyteller. The editor Patricia A. McFate is President of the American-Scandinavian Foundation in New York. Her previous appointments have in cluded Deputy Chairman of the National Endowment for the Humanities, Vice Provost of the University of Pennsylvania and she has taught at City College of New York, Northwestern University, and the Universities of Illinois and Pennsylvania. -
POLITICAL PARODY and the NORTHERN IRISH PEACE PROCESS Ilha Do Desterro: a Journal of English Language, Literatures in English and Cultural Studies, Núm
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Phelan, Mark (UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 191-215 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696010 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative (Un)Settlement: Political Parody and... 191 (UN)SETTLEMENT: POLITICAL PARODY AND THE NORTHERN IRISH PEACE PROCESS 1 Mark Phelan Queen’s University Belfast Human beings suffer, They torture one another, They get hurt and get hard No poem or play or song Can fully right a wrong Inflicted and endured... History says, Don’t hope On this side of the grave. But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme. (Heaney, The Cure at Troy 77) Ilha do Desterro Florianópolis nº 58 p. 191-215 jan/jun. 2010 192 Mark Phelan Abstract: This essay examines Tim Loane’s political comedies, Caught Red-Handed and To Be Sure, and their critique of the Northern Irish peace process. As “parodies of esteem”, both plays challenge the ultimate electoral victors of the peace process (the Democratic Unionist Party and Sinn Féin) as well as critiquing the cant, chicanery and cynicism that have characterised their political rhetoric and the peace process as a whole. -
James Stephens - Poems
Classic Poetry Series James Stephens - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Stephens(9 February 1882 - 26 December 1950) James Stephens was an Irish novelist and poet. James Stephens produced many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humor and lyricism (Deirdre, and Irish Fairy Tales are often especially praise). He also wrote several original novels (Crock of Gold, Etched in Moonlight, Demi-Gods) based loosely on Irish fairy tales. "Crock of Gold," in particular, achieved enduring popularity and was reprinted frequently throughout the author's lifetime. Stephens began his career as a poet with the tutelage of "Æ" (<a href="http://www.poemhunter.com/george-william-a-e-russell-2/">George William Russel</a>l). His first book of poems, "Insurrections," was published during 1909. His last book, "Kings and the Moon" (1938), was also a volume of verse. During the 1930s, Stephens had some acquaintance with <a href="http://www.poemhunter.com/james-joyce/">James Joyce</a>, who found that they shared a birth year (and, Joyce mistakenly believed, a birthday). Joyce, who was concerned with his ability to finish what later became Finnegans Wake, proposed that Stephens assist him, with the authorship credited to JJ & S (James Joyce & Stephens, also a pun for the popular Irish whiskey made by John Jameson & Sons). The plan, however, was never implemented, as Joyce was able to complete the work on his own. During the last decade of his life, Stephens found a new audience through a series of broadcasts on the BBC. -
James Stephens at Colby College
Colby Quarterly Volume 5 Issue 9 March Article 5 March 1961 James Stephens at Colby College Richard Cary. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.9, March 1961, p.224-253 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary.: James Stephens at Colby College 224 Colby Library Quarterly shadow and symbolize death: the ship sailing to the North Pole is the Vehicle of Death, and the captain of the ship is Death himself. Stephens here makes use of traditional motifs. for the purpose of creating a psychological study. These stories are no doubt an attempt at something quite distinct from what actually came to absorb his mind - Irish saga material. It may to my mind be regretted that he did not write more short stories of the same kind as the ones in Etched in Moonlight, the most poignant of which is "Hunger," a starvation story, the tragedy of which is intensified by the lucid, objective style. Unfortunately the scope of this article does not allow a treat ment of the rest of Stephens' work, which I hope to discuss in another essay. I have here dealt with some aspects of the two middle periods of his career, and tried to give significant glimpses of his life in Paris, and his .subsequent years in Dublin. In 1915 he left wartime Paris to return to a revolutionary Dub lin, and in 1925 he left an Ireland suffering from the after effects of the Civil War. -
The George Russell Collection at Colby College
Colby Quarterly Volume 4 Issue 2 May Article 6 May 1955 The George Russell Collection at Colby College Carlin T. Kindilien Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 4, no.2, May 1955, p.31-55 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Kindilien: The George Russell Collection at Colby College Colby Library Quarterly 3 1 acted like a lot of bad boys in their conversation with each other but they did it in beautiful English. I never knew AE to tell a story which was in the slightest degree off color or irreverent. And yet, of an evening, he could grip your closest attention as you listened steadily to an endless flow of words from nine in the evening till two in the morn ing. In 1934 Mary Rumsey offered to pay AE's expenses to come to this country to consult with the Department of Agriculture. Robert Frost was somewhat annoyed because he felt we should have called him in rather than AE. At the moment, however, AE, when talking to our Exten sion people, furnished a type of profound inspiration which I thought was exceedingly important. He worked largely out of the office of M. L. Wilson, who later became Under-Secretary of Agriculture and Director of Extension. In this period I had him out to our apartment with Justice Stone, the Morgenthaus, and others. -
Fhfest Walk 2012
‘Dublin‘Dublin CanCan BeBe Heaven’Heaven’ TraditionalTraditional SingingSinging andand WalkingWalking TourTour SundaySunday 23rd23rd September,September, 11:00am,11:00am, TrinityTrinity CollegeCollege EnEntrance.trance. CollegeCollege GreenGreen Frank Harte Festival 2012 AN GÓILÍN - FRANK HARTE FESTIVAL Dublin Traditional Singing and Walking Tour Sunday 23rd September his year’s Frank Harte Festival walk will commence at the main entrance to Trinity College at College Green. TCD, the Alma Mater of Bram Stoker Twhose centenary is celebrated this year is appropriately the starting point for the walk as many of those featured in the walk were educated there including the lyricist Thomas Moore whose adjacent statue provides the second stop on the tour. This is the first of the many of the statues and memorials to famous Irish people and events which shaped the city’s and Ireland’s history that this years walk will visit. At each of the selected memorials a relevant tune, song or poem will be per- formed by Góilín regulars or festival guests maintaining Frank Harte’s belief that ‘those in power write the history and those who suffer write the songs’. The route this year will explore historic College Green then saunter up Grafton Street and its environs into St Stephens Green and continue along Merrion Row, turn into Merrion Street to Merrion Square to the last stop at the memorial to Oscar Wilde. The walkers are invited to then proceed to O’Donoghue’s of Merrion Row where the music and songs of the Dubliners will be fondly remembered. The theme of this year’s walk is Dublin Can Be Heaven better known as The Dublin Saunter – a song made famous by Dublin actor and entertainer Noel Purcell who was born in the Grafton Street vicinity. -
Trotskyists Debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 Reason in Revolt Trotskyists Debate Ireland 1939, Mid-50S, 1969
Trotskyists debate Ireland Workers’ Liberty Volume 3 No 45 October 2014 £1 www.workersliberty.org Reason in revolt Trotskyists debate Ireland 1939, mid-50s, 1969 1 Workers’ Liberty Trotskyists debate Ireland Introduction: freeing Marxism from pseudo-Marxist legacy By Sean Matgamna “Since my early days I have got, through Marx and Engels, Slavic peoples; the annihilation of Jews, gypsies, and god the greatest sympathy and esteem for the heroic struggle of knows who else. the Irish for their independence” — Leon Trotsky, letter to If nonetheless Irish nationalists, Irish “anti-imperialists”, Contents Nora Connolly, 6 June 1936 could ignore the especially depraved and demented charac - ter of England’s imperialist enemy, and wanted it to prevail In 1940, after the American Trotskyists split, the Shachtman on the calculation that Catholic Nationalist Ireland might group issued a ringing declaration in support of the idea of gain, that was nationalism (the nationalism of a very small 2. Introduction: freeing Marxism from a “Third Camp” — the camp of the politically independent part of the people of Europe), erected into absolute chauvin - revolutionary working class and of genuine national liberation ism taken to the level of political dementia. pseudo-Marxist legacy, by Sean Matgamna movements against imperialism. And, of course, the IRA leaders who entered into agree - “What does the Third Camp mean?”, it asked, and it ment with Hitler represented only a very small segment of 5. 1948: Irish Trotskyists call for a united replied: Irish opinion, even of generally anti-British Irish opinion. “It means Czech students fighting the Gestapo in the The presumption of the IRA, which literally saw itself as Ireland with autonomy for the Protestant streets of Prague and dying before Nazi rifles in the class - the legitimate government of Ireland, to pursue its own for - rooms, with revolutionary slogans on their lips. -
Brendan Behan Interviews and Recollections
Brendan Behan Interviews and Recollections Volume 1 Also by E. H. Mikhail The Social and Cultural Setting of the 189os John Galsworthy the Dramatist Comedy and Tragedy Sean O'Casey: A Bibliography of Criticism A Bibliography of Modern Irish Drama 1899-1970 Dissertations on Anglo-Irish Drama The Sting and the Twinkle: Conversations with Sean O'Casey (co-editor with John O'Riordan) J. M. Synge: A Bibliography of Criticism Contemporary British Drama 195o-1976 J. M. Synge: Interviews and Recollections (editor) W. B. Yeats: Interviews and Recollections (two volumes) (editor) English Drama I900-1950 Lady Gregory: Interviews and Recollections (editor) Oscar Wilde: An Annotated Bibliography of Criticism Oscar Wilde: Interviews and Recollections (two volumes) (editor) A Research Guide to Modern Irish Dramatists The Art of Brendan Behan Brendan Behan: An Annotated Bibliography of Criticism An Annotated Bibliography of Modern Anglo-Irish Drama Lady Gregory: An Annotated Bibliography of Criticism BRENDAN BEHAN Interviews and Recollections Volume 1 Edited by E. H. Mikhail M Macmillan Gill and Macmillan Selection and editorial matter © E. H. Mikhail 1982 Softcover reprint of the hardcover 1st edition 1982 978-0-333-31565-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1g82 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-06015-3 ISBN 978-1-349-06013-9 (eBook) DOI 10.1007/978-1-349-06013-9 Published in Ireland by GILL AND MACMILLAN LTD Goldenbridge Dublin 8 Contents Acknowledgements Vll Introduction lX A Note on the Text Xll Chronological Table Xlll INTERVIEWS AND RECOLLECTIONS The Golden Boy Stephen Behan I Schooldays 2 Moving Out Dominic Behan 2 A Bloody Joke Dominic Behan 7 Dublin Boy Goes to Borstal 9 The Behan I Knew Was So Gentle C. -
"We Are the Young Europeans," Boasts Ireland's Industrial Development Authority
"We are the young Europeans," boasts Ireland's Industrial Development Authority. When this Kerryman was photographed a century ago, continu- ing emigration threatened to make Ireland a country populated chiefly by old people and children. Today's young Irish adults are staying home. The Wilson QuarterlyISpring 1985 48 The Irish Mention Bolivia or Belgium to the average American adult, and the conversation will soon flag. Bring up Ireland, and the talk will always find a focus. Yeats? Killarney? Guinness? Associa- tions generously tumble forth. Some 40 million Americans have Irish blood in their veins; five times that many, it seems, believe they can imitate an Irish brogue. Often overlooked-veiled, per- haps, by an assumed familiarity-is how unfamiliar to most Americans the Republic of Ireland really is. The Republic is, to- day, a Common Market member with some 20th-century prob- lems, some 21st-century industries, and some abiding (if eroding) 19th-century attitudes. As Britain's Prime Minister William Gladstone noted a century ago, the behavior of the En- glish toward the Irish constituted the darkest stain upon the his- tory of a splendid people. As continued strife in Northern Ireland attests, old passions remain. Our contributors here focus on the Republic of Ireland-on its past and its present-and on the peculiar Irish immigrant experience in America. TROUBLES by Thomas C. Garvin Nature placed Ireland exactly the wrong distance from Great Britain. Had the island been somewhat closer to its larger sister, the Irish people might well have become more fully assimilated into the British family, much as the Scots and Welsh have been. -
An Irish Peace?
OTHER NATIONS An Irish Peace? ton, England, killed two children last March, thousands in the Irish Republic joined in demonstrations against political "The Patriot Game" by Conor Cruise O'Brien, in violence and the IRA. National Review (Apr. 26,1993), 150 E. 35th St., New In Northern Ireland, however, which is part York, N.Y. 10016. of the United Kingdom, about one-third of the Catholic minority regularly votes for Sinn Fein, and many other Catholics, O'Brien says, During more than two decades of terrorism in, "live in a condition of ambivalent neutrality and from, Northern Ireland, the prevailing po- between the IRA and the security forces, and litical wisdom has been that patient negotia- in some fear of both. The Protestant (Unionist, tions will eventually lead to a general solution, Loyalist) majority there is strongly hostile to which will then isolate the terrorists and ren- the IRA, from which its members have been der them harmless. This approach-exempli- under lethal attack for more than 20 years fied by the Anglo-Irish Agreement of 1985- now." Northern Ireland's condition increas- has failed, Irish historian and politician Conor ingly resembles civil war. Cruise O'Brien argues. It is time, he contends, Under the Anglo-Irish Agreement of 1985, for more radical measures. the Republic acknowledged British sover- There is now, O'Brien notes, very little sup- eignty over Protestant-dominated Northern port in the overwhelmingly Roman Catholic Ireland so long as that was desired by the Republic of Ireland for the predominantly majority of its inhabitants, and in return Catholic Irish Republican Army (IRA) and its Dublin was to be given an advisory role in the armed struggle against Britain.