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A Past Re-Imagined for the Geisha: Saviour of the 1950'S Japanese Sex
A Past Re-imagined for the Geisha: Saviour of the 1950’s Japanese Sex Industry Caroline Norma Asia Institute This article looks at public discussion surrounding the enactment of Japan’s Prostitution Prevention Law in 1956. It homes in on the opinion of com- mentators that the exclusion of the geisha system from the law’s provisions allowed the Japanese sex industry to flourish even after 1956. The paper asks why the geisha system was left out of the law, and why this exclu- sion was a boon for the Japanese sex industry. It argues that the geisha system established a ‘respectable’ standard for prostitution in Japan, which shielded the sex industry from legal intervention in the postwar period. It concludes that the geisha system has normalised and lent respectability to the activities of the sex industry in Japanese society to the detriment of its women and girls. 37 INTRODUCTION in the 1950s. This discussion intends to overturn scholars’ dearly This paper looks at public discussion surrounding the enactment of held historical picture of the geisha system as an institution of the Japan’s Prostitution Prevention Law in 1956. It picks up the opinion arts.8 Understanding the prostitution status of the geisha system is of commentators that the Japanese sex industry continued to flourish necessary to the paper’s later examination of Japan’s sex industry in even after 1956 because the geisha system was left out of the law.1 The the 1950s. paper asks why the geisha system was left out of Japan’s Prostitution Girls are trafficked (jinshin baibai) into geisha houses, Kanzaki Prevention Law, and why this exclusion was a boon for the country’s wrote in 1955, through geisha house managers buying the right sex industry. -
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2 DIRECTORIO Universidad Autónoma de Aguascalientes M. en Admón. Mario Andrade Cervantes, Rector Dr. en C. Francisco Javier Avelar González, Secretario General Dr. Daniel Eudave Muñoz, Decano del Centro de Ciencias Sociales y Humanidades Dr. Andrés Reyes Rodríguez, Jefe del Departamento de Historia Consejo Editorial: Daniela Itzel Domínguez Tavares José Antonio Gutiérrez Gutiérrez Mario Antonio Frausto Grande Miriam Herrera Cruz Fernando Plascencia Martínez Fabián Rodríguez Nieto Enrique Rodríguez Varela Martha Lilia Sandoval Cornejo Comité Editorial: Ana Victoria Velázquez Díaz, Directora Minerva Ponce Ramírez, Secretaria Luis Gerardo Bernal Guzmán, Comité Editorial Luis Octavio Martínez Vargas, Comité Editorial Miguel Ángel Nieto Ángeles, Comité Editorial Andrea Isabel Ramírez Palacios, Comité Editorial Stephanie Scarlett Vicencio Rodríguez, Comité Editorial Corrección de estilo: Yessica Andrea Esparza Lozano Monserrat García Meraz Elsa Nidia Mauricio Balbuena Alexis Salvador Gómez Rodríguez Referencia de la imagen de portada: The creation of Adam Graffitty Style, Gary Hogben, 2008. Esta publicación no tiene fines de lucro. Las opiniones planteadas en los artículos son responsabilidad de sus autores y no necesariamente coinciden con el punto de vista de la revista y de la Institución. ÍNDICE 4 EDITORIAL LoS EnTEóGEnoS, como un mEdio HAciA EL conocimiEnTo 6 Luis Gerardo Bernal Guzmán LA GEnEALoGíA dEL ciELo y EL infiErno En AméricA 16 Aldo Barucq Muro Santoyo LoS pLEiToS dEL obiSpo: LAS ALEGAcionES dE don JuAn dE Palafox En conTrA dE LAS órdEnES rEGuLArES, 1640-1650 27 Adrián González Hernández mETodiSmo En méxico Su TránSiTo dE LA modErnidAd porfiriAnA A LA poST rEvoLución, 1873-1954 41 Oswaldo Ramirez González LA rELAción dEL ParTido Acción nAcionAL con EL catoLiciSmo En EL SiGLo xx y Su dESEmpEño ELEcTorAL En AGuAScALiEnTES: un AnáLiSiS dEL 52 municipio dE EL LLAno (1995-2016) Daniel Obed Ortega Vázquez KuKAi y LA TrAdición dEL nAnSHoKu En EL budiSmo SHinGon. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Streetwalking in Occupied Japan Author(S): Holly Sanders Source: Pacific Historical Review, Vol
Panpan : Streetwalking in Occupied Japan Author(s): Holly Sanders Source: Pacific Historical Review, Vol. 81, No. 3 (August 2012), pp. 404-431 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/phr.2012.81.3.404 . Accessed: 12/05/2014 04:31 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Pacific Historical Review. http://www.jstor.org This content downloaded from 133.99.150.169 on Mon, 12 May 2014 04:31:52 AM All use subject to JSTOR Terms and Conditions Panpan: Streetwalking in Occupied Japan HOLLY SANDERS The author is a member of the history department at Villanova University. This article explores sex markets in Occupied Japan. These operated under a legal regime distinct from traditional pleasure quarters and provided wage labor. There, streetwalkers, or panpan, had unprecedented control over their work. Many came from the middle class and formed women-led gangs that resembled criminal syndi- cates. The former especially concerned social scientists and mothers in postwar Japan. Calls to sanitize public space to protect Japanese children increasingly dominated public discourse about the U.S. -
Sociologische Studie Van Seksualiteit in De Moderne Japanse Maatschappij
UNIVERSITEIT GENT Faculteit Letteren en Wijsbegeerte Opleiding Oosterse Talen en Culturen ACADEMIEJAAR 2008-2009 De Sociologie van Pinku: sociologische studie van seksualiteit in de moderne Japanse maatschappij Scriptie voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het behalen van de graad Master in de Oosterse Talen en Culturen Merckaert Kim Promotor: Prof. Dr. A. Niehaus UNIVERSITEIT GENT Faculteit Letteren en Wijsbegeerte Opleiding Oosterse Talen en Culturen ACADEMIEJAAR 2008-2009 De Sociologie van Pinku: sociologische studie van seksualiteit in de moderne Japanse maatschappij Scriptie voorgelegd aan de Faculteit Letteren en Wijsbegeerte voor het behalen van de graad Master in de Oosterse Talen en Culturen Merckaert Kim Promotor: Prof. Dr. A. Niehaus Universiteit Gent Voorwoord VOORWOORD Ter afsluiting van een vier jaar durende studieloopbaan tot master in de Oosterse Talen en Culturen mag een scriptie natuurlijk niet ontbreken. Deze scriptie – waarin ik trachtte al de verworven wetenschappelijke en praktische kennis te verenigen – vormt de kroon op het werk. In het tweede jaar van deze opleiding stond het boek An introduction to Japanese Society op het programma. In dit boek las ik voor het eerst over de Japanse Love Industry. Na het lezen van deze, echter korte vermelding van dit Japanse cultuuraspect, was mijn interesse gewekt. Tijdens een reis naar Japan kwam ik opnieuw in contact met dit specifieke aspect van de Japanse samenleving. Het onderwerp sprak mij zodanig aan dat het idee rees het te gebruiken als onderwerp van mijn scriptie. Geleidelijk aan ontwikkelde het idee zich verder tot ik bij het uiteindelijke onderzoeksthema kwam: een sociologische studie over de seksualiteit in Japan. -
Excavating Memories of Migrant Sex Workers and Becoming Entangled with the Water Trade in Yokohama
After Displacement: Excavating Memories of Migrant Sex Workers and Becoming Entangled with the Water Trade in Yokohama by Ayaka Yoshimizu M.A. (Communication), Simon Fraser University, 2008 B.A. (Political Science), Keio University, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Ayaka Yoshimizu 2016 SIMON FRASER UNIVERSITY Fall 2016 Approval Name: Ayaka Yoshimizu Degree: Doctor of Philosophy Title: After Displacement: Excavating Memories of Migrant Sex Workers and Becoming Entangled with the Water Trade in Yokohama Examining Committee: Chair: Alison Beale Professor Kirsten E. McAllister Senior Supervisor Associate Professor Dara Culhane Supervisor Professor Department of Sociology and Anthropology Zoë Druick Supervisor Professor Christine Kim Internal Examiner Associate Professor Department of English Grace Cho External Examiner Associate Professor Department of Sociology and Anthropology College of Staten Island The City University of New York Date Defended/Approved: October 3, 2016 ii Ethics Statement iii Abstract In January 2005, a raid organized by the Prefectural Police in Yokohama, Japan, evicted independent sex trade businesses run by migrant women, predominantly from other regions of Asia in the marginalized district of Koganecho. The police and a group of local residents promoted the eradication of baishun [prostitution], using slogans about making the neighbourhood “safe” and “secure” and free of illegal foreigners and HIV carriers. Based on the ethnographic fieldwork I conducted over nine months, this dissertation explores question, what happens after transnational migrant sex workers are displaced from the city? in two ways. Organized into two parts, this dissertation first aims to critique the processes through which the lives of displaced migrants get further erased in the “memoryscapes” (Yoneyama 1999, Riano-Alcala 2006, McAllister 2010, 2011) of the city at both material and discursive levels. -
Japanese Cinema: Texts and Contexts
JAPANESE CINEMA: TEXTS AND CONTEXTS Japanese Cinema: Texts and Contexts includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a com- prehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discus- sion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries. Contributors: Carole Cavanaugh, Darrell William Davis, Rayna Denison, David Desser, Linda Ehrlich, Freda Freiberg, Aaron Gerow, Alexander Jacoby, D. P. Martinez, Keiko I. McDonald, Joan Mellen, Daisuke Miyao, Mori Toshie, Abé Mark Nornes, Alastair Phillips, Michael Raine, Donald Richie, Catherine Russell, Isolde Standish, Julian Stringer, Mitsuyo Wada-Marciano, Yomota Inuhiko, Mitsuhiro Yoshimoto. Alastair Phillips is Associate Professor in Film Studies at the University of Warwick. Julian Stringer is Associate Professor in Film Studies at the University of Nottingham. JAPANESE CINEMA: TEXTS AND CONTEXTS Edited by Alastair Phillips and Julian Stringer First published 2007 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016, USA Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2007. -
EL Comercio De LA Primavera
EL COMERCIO DE 105 LA PRIMavera: LA COYUNTURA DE LA SEGUNDA GUERRA MUNDIAL EN LA PROSTITUCIÓN JAPONESA1 Nathaly Varela Baltierra1 universidad Autónoma de Tlaxcala colectivo de investigadores Histórico-regionales Resumen Es bien conocido que el conflicto béli- co denominado como la Segunda Guerra Mundial, provocó cambios sustanciales en la vida de la humanidad que llegaron a abarcar los aspectos más íntimos de las sociedades. Entre muchos otros, el caso de la prostitución en Japón fue uno de los más radicales. Mi objetivo general es analizar la trans- formación de la práctica y el concepto de prostitución en aquel país, como una pro- puesta para demostrar que las consecuen- cias de la guerra van más allá de las pérdi- das humanas o materiales, y debido a que es una parte de la historia poco estudiada. 1 El presente trabajo es un extracto de mi Tesis. Varela Baltierra, Nathaly, La imagen de las bainshufu en el cine japonés de posguerra de Kenji Mizoguchi, 2014, tesis de licenciatura, Universidad Autónoma de Tlaxcala. 105 106 Otro objetivo se centra en explicar cómo A veces se pronuncia baishunpu y pue- la prostitución japonesa, nos ayuda tam- de leerse de dos formas por sus kanji (売 bién a comprender la dualidad oriental- 春婦), se traduce como vender a una mu- occidental que se generó en Japón después jer en primavera o mujer que vende su pri- de la Segunda Guerra Mundial. mavera. Esa estación del año es la más im- Además, en este trabajo pretendo mos- portante para los japoneses porque en ella trar que la prostituta o baishunfu, como ocurre