DOCSLIB.ORG

Bosnische Literatur Kroatische Literatur

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bosnische Literatur Kroatische Literatur Bosnische Literatur AutorIn Originaltitel Titel in dt. Übersetzung Ivo Andrić (1892-1975) Na Drini ćuprija (1945) Die Brücke über die Drina Travnička hronika (1945) Wesire und Konsuln Branko Ćopić (1915-1984) Bašta sljezove boje (1970) Meša Selimović (1910-1982) Derviš i smrt (1966) Der Derwisch und der Tod Isak Samokovlija (1889-1955) Jevrejin koji se subotom ne Der Jude, der am Sabbat nicht moli bogu betet Dževad Karahasan (*1953) Istočni divan (1989) Der östliche Diwan Nenad Veličković (*1962) Konačari (1995) Logiergäste Miljenko Jergović (* 1966) Mama Leone (1999) Mama Leone Kroatische Literatur AutorIn Originaltitel Titel in dt. Übersetzung Marko Marulić (1450-1524) Judita (1521) Marin Držić (1505-1567) Dundo Maroje (1551) Dundo Maroje Petar Hektorović (1487-1572) Ribanje i ribarsko prigovaranje Von Fischern und von (1568) Fischergesprächen Ivan Gundulić (1589-1638) Osman (1826) Die Osmanide. Türk.-Illyrisches Epos Ivan Mažuranić (1814-1890) Smrt Smail-age Čengića (1846) Čengić-Aga's Tod Stanko Vraz (1810-1851) Đulabije Einzeltitel Petar Preradović (1818-1872) Auswahl aus Prvenci (1846) oder Nove pjesme (1851) August Šenoa (1838-1881) Seljačka buna (1877) Ksaver Šandor Djalski (1854- Pod starim krovovima (1886) daraus: Perpetuus, Perillustris 1935) ac generosus Zintekk Ante Kovačić (1854-1889) U registraturi (1888) Ivo Vojnović (1857-1929) Dubrovačka trilogija (1900- Ragusaner Trilogie (1. T.); 1902) Dämmerung (2. T.); Die Dubrovniker Trilogie: Auf der Terasse (3. T.) Vjenceslav Novak (1859-1905) Posljednji Stipančići (1899) Iz velegradskog podzemlja Aus den Großstadtniederungen Josip Kozarac (1858-1906) Mrtvi kapitali Auszug: Das Kleid Janko Polić Kamov (1886-1910) Erzählsammlung u.a Ćaskanja (1914), Ecce hommo, Brada, Žalost, Sloboda, Bitanga Vladimir Nazor (1876-1949) Istarske priče (1913) Antun Gustav Matoš (1873- Iverje (1899) 1914) Milan Begović (1876-1948) Američka jahta u splitskoj luci Die amerikanische Yacht im (1921) Hafen von Spalato Dinko Šimunović (1873-1933) Duga (1909) Miroslav Krleža (1893-1981) Hrvatski bog Mars (1922) Der kroatische Gott Mars Gospoda Glembajevi (1928) Die Glembays Povratak Filipa Latinovića Die Rückkehr des Filip (1932) Latinovicz Ivan Goran Kovačić (1913-1943) Jama (1944) Das Massengrab Slavko Kolar (1891-1963) Breza (1928) Die Birke Ranko Marinković (1913-2001) Ruke (1953) Hände Kiklop (1965) Never more (1993) Slobodan Novak (* 1924) Mirisi, zlato i tamjan (1968) Antun Šoljan (1932-1993) Izdajice (1961) Nedjeljko Fabrio (* 1937) Berenikina kosa (1989) Das Haar der Berenice Slobodan Šnajder (*1948) Hrvatski Faust (1981) Der kroatische Faust Ivo Brešan (* 1936) Predstava Hamleta u selu Die denkwürdige Aufführung Mrduša Donja (1973) des Hamlet in Nieder-Merde Dubravka Ugrešić (1949) Ministarstvo boli (2004) Das Ministerium der Schmerzen Slavenka Drakulić (1949) Kao da me nema (1999) Als gäbe es mich nicht Pavao Pavličić (1946) Dobri duh Zagreba (1976) Goran Tribuson (1948) Povjest pornografije (1988) Zoran Ferić (* 1961) Mišolovka Walta Disneya Walt Disneys Mausefalle (1996) Miro Gavran (1961) Kad umire glumac engl: Death of an Actor Serbische Literatur AutorIn Originaltitel Titel in dt. Übersetzung Dositej Obradović (1742-1811) Život i priključenija (1783) Vuk Stefanović Karadžić (1787- 1864) Petar II. Njegoš (1813-1851) Gorski vijenac (1847) Der Bergkranz Jovan Sterija Popović (1806- Pokondirena tikva (1838) Der hochmütige Kürbis 1856) Stevan Sremac (1855-1906) Pop Ćira i pop Spira (1894/98) Popen sind auch nur Menschen Laza Lazarević (1851-1891) Šest pripovedaka (1886), u.a Sve će to narod pozlatiti Das Volk wird alles in Gold Švabica bezahlen Simo Matavulj (1852-1908) Bakonja fra-Brne Seine Herrlichkeit Frater Brne Borislav Stanković (1876-1927) Nečista krv (1910) Hadschi Gajka verheiratet sein Mädchen Jakov Ignjatović (1822-1889) Vječiti mladoženja (1878) Vaša rešpekt Jovan Jovanović Zmaj (1833- Ciganin hvali svoga konja Der Zigeuner preist sein Pferd 1904) Đulići uveoci z.T. Radoje Domanović (1873-1908) Kraljević Marko po drugi put među Srbima (1902) Vođa (1901) Laza Kostić (1841-1910) Petar Šegedinac (1868) Petar Kočić (1877-1916) S planine i ispod planine (1902, daraus: Der Erzpriester 1904, 1905) Jazavac pred sudom (1904) Branislav Nušić (1864-1938) Gospođa ministarka (1929) Isidora Sekulić (1877-1958) Kronika palanačkog groblja (1940) Miloš Crnjanski (1893-1977) Seobe (1929) Bora : Der große Roman aus der Zeit Maria Theresias, 1995) Roman o Londonu (1972) Dragoslav Mihailović (* 1930) Kad su cvetale tikve (1968) Bora Ćosić (* 1932) Uloga moje porodice u svetskoj Die Rolle meiner Familie in der revoluciji (1969) Weltrevolution Erih Koš (* 1913) Čudnovata povest o Kitu Wal-Rummel Velikom takođe zvanom Veliki Mak (1956) Borislav Pekić (1930-1992) Hodočašće Arsenija Njegovana (1970) Aleksandra Tišma (1924-2003) Knjiga o Blamu (1972) Das Buch Blam Miodrag Bulatović (1930-1991) Crveni petao leti prema nebu Der rote Hahn fliegt (1959) himmelwärts Danilo Kiš (1935-1989) Grobnica za Borisa Davidovica Ein Grabmal für Boris (1976) Dawidowitsch, 1983) Milorad Pavić (1929 - 2009) Hazarski rečnik (1984) Das Chasarische Wörterbuch Filip David (* 1940) Hodočasnici neba i zemlje (1995) Dobrilo Nenadić (* 1940) Dorotej (1977) Vidosav Stevanović (*1942) Trilogija o snegu i psima (1991- Schnee und schwarze Hunde 1994) Biljana Srbljanović (*1970) Beogradska trilogija (1995/96) Belgrader Trilogie Dušan Kovačević (1948) Balkanski špijun (1983 Der balkanische Spion David Albahari (1948) Pijavice (2005) Die Ohrfeige Svetislav Basara(1953) Uspon i pad Parkinsonove bolesti (2006) Dragan Velikić (1953) Ruski prozor (2007) Das russische Fenster Vladimir Arsenijević (1965) U potpalublju (1994) Cloaca maxima Lyrik von: Stanko Vraz (1810-1851), Petar Preradović (1818-1872), Antun Gustav Matoš (1873-1914), Vladimir Vidrić (1875-1909), Dragutin Domjanić (1875-1933), Vladimir Nazor (1876-1949), Antun Branko Šimić (1898-1925), Augustin (Tin) Ujević (1891-1955), Miloš Crnjanski (1893-1977), Dobriša Cesarić (1902- 1980), Ivan Goran Kovačić (1913-1943), Jure Kaštelan (1919-1990), Slavko Mihalić (1928 - 2007), Vesna Parun (* 1922), Danijel Dragojević (* 1934), Branko Radičević (1824-1853), Djura Jakšić (1832- 1878), Miodrag Pavlović (* 1928), Vasko Popa (1922-1991), Aleksa Šantić (1868-1924), Vojislav Ilić (1862-1894), Jovan Jovanović Zmaj (1833-1904), Milan Rakić (1876-1938), Jovan Dučić (1872-1943), Desanka Maksimović(1898-1993), Dara Sekulić (* 1931), Jovan Hristić (* 1933), Izet Sarajlić (* 1939), Abdulah Sidran (* 1944), Radmila Lazić (* 1949), Mile Stojić (* 1955) .
Load more

Recommended publications
  • Snow Man and Bait by David Albahari
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2006 Politics of Representations: Snow Man and Bait by David Albahari Damjana Mraovic University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Mraovic, Damjana, "Politics of Representations: Snow Man and Bait by David Albahari. " Master's Thesis, University of Tennessee, 2006. https://trace.tennessee.edu/utk_gradthes/1746 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Damjana Mraovic entitled "Politics of Representations: Snow Man and Bait by David Albahari." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Amy Elias, Major Professor We have read this thesis and recommend its acceptance: Allen Dunn, Lisi M. Schoenbach Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Damjana Mraović entitled “Politics of Representations: Snow Man and Bait by David Albahari.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Masters of Arts, with a major in English.
    [Show full text]
  • Nagrada Vladimir Nazor Za 2019. Godinu
    nakladnik Ministarstvo kulture Republike Hrvatske, Runjaninova 2, Zagreb za nakladnika dr.sc. Nina Obuljen Koržinek urednica Pia Sopta koordinacija odbora i komisija Dubravka Đurić Nemec Marija Cesar Ivan Božić vizualni identitet nagrade vladimir nazor i dizajn publikacije Superstudio / Ira Payer, Iva Hrvatin fotografski portreti laureata Marko Ercegović (str. 14, 17, 20, 29, 35, 38, 41, 44, 47) arhivske fotografije NAGRADA Lisa Hinder / Künstleragentur Seifert (str. 23) Tošo Dabac, 1968. / Arhiv Tošo Dabac, (str. 32.) VLADIMIR NAZOR Mećava, režija. A. Vrdoljak, 1977. Arhivsko gradivo Hrvatskog državnog arhiva /HR HDA 1392 Zbirka fotografija hrvatskog filma/ (str. 26) za 2019. godinu tipografsko pismo Vita (Nikola Djurek) lektura Ana Vraneša Sredić tisak Kerschoffset naklada 300 primjeraka issn 1848-9753 Zagreb, srpanj 2020. ODBOR NAGRADE VLADIMIR NAZOR SADRŽAJ zvonko kusić uvod predsjednik 7 branka cvitković* književnost 13 dinka jeričević glazba frano parać 19 goran rako film 25 helena sablić tomić likovne i primijenjene umjetnosti branko schmidt 31 milko šparemblek kazališna umjetnost 37 zlatan vrkljan arhitektura i urbanizam * mandat u mirovanju 43 dobitnici nagrade vladimir nazor 1959.–2018. 49 4 5 NAGRADA NAGRADA VLADIMIR NAZOR VLADIMIR NAZOR ZA 2019. GODINU ZA 2019. GODINU UVOD UVODNA RIJEČ Ljudska potreba za ljepotom i umjetnošću u doba krize MINISTRICE KULTURE REPUBLIKE HRVATSKE poprima novo lice. Više nije prikrivena, čuvana za posebne prigode, ne odgađa se kako bi ustupila mjesto drugim neophodnostima, ne zanemaruje se. Ona postaje sredstvo preživljavanja, primarnost, razonoda i utjeha. Krizno razdoblje, obilježeno pandemijom, koja je posljednjih mjeseci uzdrmala hrvatsku i svijet, te potresom koji je u ožujku pogodio zagreb, pokazalo je s jedne strane svu ranjivost kulture, ali istodobno i sposobnost umjetnika za regeneracijom, pronalaskom novih načina izražavanja i putova do publike.
    [Show full text]
  • Heroic Medievalism in from the Ancient Books by Stevan Sremac
    DOI 10.6094/helden.heroes.heros./2020/02/02 Stefan Trajković Filipović 15 Heroic Medievalism in From the Ancient Books by Stevan Sremac In 1909, Jovan Skerlić (1877–1914), an influen- reacting against the idea of abandoning and tial Serbian literary critic, imagined a hypothetic- condemning the pre-modern times (Emery and al scenario in which people were given an op- Utz 2). In more general terms, medievalism can portunity to express their literary preferences in be observed as the (ab)use of the medieval past a public vote. “If our readership could vote to de- for modern and contemporary purposes. cide who is the greatest Serbian storyteller,” Starting from the point of view of studies in wrote Skerlić, “and whose books they like read- medievalism – a scholarly investigation into the ing the most, the most votes would without doubt presence of medieval topics in post-medieval go to Stevan Sremac” (Skerlić 23).1 A teach er by times (Müller 850; Matthews 1-10) – this paper profession, Stevan Sremac (1855–1906) wrote aims to research Sremac’s practice of medi- humorous stories and novels, for which he quick- evalism. Sremac’s medieval heroes are national ly gained popularity and fame. He could make the heroes, complementing the popular visions of whole nation laugh, argued Skerlić (ibid.). After the Middle Ages as the golden age of national his death, his fame endured and his humorous histories (Geary 15-40). Especially in the context works have been recognized as an import- of the multi-national European empires of the ant chapter in the history of Serbian literature nineteenth century, such a glorifying perspective (Deretić 1983: 397-403).
    [Show full text]
  • Sećanje Na Paju Jovanovića I Konstantina Babića: Katalog
    УНИВЕРЗИТЕТ У НИШУ ФАКУЛТЕТ УМЕТНОСТИ У НИШУ Весна Гагић Сећање на Пају јовановића и Константина Бабића: каталог биографске изложбе и библиографија радова НИШ, 2020. Весна Гагић Vesna Gagić СEЋAЊE НA ПAJУ JOВAНOВИЋA И КOНСТAНТИНA БAБИЋA: IN REMEMBRANCE OF PAJA JOVANOVIĆ AND KONSTANTIN КAТAЛOГ БИOГРAФСКE ИЗЛOЖБE И БИБЛИOГРAФИJA BABIĆ: THE BIOGRAPHICAL EXHIBITION CATALOGUE AND РAДOВA THE BIBLIOGRAPHY OF WORKS Прво издање, Ниш, 2020. First edition, Niš, 2020.. Рецензенти Reviewers мр Перица Донков, ред. проф. Факултета уметности Универзитета у Нишу Perica Donkov, MA, Full professor at the Faculty of Arts, University of Niš др Jeлeнa Цвeткoвић Црвeницa, ванр. проф. Факултета уметности Jelena Cvetković Crvenica, PhD, Associate professor at the Faculty of Arts, University Универзитета у Нишу of Niš др Tатјана Брзуловић Станисављевић, библиотекар саветник Универзитетске Tatjana Brzulović Stanisavljević, PhD, Librarian-consultant of the University Library библиотеке „Светозар Марковић”, Београд Svetozar Marković, Belgrade Рецензенти из области музике за приложени стручни рад Reviewers in the field of music for the attached professional works др Наташа Нагорни Петров, ванр. проф. Факултета уметности Универзитета Nataša Nagorni Petrov, PhD, Associate professor at the Faculty of Arts, у Нишу University of Nis мр Марко Миленковић, доцент Факултета уметности Универзитета у Нишу Marko Milenković, MA, Assistant Professor at the Faculty of Arts, University of Niš Издавач Publisher УНИВЕРЗИТЕТ У НИШУ УНИВЕРЗИТЕТ У НИШУ ФАКУЛТЕТ УМЕТНОСТИ У НИШУ ФАКУЛТЕТ
    [Show full text]
  • (1389) and the Munich Agreement (1938) As Political Myths
    Department of Political and Economic Studies Faculty of Social Sciences University of Helsinki The Battle Backwards A Comparative Study of the Battle of Kosovo Polje (1389) and the Munich Agreement (1938) as Political Myths Brendan Humphreys ACADEMIC DISSERTATION To be presented, with the permission of the Faculty of Social Sciences of the University of Helsinki, for public examination in hall XII, University main building, Fabianinkatu 33, on 13 December 2013, at noon. Helsinki 2013 Publications of the Department of Political and Economic Studies 12 (2013) Political History © Brendan Humphreys Cover: Riikka Hyypiä Distribution and Sales: Unigrafia Bookstore http://kirjakauppa.unigrafia.fi/ [email protected] PL 4 (Vuorikatu 3 A) 00014 Helsingin yliopisto ISSN-L 2243-3635 ISSN 2243-3635 (Print) ISSN 2243-3643 (Online) ISBN 978-952-10-9084-4 (paperback) ISBN 978-952-10-9085-1 (PDF) Unigrafia, Helsinki 2013 We continue the battle We continue it backwards Vasko Popa, Worriors of the Field of the Blackbird A whole volume could well be written on the myths of modern man, on the mythologies camouflaged in the plays that he enjoys, in the books that he reads. The cinema, that “dream factory” takes over and employs countless mythical motifs – the fight between hero and monster, initiatory combats and ordeals, paradigmatic figures and images (the maiden, the hero, the paradisiacal landscape, hell and do on). Even reading includes a mythological function, only because it replaces the recitation of myths in archaic societies and the oral literature that still lives in the rural communities of Europe, but particularly because, through reading, the modern man succeeds in obtaining an ‘escape from time’ comparable to the ‘emergence from time’ effected by myths.
    [Show full text]
  • Serbia in 2001 Under the Spotlight
    1 Human Rights in Transition – Serbia 2001 Introduction The situation of human rights in Serbia was largely influenced by the foregoing circumstances. Although the severe repression characteristic especially of the last two years of Milosevic’s rule was gone, there were no conditions in place for dealing with the problems accumulated during the previous decade. All the mechanisms necessary to ensure the exercise of human rights - from the judiciary to the police, remained unchanged. However, the major concern of citizens is the mere existential survival and personal security. Furthermore, the general atmosphere in the society was just as xenophobic and intolerant as before. The identity crisis of the Serb people and of all minorities living in Serbia continued. If anything, it deepened and the relationship between the state and its citizens became seriously jeopardized by the problem of Serbia’s undefined borders. The crisis was manifest with regard to certain minorities such as Vlachs who were believed to have been successfully assimilated. This false belief was partly due to the fact that neighbouring Romania had been in a far worse situation than Yugoslavia during the past fifty years. In considerably changed situation in Romania and Serbia Vlachs are now undergoing the process of self identification though still unclear whether they would choose to call themselves Vlachs or Romanians-Vlachs. Considering that the international factor has become the main generator of change in Serbia, the Helsinki Committee for Human Rights in Serbia believes that an accurate picture of the situation in Serbia is absolutely necessary. It is essential to establish the differences between Belgrade and the rest of Serbia, taking into account its internal diversities.
    [Show full text]
  • Műfordítás És Kulturális Identitás Az Új Symposion Folyóiratban1
    partitura-2019-1_partitura-2010-1.qxd 2019. 11. 19. 13:43 page 65 Ladányi István Műfordítás és kulturális identitás az Új Symposion folyóiratban1 Absztrakt: a magyar nyelven megjelent, újvidéki kiadású Új symposion folyóirat erő- teljes jugoszláviai kulturális beágyazottsága ismert, ugyanakkor nem magától értetődő sajátossága a vajdasági magyar irodalomnak. a témában számos részkutatás folyt mind a folyóirattal, mind az egyes fontosabb szerzőivel, szerkesztőivel kapcsolatban. a jelen tanulmány egy folyamatban lévő kutatás eddigi eredményeiről számol be, a folyó- irat fordítási gyakorlatát állítva középpontba, összefüggésben a folyóiratnak a délszláv irodalmakra vonatkozó reflexív szövegeivel. a délszláv nyelvekből történő fordítások nem idegen kulturális közegek közötti transzferként jelentkeznek, és jellemzően nem olyan olvasóknak készülnek, akik az eredeti művet nem tudnák elolvasni. a folyóirat dinamikus regionális kulturális identitásalakzatokat mutatott fel a saját lokális kisebbsé- gi kultúrával, az egyetemes magyar kultúrával és a jugoszlávnak nevezett kultúrával kapcsolatban. a valamelyikkel való teljes és kizárólagos azonosulás helyett a participá- ció alakzatait láthatjuk. 65 a vajdasági magyar irodalommal, illetve a jugoszláviai magyar irodalommal foglalkozó magyar irodalomtörténet-írás alapvető megállapítása az újvidéki Új Symposion folyóirattal kapcsolatban annak jugoszláviai kulturális beágyazott- sága. a témát tárgyaló megközelítéstől függően az egyes szerzőknél ez a beá- gyazottság példa lehet egy sajátos regionális identitás
    [Show full text]
  • Digitisation of Complete Works of Radoje Domanović (1873-1908)
    Преглед НЦД 36 (2020), 48–58 Vladimir Živanović Mei Ta Europe, Barič DIGITISATION OF COMPLETE WORKS OF RADOJE DOMANOVIĆ (1873–1908) – FIRST EIGHT YEARS OF THE PROJECT Abstract. This article presents a review of the first eight years (2013–2020) of the activities and effects of the “Radoje Domanović” Project – project dedicated to digitisation and promotion of the collected works of Radoje Domanović. 1. Introduction The “Radoje Domanović” Project was initiated by the author of this article, who is also the sole editor of the Project, in October 2013. The initial goal of the Project was to digitise the collected works of Radoje Domanović, and make them accessible to readers accross the globe. In the beginning, this activity was generically titled “Project for digitisation of collected works of Radoje Domanović”, but since it grew into a more comprehensive site, as will be shown in this paper, the editor settled for naming it simply the “Radoje Domanović” Project. Initially, the Project was published on the free domanovic.wordpress.com domain, until domanovic.org domain was purchased in October 2018. After the first three years, the status and activities of the Project were presented by the editor at the XIV Conference for Digitization of Cultural Heritage in September 2016. 2. Biography and Bibliography of Radoje Domanović Radoje Domanović (1873–1908) is the most famous Serbian satirist, and the first Serbian writer whose main genre was satire. Domanović initially started writing realist stories from village life during his studies and tenure as high school teacher in the south of Serbia in the 1890s.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Cinematic Representations of Nationalist-Religious Ideology in Serbian Films during the 1990s Milja Radovic Doctor of Philosophy The University of Edinburgh March 2009 THESIS DECLARATION FORM This thesis is being submitted for the degree of PhD, at the University of Edinburgh. I hereby certify that this PhD thesis is my own work and I am responsible for its contents. I confirm that this work has not previously been submitted for any other degree. This thesis is the result of my own independent research, except where stated. Other sources used are properly acknowledged. Milja Radovic March 2009, Edinburgh Abstract of the Thesis This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic.
    [Show full text]
  • Popis Djela Za Državnu Maturu
    Popis djela za državnu maturu • Biblija • Homer, Ilijada, Odiseja; Eshil, Okovani Prometej; Sofoklo, Antigona, Kralj Edip • Plaut, Škrtac; Vergilije, Eneida • Bašćanska ploča • Dante Alighieri, Božanstvena komedija, Pakao Giovanni Boccaccio, Dekameron Francesco Petrarca,Kanconijer • William Shakespeare, Hamlet Miguel de Cervantes,Don Quijote • Marko Marulić, Judita; hrvatska petrarkistička lirika (Šiško Menčetić, Džore Držić, Hanibal Lucić) Petar Hektorović, Ribanje i ribarsko prigovaranje; Marin Držić, Dundo Maroje, Novela od Stanca; Petar Zoranić,Planine • Ivan Gundulić, Suze sina razmetnoga, Dubravka; Ivan Bunić Vučić, Plandovanja • Molière, Škrtac; Voltaire, Candide; Carlo Goldoni, Gostioničarka Mirandolina • Johann Wolfgang Goethe, Patnje mladoga Werthera Mihail Jurjevič Ljermontov, Junak našeg doba EdgarAllan Poe, Crni mačak • Petar Preradović, pjesme Ivan Mažuranić, Smrt Smail-age Čengića • August Šenoa, Zlatarovo zlato, Prijan Lovro • Honoré de Balzac, Otac Goriot; Fjodor Mihajlovič Dostojevski, Zločin i kazna; Nikolaj Vasiljevič Gogolj,Kabanica • Ante Kovačić, U registraturi; Vjenceslav Novak,Posljednji Stipančići Josip Kozarac, Tena • Silvije Strahimir Kranjčević, pjesme • Charles Baudelaire, Cvjetovi zla • Henrik Ibsen, Nora • Janko Leskovar, Misao na vječnost; Antun Gustav Matoš, pjesme, Cvijet sa raskršća, Camao Vladimir Vidrić, pjesme Dinko Šimunović, Muljika Milan Begović, Bez trećega; Milutin Cihlar Nehajev, Bijeg; Ivan Kozarac, Đuka Begović • Marcel Proust, Combray; Franz Kafka, Preobrazba •
    [Show full text]
  • Serbia 2Nd Periodical Report
    Strasbourg, 23 September 2010 MIN-LANG/PR (2010) 7 EUROPEAN CHARTER FOR REGIONAL OR MINORITY LANGUAGES Second periodical report presented to the Secretary General of the Council of Europe in accordance with Article 15 of the Charter SERBIA The Republic of Serbia The European Charter for Regional or Minority Languages The Second Periodical Report Submitted to the Secretary General of the Council of Europe Pursuant to Article 15 of the Charter Belgrade, September 2010 2 C O N T E N T S 1. INTRODUCTION ……………………………………………………………………6 2. Part I …………………………………………………………………………………12 2.1. Legislative and institutional changes after the first cycle of monitoring of the implementation of the Charter …………………………………………………….12 2.1.1. Legislative changes ……………………………………………………….12 2.1.2. The National Strategy for the Improvement of the Status of Roma ……..17 2.1.3. Judicial Reform …………………………………………………………...17 2.1.4. Establishment of the Ministry of Human and Minority Rights …………..23 2.2. Novelties expected during the next monitoring cycle of the implementation of the Charter …………………………………………………………………………….24 2.2.1. The Census ………………………………………………………………..24 2.2.2. Election of the national councils of the national minorities ……………...26 2.3. Implementation of the recommendations of the Committee of Ministers of the Council of Europe (RecChL(2009)2) 28) …………………………………………29 2.4. Activities for the implementation of the box-recommendation of the Committee of Experts with regard to the implementation of the Charter ………………………...33 3. PART II Implementation of Article 7 of the Charter ……………………………..38 3.1. Information on the policy, legislation and practice in the implementation of Part II - Article 7 of the Charter ……………………………………………………………..38 3.1.1.
    [Show full text]
  • Preuzmi Datoteku Download
    Hrvoje Tutek University of Zagreb The Institutional Framework of Post-Socialist Literary Production: Literature as Creative Writing ven though the main sources of the drama (or tragedy, to be more precise) of the Ecapitalist restoration in former Yugoslavia (or “transition,” as it is usually called) are its most visible socio-economic consequences such as deindustrialization, ethnic wars, forced population movements, or skyrocketing social inequality, the changes oc- curring to the seemingly less dramatic constituents of the system, such as cultural pro- duction, should by no means be disregarded.1 They should, however, be studied with a sharper critical and comparative focus on their systemic—institutional, political-eco- nomic—aspects, which are determined by pressures stemming from the realities of the social organization of production as a whole. This is necessary not only because such analyses are prerequisites for an informed understanding of specific cultural artifacts in their historical context but perhaps more importantly because they can shed light on the new types of hegemonic demands and limitations that are imposed on cultural activity, as well as ideological compromises that producers of culture are obliged to either internalize or at least consider and relate to in a necessarily political manner in order to have their work disseminated and understood in the public sphere. As things stand at the moment, the existence of these ideological and institutional demands and limitations in the field of culture is visible only with difficulty, or when discussed, it is most often explained away as a consequence of temporary institutional disorder emerging from the chaos of transition and entirely corrigible by better poli- cies.
    [Show full text]