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Empathetic and Affective Circuits in Marcela Zamora Chamorro's María
Middle Atlantic Review of Latin American Studies, 2021 Vol. 5, No. 1, 25-41 Empathetic and Affective Circuits in Marcela Zamora Chamorro’s María en tierra de nadie and Tin Dirdamal’s De nadie Jared List Doane University [email protected] Using Roger Rouse’s (2002) theoretical conceptualization of migration as circuits and border, this essay analyzes two documentary Central American-Mexican films on migration, Tin Dirdamal’s De nadie (2005) and Marcela Zamora Chamorro’s María en tierra de nadie (2011). The films represent and engender circuits rooted in basic humanity and seek to recuperate a humanitarian model that establishes an ethics of relationality grounded in human rights as opposed to a necropolitical one derived from violence and consumption. Both documentaries become a form of resistance against a necropolitical system that consumes and destroys human life, through their ability to prompt viewers to recognize and apprehend the migrants’ situations. By employing testimonial and affective strategies, the films attempt emotional identification and affective transmission between the viewer and the films’ subjects, at the risk of replicating the very notion they are fighting. The films challenge viewers to comprehend the humanity shared by self and Other. Such a demand threatens the gore capitalist model of power that enables the violence, precarity, and vulnerability that migrants face during their journey. Keywords: migration, Central America, Mexico, documentary film, affect, circuits Utilizando la conceptualización teórica de Roger Rouse (2002) de la migración como circuitos y frontera, este ensayo analiza dos documentales centroamericano-mexicanos sobre la migración, De nadie (2005) de Tin Dirdamal y María en tierra de nadie (2011) de Marcela Zamora Chamorro. -
New Releases
2014 NEW RELEASES WOMEN MAKE MOVIES www.wmm.com Women Make Movies Staff Amy Aquilino Distribution & Sales Coordinator Kristen Fitzpatrick Director, Public Exhibition & Acquisitions Barbara Ghammashi Broadcast Sales & Development Consultant CREATE EDUCATE EMPOWER INSPIRE Kelly Hernandez-Alonzo Web Consultant Tracie Holder Production Assistance & Development Consultant Maya Jakubowicz About Women Make Movies, Director, Finance & Administration a non-profit independent media distributor. Chris Kelsaw Finance Manager Since 1972, Women Make Movies (WMM) has brought you critically-acclaimed, award- Sarah Lerner winning and innovative films by women directors, tackling global, national and local issues Office Coordinator that affect us all. From universities to libraries, from festivals to community groups, WMM is Emily Sternlicht Marketing & Outreach Coordinator the world’s leading distributor of films by and about women. Eileen Tavárez Program Assistant WMM is different from most distributors because we are first and foremost a non-profit Julie Whang organization dedicated to supporting both our filmmakers and the users of our films, by giving Director, Distribution & Sales many audiences who don’t always have the opportunity to see our projects, the chance to do so. Debra Zimmerman Executive Director When you purchase a film from WMM, you are helping women directors by supporting their roles as worldwide change-makers and ensuring the production of more feminist film. We are Board of Directors committed to supporting our filmmakers and we return 30-40% of all revenue to them Claire Aguilar President annually, and in total, WMM has returned more than $10,000,000 in royalties to women Nicole Page filmmakers both domestically and internationally, something we are proud of and will work Chair hard to continue to do. -
UNODA Occasional Papers WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS No
MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMI- NARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORK- SHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PA- PERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA UNODA Occasional Papers WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS No. 37, December 2020 PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS United Nations Programme PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGSof Fellowships PRESENTATIONS on Disarmament PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIAat 40 WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS -
Women of Latin American Film Handout.Pdf
SECOND CENTURY PHOTOGRAPHY, FEMINISM, POLITICS WOMEN OF LATIN AMERICAN FILM PANEL Moderated by Michelle Farrell, Assistant Professor of Spanish and Portuguese, Fairfield University, CT, with pan- elists: Diana Vargas, Artistic Director, Havana Film Festival New York; Laura Gómez, Director and Actor, New York; and Ana Katz, Writer, Director, Actor, Buenos Aires, Argentina. Panelists address the complexities and limitations of the category “women’s film,” particularly through the lens of Latin American films made by women filmmakers and scriptwriters. Two aspects of “women’s film” will be explored: the oversimplified terms of the definition itself, i.e., women writing and directing their own stories; and a less obvious subject, the development of an audience which recognizes women’s voices as distinct based on their female authorship. An Abridged List of Latin American Films by Women Just a start: Most are available on streaming platforms in English, Spanish, and Portuguese Maria Luisa Bemberg Camila (Argentina) Marilyn Solaya Vestido de Novia (Cuba) Ana Katz Mi Amiga del Parque (Argentina) Laura Amelia Guzmán Sand Dollars (Dominican Lucrecia Martel La Ciénaga (Argentina) Republic) Lucia Puenzo XXY (Argentina) Yanillys Perez, Jeffrey (Dominican Republic) Julia Solomonoff Nadie Nos Mira (Argentina) Marcela Zamora María en tierra de nadie (El Salvador) D. Suzana Amaral The Hour of the Star (Brazil) Tatiana Huezo, Tempestad (El Salvador) Katia Lund City of God (Brazil) Marcela Fernandez Violante Cananea (México) Anna Muylaert Second Mother -
V Encuentro De Periodismo De Investigación
Memorias del encuentro de periodismo Vde investigación Primera edición: noviembre de 2012 Consejo Directivo (2010 -2012) Ginna Morelo - presidenta Carlos Eduardo Huertas - fiscal y directivo Aldemar Moreno - directivo Dora¨ Montero - directiva Edilma Prada - directiva Fabio Posada - directivo Fernando Ramírez - directivo José Luis Novoa – director ejecutivo Transcripción de textos Angélica María Sánchez Edición y gestión editorial María Isabel Sánchez Sánchez Diseño y diagramación Rubén Darío Muñoz Anacona Impresión Fundación Cultural Javeriana de Artes Gráficas (JAVEGRAF) Impreso en Bogotá Printed in Bogotá Sumario Presentación pág. 5 ¿En qué escenario se está moviendo el pág. 7 periodismo de investigación? Germán Rey Las caras del narco: capos y víctimas pág. 15 Javier Valdez y Marcela Turati, modera Jaime Vélez De la gran prensa al mundo sin ánimo de lucro pág. 29 Sebastián Rotella, modera Ginna Morelo Lo visual en la investigación periodística pág. 43 Marcela Zamora, modera Fabio Posada Investigar el crimen organizado: de lo pág. 53 transnacional a lo local Paul Radu y Marcelo Moreira, modera Daniel Santoro Las investigaciones que ganan grandes premios pág. 71 Raquel Rutledge y Sebastian Rotella, modera Ricardo Uceda Minería: de la producción al impacto pág. 95 Marcela Ramos y Marina Walker, modera Dora Montero Hablan las regiones pág. 111 Ginna Morelo, Fabio Posada y Fernando Ramírez, modera Ronnie Lovler De datos y transformaciones del pág. 129 paisaje periodístico Daniel Santoro, Ricardo Uceda y Marina Walker, conversación conducida por Carlos Eduardo Huertas Perfiles pág. 147 Memorias del V Encuentro de Periodismo de Investigación memorias Presentación Consejo de Redacción El 16 y 17 de marzo de 2012 se realizó en las instalaciones de la Pontificia Universidad Javeriana (Bogotá) el V Encuentro de Periodismo de Investi- Presentación gación de Consejo de Redacción (CdR). -
Risk Assessment at Puerto Vallarta Due to a Local Tsunami. Elizabeth
Risk Assessment at Puerto Vallarta due to a Local Tsunami. Elizabeth Trejo Gomez ( [email protected] ) Universidad de Guadalajara https://orcid.org/0000-0002-6743-4888 Francisco Javier Núñez-Cornú Universidad de Guadalajara - Centro Universitario de la Costa Puerto Vallarta Research Article Keywords: Tsunami hazard, Rivera Plate, Jalisco Block, Bahía de Banderas, Puerto Vallarta Posted Date: April 28th, 2021 DOI: https://doi.org/10.21203/rs.3.rs-337768/v1 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License 1 Risk assessment at Puerto Vallarta due to a local tsunami. 2 Elizabeth Trejo-Gómez1 and Francisco Javier Núñez-Cornú1 3 1 C. A. Centro de Sismología y Volcanología de Occidente (CA-UdG-276 SisVOc), Centro 4 Universitario de la Costa, Universidad de Guadalajara, Puerto Vallarta, México. 5 Abstract 6 The Jalisco region in western Mexico is one of the most seismically active in 7 the country. The city of Puerto Vallarta is located at Bahía de Banderas on the 8 northern coast of Jalisco., Currently there exists a Seismic Gap in the Northern 9 coast of Jalisco (Vallarta Gap). Historically seismogenic tsunamis have affected 10 the coast of Jalisco. In this work, the risk due to a local tsunami in the city of 11 Puerto Vallarta is a function of the interaction between hazard and 12 vulnerability. We model the tsunami hazard, generation and propagation, using 13 the initial conditions for a great earthquake (Mw ≥ 8.0) similar to those that 14 occurred in 1787 at Oaxaca and in 1995 at Tenacatita Bay, Jalisco. -
A-CONF.229-2017-INF-4-Rev.1.Pdf
United Nations A/CONF.229/2017/INF/4/Rev.1 General Assembly Distr.: General (25 July 2017) English only United Nations Conference to negotiate a legally-binding instrument to prohibit nuclear weapons, leading towards their total elimination New York, 27-31 March, 15 June-7 July 2017 List of participants President: Ms. Elayne White Gomez (Costa Rica) Vice-Presidents: Austria Chile Indonesia Iran (Islamic Republic of) Morocco New Zealand South Africa 17-12419 (E) 270717 *1712419* A/CONF.229/2017/INF/4/Rev.1 Participating States Afghanistan Mr. Mahmoud Saikal Mr. Obaid Khan Noori Mr. Mohammad Fahim Rahimi Algeria Mr. Sabri Boukadoum Mr. Mohammed Bessedik Mr. Remili Kamel Dine Mr. Abdelkarim Ait Abdelslam Mr. Mustapha Abbani Mr. Mohammed Ouadah Andorra Ms. Elisaenda Vives Balmaña Ms. Gemma Raduan Corrius Ms. Nahia Roche Artajo Angola Mr. Ismael A. Gaspar Martins Mr. Mario Domingos Simão Mr. manuel Vieira da Fonseca Mr. Domingos Mesquita Sapalo Mr. Tomas Ferreira Marcos Antigua and Barbuda Mr. Walton Alfonso Webson Ms. Asha Challenger Argentina Mr.Martin García Moritán Ms. Gabriela Martinic Ms. María Paula Mac Loughlin Mr. Sebastián Lucas Nicolino Mr. Gonzalo Sebastián Mazzeo Armenia Mr. Zohrab Mnatsakanyan Mr. Tigran Samvelian Austria Mr. Thomas Hajnoczi Mr. Alexander Marschik Mr. Jan Kickert Mr. Franz Josef Kuglitsch Mr. Robert Gerschner Mr. Philipp Charwath Mr. George-Wilhelm Gallhofer Ms. Susanne Hammer Mr. Günter Greimel Mr. Werner Kerschbaumer Mr. Bernhard Schneider Mr. Stuart Maslen Ms. Nadia Kalb Ms. Jasmin Wanner Azerbaijan Mr. Yashar Aliyev Mr. Tofig Musayev Ms. Nahida Abdurahmanova Ms. Lala Mehdiyeva 2/16 17-12419 A/CONF.229/2017/INF/4/Rev.1 Bahamas Mr. -
Economic and Social Council Distr.: General 19 August 2021 English Original: English/French/Spanish
United Nations E/HLPF/2021/INF/1 Economic and Social Council Distr.: General 19 August 2021 English Original: English/French/Spanish High-Level Political Forum on Sustainable Development Convened under the auspices of the Economic and Social Council 6–15 July 2021 List of Participants Liste des Participants Lista de Participantes President H.E. Mr. Munir Akram (Pakistan) Vice-Presidents H.E. Mr. Collen Vixen Kelapile (Botswana) H.E. Mr. Juan Sandoval Mendiolea (Mexico) H.E. Ms. Pascale Baeriswyl (Switzerland) H.E. Mr. Sergiy Kyslytsya (Ukraine) 21-11476 (E) 230821 *2111476* E/HLPF/2021/INF/1 Members/Membres/Miembros Country Representative Alternates Advisers Pays Représentant Suppléants Conseillers País Representante Suplentes Consejeros Afghanistan Mrs. Karima Hamid Faryabi (Minister of Economy) Mr. Mohammad Nabi Soroosh Mr. Ghulam Ali Farzam Mr. Mohammad W. Naeemi Albania Mr. Arb Kapisyzi (Second Secretary) Algeria Andorra Mrs. Maria Ubach Font Mr. Joan Josep López Ms. Karina Nobre (Minister of Foreign Affairs) Lavado Mr. Adrià Vergès Mr. Guillem Kallis Baldrich Ms. Florència Aleix Mrs. Elisenda Vives Balmaña Angola Mr. Téte António (Minister of External Relations) Mr. Sérgio Santos (Minister of Economy and Planning) Mr. Víctor Fernandes (Minister of Economy and Commerce) Mr. Jomo Fortunato (Minister of Culture, Tourism and Environment) Ms Faustina Fernandes Ingles Alves (Minister of Social Affairs, Family and Woman Improvement) Mr. Francisco Manuel Monteirode Queiroz (Minister of Justice and Human Rights) 2/46 21-11476 E/HLPF/2021/INF/1 Members/Membres/Miembros Country Representative Alternates Advisers Pays Représentant Suppléants Conseillers País Representante Suplentes Consejeros Mr. Ricardo Daniel Veigas de Abreu (Minister of Transport) Ms. -
Arte Salvadoreño.Pdf
Universidad Francisco Gavidia Estética de la comunicación Unidad III Docente: Dra. Beatriz Najera Investigación bibliográfica “El arte salvadoreño” Integrantes: Ayala Padilla, Andrea María AP101215 Bautista García, Gabino Osmín BG100312 Dubón Vega, Andrea Marcerla DV100315 Fagoaga Galdámez, Xiomara Arely FG100415 Galdámez Cortez, Ruth Katherine GC100410 Orellana Moreno, Carlos Arturo OM100115 Ramírez Rivera, Sandra Gabriela RR101115 Rivas Mendoza, Rodrigo Ernesto RM100315 Saravia Manzanares, William Ernesto SM103015 24 de Abril del 2019 1 Contenido Introducción ................................................................................................................................. 4 Periodos históricos de El Salvador ........................................................................................... 5 Movimientos artísticos de El Salvador ................................................................................... 15 Géneros artísticos ........................................................................................................................ 34 Representantes salvadoreños de los géneros artísticos .................................................. 45 PINTORES SALVADOREÑOS................................................................................................ 45 Salvador Salazar Arrué.......................................................................................................... 45 Ana María de Martínez ......................................................................................................... -
La Cruz De Huanacaxtle, Nayarit
// LA CRUZ DE HUANACAXTLE, NAYARIT Text and photography by CHLOE ERNST La Cruz de Huanacaxtle AROUND LA CRUZ Sun, sand, and culture in a Mexican fishing village BUCERIAS Sundays in Bucerias offer a traditional tianguis, an outdoor market for fresh Baseball-capped fishermen spread out their sierra fishing nets on the college soccer pitch. vegetables. Watch the local fisherman In the hot siesta sun, they run their fingers along the lines checking for snags and breaks. in the late afternoons cast giant nets The thin cords appear as a semi-translucent tangle over the dry grass. into the rolling surf while families With rich stocks of sardines, red snapper, shrimp, and sierra—a mackerel-like fish, the both local and visiting play in the fishing industry has quietly fed the village of La Cruz de Huanacaxtle since the 1930s. sand. With its true community feeling, Called simply “La Cruz” by locals and pronunciation-hesitant visitors (it’s roughly Bucerias offers an authentic feeling of pronounced wha-nah-CAX-slee), the small Pacific town is tucked in a corner of Banderas Mexican culture. Bay. The bay’s name—Bahía Banderas in Spanish—fully translates to Bay of Flags and it is the world’s second largest, trumped only by the Bay of Bengal. SAYULITA Sayulita has a vibrant surfing culture, “It is a favorite area with all Mexicans,” says Eric, a taxi driver. “People come here from all fantastic restaurants, nightly music, over.” and calm ocean waters perfect for swimming with the family. The To the south, the castle-like resorts of Nuevo Vallarta and the dark Sierra Madre Occidental cobblestone streets are lined with mountains emerge above the saltwater haze. -
Catálogo 2018
2018 CATÁLOGO 1 Ambulante Presenta ofrece un catálogo de 23 largometrajes y 5 cortometrajes documentales para ser programados en distintas sedes de la República de julio a diciembre de 2018. Mediante este proyecto de Ambulante, buscamos abrir una ventana a la exhibición de cine documental a lo largo de la segunda mitad del año y atender el interés de una audiencia que demanda cine de no ficción en cartelera de forma permanente. Los objetivos de esta iniciativa son contribuir a la formación de públicos activos que enriquezcan el diálogo y la reflexión tras las proyecciones, impulsar la capacidad de autogestión de espacios de exhibición, y dar más visibilidad al documental mexicano en diferentes ciudades de México. Además de exhibir los documentales, los organizadores que sean seleccionados deberán promover un espacio de participación con el público después de la función. Se incluirán materiales impresos para facilitar la discusión. Las películas se agrupan en 7 programas, que sugieren un camino a través del cual navegar la programación por bloques y abrir una conversación en torno a temas como la identidad, la defensa del territorio y preservación de recursos naturales, violencia y desaparecidos, música, cuerpo, justicia y memoria, entre otros. 3 16. PROGRAMA: ÍNDICE ESCENAS Y ESCENARIOS Somos lengua (dir. Kyzza Terrazas) Bellas de noche (dir. María José Cuevas) Zoé: Panoramas (dirs. Rodrigo Guardiola, Gabriel Cruz) El charro de Toluquilla (dir. José Villalobos) 5. Plaza de la Soledad (dir. Maya Goded) Omar y Gloria (dir. Jimmy Cohen) PROGRAMA: LO SINGULAR Y LO PLURAL 20. La libertad del diablo (dir. Everardo González) PROGRAMA: Los ofendidos (dir. -
Memory and History of Central American Migration in the First Decades of the Xxist Century Through Its Regional Cinema
Diálogos Memory and history of Central American migration in the first decades of the XXIst Century through its regional cinema http://dx.doi.org/10.4025.dialogos.v23i3.51956 Andrea Cabezas Vargas Université d'Angers, France. E-mail: [email protected] ======================================================================= Memory and history of Central American migration in the first decades of the XXIst Century through its regional cinema Abstract: Cinema, just like television, the press, and other means of communication, contributes in forging social and cultural imaginaries as clearly demonstrated by Bourdieu in Langage et pouvoir simbolique (2001) y Key words: Central Chomsky in Manufacturing Consent (2008). However, in depicting social phenomena, cinema not only America; history; constructs imaginaries but rather contributes to the creation of filmic archives and likewise allows to construct memory; migration; and reconstruct a part of history. This is our position, adopting the postulates of Ferro (1993 [1977]), Kracauer cinema. (1969, 1973), and Billard (1982). Through the prism of the philosophy of history, this article examines the question of to what extent contemporary Central American cinema can be analyzed as a form of construction and reconstruction of the memory and the history of Central American migration in the first two decades of the twenty-first century. Memoria e historia de la migración centroamericana en las primeras décadas del siglo XXI a través del cine regional Resumen: El cine, así como la televisión, la prensa y otros medios de comunicación contribuyen a forjar imaginarios sociales y culturales así lo han demostrado ampliamente Bourdieu en Langage et pouvoir Palabras clave: simbolique (2001) y Chomsky en La Fabrication du consentement (2008).