Northern Dialect of Sindarin
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Chronology of the Silmarillion 1 ____ Chronology of the Silmarillion By clotho123 ___ This was put together as a potentially useful guide rather than a rigid framework and I would not regard anything here as set in stone. Tolkien did quite a bit of work on the legends after drawing up his final chronologies and might very well have changed many of the dates if he’d ever reached the point of publishing The Silmarillion. It was compiled from three of Tolkien’s chronological writings: The Annals of Aman, published in The History of Middle-earth: Morgoth’s Ring, Part Two The Grey Annals, published in The History of Middle-earth: The War of the Jewels, Part One with final section and revisions in Part Three, section I The Tale of Years, published in The History of Middle-earth: The War of the Jewels, Part Three, section V The Beginning of Time These dates are from the Annals of Aman. How precisely you think they should be interpreted is up to the individual. They are all in Valian years, which according to Tolkien’s opening description, were each roughly equivalent to ten Sun years (strictly 9.582 Sun years, if you want to be exact). At other times he had other views on the relationship between elven years and mortal years, but I will not go into those here as he did not have them in mind when compiling the Annals. 1 Valar first enter Arda 1500 Tulkas enters Arda 1900 Valar set up the great Lamps 3400 Melkor begins to make Utumno 3450 Melkor destroys the Lamps 3500 The Two Trees are created (1) The Ages of the Trees These annals also are all in years of the Valar. -
A Secret Vice: the Desire to Understand J.R.R
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 A Secret Vice: The Desire to Understand J.R.R. Tolkien’s Quenya Or, Out of the Frying-Pan Into the Fire: Creating a Realistic Language as a Basis for Fiction Cheryl Cardoza In a letter to his son Christopher in February of 1958, Tolkien said “No one believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real” (Letters 264). He added that The Lord of the Rings “was an effort to create a situation in which a common greeting would be elen síla lúmenn’ omentielmo,1 and that the phrase long antedated the book” (Letters 264-5). Tolkien often felt guilty about this, his most secret vice. Even as early as 1916, he confessed as much in a letter to Edith Bratt: “I have done some touches to my nonsense fairy language—to its improvement. I often long to work at it and don’t let myself ‘cause though I love it so, it does seem a mad hobby” (Letters 8). It wasn’t until his fans encouraged him, that Tolkien started to 1 Later, Tolkien decided that Frodo’s utterance of this phrase was in error as he had used the exclusive form of we in the word “omentielmo,” but should have used the inclusive form to include Gildor and his companions, “omentielvo.” The second edition of Fellowship reflected this correction despite some musings on leaving it to signify Frodo being treated kindly after making a grammatical error in Quenya (PE 17: 130-131). -
Guide to Tolkienian Nationality Words by Malinornë After an Idea by ~Nóleme~
Guide to Tolkienian nationality words By Malinornë after an idea by ~nóleme~ The purpose of this chart is to help writers of fan fiction to avoid common mistakes involving non-English names for groups and individuals of various peoples, languages etc. The letters in parenthesis in the first column show which language the main term is in: Q for Quenya, S for Sindarin, E for English, D for Dwarvish and R for Rohirric. For many of the Sindarin terms, two plural forms are listed. The term marked "coll." is a collective noun or class plural that is used for a people or group as a whole. If you need a term for a number of individuals, then use the second one listed. Example: "the two Enyd", not "the two Onodrim". Or, make it simple and use English: "the two Ents" :) If the general adjective is not known, it usually works to circumscribe, e.g. write "of the Dúnedain". It can also work to simply use a noun, e.g. "She had hobbit blood." Avoid the plural form – don't write "He had Eorlingas ancestors." People or group Individual General adjective Language(s) spoken (plural or collective noun) (singular noun) by people or group Ainur (Q) Ainu (fem. Aini) Ainurin Valarin, Quenya Atani (Q) Atan - - Apanónar (Q) - - Ebennin (S) Abonnen (S) Avari (Q) Avar (Q + S) Avarin (Q) Avarin Evair (S) Balroeg (S) Balrog (S) - - Valaraukar (Q) Valarauko (Q) Calaquendi (Q) Calaquendë (Q) Calaquenderin (Q) Quenya, Sindarin, other Celbin (S) Calben (S) Drúedain (Q), Drûgs (E) Drúadan, Drûg - - Dúnedain (S) Dúnadan - Westron, Sindarin Dúnedhil (S) Dúnedhel Dúnedhellen Quenya, Sindarin, other Edain (S) Adan - - Eglath, Egladhrim (S, coll.) Eglan - - Eglain (S) Eldar (Q) Elda (Q) Eldarin (Q) Eldarin, Quenya, Sindarin Edhil (S) Edhel (S) Edhellen (S) Eorlingas (R), Eorlings (E) Eorling - Rohirric Eruhíni (Q) Eruhína (Q) - - Eruchín (S) Eruchen (S) Falathrim (S, coll.) Falathel ?Falathren Sindarin Felethil (S) (lit. -
Quettaparma Quenyallo
Quettaparma Quenyallo † = poetic or archaic word (e.g. †él "star", elen being the ordinary word) or a poetic or archaic meaning of an ordinary word (e.g. russë "corruscation, †swordblade"), * = unattested form, ** = wrong form, # = word that is only attested in a compound or as an inflected form (e.g. #ahya-), LotR = The Lord of the Rings, Silm = The Silmarillion , MC = The Monsters and the Critics and other Essays, MR = Morgoth's Ring, LR = The Lost Road, Etym = The Etymologies (in LR:347-400), FS = Fíriel's Song (in LR:72), RGEO = The Road Goes Ever On (Second Edition), WJ = The War of the Jewels, PM = The Peoples of Middle-earth, Letters = The Letters of J. R. R. Tolkien, LT1 = The Book of Lost Tales 1, LT2 = The Book of Lost Tales 2, Nam = Namárië (in LotR:398), CO = Cirion's Oath and its commentary in UT:305, 317, Arct = "Arctic" sentence (in The Father Christmas Letters), Markirya = the Markirya Poem and its commentary in MC:221-223; GL = Gnomish Lexicon (in Parma Eldalamberon #11), QL = Qenya Lexicon (in Parma Eldalamberon #12), vb = verb, adj = adjective, interj = interjection, pa.t. = past tense, fut = future tense, perf = perfect tense, freq = frequentative form, inf = infinitive, gen = genitive, pl = plural form, sg = singular form. The spelling used in this wordlist is regularized (c for k except in a few names, x for ks, long vowels marked with accents rather than macrons or circumflexes; the diaeresis is used as in most of LotR). The spelling used in the source is usually indicated; for instance, ("k") following a word indicates that the word is spelt with a k instead of a c in Tolkien's text. -
The Growth of Grammar in the Elven Tongues
Volume 21 Number 2 Article 28 Winter 10-15-1996 The Growth of Grammar in the Elven Tongues Christopher Gilson Patrick Wynne Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Gilson, Christopher and Wynne, Patrick (1996) "The Growth of Grammar in the Elven Tongues," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 28. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/28 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract While some features of Elven grammar go back to the earliest records, such as the “Qenya Lexicon”, others are unique to later works such as the “Secret Vice” poems and the Etymologies, and some do not emerge until after The Lord of the Rings. -
SINDARIN 2003 (MMDCCLVI AVC) R [email protected] Gandalf
2002 (MMDCCLV AVC) SINDARIN 2003 (MMDCCLVI AVC) r [email protected] GandAlf Sindarin Teleri Sindar Aman Thingol Noldor˜ Noldor˜ Quenya Noldorinwa˜ Doriath Mithrim Falathrim Falathrim Conlang Constructed Language Legendarivm Gnomish Noldorin The Book of Lost Tales The History of Middle-earth ******* At Mereth Aderthad many counsels were taken in good will, and oaths were sworn of league and friendship; and it is told that at this feast the tongue of the Grey-elves was most spoken even by the Noldor, for they learned swiftly the speech of Beleriand, whereas the Sindar were slow to master the tongue of Valinor. (The Silmarillion, ch. 13) Quenya Noldorinwa˜ Noldor˜ Beleriand Noldor˜ ******* Helge Kar˚ e Fauskanger Quenya http://www.ardalambion.com/qcourse.html Suomi Finnish Aman Quendi Kvener Noldor˜ http://www.sci.fi/˜alboin/finn_que.htm http://demo.ort.org.il/ortforums/scripts/ forum.asp?pc=471389549 ******* Ardalambion http://www.ardalambion.com/sindarin.html Gwaith-i-Phethdain http://www.elvish.org/gwaith/sindarin_intro.htm Ardalambion ******* Didier Willis Ryszard Derdzinski Willis mirror http://forums.ort.org.il/scripts/showsm.asp?which_ forum=18&mess=1042485 ELF Vinyar Tengwar http://www.elvish.org/VT Derdzinski http://www.uib.no/People/hnohf/gobeth.htm Willis http://www.geocities.com/almacq.geo/sindar http://my.ort.org.il/tolkien/gandalf2/sindarin.zip ******* Grimm’s Law :-) ******* Gnomish Arda Noldorin http://www.elvish.org E.L.F. :-( ******* Mircosoft Word LYX TEX/LATEX Word www.lyx.org www.latex-project.org www.tug.org LATEX -
THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. -
Editors' Introduction Douglas A
Editors' Introduction Douglas A. Anderson Michael D. C. Drout Verlyn Flieger Tolkien Studies, Volume 7, 2010 Published by West Virginia University Press Editors’ Introduction This is the seventh issue of Tolkien Studies, the first refereed journal solely devoted to the scholarly study of the works of J.R.R. Tolkien. As editors, our goal is to publish excellent scholarship on Tolkien as well as to gather useful research information, reviews, notes, documents, and bibliographical material. In this issue we are especially pleased to publish Tolkien’s early fiction “The Story of Kullervo” and the two existing drafts of his talk on the Kalevala, transcribed and edited with notes and commentary by Verlyn Flieger. With this exception, all articles have been subject to anonymous, ex- ternal review as well as receiving a positive judgment by the Editors. In the cases of articles by individuals associated with the journal in any way, each article had to receive at least two positive evaluations from two different outside reviewers. Reviewer comments were anonymously conveyed to the authors of the articles. The Editors agreed to be bound by the recommendations of the outside referees. The Editors also wish to call attention to the Cumulative Index to vol- umes one through five of Tolkien Studies, compiled by Jason Rea, Michael D.C. Drout, Tara L. McGoldrick, and Lauren Provost, with Maryellen Groot and Julia Rende. The Cumulative Index is currently available only through the online subscription database Project Muse. Douglas A. Anderson Michael D. C. Drout Verlyn Flieger v Abbreviations B&C Beowulf and the Critics. -
LING Thesis Draft 5
TOLKIEN’S TONGUES: * THE PHONETICS AND PHONOLOGY OF TOLKIEN’S QUENYA LANGUAGE Kelsey Ryan ABSTRACT J.R.R. Tolkien, author of The Lord of the Rings and other Middle Earth tales as well as Oxford professor of linguistics, constructed over 14 languages in the development of the background of his stories. This thesis will seek to understand Tolkien’s linguistic experiment of Quenya, first in its historical context, and then assess its linguistic merit and behaviors. In the first few sections, Tolkien’s linguistic and academic background will be investigated, setting the scene for further linguistic analysis. This thesis then explores how the authentic nature of the language is developed and evoked through the phonetics and phonology of Tolkien’s Quenya, using the poem “Namárië” from The Fellowship of the Ring for analysis. Smith (2010:7) argues that Tolkien created a “flowing,” “light and melodious” language, designed much like a Romance language, with no “potentially harsh” phonemes or “brusque English consonant clusters.” But with such claims must come evidence. This thesis provides the background research Smith (2010) lacks behind these claims, defining Quenya as a functional language, with clear patterns and tendencies towards particular phonetic and linguistic behaviors. * Special thanks to: my advisors Professors Nathan Sanders (Linguistics) and Maud McInerney (English), Sofia Berlin and Lisa Bao, the library staff, particularly Jeremiah Mercurio, and Lizzie Carp and Bobby Brooks, for their ‘Excel-lent’ help in creating graphs. Thanks also to my close friends, who have pushed me to explore nerd culture all my life. 2 TABLE OF CONTENTS 1 Introduction………………………………………………………………………3 2 Tolkien Biography……………………………………………………………….4 3 Constructed Languages and Tolkien……..……………………..……………...7 4 Description and Use of Languages.……………………………………………..8 5 Data and Phonetic Analysis: Quenya………………………………….………13 5i. -
Vowel Category and Meanings of Size in Tolkien's Early Lexicons
Journal of Tolkien Research Volume 9 Issue 2 Article 5 2020 Vowel Category and Meanings of Size in Tolkien's Early Lexicons Lucas Annear none, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Phonetics and Phonology Commons Recommended Citation Annear, Lucas (2020) "Vowel Category and Meanings of Size in Tolkien's Early Lexicons," Journal of Tolkien Research: Vol. 9 : Iss. 2 , Article 5. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol9/iss2/5 This Peer-Reviewed Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Vowel Category and Meanings of Size in Tolkien's Early Lexicons Cover Page Footnote My thanks to Nelson Goering for his comments and suggestions on an earlier draft of this essay. This peer-reviewed article is available in Journal of Tolkien Research: https://scholar.valpo.edu/ journaloftolkienresearch/vol9/iss2/5 Annear: Vowel Category and Meanings of Size in Tolkien's Early Lexicons 1. INTRODUCTION: TOLKIEN AND PHONETIC SYMBOLISM The grounds for studying phonetic symbolism1 in Tolkien's invented languages are at this point well established in the field of Tolkien studies. The recent stand-alone edition of "A Secret Vice" (Higgins & Fimi, 2016, hereafter SV), along with perennial interest and commentary on the appeal and effect of Tolkien's languages on the reader are evidence of this. -
Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK
THE LORD OF THE RINGS Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK Introduction I have compiled this textbook as a reference while listening to the score of Howard Shore of Peter Jackson’s movie-version of The Lord of the Rings. It is based on information from the Gwaith-i- Phethdain-website, http:\\www.elvish.org\gwaith (All my thanks to those who helped to provide these information!), and comprises most non-english lyrics of all three film installments. In the first three parts, the lines that are sung are listed (as many as could be discovered...) with the corresponding times, sorted by film and track. Then follow the original poems, their translations etc. The times given refer to the special limited editions of the soundtrack. Still, they are incomplete and thus I have to ask your help to complete them. Any new hints can be mailed to [email protected]. All texts here reproduced are ©ed by New Line Cinema. They are from the official booklets, music sheets and websites. I wish you lots of fun in discovering the lyrics! Julian ‘Flammifer’ Jarosch, 29.03.04 Explanations: The marked parts of the poems are those that are sung in the score. Parts in grey are uncertain resp. left out. Parts in {braces} are comments / additions by me. You will find annotations with roman numeralsXXI where help is needed. — 0:05 ----Means that only the endig time of a lyric is known. The structure of the linguistic notes is roughly as follows: attested word part of speech, flection 'english translation'; (SOURCE). -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee.