The George Russell Collection at Colby College
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Roy Foster, Historian
Past History and Present Politics: Roy Foster, historian Murphy Brian Pour citer cet article Murphy Brian, « Past History and Present Politics: Roy Foster, historian », Cycnos, vol. 10.2 (À quoi jouent les Irlandais ?), 1993, mis en ligne en juin 2008. http://epi-revel.univ-cotedazur.fr/publication/item/486 Lien vers la notice http://epi-revel.univ-cotedazur.fr/publication/item/486 Lien du document http://epi-revel.univ-cotedazur.fr/cycnos/486.pdf Cycnos, études anglophones revue électronique éditée sur épi-Revel à Nice ISSN 1765-3118 ISSN papier 0992-1893 AVERTISSEMENT Les publications déposées sur la plate-forme épi-revel sont protégées par les dispositions générales du Code de la propriété intellectuelle. Conditions d'utilisation : respect du droit d'auteur et de la propriété intellectuelle. L'accès aux références bibliographiques, au texte intégral, aux outils de recherche, au feuilletage de l'ensemble des revues est libre, cependant article, recension et autre contribution sont couvertes par le droit d'auteur et sont la propriété de leurs auteurs. Les utilisateurs doivent toujours associer à toute unité documentaire les éléments bibliographiques permettant de l'identifier correctement, notamment toujours faire mention du nom de l'auteur, du titre de l'article, de la revue et du site épi-revel. Ces mentions apparaissent sur la page de garde des documents sauvegardés ou imprimés par les utilisateurs. L'université Côte d’Azur est l'éditeur du portail épi-revel et à ce titre détient la propriété intellectuelle et les droits d'exploitation du site. L'exploitation du site à des fins commerciales ou publicitaires est interdite ainsi que toute diffusion massive du contenu ou modification des données sans l'accord des auteurs et de l'équipe d’épi-revel. -
UNCOLLECTED PROSE of JAMES STEPHENS Volume 2, 1916-48
UNCOLLECTED PROSE OF JAMES STEPHENS Volume 2, 1916-48 James Stephens was an adventurous writer, exploring all the territories of prose. He wrote fiction, essays, radio scripts, literary reviews, drama, journalistic reports as well as other forms of literature. His career began in 1907 with a modest essay in an Irish nationalist journal, and proceeded for forty-three years until the last of his broadcasts on the BBC shortly before his death at his home in London in 1950. During this period, Stephens progressed from talented amateur to highly-regarded professional, from an un known essayist to a prominent writer, and from an author of printed works to a popular radio commentator. While his career progi-essed, his reputation as an artist increased to the point where he enjoyed the admiration ofW. B. Yeats, Lady Gregory, George Moore and George Russell and where his abilities persuaded James Joyce to ask him to complete Finnegans Wake if Joyce could not do so. While these two volumes are by no means a complete collection of Stephens' prose, this is the first time his work has been collected in this way and the pieces are carefully chosen to demonstrate the development of his artistic craftmanship. Readers of this edition who may know Stephens as the beloved author of The Crock oJGold, The Charwoman's Daughter and other novels, can observe him in a variety of other roles: as political journalist, dramatist, speaker, critic, and storyteller. The editor Patricia A. McFate is President of the American-Scandinavian Foundation in New York. Her previous appointments have in cluded Deputy Chairman of the National Endowment for the Humanities, Vice Provost of the University of Pennsylvania and she has taught at City College of New York, Northwestern University, and the Universities of Illinois and Pennsylvania. -
James Stephens - Poems
Classic Poetry Series James Stephens - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Stephens(9 February 1882 - 26 December 1950) James Stephens was an Irish novelist and poet. James Stephens produced many retellings of Irish myths and fairy tales. His retellings are marked by a rare combination of humor and lyricism (Deirdre, and Irish Fairy Tales are often especially praise). He also wrote several original novels (Crock of Gold, Etched in Moonlight, Demi-Gods) based loosely on Irish fairy tales. "Crock of Gold," in particular, achieved enduring popularity and was reprinted frequently throughout the author's lifetime. Stephens began his career as a poet with the tutelage of "Æ" (<a href="http://www.poemhunter.com/george-william-a-e-russell-2/">George William Russel</a>l). His first book of poems, "Insurrections," was published during 1909. His last book, "Kings and the Moon" (1938), was also a volume of verse. During the 1930s, Stephens had some acquaintance with <a href="http://www.poemhunter.com/james-joyce/">James Joyce</a>, who found that they shared a birth year (and, Joyce mistakenly believed, a birthday). Joyce, who was concerned with his ability to finish what later became Finnegans Wake, proposed that Stephens assist him, with the authorship credited to JJ & S (James Joyce & Stephens, also a pun for the popular Irish whiskey made by John Jameson & Sons). The plan, however, was never implemented, as Joyce was able to complete the work on his own. During the last decade of his life, Stephens found a new audience through a series of broadcasts on the BBC. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
The Irish Co-Operative Movement and the Construction of the Irish Nation-State, 1894-1932
‘Better, Farming, Better Business, Better Living’: The Irish Co-operative Movement and the Construction of the Irish Nation-State, 1894-1932 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities. 2013 Patrick Doyle School of Arts, Languages and Cultures Table of Contents List of Tables .................................................................................... 4 List of Abbreviations ....................................................................... 5 Abstract ............................................................................................ 6 Declaration ....................................................................................... 7 Copyright ......................................................................................... 8 Acknowledgments ............................................................................ 9 Introduction: The Co-operative Movement and the ‘Irish Question’ ........................................................................................ 11 Chapter 1: Building the Co-operative Commonwealth in Ireland, 1894-1910 ......................................................................... 47 Chapter 2: Ourselves Alone, 1907-1918 ........................................ 90 Chapter 3: The Co-operative Movement and Revolution, 1919-1921...................................................................................... 147 Chapter 4: The Irish Free State – A Co-operative Commonwealth? 1922-1932 ........................................................ -
James Stephens at Colby College
Colby Quarterly Volume 5 Issue 9 March Article 5 March 1961 James Stephens at Colby College Richard Cary. Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 5, no.9, March 1961, p.224-253 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cary.: James Stephens at Colby College 224 Colby Library Quarterly shadow and symbolize death: the ship sailing to the North Pole is the Vehicle of Death, and the captain of the ship is Death himself. Stephens here makes use of traditional motifs. for the purpose of creating a psychological study. These stories are no doubt an attempt at something quite distinct from what actually came to absorb his mind - Irish saga material. It may to my mind be regretted that he did not write more short stories of the same kind as the ones in Etched in Moonlight, the most poignant of which is "Hunger," a starvation story, the tragedy of which is intensified by the lucid, objective style. Unfortunately the scope of this article does not allow a treat ment of the rest of Stephens' work, which I hope to discuss in another essay. I have here dealt with some aspects of the two middle periods of his career, and tried to give significant glimpses of his life in Paris, and his .subsequent years in Dublin. In 1915 he left wartime Paris to return to a revolutionary Dub lin, and in 1925 he left an Ireland suffering from the after effects of the Civil War. -
Bibliography
BIbLIOGRApHY PRIMARY SOURCEs: ARCHIVAL COLLECTIONS BODLEIAN LIbRARY, OXFORD H. H. Asquith BRITIsH LIbRARY Walter Long CLAYDON EsTATE, BUCKINGHAMsHIRE Harry Verney IRIsH MILITARY ARCHIVEs Bureau of Military History Contemporary Documents Bureau of Military History Witness Statements (http://www.bureauofmilitaryhis- tory.ie) Michael Collins George Gavan Duffy © The Author(s) 2019 305 M. C. Rast, Shaping Ireland’s Independence, https://doi.org/10.1007/978-3-030-21118-9 306 BIblIOgraPhY NATIONAL ARCHIVEs OF IRELAND Dáil Éireann Debates (http://oireachtas.ie) Dáil Éireann Documents Department of the Taoiseach Documents on Irish Foreign Policy (printed and http://www.difp.ie) NATIONAL LIbRARY OF IRELAND G. F. Berkeley Joseph Brennan Bryce Erskine Childers George Gavan Duffy T. P. Gill J. J. Hearn Thomas Johnson Shane Leslie Monteagle Maurice Moore Kathleen Napoli McKenna Art Ó Briain William O’Brien (AFIL) J. J. O’Connell Florence O’Donoghue Eoin O’Duffy Horace Plunkett John Redmond Austin Stack NEW YORK PUbLIC LIbRARY Horace Plunkett, The Irish Convention: Confidential Report to His Majesty the King by the Chairman (1918). PUbLIC RECORD OFFICE NORTHERN IRELAND J. B. Armour J. Milne Barbour Edward Carson Craigavon (James Craig) BIblIOgraPhY 307 Adam Duffin Frederick Crawford H. A. Gwynne Irish Unionist Alliance Theresa, Lady Londonderry Hugh de Fellenberg Montgomery Northern Ireland Cabinet Ulster Unionist Council Unionist Anti-Partition League Lillian Spender Wilfrid B. Spender The Stormont Papers: Northern Ireland Parliamentary Debates (http://stor- -
The Afterlives of the Irish Literary Revival
The Afterlives of the Irish Literary Revival Author: Dathalinn Mary O'Dea Persistent link: http://hdl.handle.net/2345/bc-ir:104356 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of English THE AFTERLIVES OF THE IRISH LITERARY REVIVAL a dissertation by DATHALINN M. O’DEA submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2014 © copyright by DATHALINN M. O’DEA 2014 Abstract THE AFTERLIVES OF THE IRISH LITERARY REVIVAL Director: Dr. Marjorie Howes, Boston College Readers: Dr. Paige Reynolds, College of the Holy Cross and Dr. Christopher Wilson, Boston College This study examines how Irish and American writing from the early twentieth century demonstrates a continued engagement with the formal, thematic and cultural imperatives of the Irish Literary Revival. It brings together writers and intellectuals from across Ireland and the United States – including James Joyce, George William Russell (Æ), Alice Milligan, Lewis Purcell, Lady Gregory, the Fugitive-Agrarian poets, W. B. Yeats, Harriet Monroe, Alice Corbin Henderson, and Ezra Pound – whose work registers the movement’s impact via imitation, homage, adaptation, appropriation, repudiation or some combination of these practices. Individual chapters read Irish and American writing from the period in the little magazines and literary journals where it first appeared, using these publications to give a material form to the larger, cross-national web of ideas and readers that linked distant regions. -
Coffey & Chenevix Trench
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 153 Coffey & Chenevix Trench Papers (MSS 46,290 – 46,337) (Accession No. 6669) Papers relating to the Coffey and Chenevix Trench families, 1868 – 2007. Includes correspondence, diaries, notebooks, pamphlets, leaflets, writings, personal papers, photographs, and some papers relating to the Trench family. Compiled by Avice-Claire McGovern, October 2009 1. TABLE OF CONTENTS Introduction....................................................................................................................... 4 I. Coffey Family............................................................................................................... 16 I.i. Papers of George Coffey........................................................................................... 16 I.i.1 Personal correspondence ....................................................................................... 16 I.i.1.A. Letters to Jane Coffey (née L’Estrange)....................................................... 16 I.i.1.B. Other correspondence ................................................................................... 17 I.i.2. Academia & career............................................................................................... 18 I.i.3 Politics ................................................................................................................... 22 I.i.3.A. Correspondence ........................................................................................... -
Civilising Rural Ireland
1 The origins of co-operation in Ireland The establishment of the Irish Agricultural Organisation Society (IAOS) in Dublin in April 1894 marked a milestone in the emergence of the modern Irish nation- state. The new society offered leadership to the co-operative societies formed over the previous five years that aimed to improve the state of Irish agriculture. Presided over by Horace Plunkett, the Anglo-Irish agricultural reformer and Unionist MP for South Dublin, the IAOS aimed to inject a new spirit of vitality and innovation across rural Ireland. Plunkett outlined a hopeful vision for the IAOS that saw people of all political and religious stripes united behind a project to promote ‘the welfare of the agricultural classes’. Plunkett’s appeal for cross- societal support to spread the principle of co-operation stood out in a context of fractious debates about what direction Ireland’s political future should take. As someone who studied the condition of Irish agriculture, Plunkett concluded that farmers worked within an exploitative system. Farmers bought too dear and sold too cheap; transport costs remained too high; inadequate credit provision existed; and an under-utilisation of resources saw farmers fall short of their potential. The Irish situation stood in sharp contrast to other countries where farming communities overcame some of these challenges. However, he continued, ‘wherever such progress has been made, the means by which the improvement has been effected has been the same, namely, organisation’.1 If, as James Scott has argued, the condition of modernity is the organisation of knowledge and resources to overcome economic and social problems, such as the production of food, then the IAOS can claim to have left a long-lasting legacy in modern Ireland. -
Lot 1 the United Irishmen and Their Times by Robert R. Madden. 7 Individual Volumes from Different Editions 1843 On
Purcell Auctioneers - Auction Of A Collection Of Irish Historical Interest Books To Include Books From Eyrefield Lodge Stud (Co Kildare) And The John Nagle GAA Book Collection - Starts 17 Feb 2021 Lot 1 The United Irishmen and their Times by Robert R. Madden. 7 individual volumes from different editions 1843 on. Some plates, one attractive leather binding. Sold as a lot Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 2 A Nest of Simple Folk, 1937; and A Purse of Coppers. 1937 by Sean O’Faolain, first editions and others similar including Guests of the Nation by Frank O’Connor, 1937 first edition. 15 books Estimate: 40 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 3 Music – musicians. 26 books on individual musicians, including Strauss, Bruckner, Bartock, Vaughan Williams, Montiverdi, Mozart, Beethoven, Handel, Hayden, Bach, Schubert, Brahms, Dvorak, Elgar, Chopin, Palestrina, and Wagner, and a few more modern autobiographies. 1940s to 1960s, all cloth bound, almost all in dust jackets. A good collection Estimate: 40 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 4 Music – History. 14 books on the history of classical music and musical instruments (organ & piano), 1940s to 1960s. All cloth bound, all but 3 in dust jackets. Useful collection Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 5 Music – musicians. -
ISSN: 2320-5407 Int. J. Adv. Res. 7(7), 719-721 RESEARCH ARTICLE
ISSN: 2320-5407 Int. J. Adv. Res. 7(7), 719-721 Journal Homepage: -www.journalijar.com Article DOI:10.21474/IJAR01/9416 DOI URL: http://dx.doi.org/10.21474/IJAR01/9416 RESEARCH ARTICLE J. M. SYNGE AND THE IRISH DRAMATIC MOVEMENT Indrajit Kundu1 and Dr. Mirza Maqsood Baig2. 1. Research Scholar, Department of English, Sri Satya Sai University of Technology and Medical Sciences, Sehore, Madhya Pradesh. 2. PhD Supervisor, Department of English, Sri Satya Sai University of Technology and Medical Sciences, Sehore, Madhya Pradesh. …………………………………………………………………………………………………….... Manuscript Info Abstract ……………………. ……………………………………………………………… Manuscript History Received: 20 May 2019 Final Accepted: 22 June 2019 Published: July 2019 Copy Right, IJAR, 2019,. All rights reserved. …………………………………………………………………………………………………….... Introduction:- Synge was a key figure in the Irish national theatre movement. When the Abbey Theatre opened in 1904, Synge was to be one of its founding directors together with Yeats and Yeats‘s close friend and collaborator Lady Gregory. In fact, as he was the only one of the three directors who actually lived in Dublin – with his mother, having given up his flat in Paris – he often had most to do with the day to day running of the theatre. He was very friendly with W.G. and Frank Fay, the two brothers who led the acting company; he fell in love and became engaged to the young actor Molly Algood, who used the stage name of Maire O‘Neill. While Yeats and Gregory had been instrumental in conceiving and establishing the national theatre movement, Synge was the first major practicing playwright the movement produced. Along with the development of the nationalistic prose-drama or the drama of ideas, the revival of poetic drama also took place.