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Chapter One Approaching a Century of Markedness
Chapter One Approaching a Century of Markedness 1.1 Comparative-Historical Origins The concept of markedness originated within the vibrant cultural and intellectual milieu of early twentieth century European structural linguistics, which itself developed largely as an alternative to the comparative-historical linguistics that dominated the nineteenth century. "The history and comparison of languages is the hallmark of nineteenth century linguistics ... [This] approach pervaded the century, and came to be viewed as the only 'scientific' approach to language" (Morpurgo-Davies 1992, 159). Comparisons between genetically related lan guages-chiefly at the levels of phonology and morphology-dominated the work of many scholars during this age, helping to establish several theoretical and methodological foundations for modem and contemporary linguistics. An important catalyst for comparative-historical linguistics was achieved through the late eighteenth century discovery of formal similarities between Sanskrit and numerous other languages, including Greek, Latin, Russian, German, and English. This recognition led to the delineation of the Indo European (IE) family of languages. 1 The German scholar Franz Bopp is gener ally credited with foundi~g modem comparative-historical linguistics by virtue of his 1816 publication, Uber das Konjugationssystem der Sanskritsprache: in Vergleichung mit jenem der griechischen, lateinischen, persischen und german ischen Sprache. As the title indicates, Bopp examined and compared the verbal systems among several IE languages in an effort to demonstrate a common genetic link between them. The novelty of Bopp's approach lay in his attention to isolating certain formal (i.e., phonological and morphological) regularities among the data he compared. Bopp realized that such regularities-or, laws could be extrapolated to reconstruct unattested linguistic forms (see Jankowsky 1972, 57-59). -
“The New Look” in the History of Linguistics (1965)
“The New Look” in the History of Linguistics (1965) W. Keith Percival What follows here is a summary of a paper presented at the 128th Meeting of the Lin- guistic Circle of Madison on December 9, 1965. A complete typescript or manuscript has not survived. Fortunately, Jon Erickson, the recorder of the Linguistic Circle of Madison, entered this detailed digest of the paper into the Linguistic Circle’s minutes. At the request of Charles T. Scott, the secretary of the Madison Linguistics department graciously provided me with copies of the minutes referring to all the papers that I presented to the Linguistic Circle in the years 1965- 69 while I was teaching linguistics at the Milwaukee campus of the University of Wisconsin. Needless to say, I feel much indebted to Professors Scott and Erickson, and to the departmental secretary. ---------- The purpose of “‘The New Look’ in the History of Linguistics” was to review two stan- dard treatises on the history of linguistics, namely Geschichte der Sprachwissenschaft in Deutschland by Theodor Benfey (1869), and Linguistic Science in the Nineteenth Century by Holger Pedersen (1931) . In spite of the way Theodor Benfey (1809–1881) implicitly outlined the subject matter of his book in the title [“History of Linguistics and Oriental Philology since the beginning of the Nineteenth Century, with a Retrospective Glance at Earlier Periods”], he in fact devoted much attention to linguistic studies spanning the entire period from the end of the medieval period to the beginning of the nineteenth century. In his so-called retrospective survey [Rückblick auf die früheren Zeiten ], he dealt with the Renaissance and the eighteenth century in remarkable detail. -
Franz Bopp an August Wilhelm Von Schlegel Berlin, 16.06.1824
Franz Bopp an August Wilhelm von Schlegel Berlin, 16.06.1824 Empfangsort Bonn Anmerkung Unvollständiger Druck. Empfangsort erschlossen. Handschriften-Datengeber Dresden, Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Signatur Mscr.Dresd.e.90,XIX,Bd.3,Nr.72 Blatt-/Seitenzahl 4 S. auf Doppelbl., hs. m. U. Format 24 x 19,5 cm Lefmann, S.: Franz Bopp, sein Leben und seine Wissenschaft. Erste Hälfte. Berlin 1891, S. Bibliographische Angabe 94‒95. Editionsstatus Einmal kollationierter Druckvolltext mit Registerauszeichnung August Wilhelm Schlegel: Digitale Edition der Korrespondenz [Version-07-21];https://august- Zitierempfehlung wilhelm-schlegel.de/version-07-21/letters/view/1596. [4] Berlin, den 16. Juni 1824. [1] Hochwohlgeborener, Hochgeehrtester Herr Professor! Vor allem erstatte ich Ew. Hochwohlgeboren meinen verbindlichsten Dank für die schätzbaren Geschenke, welche Sie mir durch Ihre vortreffliche Ausgabe des Bhag. und das 4te Heft der Ind. Bibl. gemacht. Wie sehr ich die erstere achte habe ich bereits Gelegenheit gehabtöffentlich auszusprechen ; zur Anzeige des 4ten Heftes wollte ich die Erscheinung des 1ten Hefts 2ten Bandes, wegen des Schlusses der Humboldtschen Abhandlung abwarten. Ihre kurzen aber lichtvoIlen Anmerkungen zu dessen Abhandlung haben mich sehr erfreut, sowie die schätzbaren Varianten ausPariser der Handschrift. [2] . Sie erhalten hierbei ein Exemplareiner kleinen Sammlung von Episoden ausdem Mah., um dessen wohlwollende Annahme ich Sie ergebenst bitte und hoffe, daß Ihnen das Durchlesen des Originals einige vergnügte Stunden machen werde. Es sind viele schwierige und dunkle Stellen darin, die ich in den Anmerkungen so viel es mir möglich gewesen zu erläutern gesucht habe. Ihre belehrenden Ansichten darüber werde ich mit vielem Danke aufnehmen. In der Schreibung des Textes werden Sie finden, daß ich in manchen Punkten Ihrem im Bhag. -
WAGNER and the VOLSUNGS None of Wagner’S Works Is More Closely Linked with Old Norse, and More Especially Old Icelandic, Culture
WAGNER AND THE VOLSUNGS None of Wagner’s works is more closely linked with Old Norse, and more especially Old Icelandic, culture. It would be carrying coals to Newcastle if I tried to go further into the significance of the incom- parable eddic poems. I will just mention that on my first visit to Iceland I was allowed to gaze on the actual manuscript, even to leaf through it . It is worth noting that Richard Wagner possessed in his library the same Icelandic–German dictionary that is still used today. His copy bears clear signs of use. This also bears witness to his search for the meaning and essence of the genuinely mythical, its very foundation. Wolfgang Wagner Introduction to the program of the production of the Ring in Reykjavik, 1994 Selma Gu›mundsdóttir, president of Richard-Wagner-Félagi› á Íslandi, pre- senting Wolfgang Wagner with a facsimile edition of the Codex Regius of the Poetic Edda on his eightieth birthday in Bayreuth, August 1999. Árni Björnsson Wagner and the Volsungs Icelandic Sources of Der Ring des Nibelungen Viking Society for Northern Research University College London 2003 © Árni Björnsson ISBN 978 0 903521 55 0 The cover illustration is of the eruption of Krafla, January 1981 (Photograph: Ómar Ragnarsson), and Wagner in 1871 (after an oil painting by Franz von Lenbach; cf. p. 51). Cover design by Augl‡singastofa Skaparans, Reykjavík. Printed by Short Run Press Limited, Exeter CONTENTS PREFACE ............................................................................................ 6 INTRODUCTION ............................................................................... 7 BRIEF BIOGRAPHY OF RICHARD WAGNER ............................ 17 CHRONOLOGY ............................................................................... 64 DEVELOPMENT OF GERMAN NATIONAL CONSCIOUSNESS ..68 ICELANDIC STUDIES IN GERMANY ......................................... -
Ideas of Language from Antiquity to Modern Times
Late 18 th century: comparative linguistics The discovery of Sanskrit... Ideas of Language from – Charles Wilkins: the first European who really knew Skt., translated Bhagavad-Ghita & Hitopadesha; typographer! Antiquity to Modern Times András Cser BBNAN-14600, Elective seminar in linguistics 1 Mon 10:00–11:30, rm 301 Late 18 th century: comparative linguistics Late 18 th century: comparative linguistics The discovery of Sanskrit... "The Sanskrit language, whatever be its antiquity, is of a – Charles Wilkins: the first European who really knew Skt., wonderful structure; more perfect than the Greek, more translated Bhagavad-Ghita & Hitopadesha; typographer! copious than the Latin, and more exquisitely refined than – Nathaniel Brassey Halhead: derives Latin and Greek either, yet bearing to both of them a stronger affinity, both from Skt. in a private letter (1779) in the roots of verbs and in the forms of grammar, than could possibly have been produced by accident; so strong – Henry T. Colebrooke, professor of Skt at Fort William indeed, that no philologer could examine them all three, – Alexander Hamilton, army cadet, on return first professor without believing them to have sprung from some common of Skt in Europe (Hertford College, Oxford) source, which, perhaps, no longer exists: there is a similar – Sir William Jones, judge, Persian expert, first president of reason, though not quite so forcible, for supposing that Asiatic Society, often seen as the founder of Indo- both the Gothic and the Celtic, though blended with a very European -
Essentials of Language Typology
Lívia Körtvélyessy Essentials of Language Typology KOŠICE 2017 © Lívia Körtvélyessy, Katedra anglistiky a amerikanistiky, Filozofická fakulta UPJŠ v Košiciach Recenzenti: Doc. PhDr. Edita Kominarecová, PhD. Doc. Slávka Tomaščíková, PhD. Elektronický vysokoškolský učebný text pre Filozofickú fakultu UPJŠ v Košiciach. Všetky práva vyhradené. Toto dielo ani jeho žiadnu časť nemožno reprodukovať,ukladať do informačných systémov alebo inak rozširovať bez súhlasu majiteľov práv. Za odbornú a jazykovú stánku tejto publikácie zodpovedá autor. Rukopis prešiel redakčnou a jazykovou úpravou. Jazyková úprava: Steve Pepper Vydavateľ: Univerzita Pavla Jozefa Šafárika v Košiciach Umiestnenie: http://unibook.upjs.sk Dostupné od: február 2017 ISBN: 978-80-8152-480-6 Table of Contents Table of Contents i List of Figures iv List of Tables v List of Abbreviations vi Preface vii CHAPTER 1 What is language typology? 1 Tasks 10 Summary 13 CHAPTER 2 The forerunners of language typology 14 Rasmus Rask (1787 - 1832) 14 Franz Bopp (1791 – 1867) 15 Jacob Grimm (1785 - 1863) 15 A.W. Schlegel (1767 - 1845) and F. W. Schlegel (1772 - 1829) 17 Wilhelm von Humboldt (1767 – 1835) 17 August Schleicher 18 Neogrammarians (Junggrammatiker) 19 The name for a new linguistic field 20 Tasks 21 Summary 22 CHAPTER 3 Genealogical classification of languages 23 Tasks 28 Summary 32 CHAPTER 4 Phonological typology 33 Consonants and vowels 34 Syllables 36 Prosodic features 36 Tasks 38 Summary 40 CHAPTER 5 Morphological typology 41 Morphological classification of languages (holistic -
Language and Geometry a Method for Comparing the Genealogical and Structural Relatedness Between Pairs of European Languages
4 Journal for EuroLinguistiX 11 (2014): 4-13 Jacques François Language and Geometry A Method for Comparing the Genealogical and Structural Relatedness between Pairs of European Languages Abstract In the second half of 19th century, two German linguists, August Schleicher and Johannes Schmidt, worked out a method of genealogical comparison of the Indo-European languages which crucially rested on inflectional morphology and phonology (so-called Stammbaum hypothesis by Schleicher) supplemented by wave-like spreading (so-called wave-hypothesis by Schmidt) of such properties amongst geographically neighbouring languages. First, this method is applied to four European languages: Dutch, English, French and German. Next, a list of 18 structural properties of the four languages is collected in order to assess the structural relatedness of each pair of languages. The two resulting charts turn out to be similar concerning the proximity between Dutch vs. German, but quite disparate concerning the latter vs. English and French. The structural chart is insightful, but weighting the collected structural properties (on the basis of criteria to be justified) might generate a differently shaped chart. Sommaire Dans la seconde moitié du 19e siècle, deux linguistes allemands, August Schleicher et Johannes Schmidt, ont élaboré une méthode de comparaison généalogique des langues indo-européennes essentiellement basée sur la morphologie flexionnelle et la phonologie (hypothèse du Stammbaum de Schleicher) complétée par une dissémination ‘ondulatoire’ (hypothèse de Schmidt) de propriétés de ce type entre des langues géographiquement voisines. En premier lieu, cette méthode est appliquée à quatre langues européennes : allemand, anglais, français et néerlandais. Ensuite, une liste de 18 propriétés structurales des quatre langues est établie afin de mesurer la proximité structurale entre celles-ci. -
Franz Bopp, “Mit Haar Und Haut Ein Mensch Der Bücher”1: Searching for the Origin of Indo-European Grammatical Forms
FRANZ BOPP, “MIT HAAR UND HAUT EIN MENSCH DER BÜCHer”1: SEARCHING FOR THE ORIGIN OF INdo-EUROPEAN GRAMMATICAL FORMS FRANZ BOPP, “MIT HAAR UND HAUT EIN MENSCH DER BÜCHer”, a la BÚSQUEDA DEL ORIGEN DE FORMAS GRAMATICALES INDOEUROPEAS Pierre Swiggers University of Leuven; F.W.O.-Flanders [email protected] DOI: 10.1387/veleia.16815 Abstract: Franz Bopp (1791-1867), who is commonly considered one of the founding fathers of Indo-European comparative grammar, was primarily interested in the origin of grammatical forms, a goal he pursued, from 1816 on, through the analytical comparison of formative processes of inflectional word classes in Sanskrit, Greek, Latin, German, and Persian in a first stage (other Indo-European languages were progressively included in his scholarly spectrum). The larger part of Bopp’s work was in the field of Sanskrit, but his interest in the grammatical processes active in the unitary mother language (Stammsprache) led him to write the first comparative grammar of Indo-European (published in three volumes over the years 1833-1852); this comprehensive work (of which a second edition appeared in 1857-61, and a third in 1868-71) was preceded and followed by various monograph-sized studies in which Bopp applied an analytical procedure to the segmentation, the classification and the explanation of Indo-European grammatical forms. Combining a chronological overview of Bopp’s scholarly career with a study of his comparative methodology, the present article examines the assumptions or hypotheses underlying Bopp’s work, and the resulting claims (regarding the structure of Indo- European roots, the constitution of grammatical forms, and the content-side of grammatical morphemes), with an eye at Bopp’s intellectual and institutional position as well as at his appraisal by contemporaries and by subsequent generations of scholars. -
Beauties Vs Beasts by Tatar.Pdf
Page 1 of 6 Title: Beauties vs. Beasts in the Grimms' Nursery and Household Tales Author(s): Maria M. Tatar Publication Details: The Brothers Grimm and Folktale. Urbana: University of Illinois Press, 1988. Source: Short Story Criticism. Ed. Rachelle Mucha and Thomas J. Schoenberg. Vol. 88. Detroit: Gale, 2006. From Literature Resource Center. Document Type: Critical essay Full Text: COPYRIGHT 2006 Gale, COPYRIGHT 2007 Gale, Cengage Learning [(essay date 1988) In the following essay, Tatar examines the textual history of the Bluebeard folktale in Nursery and Household Tales, contrasting narrative elements of "Mary's Child" and "Fowler's Fowl."] Fairy-tale beauties may all be very much alike, but there are two quite different types of beasts in the Grimms' Nursery and Household Tales. First, there are the animal-grooms who make life unpleasant for many a female protagonist: these are the frogs, bears, hedgehogs, and other creatures that press themselves on attractive young girls. But these beasts invariably turn out to be handsome young princes in disguise and generally prove to be perfect gentlemen. The real fairy-tale beasts, even if they are beasts in only the figurative rather than the literal sense of the term, turn out to be murderers masquerading as civilized men: Bluebeard, the Robber Bridegroom (in the tale of that title), and the wizard in "Fowler's Fowl" ("Fitchers Vogel") are the most prominent examples in the Nursery and Household Tales. Bluebeard, the most infamous of this entire lot of beasts, entered the pages of the Grimms' collection, but only in its first edition. For the second, revised edition of 1819, the Grimms eliminated the tale, evidently because it was too close in both substance and verbal realization to its French source. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
Study Guide: Student Edition
Tacoma Opera presents Hansel and Gretel Study Materials - Student’s Edition June, 2021 Contents From Folk Tale to Opera The origins of Hansel and Gretel From folktale to opera - The origins of Hansel and Gretel Folktales Folktales Grimm’s Fairy Tales Hansel and Gretel, the opera Folktales are stories that are passed from person to person. Because they are generally not written down, the same story might exist in many different versions. These stories were especially popular before most people were educated in how to read and write. But we still have different kinds of About the creators folktales today, such as “urban legends.” The Brothers Grimm In time, many folktales were written down. Some of the earliest collections were made in France and Adelheid Wette gave these stories the familiar name of fairy tales, because of the frequent presence of magical Engelbert Humperdinck beings in the stories. These stories were not originally told or written down for children. They contained violence and descriptions of horrible people and their actions. But many of the authors changed some of the traditional elements to make them more suitable for children. Synopsis of the Opera Folktales were often built around individual story elements or events that could be pieced together to make a new story. The original story of Hansel and Gretel probably started in the Medieval Ages Additional Resources during a great famine, and various traditional elements were used to create the story. For example, in the familiar Grimm version, Hansel and Gretel were able to find their way home by leaving a trail of stones. -
Georg Von Der Gabelentz the Published Version of This Article Is In
Georg von der Gabelentz The published version of this article is in the Oxford Research Encyclopedia of Linguistics: http://linguistics.oxfordre.com/abstract/10.1093/acrefore/9780199384655.001.0001/acrefore- 9780199384655-e-379 James McElvenny [email protected] Summary The German sinologist and general linguist Georg von der Gabelentz (1840–1893) occupies an interesting place at the intersection of several streams of linguistic scholarship at the end of the nineteenth century. As Professor of East-Asian languages at the University of Leipzig from 1878 to 1889 and then Professor for Sinology and General Linguistics at the University of Berlin from 1889 until his death, Gabelentz was present at some of the main centers of linguistics at the time. He was, however, generally critical of mainstream historical-comparative linguistics as propagated by the neogrammarians and instead emphasized approaches to language inspired by a line of researchers including Wilhelm von Humboldt (1767–1835), H. Steinthal (1823–1899), and his own father, Hans Conon von der Gabelentz (1807–1874). Today Gabelentz is chiefly remembered for several theoretical and methodological innovations which continue to play a role in linguistics. Most significant among these are his contributions to cross-linguistic syntactic comparison and typology, grammar-writing, and grammaticalization. His earliest linguistic work emphasized the importance of syntax as a core part of grammar and sought to establish a framework for the cross-linguistic description of word order, as had already been attempted for morphology by other scholars. The importance he attached to syntax was motivated by his engagement with Classical Chinese, a language almost devoid of morphology and highly reliant on syntax.