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Empathetic and Affective Circuits in Marcela Zamora Chamorro's María
Middle Atlantic Review of Latin American Studies, 2021 Vol. 5, No. 1, 25-41 Empathetic and Affective Circuits in Marcela Zamora Chamorro’s María en tierra de nadie and Tin Dirdamal’s De nadie Jared List Doane University [email protected] Using Roger Rouse’s (2002) theoretical conceptualization of migration as circuits and border, this essay analyzes two documentary Central American-Mexican films on migration, Tin Dirdamal’s De nadie (2005) and Marcela Zamora Chamorro’s María en tierra de nadie (2011). The films represent and engender circuits rooted in basic humanity and seek to recuperate a humanitarian model that establishes an ethics of relationality grounded in human rights as opposed to a necropolitical one derived from violence and consumption. Both documentaries become a form of resistance against a necropolitical system that consumes and destroys human life, through their ability to prompt viewers to recognize and apprehend the migrants’ situations. By employing testimonial and affective strategies, the films attempt emotional identification and affective transmission between the viewer and the films’ subjects, at the risk of replicating the very notion they are fighting. The films challenge viewers to comprehend the humanity shared by self and Other. Such a demand threatens the gore capitalist model of power that enables the violence, precarity, and vulnerability that migrants face during their journey. Keywords: migration, Central America, Mexico, documentary film, affect, circuits Utilizando la conceptualización teórica de Roger Rouse (2002) de la migración como circuitos y frontera, este ensayo analiza dos documentales centroamericano-mexicanos sobre la migración, De nadie (2005) de Tin Dirdamal y María en tierra de nadie (2011) de Marcela Zamora Chamorro. -
New Releases
2014 NEW RELEASES WOMEN MAKE MOVIES www.wmm.com Women Make Movies Staff Amy Aquilino Distribution & Sales Coordinator Kristen Fitzpatrick Director, Public Exhibition & Acquisitions Barbara Ghammashi Broadcast Sales & Development Consultant CREATE EDUCATE EMPOWER INSPIRE Kelly Hernandez-Alonzo Web Consultant Tracie Holder Production Assistance & Development Consultant Maya Jakubowicz About Women Make Movies, Director, Finance & Administration a non-profit independent media distributor. Chris Kelsaw Finance Manager Since 1972, Women Make Movies (WMM) has brought you critically-acclaimed, award- Sarah Lerner winning and innovative films by women directors, tackling global, national and local issues Office Coordinator that affect us all. From universities to libraries, from festivals to community groups, WMM is Emily Sternlicht Marketing & Outreach Coordinator the world’s leading distributor of films by and about women. Eileen Tavárez Program Assistant WMM is different from most distributors because we are first and foremost a non-profit Julie Whang organization dedicated to supporting both our filmmakers and the users of our films, by giving Director, Distribution & Sales many audiences who don’t always have the opportunity to see our projects, the chance to do so. Debra Zimmerman Executive Director When you purchase a film from WMM, you are helping women directors by supporting their roles as worldwide change-makers and ensuring the production of more feminist film. We are Board of Directors committed to supporting our filmmakers and we return 30-40% of all revenue to them Claire Aguilar President annually, and in total, WMM has returned more than $10,000,000 in royalties to women Nicole Page filmmakers both domestically and internationally, something we are proud of and will work Chair hard to continue to do. -
Proveedores Cutonala
Proveedores CUTonalá tipo rfc descrip curp nombre Nombre de Representante Legal domicilio telefono Rubro F AAAF660108M26 FRANCISCO ARTURO ARANDA AGUIRRE FRANCISCO ARTURO ARANDA AGUIRRE PASEOS DE LOS CHOPOS NO.1277 TABACHINES F AAAG860826SJ0 GREGORIO ÁLVAREZ ALCALÁ AAAG860826HJCLLR04 GREGORIO ÁLVAREZ ALCALÁ FRANCISCO MUJICA NO. 95 COL. JARDINES ALCALDE C.P. 44298 F AAAH4511164M0 HERIBERTO ARAGÓN ARVIZO AAAH451116HCHRRR09 HERIBERTO ARAGÓN ARVIZO MORELOS 172 CHAPALA JAL. 376 7653252 F AAAJ490526KA1 JUAN ANTONIO ALVAREZ ALVAREZ JUAN ANTONIO ALVAREZ ALVAREZ SANTA CLEMENCIA 2503 36652345 F AAAJ770707PU1 JUAN CARLOS ANAYA ANAYA JUAN CARLOS ANAYA ANAYA AV. AMECA # 7 ATENGUILLO JAL. F AAAL601103FMA LUZ ANGELICA DE ANDA ALBA LUZ ANGELICA DE ANDA ALBA PLAZA PRINCIPAL 8 LAGOS DE MORENO JAL. 0 F AAAM670812UA5 DEPORTES AGUILAR MARTHA SUSANA AMADOR AGUILAR NEGRETE 27 02/12/2000 F AAAM690104S42 MARIBEL ALVAREZ ALVAREZ AAAM690104MJCLLR08 MARIBEL ALVAREZ ALVAREZ CALLE 10 #1058 MERCADO DE ABASTOS F AAAM790811UJA MIGUAL ALVAREZ ALVAREZ MIGUAL ALVAREZ ALVAREZ AV. TESISTAN NO.870 ZAPOPAN, JAL. CP.45140 3364-0658 F AAAO670413LD8 OSCAR MARTIN AYALA ARAMBULA OSCAR MARTIN AYALA ARAMBULA NINOS HEROES NO. 892 FRACC. CAMICHINES F AAAR540309CR6 ROSA MARIA AVALOS ARIZAGA AAAR540309MMNVRS07 ROSA MARIA AVALOS ARIZAGA VALLARTA NO.30-A AMECA, JALISCO 7580449 F AAAS700803J14 SANDRA ALVAREZ ALVAREZ AAAS700803MJCLLN03 SANDRA ALVAREZ ALVAREZ JUAN MANUEL # 1576, C.P.44600 38268016 F AABC471130JU7 CELINA ACARAZ BERMUDEDEZ CELINA ACARAZ BERMUDEDEZ RAMON CORONA 281 CD. GUZMAN JALISCO 3414120571 F AABE700304KK7 EVELIA ALVAREZ BARRAGAN AABE700304MJCLRV03 EVELIA ALVAREZ BARRAGAN TIANGUIS MUNICIPAL BENITO JUAREZ MODULO 8 LOCALES 31 Y 36 F AABJ710331RT1 JUAN ALVARADO BARRIGA AABJ7103331HJCRN09 JUAN ALVARADO BARRIGA / EXTINTORES JOAQUIN MARTINEZ CHAVARRIA 1561 F AABL830421GQ8 LAURA IVETHE ALDACO BARBOSA LAURA IVETHE ALDACO BARBOSA PERIFERICO 501, AUTLAN, JALISCO F AACA581228UT9 AUDON AVALOS CORTES AUDON AVALOS CORTES ZARAGOZA NO. -
Sponsorship Brochure
FESTIVAL OVERVIEW Films: 40+ selections Havana Film Festival New York Expected attendance: The Havana Film Festival New York (HFFNY) is an internationally 15,500 recognized film festival celebrating cinema from Cuba and Latin America, the Caribbean, and Latinos in the U.S. HFFNY has built upon its relationship with the community to provide a multicultural experience to people of all ages. The Festival Web Visits: features screenings, special events, panel discussions, and receptions. 55,000 We showcase award-winning and independent films rarely seen in the Venues: U.S. The Bronx Museum of the Arts Brooklyn Academy of Music (BAM) All foreign language films are subtitled in English. The Directors Guild Theatre Media Instituto Cervantes New York Impressions: King Juan Carlos I of Spain Center at NYU The Museum of the Moving Image +150 Quad Cinema million School of Visual Arts (SVA) Symphony Space Village East Cinema 2 HFFNY AUDIENCE HFFNY attracts a diverse, international audience that includes film aficionados, filmmakers, actors, academics, and the local community. Our programs attract the dynamic and rapidly growing Latino population in the New York City area, as well as national and international audiences through our partnerships with other festivals. Social Media followers: 10,000 Ethnicity growing rapidly Latino / Hispanic 56% Caucasian 36% African American 6% Argentina Other 2% Brazil Chile Recent Colombia featured Costa Rica Cuba Ages Dom. Republic countries: Age 18 and under 8% Ecuador Guatemala Age 19-35 30% Mexico Paraguay Age -
UNODA Occasional Papers WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS No
MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMI- NARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORK- SHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PA- PERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA UNODA Occasional Papers WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS No. 37, December 2020 PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS United Nations Programme PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGSof Fellowships PRESENTATIONS on Disarmament PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIAat 40 WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS PRESENTATIONS PAPERS SEMINARS STATEMENTS SYMPOSIA WORKSHOPS MEETINGS -
To Download the PDF File
1 Vancouver's2 leading arts source Proud media sponsor for Vancouver Latin American Film Festival Congratulations on your 10th Anniversary! STAY CONNECTED AT STRAIGHT.COM welcome | bienvenidos | bem-vindos 3 Welcome to our 10th Anniversary Festival! Where are we going after ten years? A Latin American Film However, not only in Canada has our festival been sought Festival that takes place in North America automatically has two out for partnerships and collaborations. In the last year, well missions: community and cinema. In any major city in the USA established festivals such as the Guadalajara International and Canada, Latin Americans are an important part of the cultural Film Festival (FICG) in Mexico, Biarritz in France and Festival makeup, and to a certain degree an arts festival will always have ÍCARO in Guatemala, have included VLAFF representatives the responsibility to build community through its events. But a in seminars and juries, recognizing the weight that our film festival has another big responsibility: To educate through the organization represents for Latin American cinema. vision of cinema, create new audiences, and showcase works that otherwise would not be seen by the general public. During a recent trip to the Buenos Aires International Festival of Independent Cinema (BAFICI) in Argentina, a film critic After ten years we are proud to say that even though VLAFF is specializing in Latin American cinema told me that the now a widely recognized annual event in the Latin American reference they have for Latin American cinema in Canada community in Vancouver, it is also a significant part of the festival was VLAFF, something that made me realize that we have now circuit and plays a crucial role in the promotion of Latin American become an internationally recognized hub for Latin American cinema in Canada. -
CV Largo Jorge Sánchez Corto
Jorge Sánchez Sosa [email protected] Cell Phone: +52 155 85 3198 83 Biography Born in Veracruz, Mexico. Producer since 1979 of over 20 films directed by Mexican and Latin American filmmakers, including "Cronos" (1993) by Guillermo del Toro, "Danzon" (1991) by Maria Novaro,"El Evangelio de las Maravillas" (1998), "El Coronel no tiene quien le escriba" (1999), "Así es la vida" (2000) and "La perdición de los hombres" (2000) by Arturo Ripstein, “¿Cómo ves?" By Paul Leduc (1986), "Contigo a la distancia" (1990) by Tomas Gutierrez Alea. Six of his productions have participated in different sections of the Cannes Film Festival. He is founder and board member of the Foundation of New Latin American Cinema which was chaired by Gabriel Garcia Marquez. He founded and chaired the AMPI (Mexican Association of Independent Producers) and FIPCA, Ibero-American Federation of Film and Audiovisual Producers. From 2001 to 2005 he was Consul General of Mexico in Rio de Janeiro, Brazil. He helmed the Guadalajara International Film Festival from 2006 to 2010. And founded and directed the Los Cabos International Film Festival in 2012. From 2012 to 2013 he was the president of the Mexican Academy of Film & Arts. As Member of the Jury Jorge Sánchez has participated in over 25 International Film Festivals including San Sebastian, Sundance, Havana, Brazil, among others. He has lectured at an international level on multiple forums on topics like film production, and distribution, audiences, etc. In 2009 he received the "Knight of the Order of Arts and Letters" award by the Ministry of Culture and Communication in France. -
Nise – the Heart of Madness
AND PRESENT GLORIA PIRES in NISE – THE HEART OF MADNESS Directed by: Roberto Berliner Drama - 109 minutes-Not Rated In Brazilian Portuguese (With English Subtitles) Website: http://www.nisetheheartofmadness.com 1 SYNOPSIS 1940’s, Brazil- Dr. Nise da Silveira (Played by award-winning actress Gloria Pires) is at work in a psychiatric hospital on the outskirts of Rio de Janeiro and refuses to employ the new and violent electroshock therapy for the treatment of schizophrenics. Ridiculed by doctors, she is forced to take the abandoned Sector for Occupational Therapy, where she starts a revolution through paints, dogs and love. Through her efforts, renowned modern art museums opened their doors to artists nobody had ever heard of. Many critics pointed out that these exhibitions revealed painters that went on to be ranked amongst the best Brazillian artists of the century. Behind this miracle there was no art academy, patron or dealer. The artists were schizophrenic, poor, hospitalized for several decades, abandoned by their families and hopeless to all but da Silveira. NISE:THE HEART OF MADNESS tells the real life story of this "miracle" and the life of this rebellious, frail and engaging psychiatrist. FESTIVALS AND AWARDS Tokyo International Film Festival 2015 – Best Film and Best Actress Rio International Film Festival 2015 – Audience Award Aruanda Festival, João Pessoa 2015 – Audience Award, Best Soundrack and Best Production Design Gothenburg International Film Festival 2016 – Official Selection Glasgow International Film Festival 2016 – Official Selection Pachamama Festival, Rio Branco, Brazil 2015 – Closing Film São Paulo International Film Festival 2015 – Official Selection 2 ABOUT THE FILM “Nise always went against the grain, she always searched for her own truth, never rested, never was corrupted. -
Women of Latin American Film Handout.Pdf
SECOND CENTURY PHOTOGRAPHY, FEMINISM, POLITICS WOMEN OF LATIN AMERICAN FILM PANEL Moderated by Michelle Farrell, Assistant Professor of Spanish and Portuguese, Fairfield University, CT, with pan- elists: Diana Vargas, Artistic Director, Havana Film Festival New York; Laura Gómez, Director and Actor, New York; and Ana Katz, Writer, Director, Actor, Buenos Aires, Argentina. Panelists address the complexities and limitations of the category “women’s film,” particularly through the lens of Latin American films made by women filmmakers and scriptwriters. Two aspects of “women’s film” will be explored: the oversimplified terms of the definition itself, i.e., women writing and directing their own stories; and a less obvious subject, the development of an audience which recognizes women’s voices as distinct based on their female authorship. An Abridged List of Latin American Films by Women Just a start: Most are available on streaming platforms in English, Spanish, and Portuguese Maria Luisa Bemberg Camila (Argentina) Marilyn Solaya Vestido de Novia (Cuba) Ana Katz Mi Amiga del Parque (Argentina) Laura Amelia Guzmán Sand Dollars (Dominican Lucrecia Martel La Ciénaga (Argentina) Republic) Lucia Puenzo XXY (Argentina) Yanillys Perez, Jeffrey (Dominican Republic) Julia Solomonoff Nadie Nos Mira (Argentina) Marcela Zamora María en tierra de nadie (El Salvador) D. Suzana Amaral The Hour of the Star (Brazil) Tatiana Huezo, Tempestad (El Salvador) Katia Lund City of God (Brazil) Marcela Fernandez Violante Cananea (México) Anna Muylaert Second Mother -
V Encuentro De Periodismo De Investigación
Memorias del encuentro de periodismo Vde investigación Primera edición: noviembre de 2012 Consejo Directivo (2010 -2012) Ginna Morelo - presidenta Carlos Eduardo Huertas - fiscal y directivo Aldemar Moreno - directivo Dora¨ Montero - directiva Edilma Prada - directiva Fabio Posada - directivo Fernando Ramírez - directivo José Luis Novoa – director ejecutivo Transcripción de textos Angélica María Sánchez Edición y gestión editorial María Isabel Sánchez Sánchez Diseño y diagramación Rubén Darío Muñoz Anacona Impresión Fundación Cultural Javeriana de Artes Gráficas (JAVEGRAF) Impreso en Bogotá Printed in Bogotá Sumario Presentación pág. 5 ¿En qué escenario se está moviendo el pág. 7 periodismo de investigación? Germán Rey Las caras del narco: capos y víctimas pág. 15 Javier Valdez y Marcela Turati, modera Jaime Vélez De la gran prensa al mundo sin ánimo de lucro pág. 29 Sebastián Rotella, modera Ginna Morelo Lo visual en la investigación periodística pág. 43 Marcela Zamora, modera Fabio Posada Investigar el crimen organizado: de lo pág. 53 transnacional a lo local Paul Radu y Marcelo Moreira, modera Daniel Santoro Las investigaciones que ganan grandes premios pág. 71 Raquel Rutledge y Sebastian Rotella, modera Ricardo Uceda Minería: de la producción al impacto pág. 95 Marcela Ramos y Marina Walker, modera Dora Montero Hablan las regiones pág. 111 Ginna Morelo, Fabio Posada y Fernando Ramírez, modera Ronnie Lovler De datos y transformaciones del pág. 129 paisaje periodístico Daniel Santoro, Ricardo Uceda y Marina Walker, conversación conducida por Carlos Eduardo Huertas Perfiles pág. 147 Memorias del V Encuentro de Periodismo de Investigación memorias Presentación Consejo de Redacción El 16 y 17 de marzo de 2012 se realizó en las instalaciones de la Pontificia Universidad Javeriana (Bogotá) el V Encuentro de Periodismo de Investi- Presentación gación de Consejo de Redacción (CdR). -
A-CONF.229-2017-INF-4-Rev.1.Pdf
United Nations A/CONF.229/2017/INF/4/Rev.1 General Assembly Distr.: General (25 July 2017) English only United Nations Conference to negotiate a legally-binding instrument to prohibit nuclear weapons, leading towards their total elimination New York, 27-31 March, 15 June-7 July 2017 List of participants President: Ms. Elayne White Gomez (Costa Rica) Vice-Presidents: Austria Chile Indonesia Iran (Islamic Republic of) Morocco New Zealand South Africa 17-12419 (E) 270717 *1712419* A/CONF.229/2017/INF/4/Rev.1 Participating States Afghanistan Mr. Mahmoud Saikal Mr. Obaid Khan Noori Mr. Mohammad Fahim Rahimi Algeria Mr. Sabri Boukadoum Mr. Mohammed Bessedik Mr. Remili Kamel Dine Mr. Abdelkarim Ait Abdelslam Mr. Mustapha Abbani Mr. Mohammed Ouadah Andorra Ms. Elisaenda Vives Balmaña Ms. Gemma Raduan Corrius Ms. Nahia Roche Artajo Angola Mr. Ismael A. Gaspar Martins Mr. Mario Domingos Simão Mr. manuel Vieira da Fonseca Mr. Domingos Mesquita Sapalo Mr. Tomas Ferreira Marcos Antigua and Barbuda Mr. Walton Alfonso Webson Ms. Asha Challenger Argentina Mr.Martin García Moritán Ms. Gabriela Martinic Ms. María Paula Mac Loughlin Mr. Sebastián Lucas Nicolino Mr. Gonzalo Sebastián Mazzeo Armenia Mr. Zohrab Mnatsakanyan Mr. Tigran Samvelian Austria Mr. Thomas Hajnoczi Mr. Alexander Marschik Mr. Jan Kickert Mr. Franz Josef Kuglitsch Mr. Robert Gerschner Mr. Philipp Charwath Mr. George-Wilhelm Gallhofer Ms. Susanne Hammer Mr. Günter Greimel Mr. Werner Kerschbaumer Mr. Bernhard Schneider Mr. Stuart Maslen Ms. Nadia Kalb Ms. Jasmin Wanner Azerbaijan Mr. Yashar Aliyev Mr. Tofig Musayev Ms. Nahida Abdurahmanova Ms. Lala Mehdiyeva 2/16 17-12419 A/CONF.229/2017/INF/4/Rev.1 Bahamas Mr. -
Major Film Programs, Highlighted Events, and Exhibition Overview at Museum of the Moving Image in April 2019
CALENDAR ADVISORY MAJOR FILM PROGRAMS, HIGHLIGHTED EVENTS, AND EXHIBITION OVERVIEW AT MUSEUM OF THE MOVING IMAGE IN APRIL 2019 A summary of the Museum's programs and exhibitions in April is included below. They include limited theatrical engagements of Diane, Babylon, and Black Mother; Havana Film Festival New York screenings; a series of Latin American sci-fi films co-presented with the Queens Museum; and the first part of See It Big! Action. In April, the Museum will also host the Theorizing the Web conference on April 12 and 13. Program schedules and tickets are available online at www.movingimage.us. MAJOR PROGRAMS AND FILM SERIES Penny Lane Is Her Real Name: a complete retrospective APRIL 5–7, 2019 (Penny Lane in person on April 6 & 7) The first complete retrospective of acclaimed documentary filmmaker Penny Lane, this weekend series opens with a screening of Banksy’s Exit Through the Gift Shop, a film that had a profound impact on Lane. She will appear in person with all screenings of her films, including a program of shorts, the features Our Nixon, Nuts!, and The Pain of Others, culminating with a preview screening of her new film Hail Satan?, an entertaining, provocative, and timely look at The Satanic Temple's battle for religious freedom and personal expression. Organized by Curator-at-Large David Schwartz. Press release | Schedule & Tickets NEW RELEASE Diane, directed by Kent Jones and starring Mary Kay Place APRIL 6–7, 2019 Built around an extraordinary, fearless performance from Mary Kay Place, the narrative debut from Kent Jones (Hitchcock/Truffaut) is a profound, beautifully human portrait of a woman rifling through the wreckage of her life in search of redemption.