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We Are French. Et Anglais Nous Restons

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We Are French. Et Anglais Nous Restons University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses August 2014 We Are French. Et Anglais Nous Restons. Alison Jane Bowie University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Cultural History Commons, Dramatic Literature, Criticism and Theory Commons, Fine Arts Commons, French and Francophone Literature Commons, Other Languages, Societies, and Cultures Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, Playwriting Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Theatre History Commons Recommended Citation Bowie, Alison Jane, "We Are French. Et Anglais Nous Restons." (2014). Masters Theses. 4. https://doi.org/10.7275/5415302 https://scholarworks.umass.edu/masters_theses_2/4 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ! ! We Are French. Et Anglais Nous Restons. Rethinking translation and adaptation for the stage as a tool for affecting bicultural and bilingual identity through an analysis and the practice of translating and adapting Armand Leclaire's 1916 ! play Le petit maître d'école ! ! ! ! A Thesis Presented By ALISON JANE BOWIE ! ! ! Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of ! ! MASTER OF FINE ARTS ! May 2014 ! Theater ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! © Copyright by Alison Jane Bowie 2014 All Rights Reserved. We Are French. Et Anglais Nous Restons. Rethinking translation and adaptation for the stage as a tool for affecting bicultural and bilingual identity through an analysis and the practice of translating and adapting Armand Leclaire's 1916 ! play Le petit maître d'école ! ! Thesis Presented By ALISON JANE BOWIE ! ! ! ! !Approved as to style and content by: ! ___________________________________________________ !Megan Lewis, Chair ___________________________________________________ Christopher Baker, Member ___________________________________________________ !Philippe Baillargeon, Member ___________________________________________________ !Harley Erdman, Member ! ! ! ___________________________________________________ Penny Remsen, Department Head !Department of Theater ! ! ! ! DEDICATION For my parents and in memory of my grandmother. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ACKNOWLEDGEMENTS I would like to being by thanking my thesis advisor, Megan Lewis, for her support, guidance, advice and friendship over these past three years. Thank you only starts to express how deeply I am indebted to her. I would also like to thank Harley Erdman and Chris Baker for taking a chance and giving me the opportunity to become of the UMass theater department family. Together these three professors have helped me grow as an artist, scholar and as an individual. I would also like to extend my gratitude to the other members of my committee, Julie Hayes, and Philippe Baillargeon, for their helpful comments and support throughout this project. I wish to express my gratitude to all of the faculty and staff in the theater department, as well as my fellow graduate students. Over my time at UMass these people have become family. I am thankful to have had the opportunity to work with such a supportive and collaborative team. I would like to extend a special thanks to my cohort, including Adewunmi Oke, Emily Taradash, and Brianna Sloane, who have gone through this journey with me over the past three years. The friendship and moral support has been invaluable and will forever be appreciated. A special thank you to all of my friends both in the United States and Canada, whose support and friendship helped me stay focused on this project and who have provided me with the encouragement to continue when I was faced with challenges. Last, but certainly not least, I would like to thank my parents. From the decision to uproot my life and move to another country to stressing out about classes to figuring out "The Future", they have been there to listen. Their selfless and unwaivering support has been my foundation throughout this project and I cannot say thank you enough. Je me souviens. v ABSTRACT We Are French. Et Anglais Nous Restons. Rethinking translation and adaptation for the stage as a tool for affecting bicultural and bilingual identity through an analysis and the practice of translating and adapting Armand Leclaire's 1916 play Le petit maître! d'école MAY 2014 ALISON BOWIE, B.A., QUEEN'S UNIVERSITY M.F.A., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor! Megan Lewis French Canadian playwright Joseph Armand Leclaire (1888-1931) was very well known and respected in his time. Although he wrote over thirty plays, lyrics to several songs and an abundance of political poems, most of his work has been lost and Leclaire himself seems to have been forgotten. Several of his plays were produced at the time they were written, including his 1916 play La petite maîtresse de l'école (later published in 1929 as Le petit maître d'école), but none have been presented postumously nor have any been translated. This M. F. A. thesis presents the first ever translation and adpatation of Leclaire's play, titled in English as The Little Schoolmaster. The first half of the thesis provide historical context for the play's significance, as well as information about Armand Leclaire and the changes he made to his own work between the original 1916 version and the 1929 published version. The thesis then analyses the creative acts of translation and adaptation, proposing a new model of translation for a linguistically rich audience. Through this new model of translation-adaptation for a bilingual spectrum, the thesis concludes by demonstrating that dramaturgy can serve as a dynamic instrument for communities to engage in the exploration of bilingual and bicultural identity. vi TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ........................................................................................................... v ABSTRACT ................................................................................................................................. vi LIST OF FIGURES ...................................................................................................................... ix CHAPTER 1. INTRODUCTION ..................................................................................................................... 1 A New Approach to Translation .......................................................................................... 1 Settler Culture in Canada …................................................................................................. 3 Positionality and Performance ............................................................................................. 5 2. CANADIAN/CANADIEN: LANGUAGE, RIGHTS AND REGULATION XVII ................ 10 Territorial Division ............................................................................................................ 10 Rebellions and the Act of Union ....................................................................................... 12 Official Language Rights .................................................................................................. 14 Regulation XVII ................................................................................................................ 18 3. LE PETIT MAITRE D’ECOLE: THE PLAYWRIGHT AND THE PLAY ............................. 26 Biography of Armand Leclaire ......................................................................................... 26 Le petit maître d’école ...................................................................................................... 30 4. THEORY AND CONCEPTS: STORYTELLING AND TRANSLATION ........................... 35 Alternative Post-Colonial Settler Narratives .................................................................... 35 Bilingualism in Translation .............................................................................................. 37 5. THE LITTLE SCHOOLMASTER: DEVELOPMENT AND DISCOVERY ........................... 40 Phase I: Translation ......................................................................................................... 40 Initial Choices ..................................................................................................... 40 vii Bostock’s Bilingualism ....................................................................................... 44 Phase II: Adaptation ....................................................................................................... 47 Inspiration ........................................................................................................... 47 Bilingualism in Practice ...................................................................................... 48 Bilingual Adaptation ........................................................................................... 50 Changes in Structure and Form ........................................................................... 51 Implementation of Bilingualism ......................................................................... 54 Plot Changes
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