EL Comercio De LA Primavera
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Past Re-Imagined for the Geisha: Saviour of the 1950'S Japanese Sex
A Past Re-imagined for the Geisha: Saviour of the 1950’s Japanese Sex Industry Caroline Norma Asia Institute This article looks at public discussion surrounding the enactment of Japan’s Prostitution Prevention Law in 1956. It homes in on the opinion of com- mentators that the exclusion of the geisha system from the law’s provisions allowed the Japanese sex industry to flourish even after 1956. The paper asks why the geisha system was left out of the law, and why this exclu- sion was a boon for the Japanese sex industry. It argues that the geisha system established a ‘respectable’ standard for prostitution in Japan, which shielded the sex industry from legal intervention in the postwar period. It concludes that the geisha system has normalised and lent respectability to the activities of the sex industry in Japanese society to the detriment of its women and girls. 37 INTRODUCTION in the 1950s. This discussion intends to overturn scholars’ dearly This paper looks at public discussion surrounding the enactment of held historical picture of the geisha system as an institution of the Japan’s Prostitution Prevention Law in 1956. It picks up the opinion arts.8 Understanding the prostitution status of the geisha system is of commentators that the Japanese sex industry continued to flourish necessary to the paper’s later examination of Japan’s sex industry in even after 1956 because the geisha system was left out of the law.1 The the 1950s. paper asks why the geisha system was left out of Japan’s Prostitution Girls are trafficked (jinshin baibai) into geisha houses, Kanzaki Prevention Law, and why this exclusion was a boon for the country’s wrote in 1955, through geisha house managers buying the right sex industry. -
Leca, Radu (2015) the Backward Glance : Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary Between 1673 and 1704
Leca, Radu (2015) The backward glance : concepts of ‘outside’ and ‘other’ in the Japanese spatial imaginary between 1673 and 1704. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23673 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Backward Glance: Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary between 1673 and 1704 Radu Leca Thesis submitted for the degree of PhD 2015 Department of the History of Art and Archaeology SOAS, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Descargar Descargar
2 DIRECTORIO Universidad Autónoma de Aguascalientes M. en Admón. Mario Andrade Cervantes, Rector Dr. en C. Francisco Javier Avelar González, Secretario General Dr. Daniel Eudave Muñoz, Decano del Centro de Ciencias Sociales y Humanidades Dr. Andrés Reyes Rodríguez, Jefe del Departamento de Historia Consejo Editorial: Daniela Itzel Domínguez Tavares José Antonio Gutiérrez Gutiérrez Mario Antonio Frausto Grande Miriam Herrera Cruz Fernando Plascencia Martínez Fabián Rodríguez Nieto Enrique Rodríguez Varela Martha Lilia Sandoval Cornejo Comité Editorial: Ana Victoria Velázquez Díaz, Directora Minerva Ponce Ramírez, Secretaria Luis Gerardo Bernal Guzmán, Comité Editorial Luis Octavio Martínez Vargas, Comité Editorial Miguel Ángel Nieto Ángeles, Comité Editorial Andrea Isabel Ramírez Palacios, Comité Editorial Stephanie Scarlett Vicencio Rodríguez, Comité Editorial Corrección de estilo: Yessica Andrea Esparza Lozano Monserrat García Meraz Elsa Nidia Mauricio Balbuena Alexis Salvador Gómez Rodríguez Referencia de la imagen de portada: The creation of Adam Graffitty Style, Gary Hogben, 2008. Esta publicación no tiene fines de lucro. Las opiniones planteadas en los artículos son responsabilidad de sus autores y no necesariamente coinciden con el punto de vista de la revista y de la Institución. ÍNDICE 4 EDITORIAL LoS EnTEóGEnoS, como un mEdio HAciA EL conocimiEnTo 6 Luis Gerardo Bernal Guzmán LA GEnEALoGíA dEL ciELo y EL infiErno En AméricA 16 Aldo Barucq Muro Santoyo LoS pLEiToS dEL obiSpo: LAS ALEGAcionES dE don JuAn dE Palafox En conTrA dE LAS órdEnES rEGuLArES, 1640-1650 27 Adrián González Hernández mETodiSmo En méxico Su TránSiTo dE LA modErnidAd porfiriAnA A LA poST rEvoLución, 1873-1954 41 Oswaldo Ramirez González LA rELAción dEL ParTido Acción nAcionAL con EL catoLiciSmo En EL SiGLo xx y Su dESEmpEño ELEcTorAL En AGuAScALiEnTES: un AnáLiSiS dEL 52 municipio dE EL LLAno (1995-2016) Daniel Obed Ortega Vázquez KuKAi y LA TrAdición dEL nAnSHoKu En EL budiSmo SHinGon. -
Text Translations 1 5 6 7
TEXT TRANSLATIONS 1 5 6 7 4 3 1 2 PLAN OF THE GALLERY LIFE IN EDO X RUSSEL WONG IN KYOTO 1 Russel Wong in Kyoto Japan, particularly Kyoto, has always drawn and inspired local and international photographers. Russel Wong’s interest in photographing Kyoto and its geisha community began during a visit to Tokyo in 2005 to shoot publicity photographs for Watanabe Ken when he was starring in Memoirs of a Geisha (2005). Kyoto came up during their conversation and this rekindled Wong’s passion to dig deeper. The film received mixed reviews; mostly disapproval and disdain from the geisha community in Kyoto. Despite its controversies, the film has contributed in recent years to public perceptions of and curiosity about Japanese geisha (Kyoto dialect, geiko). Wong feels that perhaps his photographs can give the geiko community – which hardly speaks and is seldom seen – a voice for an international audience. Geiko community The geiko community in Kyoto is a closed group and the traditional system of ichigen- san okotowari, “turning away first-timers” still rules in most teahouses today. It took Wong five years to gain access to the geiko communities in all five kagai (geisha districts, also known as hanamachi) in Kyoto. Inspired by woodblock prints In making this body of work, Wong was inspired by Edo-period woodblock prints by Kitagawa Utamaro, Katsushika Hokusai, and Utagawa Hiroshige. He was particularly drawn to the compositions, how the elements of the image work together, and by the silhouettes and portraits of the women depicted in them. Wong’s photographs are infused with his own sense of nostalgia. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Streetwalking in Occupied Japan Author(S): Holly Sanders Source: Pacific Historical Review, Vol
Panpan : Streetwalking in Occupied Japan Author(s): Holly Sanders Source: Pacific Historical Review, Vol. 81, No. 3 (August 2012), pp. 404-431 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/phr.2012.81.3.404 . Accessed: 12/05/2014 04:31 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Pacific Historical Review. http://www.jstor.org This content downloaded from 133.99.150.169 on Mon, 12 May 2014 04:31:52 AM All use subject to JSTOR Terms and Conditions Panpan: Streetwalking in Occupied Japan HOLLY SANDERS The author is a member of the history department at Villanova University. This article explores sex markets in Occupied Japan. These operated under a legal regime distinct from traditional pleasure quarters and provided wage labor. There, streetwalkers, or panpan, had unprecedented control over their work. Many came from the middle class and formed women-led gangs that resembled criminal syndi- cates. The former especially concerned social scientists and mothers in postwar Japan. Calls to sanitize public space to protect Japanese children increasingly dominated public discourse about the U.S. -
Ukiyo-E Japanese Prints Depicting the Floating World
Ukiyo-e Japanese Prints Depicting the Floating World Grade Level This lesson has been developed for an Asian Studies high-school class. It can be adjusted for grades 9-12. Objective To examine the significance and popularity of the ukiyo-e, Japanese woodblock prints depicting the Floating World during the Edo period (1615-1868). Concepts Courtesan—a woman of the pleasure quarters who entertained men through song, dance, poetry, and the art of conversation Floating World—a licensed area of teahouses, theaters, and establishments for leisure- time entertainment; often referred to as the pleasure quarters Kabuki—a form of popular drama blending music, dance, and mime portraying historical events or the everyday life of the people of the period; it appealed to the common people as opposed to the more refined Noh theater supported by the aristocrats Pleasure Quarter areas: o Yoshiwara in Edo o Shimabara in Kyoto o Shinmachi in Osaka o Maruyama in Nagasaki Ukiyo-e—depictions of the Floating World Key Ideas Originally the term ukiyo was used to describe the fleeting secular world in contrast to the spiritual world of Buddhism. During the Edo period (1615-1868), ukiyo came to mean that part of the secular world set aside for entertainment and amusement, such as the licensed pleasure quarters of the major cities. In the late 17th century, the suffix –e (which means painting) was added to the term to describe a genre of painting and prints that depicted the everyday life and activities of these various pleasure quarters. Popular subjects were the courtesans, Kabuki actors, and others who provided love, pleasure, and entertainment for men who could afford it. -
Fertility Pleasure
japanese religion/history/gender studies e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e (Continued from front flap) linds account in this context the women’s relative positions e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e e in the community and their options for ritual expression. He divides women’s ritual activities, which ey they employed both in accordance and in tension with as their ubiquitous presence in tokugawa the values of fertility and pleasure, into three broad FERTILITY artwork and literature suggests, images of bourgeois types: entrance, placement, and exit.“Entrance” for a “William R. Lindsay has written a creative and original study of wives and courtesans took on iconic status as bourgeois daughter was marriage into a virilocal Tokugawa heterosexuality from the perspective of religious representations of two opposing sets of female values. household; for the courtesan, entrance rites were the studies, drawing on iconographic and literary sources and FER AND Their differences, both real and idealized, indicate the vehicle for establishing a formal relationship with a focusing on the symbology of entry, placement and exit within full range of female roles and sexual values affirmed by client.“Placement” concerns ritual activity that not the parallel worlds of commercial pleasure-oriented sex and Tokugawa society, with Buddhist celibacy on the one only occurs within an institution and exemplifies a procreation-oriented marriage. -
Sociologische Studie Van Seksualiteit in De Moderne Japanse Maatschappij
UNIVERSITEIT GENT Faculteit Letteren en Wijsbegeerte Opleiding Oosterse Talen en Culturen ACADEMIEJAAR 2008-2009 De Sociologie van Pinku: sociologische studie van seksualiteit in de moderne Japanse maatschappij Scriptie voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het behalen van de graad Master in de Oosterse Talen en Culturen Merckaert Kim Promotor: Prof. Dr. A. Niehaus UNIVERSITEIT GENT Faculteit Letteren en Wijsbegeerte Opleiding Oosterse Talen en Culturen ACADEMIEJAAR 2008-2009 De Sociologie van Pinku: sociologische studie van seksualiteit in de moderne Japanse maatschappij Scriptie voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het behalen van de graad Master in de Oosterse Talen en Culturen Merckaert Kim Promotor: Prof. Dr. A. Niehaus Universiteit Gent Voorwoord VOORWOORD Ter afsluiting van een vier jaar durende studieloopbaan tot master in de Oosterse Talen en Culturen mag een scriptie natuurlijk niet ontbreken. Deze scriptie – waarin ik trachtte al de verworven wetenschappelijke en praktische kennis te verenigen – vormt de kroon op het werk. In het tweede jaar van deze opleiding stond het boek An introduction to Japanese Society op het programma. In dit boek las ik voor het eerst over de Japanse Love Industry. Na het lezen van deze, echter korte vermelding van dit Japanse cultuuraspect, was mijn interesse gewekt. Tijdens een reis naar Japan kwam ik opnieuw in contact met dit specifieke aspect van de Japanse samenleving. Het onderwerp sprak mij zodanig aan dat het idee rees het te gebruiken als onderwerp van mijn scriptie. Geleidelijk aan ontwikkelde het idee zich verder tot ik bij het uiteindelijke onderzoeksthema kwam: een sociologische studie over de seksualiteit in Japan. -
Excavating Memories of Migrant Sex Workers and Becoming Entangled with the Water Trade in Yokohama
After Displacement: Excavating Memories of Migrant Sex Workers and Becoming Entangled with the Water Trade in Yokohama by Ayaka Yoshimizu M.A. (Communication), Simon Fraser University, 2008 B.A. (Political Science), Keio University, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Ayaka Yoshimizu 2016 SIMON FRASER UNIVERSITY Fall 2016 Approval Name: Ayaka Yoshimizu Degree: Doctor of Philosophy Title: After Displacement: Excavating Memories of Migrant Sex Workers and Becoming Entangled with the Water Trade in Yokohama Examining Committee: Chair: Alison Beale Professor Kirsten E. McAllister Senior Supervisor Associate Professor Dara Culhane Supervisor Professor Department of Sociology and Anthropology Zoë Druick Supervisor Professor Christine Kim Internal Examiner Associate Professor Department of English Grace Cho External Examiner Associate Professor Department of Sociology and Anthropology College of Staten Island The City University of New York Date Defended/Approved: October 3, 2016 ii Ethics Statement iii Abstract In January 2005, a raid organized by the Prefectural Police in Yokohama, Japan, evicted independent sex trade businesses run by migrant women, predominantly from other regions of Asia in the marginalized district of Koganecho. The police and a group of local residents promoted the eradication of baishun [prostitution], using slogans about making the neighbourhood “safe” and “secure” and free of illegal foreigners and HIV carriers. Based on the ethnographic fieldwork I conducted over nine months, this dissertation explores question, what happens after transnational migrant sex workers are displaced from the city? in two ways. Organized into two parts, this dissertation first aims to critique the processes through which the lives of displaced migrants get further erased in the “memoryscapes” (Yoneyama 1999, Riano-Alcala 2006, McAllister 2010, 2011) of the city at both material and discursive levels. -
EARLY MODERN JAPAN 2011 Turrets of Time: Clocks and Early
EARLY MODERN JAPAN 2011 Turrets of Time: In this study, I chart an area of research which remains largely underexplored in literary and cul- Clocks and Early Configurations of tural histories of Edo Japan—namely, material prac- Chronometric Time in Edo Fiction tices of timekeeping in eighteenth- century Japan 1 (1780-1796) and their concurrence with chronometric configura- tions of temporality in fictional narrative. I argue ©Dylan McGee, Nagoya University that the introduction of the automated clock into early modern Japanese society, which had a pro- The Edo period (1603-1868) witnessed a pre- found influence on the way people perceived and ponderance of technological advances in the areas imagined time, also informed writers’ approaches to of printing, textiles, construction, and mechanics, representing time in their works of fiction. Accord- yet few were to impact the experience of everyday ingly, the greater part of this study is concerned with life as much as clockmaking. Over two hundred documenting early attempts by Japanese fiction writers to emplot, to call attention to Paul Ricoeur’s years before the abolition of the fujiteihō (variable 2 hour time-keeping) system in Meiji 20 (1887), useful term, time in narrative. In its earliest instan- Japanese clockmakers realized their first successes tiations, narrative time is indicated by an illustrated at replicating and adapting Western chronometric mechanical clock, a stylized cartouche that indicates technology for a society that ran on a variable, the exact hour by name, or else by references in the twelve-hour schedule of diurnal time. The conse- text. Since there were no conventions for configur- quences of these innovations, while not immediately ing chronometric time per se, writers arrived at dif- manifest, would eventually prove far-reaching and ferent solutions to the problem of representing profound. -
Japanese Cinema: Texts and Contexts
JAPANESE CINEMA: TEXTS AND CONTEXTS Japanese Cinema: Texts and Contexts includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a com- prehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discus- sion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries. Contributors: Carole Cavanaugh, Darrell William Davis, Rayna Denison, David Desser, Linda Ehrlich, Freda Freiberg, Aaron Gerow, Alexander Jacoby, D. P. Martinez, Keiko I. McDonald, Joan Mellen, Daisuke Miyao, Mori Toshie, Abé Mark Nornes, Alastair Phillips, Michael Raine, Donald Richie, Catherine Russell, Isolde Standish, Julian Stringer, Mitsuyo Wada-Marciano, Yomota Inuhiko, Mitsuhiro Yoshimoto. Alastair Phillips is Associate Professor in Film Studies at the University of Warwick. Julian Stringer is Associate Professor in Film Studies at the University of Nottingham. JAPANESE CINEMA: TEXTS AND CONTEXTS Edited by Alastair Phillips and Julian Stringer First published 2007 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016, USA Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2007.