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Postclassic Aztec Figurines and Domestic Ritual
Copyright by Maribel Rodriguez 2010 The Thesis Committee for Maribel Rodriguez Certifies that this is the approved version of the following thesis: Postclassic Aztec Figurines and Domestic Ritual APPROVED BY SUPERVISING COMMITTEE: Supervisor: Julia Guernsey David Stuart Postclassic Aztec Figurines and Domestic Ritual by Maribel Rodriguez, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin December 2010 Dedication Esto esta dedicado en especial para mi familia. Acknowledgements There are my academicians and friends I would like to extend my sincere gratitude. This research began thanks to Steve Bourget who encouraged and listened to my initial ideas and early stages of brainstorming. To Mariah Wade and Enrique Rodriguez-Alegria I am grateful for all their help, advice, and direction to numerous vital resources. Aztec scholars Michael Smith, Jeffrey and Mary Parsons, Susan T. Evans, and Salvador Guilliem Arroyo who provided assistance in the initial process of my research and offered scholarly resources and material. A special thank you to my second reader David Stuart for agreeing to be part of this project. This research project was made possible from a generous contribution from the Art and Art History Department Traveling grant that allowed me the opportunity to travel and complete archival research at the National American Indian History Museum. I would also like to thank Fausto Reyes Zataray for proofreading multiple copies of this draft; Phana Phang for going above and beyond to assist and support in any way possible; and Lizbeth Rodriguez Dimas and Rosalia Rodriguez Dimas for their encouragement and never ending support. -
Tenayohcan Oztopolco, Ciudad Con Esplendor
Tenayohcan Oztopolco, Ciudad con Esplendor 1 Tenayohcan Oztopolco, Ciudad con Esplendor 2 Tenayohcan Oztopolco, Ciudad con Esplendor TENAYOHCAN OZTOPOLCO Ciudad con Esplendor RAFAEL GARDUÑO GARDUÑO Cronista Municipal 3 Tenayohcan Oztopolco, Ciudad con Esplendor D.R. H. Ayuntamiento de Tlalnepantla de Baz, 2021. D.R. Instituto Municipal de la Cultura y las Artes. D.R. Rafael Garduño Garduño, cronista municipal. Foto de portada: Glifo del pueblo de Tenayuca, Códice Xólotl. Se prohíbe la reproducción para fines mercantiles por cualquier medio sin la autorización del autor y titulares de los derechos de la obra. 4 Tenayohcan Oztopolco, Ciudad con Esplendor H. Ayuntamiento de Tlalnepantla de Baz 2019-2021 Mtro. Raciel Pérez Cruz Presidente Municipal C. Lourdes Jezabel Delgado Flores C. Francisco Vicente Domínguez Ramírez Primera Síndico Octavo Regidor C. Eduardo Guerrero Villegas C. Arleth Stephanie Grimaldo Osorio Segundo Síndico Novena Regidora C. Martha Elba Soto Mojica C. Karen Aketzali Zamarripa Quiñones Tercera Síndico Décima Regidora C. María de la Luz Hernández Camacho C. Alonso Adrián Juárez Jiménez Primera Regidora Décimo Primer Regidor C. Víctor Manuel Pérez Ramírez Segundo Regidor C. Itze Lizbeth Nava López C. Krishna Karina Romero Velázquez Décima Segunda Regidora Tercera Regidora C. Alina Alejandra Luna Gómez C. Carlos Alberto Cruz Jiménez Décima Tercera Regidora Cuarto Regidor C. Juan Andrés López Camacho C. Victoria Hernández Arellano Décimo Cuarto Regidor Quinta Regidora C. Irma Lorena Roa López C. Jorge Morales Jiménez Décima Quinta Regidora Sexto Regidor C. Gabriela Bernardo Ávila C. María de Lourdes Curiel Rocha Décima Sexta Regidora Séptima Regidora C. Juan Carlos Villegas Manriquez Director de Bienestar Lic. Siddhartha García García Titular del Instituto Municipal de la Cultura y las Artes C. -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Michael E. Smith Curriculum Vitae for Posting Feb
Michael E. Smith Curriculum Vitae For Posting Feb. 1, 2020 Email: [email protected] Home page: https://asu.academia.edu/MichaelESmith ResearcherID: A-2935-2008; ORCID identification no: 0000-0002-0677-8206; Scopus: 55495919500 Address School of Human Evolution & Social Change Phone: 480-727-9520 (office) Box 872402 480-272-3308 (cell) Arizona State University Tempe, AZ 85287-2402 Office: SHESC-104C Education • Ph.D., Anthropology, 1983: University of Illinois, Urbana-Champaign (8/79 - 8/82). • MA, Anthropology, 1979: University of Illinois, Urbana-Champaign (8/75 - 12/78). • BA, Anthropology, 1975: Brandeis University, Waltham, MA (9/71 - 12/74); (degree awarded Magna Cum Laude with Highest Honors in Anthropology. Present Positions • Professor, School of Human Evolution & Social Change, Arizona State University (2005 - ). • Director, ASU Teotihuacan Research Laboratory (2015 - ). • Affiliated faculty, School of Geographical Sciences and Urban Planning, ASU (2013 - ). • Core faculty, Center for Social Dynamics and Complexity (2013 - ). • Fellow, ASU-SFI Center for Biosocial Complex Systems (2014 - ). • Investigador especial, El Colegio Mexiquense (2007 - ). Past Academic Positions • University at Albany, SUNY, Department of Anthropology: Professor, 1996-2005; Associate Professor, 1991-1996. • Loyola University of Chicago, Department of Sociology and Anthropology: Associate Professor, 1988-1990; Assistant Professor, 1983-1988; Lecturer, 1982. Visiting Academic Positions • Aarhus University, Centre for Urban Network Evolutions (School of Culture and Society), Visiting Professor, April – July, 2018. • University of Bonn, Research Training Group 1878, Archaeology of Pre-Modern Economies. Mercator Fellow, May – July, 2017. Research Areas • Mesoamerican archaeology and ethnohistory: Specialist in Aztecs and Teotihuacan. • Comparative urbanism: Premodern neighborhoods & urban life; urban scaling of premodern cities; modern relevance of ancient cities. -
AZTEC ARCHITECTURE -Part 1 by MANUEL AGUILAR-MORENO, Ph.D
AZTEC ARCHITECTURE -Part 1 by MANUEL AGUILAR-MORENO, Ph.D. PHOTOGRAPHY: FERNANDO GONZLEZ Y GONZLEZ AND MANUEL AGUILAR-MORENO, Ph.D. DRAWINGS: LLUVIA ARRAS, FONDA PORTALES, ANNELYS PÉREZ, RICHARD PERRY AND MARIA RAMOS. TABLE OF CONTENTS INTRODUCTION Symb lism TYPES OF ARCHITECTURE General C nstructi n f Pyramid-Temples Temples Types f pyramids R und Pyramids T,in Stair Pyramids Shrines -Ad rat ri s) Early Capital Cities City-State Capitals Ballc urts A.ueducts and Dams Mar/ets Gardens BUILDING MATERIALS AND TECHNI0UES THE PRECINCT OF TENOCHTITLAN Intr ducti n Urbanism Cerem nial Pla1a -Interi r f the Sacred Precinct2 The Great Temple Myths Symb li1ed in the Great Temple C nstructi n Stages F und in the Archae l gical E4cavati ns f the Great Temple C nstructi n Phase I C nstructi n Phase II C nstructi n Phase III C nstructi n Phase I6 C nstructi n Phase 6 C nstructi n Phase 6I C nstructi n Phase 6II Emper r7s Palaces H mes f the Inhabitants Chinampas Ballc urts Temple utside the Sacred Precinct OTHER CITIES Tenayuca The Pyramid 8all f Serpents T mb-Altar Sta. Cecilia Acatitlan The Pyramid Te pan1 lc Tlatel lc The Temple f the Calendar Temple f Ehecatl-0uet1alc atl Sacred 8ell Priests7 Residency The Mar/etplace Tet1c t1inc Civic M numents Shrines Hue4 tla The 8all La C munidad -The C mmunity2 La Estancia -The Hacienda2 Santa Maria Gr up San Marc s Santiag The Ehecatl- 0uet1alc atl Building Tep 1tlan The Pyramid-Temple f Tep 1tlan Cali4tlahuaca Temple f Ehecatl-0uet1alc atl The Tlal c Cluster The Calmecac Gr up Ballc urt C atetelc Malinalc Temple I -Cuauhcalli2 9 Temple f the Eagle and :aguar Knights Temple II Temple III Temple I6 Temple 6 Temple 6I Figures Bibli graphy INTRODUCTION Az ec archi ec ure reflec s he values and civiliza ion of an e.pire, and s ud0in1 Az ec archi ec ure is ins ru.en al in unders andin1 he his or0 of he Az ecs, includin1 heir .i1ra ion across Me2ico and heir re-enac .en of reli1ious ri uals. -
The Chronological Period Is a Temporal Unito There Is a Wealth of Material on Late Pre-Columbian Middle America Available Sin the Chronicles and Codices
THE POSTCLASSIC STAGE IN MESOAMERICA Jane Holden INTRODUCTION The subject of inquiry in this paper is the PostcLassic stage in Middle America. As used by prehistorians, the term "Postclassic" has referred to either a developmental stage or to a chronological period. These two con- cepts are quite different, both operationally and theoretically. The stage concept in contemporary usage is a classificatory device for st,udying cul- ture units in terms of developmental and theoretical problems. For com- parative purposes, a stage is usually defined in broad and diffuse terms, in order to outline a culture type. A developmental stage is not tempor- c3lyl detined although it is necessarily a function of relative time. The chronological period on the other hand is defined through the temporal alignment of culture units and establishes the historical contemporaneity of those units. Thus the developmental stage is a typological device and the chronological period is a temporal unito There is a wealth of material on late pre-Columbian Middle America available sin the chronicles and codices. However, the study of such mater- ials. is a ppecialty in itself, hence only a minimum of historical informa- tion *ill be presented in this paper and this will be of necessity, based on secondary sources. The following procedure will be employed in this paper. First, brief summaries of formal statements by various authors on the developmental stage concept will be presented, as well as some temporal classifications of the Postclassic. Secondly, the available archaeological evidence will be summarized to provide a temporal framework. And finally, consideration will be given to the implications derived from the comparison of the Post- classic as a temporal category and as a developmental stage. -
Rewriting Native Imperial History in New Spain: the Excot Can Dynasty Alena Johnson
University of New Mexico UNM Digital Repository Spanish and Portuguese ETDs Electronic Theses and Dissertations 2-1-2016 Rewriting Native Imperial History in New Spain: The excoT can Dynasty Alena Johnson Follow this and additional works at: https://digitalrepository.unm.edu/span_etds Recommended Citation Johnson, Alena. "Rewriting Native Imperial History in New Spain: The excT ocan Dynasty." (2016). https://digitalrepository.unm.edu/span_etds/24 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Spanish and Portuguese ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Alena Johnson Candidate Spanish and Portuguese Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Miguel López, Chairperson Kimberle López Ray Hernández-Durán Enrique Lamadrid ii REWRITING NATIVE IMPERIAL HISTORY IN NEW SPAIN: THE TEXCOCAN DYNASTY by ALENA JOHNSON B.A., Spanish, Kent State University, 2002 M.A., Spanish Literature, Kent State University, 2004 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Spanish and Portuguese The University of New Mexico Albuquerque, New Mexico December, 2015 iii ACKNOWLEDGEMENTS I express much gratitude to each of my committee members for their mentorship, honorable support, and friendship: Miguel López, Associate Professor of Latin American Literature, Department of Spanish and Portuguese, University of New Mexico; Kimberle López, Associate Professor of Latin American Literature, Department of Spanish and Portuguese, University of New Mexico; Ray Hernández-Durán, Associate Professor of Early Modern Ibero-American Colonial Arts and Architecture, Department of Art and Art History, University of New Mexico; and Enrique Lamadrid, Professor Emeritus, Department of Spanish and Portuguese, University of New Mexico. -
Tenochtidán: Ceremonial Center Miraculous Appearance of a Whirlwind That Connected at the Heart Oftenochtitlán Stood One of the Most Prorni- Earth with Heaven
T or Serpent Wall, consisting of a line of serpents sculpted miraculous spring of red and blue waters-revealed to the from stone, was erected on a platform around three sides Mexica the location where they should settle and end of the base of the pyramid. North and south of the pyra- their wanderings. The Mexica raised their temple in that mid are small adoratorio altars, as well as a depiction of a spot, which represented the threshold of the opening that xiuhcoatl (fire serpent), its head crested with points indi- communicated between the world of humans and the cating a relation to the cult of the sun, the renewal ensu- world where gods dwelt. This portal was represented by ing from the New Fire Ceremony, and the periodic cycle either an anthill, a sabine tree (Juniperus mexicana), a of fifty-two years. double cave, or a double spring. These binary elements, along with the colors red and blue, would later determine FURTHER READINGS the principal characteristics of the main pyramid dedi- León Portilla, M. 1967. El proceso de aculturación de los cated to Huitzilopochtli (god of war, a solar deiry) and to Chichimecas de Xólotl. Estudios de Cultura Náhuatl Tlaloc (god of rain, an earth-related deiry), two gods who 7:59-86. played opposite but complementary roles. Marquina,1. 1935. Tenayuca, estudio arqueológico de la Thirteen years later, around A.D. 1337, a group of dis- pirámide de Este Lugar. Talleres Gráficos del Museo contented Mexica broke away from the rest and founded Nacional de Arqueología, Historia y Ethnografia, 35. -
Cultural Interaction and Biological Distance Among Postclassic Mexican Populations Corey Steven Ragsdale
University of New Mexico UNM Digital Repository Anthropology ETDs Electronic Theses and Dissertations 5-1-2015 Cultural interaction and biological distance among Postclassic Mexican populations Corey Steven Ragsdale Follow this and additional works at: https://digitalrepository.unm.edu/anth_etds Part of the Anthropology Commons Recommended Citation Ragsdale, Corey Steven. "Cultural interaction and biological distance among Postclassic Mexican populations." (2015). https://digitalrepository.unm.edu/anth_etds/55 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Anthropology ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Corey Steven Ragsdale Candidate Anthropology Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Heather JH Edgar, Chairperson Osbjorn Pearson Hillard Kaplan Andrea Cucina Frances Berdan ii CULTURAL INTERACTION AND BIOLOGICAL DISTANCE AMONG POSTCLASSIC MEXICAN POPULATIONS by COREY STEVEN RAGSDALE B.A., Anthropology, California State University, San Bernardino 2009 M.S., Biological Anthropology, University of New Mexico, 2012 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Anthropology The University of New Mexico Albuquerque, New Mexico May, 2015 iii CULTURAL INTERACTION AND BIOLOGICAL DISTANCE AMONG POSTCLASSIC MEXICAN POPULATIONS by Corey Steven Ragsdale B.A., Anthropology, California State University, San Bernardino 2009 M.S., Anthropology, University of New Mexico, 2012 Ph.D., Anthropology, University of New Mexico, 2015 ABSTRACT Human population structure is influenced by cultural and biological interactions. Little is known regarding to what extent cultural interactions effect biological processes such as migration and genetic exchange among prehistoric populations. -
Ceramics and the Spanish Conquest E Early Americas: History and Culture
Ceramics and the Spanish Conquest e Early Americas: History and Culture General Editor Alexander Geurds, Leiden University Editorial Board Willem Adelaar, Leiden University Nikolai Grube, Bonn University John Hoopes, University of Kansas Maarten Jansen, Leiden University Arthur Joyce, University of Colorado Michael Smith, Arizona State University Eric Taladoire, Sorbonne Laura Van Broekhoven, National Museum of Ethnology, Leiden VOLUME 2 e titles published in this series are listed at brill.nl/eahc Ceramics and the Spanish Conquest Response and Continuity of Indigenous Pottery Technology in Central Mexico By Gilda Hernández Sánchez LEIDEN • BOSTON 2012 e digital edition of this title is published in Open Access. is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Hernández Sánchez, Gilda. Ceramics and the Spanish conquest : response and continuity of indigenous pottery technology in central Mexico / by Gilda Hernández Sánchez. p. cm. — (e early Americas: history and culture vol.2) Includes bibliographical references. ISBN 978-90-04-20440-9 (hardback : alk. paper) 1. Indian pottery—Mexico. 2. Indians of Mexico—Material culture. 3. Indians of Mexico— Antiquities. 4. Pottery cra—Mexico—History. 5. Mexico—Antiquities. 6. Mexico— History—Conquest, 1519-1540. 7. Mexico—History—Spanish colony, 1540-1810. I. Title. F1219.3.P8H37 2012 972’.01—dc23 2011035865 ISSN 1875-3264 ISBN 978 90 04 20440 9 Copyright 2012 by Koninklijke Brill NV, Leiden, e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijho Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. -
Land, Water, and Government in Santiago Tlatelolco
ABSTRACT This dissertation discusses conflicts over land and water in Santiago Tlatelolco, an indigenous community located in Mexico City, in the sixteenth and early seventeenth centuries. The specific purpose of this study is to analyze the strategies that the indigenous government and indigenous people in general followed in the defense of their natural resources in order to distinguish patterns of continuity and innovation. The analysis covers several topics; first, a comparison and contrast between Mesoamerican and colonial times of the adaptation to the lacustrine environment in which Santiago Tlatelolco was located. This is followed by an examination of the conflicts that Santiago Tlatelolco had with neighboring indigenous communities and individuals who allied themselves with Spaniards. The objective of this analysis is to discern how indigenous communities in the basin of central Mexico used the Spanish legal system to create a shift in power that benefitted their communities. The next part of the dissertation focuses on the conflicts over land and water experienced by a particular group: women. This perspective provides insight into the specific life experience of the inhabitants of Santiago Tlatelolco during Mesoamerican and colonial times. It also highlights the impact that indigenous people had in the Spanish colonial organization and the response of Spanish authorities to the increasing indigenous use of the legal system. The final part discusses the evolution of indigenous government in Santiago Tlatelolco from Mesoamerican to colonial rulership. This section focuses on the role of indigenous rulers in Mexico City public works, especially the hydraulic system, in the recollection of tribute, and, above all, in the legal conflicts over land and water. -
The Devil and the Skirt an Iconographic Inquiry Into the Prehispanic Nature of the Tzitzimime
THE DEVIL AND THE SKIRT AN ICONOGRAPHIC INQUIRY INTO THE PREHISPANIC NATURE OF THE TZITZIMIME CECELIA F. KLEIN U.C.L.A. INTRODUCTION On folio 76r of the colonial Central Mexican painted manuscript Codex Magliabechiano, a large, round-eyed figure with disheveled black hair and skeletal head and limbs stares menacingly at the viewer (Fig. 1a). 1 Turned to face us, the image appears ready to burst from the cramped confines of its pictorial space, as if to reach out and grasp us with its sharp talons. Stunned by its gaping mouth and its protruding tongue in the form of an ancient Aztec sacrificial knife, viewers today may re- coil from the implication that the creature wants to eat them. This im- pression is confirmed by the cognate image on folio 46r of Codex Tudela (Fig. 1b). In the less artful Tudela version, it is blood rather than a stone knife that issues from the frightening figures mouth. The blood pours onto the ground in front of the figures outspread legs, where a snake dangles in the Magliabecchiano image. Whereas the Maglia- bechiano figure wears human hands in its ears, the ears of the Tudela figure have been adorned with bloody cloths. In both manuscripts, long assumed to present us with a window to the prehispanic past, a crest of paper banners embedded in the creatures unruly hair, together with a 1 This paper, which is dedicated to my friend and colleague Doris Heyden, evolved out of a talk presented at the 1993 symposium on Goddesses of the Western Hemisphere: Women and Power which was held at the M.H.