Returning from Death
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Worlds Apart: Bosnian Lessons for Global Security
Worlds Apart Swanee Hunt Worlds Apart Bosnian Lessons for GLoBaL security Duke university Press Durham anD LonDon 2011 © 2011 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by C. H. Westmoreland Typeset in Charis by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. To my partners c harLes ansBacher: “Of course you can.” and VaLerie GiLLen: “Of course we can.” and Mirsad JaceVic: “Of course you must.” Contents Author’s Note xi Map of Yugoslavia xii Prologue xiii Acknowledgments xix Context xxi Part i: War Section 1: Officialdom 3 1. insiDe: “Esteemed Mr. Carrington” 3 2. outsiDe: A Convenient Euphemism 4 3. insiDe: Angels and Animals 8 4. outsiDe: Carter and Conscience 10 5. insiDe: “If I Left, Everyone Would Flee” 12 6. outsiDe: None of Our Business 15 7. insiDe: Silajdžić 17 8. outsiDe: Unintended Consequences 18 9. insiDe: The Bread Factory 19 10. outsiDe: Elegant Tables 21 Section 2: Victims or Agents? 24 11. insiDe: The Unspeakable 24 12. outsiDe: The Politics of Rape 26 13. insiDe: An Unlikely Soldier 28 14. outsiDe: Happy Fourth of July 30 15. insiDe: Women on the Side 33 16. outsiDe: Contact Sport 35 Section 3: Deadly Stereotypes 37 17. insiDe: An Artificial War 37 18. outsiDe: Clashes 38 19. insiDe: Crossing the Fault Line 39 20. outsiDe: “The Truth about Goražde” 41 21. insiDe: Loyal 43 22. outsiDe: Pentagon Sympathies 46 23. insiDe: Family Friends 48 24. outsiDe: Extremists 50 Section 4: Fissures and Connections 55 25. -
World Conservation
The IUCN Bulletin Number 1 2002 World Conservation Mountain high CONTENTS Mountains on the agenda When the United Nations declared 2002 International Year of Mountains, its aim was to celebrate the biological and cultural diversity of our planet’s mountain regions and the human cultures they nurture, and to draw the world’s attention to the importance of these fragile and vulnerable ecosystems on which so many human lives and livelihoods depend. The international community is responding with a multitude of events and celebrations, in the hope of putting mountains firmly on the world agenda. This special issue of World Conservation is an IUCN contribution to those efforts. 1. MOUNTAIN VALUES 3. TAKING ACTION 3 For the love of mountains PROTECTING NATURE Yolanda Kakabadse AND CULTURE 4 Why mountains matter 21 EcoAméricas: a bold vision IUCN/JIM THORSELL Lawrence S. Hamilton Mario A. Boza Masherbrum, Central Karakorum National 6 WATER • Lifeblood of nature and 22 Protected landscapes: need for Park, Pakistan. society Bruno Messerli innovation Jessica Brown 7 Mount Kenya: vital water for a semi- 23 Cultural landscapes: World Conservation arid region Hanspeter Liniger and Kyrgyzstan’s crown jewel (formerly the IUCN Bulletin) Stephan Doempke Francis Gichuki A publication of 8 BIODIVERSITY • Our natural IUCN – The World Conservation Union wealth Lawrence S. Hamilton and LIVING SUSTAINABLY Rue Mauverney 28 Shengji Pei 25 Ecotourism: minimizing impacts CH-1196 Gland, Switzerland 9 CULTURE • Fountains of Chandra P. Gurung Tel: +41 (22) 999 0000 inspiration Edwin Bernbaum 26 China’s model counties Fax: +41 (22) 999 0002 11 WORLD HERITAGE • Mountains Hu Yuanhui Website: http://iucn.org galore Jim Thorsell 27 Pohnpei: power to the people Editor: Nikki Meith Bill Raynor Contributing editor: Peter Hulm 2. -
Issue, Find a Full List of Distribution Points for Hard Copies Or Arrange a Subscription to Have the Nanjinger Delivered to Your Home Or Office!
MAY 2021 www.thenanjinger.com 6 Sign of the Times hat it’s been more than a year since our 1. How have you felt lately (like over the last outing in “The Trip” is indeed a sign past year); anxious or guilty? See p. 16-18. Tof these days. 2. Should you bother to keep pace in the But we’re back with a vengeance. And we’ll Chinese race to be ever-more “beautiful”? wager that you too will be hunkering for the See p. 10-12. clean air of Chizhou and the splendour of 3. Taken out a gym membership recently? Jiuhua Shan after you’re read our first travel Notice anything strange? See p. 14-15. piece of 2021. See p. 22-23. Welcome to “Zeitgeist” from The Nanjinger. But before that, a few questions to get us started for this month. Ed. can the QR Code to visit The Nanjinger on WeChat, from where Syou can download a free PDF of this issue, find a full list of distribution points for hard copies or arrange a subscription to have The Nanjinger delivered to your home or office! This magazine is part of a family of English publications that together reach a large proportion of the foreign population living in Nanjing, along with a good dash of locals, comprising: The Nanjinger City Guide www.thenanjinger.com Facebook, WeChat, Twitter & Instagram All of the above are owned and operated by HeFu Media, the Chinese subsidiary of SinoConnexion Ltd;www.sinoconnexion.com 2 By Maitiu Bralligan ‘21 Independently, we each rebelled in such similar ways: Black clothes, long hair, earring in the left ear Listening to the same riffs and the same bars “And now you do what they told ya...” We were free! Casting our fearless bodies Into the mosh pit / wrecking pool (call it what you will) In the thrall of the same intoxicating thrill. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Pure Mind, Pure Land a Brief Study of Modern Chinese Pure Land Thought and Movements
Pure Mind, Pure Land A Brief Study of Modern Chinese Pure Land Thought and Movements Wei, Tao Master of Arts Faculty ofReligious Studies McGill University Montreal, Quebec, Canada July 26, 2007 In Partial Fulfillment ofthe Requirements for the Degree Master of Arts in the Faculty ofReligious Studies of Mc Gill University ©Tao Wei Copyright 2007 All rights reserved. Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Bran ch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-51412-2 Our file Notre référence ISBN: 978-0-494-51412-2 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell theses le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Chan Eccentrics in the Art and Culture of Song and Yuan China
Wandering Saints: Chan Eccentrics in the Art and Culture of Song and Yuan China Paramita Paul Printed at Wöhrmann Print Service, Zutphen, the Netherlands. On the cover:Hanshan reading a scrollby Luochuang. University ArtMuseum of the University of California (after Weidner 1994: cat. no. 72). 2 Wandering Saints: Chan Eccentrics in the Art and Culture of Song and Yuan China Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof. mr. P.F. van der Heijden, volgens besluit van het College voor Promoties te verdedigen op dinsdag 3 november 2009 klokke 11.15 uur door Paramita Paul geboren te Amsterdam in 1979 3 Promotiecommissie: Promotor: Prof. dr. M. van Crevel Co-promotor: Dr. O.J. Moore Overige leden: Prof. dr. B.J. ter Haar Dr. M.J. Klokke Prof. dr. J. Murray (University of Wisconsin) Deze promotie is mogelijk gemaakt door een beurs van de Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO). 4 Acknowledgments This study would not have been possible without the support of many institutions, teachers, colleagues, friends and relatives. I would like to acknowledge the financial support of a research award fromthe Nederlandse Organisatie voor Wetenschappelijk Onderzoek (Netherlands Organisation for Scientific Research NWO). Material support came from the Leiden Institute for Area Studies (LIAS), and my thanks go to the LIAS secretaries Ilona Beumer and Wilma Trommelen. I am grateful to the Foguangshan Chan monastery, Gaoxiong, and Venerables Yifa and Huifeng for organizing the 2004 Woodenfish Project, which gave me a unique chance to experience Chan Buddhismfirst-hand. I would like to express my gratitude to Prof. -
Mcet's Challenge Test Requirements Senate Gives ASMSU Media, Security $42,250
McET's challenge test requirements By CLIFF STOCKTON tioned by Gibson is completion of an Leg/a/al/ve Reporter accredited curriculum in engineering. Public interest would not be served if Gibson, who is also the dean of engi- a bill allowing engineering technolo- neering at MSU, was careful to separ gists to take an Engineering in Training. ate his concerns about the EIT exami EIT, examination we re passed, accord- nation as a professional engineer with ing to the Board of Professional Engi- his role as a dean. "It is more of a neers and Land Surveyors. political and licensing issue than an Dave Gibson, a member of the academic issue," he said. board, brought up the spectre of the Freed stated in an interview that accident by Union Carbide in Bhopal, anyone can take the CPA examination India in opposing the measure. ' and if they pass become a CPA. House Bill 99 , sponsored by Dorothy Not according to state law, Gibson Bradley, D-Bozeman, would allow stu- said. CPAs, he said, must also pass a dents enrolled in a engineering tech- four year course in business with an nology field to take the EIT examination emphasis in accounting. upon graduation. Currently only stu- Gibson also pointed out several dents enrolled in an engineering field other problems with allowing engineer are allowed to take the examination. 1ng technologist to take the EIT exam. Technologists must wait four years One argument was that engineering while working in a related field befor~ technologists. take geared-down they can take the examination. -
Pure Mind, Pure Land a Brief Study of Modern Chinese Pure Land Thought and Movements
Pure Mind, Pure Land A Brief Study of Modern Chinese Pure Land Thought and Movements Wei, Tao Master of Arts Faculty ofReligious Studies McGill University Montreal, Quebec, Canada July 26, 2007 In Partial Fulfillment ofthe Requirements for the Degree Master of Arts in the Faculty ofReligious Studies of Mc Gill University ©Tao Wei Copyright 2007 All rights reserved. Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Bran ch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-51412-2 Our file Notre référence ISBN: 978-0-494-51412-2 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell theses le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Exploring Theater As a Vehicle for Change, Inspired by the Poetic Performances of Ancient Andalucía
MY HEART IS IN THE EAST: EXPLORING THEATER AS A VEHICLE FOR CHANGE, INSPIRED BY THE POETIC PERFORMANCES OF ANCIENT ANDALUCÍA JESSICA LITWAK A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May, 2015 This is to certify that the Dissertation entitled: MY HEART IS IN THE EAST: EXPLORING THEATER AS A VEHICLE FOR CHANGE, INSPIRED BY THE POETIC PERFORMANCES OF ANCIENT ANDALUCÍA prepared by Jessica Litwak is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change Approved by: Carolyn Kenny, Ph.D., Chair date Elizabeth Holloway, Ph.D., Committee Member date D. Soyini Madison, Ph.D., Committee Member date Dara Culhane, Ph.D., Committee Member date Magdalena Kazubowski-Houston, Ph.D., External Reader date Copyright 2015 Jessica Litwak All rights reserved Acknowledgments No theater project is ever created or produced out by one person. No scholarly work comes out of one mind. No community action is a solo endeavor. The following people have believed in my vision and have edged me toward the completion of this project through many challenges. Their support emotionally, intellectually, and artistically enabled this dissertation to reach fruition. Dr. Carolyn Kenny—A sword in the clouds, an iron orchid, a compassionate warrior and a mother lion, Carolyn was my North Star, my Sherpa, my champion, and my challenger. Without her guidance, this dissertation simply would not have been conceived, written, and finished. During hours of doubt or darkness she offered hope in the form of scholarly articles, poems, stories, parables, gentle scolding, and vigorous pep talks. -
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Who? What? Where? When? Why? Uncovering the Mysteries of Monastery Objects by Ven. Shikai Zuiko o-sensei Zenga by Ven. Anzan Hoshin roshi Photographs by Ven. Shikai Zuiko o-sensei and Nathan Fushin Comeau Article 1: Guan Yin Rupa As you enter the front door of the Monastery you may have noticed a white porcelain figure nearly two feet tall standing on the shelf to the left. Who is she? Guan Yin, Gwaneum, Kanzeon, are some of the names she holds from Chinese, Korean, and Japanese roots. The object is called a "rupa" in Sanskrit, which means "form" and in this case a statue that has the form of a representation of a quality which humans hold dear: compassion. I bought this 20th century rupa shortly after we established a small temple, Zazen-ji, on Somerset West. This particular representation bears a definite resemblance to Ming dynasty presentations of "One Who Hears the Cries of the World". Guan Yin, Gwaneum, Kanzeon seems to have sprung from the Indian representation of the qualities of compassion and warmth portrayed under another name; Avalokitesvara. The name means "looking down on and hearing the sounds of lamentation". Some say that Guan Yin is the female version of Avalokitesvara. Some say that Guan Yin or, in Japan, Kannon or Kanzeon, and Avalokitesvara are the same and the differences in appearance are the visibles expression of different influences from different cultures and different Buddhist schools, and perhaps even the influence of Christianity's madonna. Extensive background information is available in books and on the web for those interested students. -
AN ANALYSIS of BUDDHIST ELEMENTS in the MUSIC of PRINCESS WEN CHENG by IMEE OOI Xiao Hao Tee Fung Ying Loo ABSTRACT 1. INTRODUCT
International Journal of Asian Social Science, 2014, 4(6): 714-721 International Journal of Asian Social Science ISSN(e): 2224-4441/ISSN(p): 2226-5139 journal homepage: http://www.aessweb.com/journals/5007 AN ANALYSIS OF BUDDHIST ELEMENTS IN THE MUSIC OF PRINCESS WEN CHENG BY IMEE OOI Xiao Hao Tee Department of Music, Cultural Centre, University of Malaya, Kuala Lumpur, Malaysia Fung Ying Loo† Department of Music, Cultural Centre, University of Malaya, Kuala Lumpur, Malaysia ABSTRACT This article examines musical aspects of Princess Wen Cheng, a musical composed by Imee Ooi, a Malaysian composer. A majority of the past and present literature in Buddhist chant and music focus on chanting, devotional song and some on commercial popular music. This research looks into this piece of musical theatre that is based on the historical story of Wen Cheng Kongjo and analyses its musical content in relating to Buddhism. Selected analysis of the composition and its relations to Buddhism is highlighted, and the way in which elements from Buddhism, chanting and instrumentation are employed by Ooi in her music and the aspects of performance practice are discussed. This includes stylistic feature, melodic contour, harmonic progression and imitation of timbre in relation to Buddhist chanting and the instruments used in Buddhist ritual. Research methods include ethnography, interview, and analysis, revealing how this musical forms a new genre of Buddhist music to stand alongside others such as chant, devotional song and commercial popular music. © 2014 AESS Publications. All Rights Reserved. Keywords: Buddhism, Chant, Imee Ooi, Buddhist music, Musical theatre, Analysis. 1. INTRODUCTION The term „music‟ is often questioned when referring to the organized sound heard during a Buddhist ritual. -
Enlightened – the Realm of the Buddhas
Enlightened – The Realm of the Buddhas The Buddha seated on a lotus throne is one of the oldest and to date best-known representa- tions of Buddhism. Buddhist teachings emerged in northern India in the last pre-Christian millennium. From there it spread across Central and East Asia as far as Indonesia within a matter of 1,200 years. Today, Buddhism has over 380 million followers spread over the entire globe. Who was the Buddha and what was his message? How many Buddhas are there and how do they differ from one another? Is a Buddha always male? What is understood by enlightenment? The exhibition invites visitors to follow up on these and similar questions and explore the immense variety of Buddhism. At the centre stand the Three Jewels: the Buddha, his teachings, and the Buddhist community. The encounter with numerous Buddhas from South, Central, and East Asia will reveal that representations of the Buddha do not merely have a decorative function. They form the pillars of a spiritual practice and convey complex and intricate teachings. On his journey from prince to religious founder, Buddha Shakyamuni searched for the origin of suffering and for ways of overcoming it. Since his pursuit began roughly 2,500 years ago, a multitude of symbols and images of him and his teachings have emerged. What a Buddha had to look like was defined very early in various Indian writings. Unto this day, artists still follow these templates which makes recognizing a Buddha quite easy. At the same time, one is surprised again and again at the huge variety of representational modes which emerged with the spread of Buddhism and its encounter with local artistic expressions and ideas.