The Beaut Y of Chinese Characters 02

Total Page:16

File Type:pdf, Size:1020Kb

The Beaut Y of Chinese Characters 02 THE BEAUTY OF CHINESE CHARACTERS 01 02 Chinese Characters are the palm lines held in the hands of the Chinese nation. Following the lines, you can touch the secrets of the origins of Chinese culture. THE BEAUT Y OF CHINESE CHARACTERS Origin of the Contest 03 Chinese Oracle, Egyptian Hieroglyph, Babylonian Cuneiform and Maya Hieroglyph are the four great ancient writing systems in the world. The long history of Chinese culture, including its development, spreading and inheritance, is reected in Chinese characters. This ensures the intact inheritance and the innovative development of Chinese characters in each era. Nowadays, Chinese is the only ideograph whose inheriting process has never been interrupted. Chinese characters, on the one hand, are the symbols that carry and spread Chinese stories and oriental philosophies. On the other hand, they contain the aesthetic elements of the Chinese style and its oriental charm. All these are the civilization achievements and cultural wealth that can be shared by the world's young designers. On 30th October in 2015, Beijing Institute of Culture Innovation and Communication, the organizer of this contest, held the launching ceremony of the contest, Chinese Characters --- A Living Culture, at the UNESCO headquarters. The ambassadors from a number of countries at the ceremony played characters. They also witnessed the global launch of the contest. Based on the disciplinary advantages of philology and cultural transmission of Beijing Normal University, collaborating with the practical strengths of creative design and visual communication of Academy of Arts & Design, Tsinghua University, this activity forms the transdisciplinary and collaborative innovation to promote the cultural communication of Chinese characters. This contest aims to encourage young people to understand the close connection between the profound connotation of Chinese characters and the Chinese culture, and explore the aesthetic values of Chinese characters beyond their function as communication tool. It also hopes to build a cultural bridge communicating between the young people from dierent cultural backgrounds, and THE BEAUT promote the oriental aesthetics of contemporary urban life through the creative design of Chinese characters. Y OF CHINESE CHARACTERS 04 Theme Analysis Family, the eternal harbor of our souls, is not only the smallest unit of our society, but also the most fundamental origin of Chinese traditional ethics. The family relationship is a key in “self-cultivation and family harmony”. It’s the family where people get the most fundamental knowledge about society and thus begin to explore the world. A family is not only a house but also where kinds of relations belong to. The society is a big family in which all people perform their own stories about happinesses and sorrows to achieve their shared moral ideas. It’s the same kind of ethics that props up small families and big families. Family education is the basis for developing Chinese people’s values. We begin our journey to ourselves, the vastest universe. Family represents the most profound universe overhead, witnessing ups and downs of human beings in the long run of history. Chinese people stick to heavenly principles and eternal natural laws in the universe, which are more long-lasting than social ethics and help achieve a tacit agreement between human beings and the universe, while it’s just the family consciousness that connects heaven and natural laws together. From the commonly-used Chinese character “ 家 ”(jia, meaning family) in Chinese Oracle to Chinese characters closely relating to “ 家 ” like “ 室 ”(shi, meaning room), “ 堂 ”(tang, meaning hall), “ 安 ”(an, meaning peace), “ 宁 ”(ning, meaning quietness), “ 定 ”(ding, meaning stability) and even “ 宇 ” and “ 宙 ”(yu and zhou, meaning the universe together), we can really experience the changes in Chinese people’s daily life and the cohesion of family ethics. We have selected 30 Chinese characters with the same component “ 宀 ”, which are full of family wisdom and secrets of the THE BEAUT booming of the world. With the deliberation of global young designers, these 30 Chinese characters will be perfectly combined with colors, lines and shapes to produce creative design works featuring Y OF CHINESE CHARACTERS Chinese ethical civilization. A harmonious family brings wealth and peace, and harmony in the family is the basis for success in any undertaking. This ancient oriental philosophy has become increasingly attractive across the world. Family is a basic element of human society. People’s desire and dependence on the eternity 05 of family has helped build a bridge between Chinese traditional family ethics and the world. With creative interpretations for 30 Chinese characters with the same component “ 宀 ”, young designers inject Chinese traditional family consciousness into vivid design works and show the whole world the stability of Chinese civilization with international and eye-catching design principles. A blend of cultural creativity and daily life can help display traditional family ethics, with which we can make THE BEAUT Y OF CHINESE CHARACTERS 06 Consultants and Conveners Consultants WANG NING Joël Bellassen LI DAN YANG Chinese exegesis expert, Professor Joël Bellassen is the Inspector The current Beijing Gehua Cultural and Ph.D. adviser of Beijing Normal General in the eld of Chinese D e v elopmen t G r oup P a r t y University and the director of the Language Teaching at the Ministry of secretary and general manager, Institute of Chinese Information Education, France, Vice president of executive deputy director of the Processing. She is the key inheritor the International Society of Chinese Beijing International Design Week of “Zhang Huang School,” and Language, and a well-known French Organizing Committee Oce. He holds many patents in studying sinologist. He is in charge of the organized and hosted the music traditional Chinese characters. formulation and modication of production for the opening and Her work Principles of Scholiums France’s Chinese language teaching closing ceremony of the 2008 Beijing connects scholium with modern curriculum and examination, as well Olympic Games, commemoration linguistics through the study of as the assessment and recruitment of of the 50th anniversary of the ancient scholium theories. She uses teachers of Chinese. He is a professor e stab lishme n t o f d iploma tic at Institut National Des Langues relations between China and France characters, which modernizes the Et Civilisation Orientales, the rst - the parade of France Machinery research tools of traditional Chinese Ph.D. adviser in the area of Chinese "Longma", Beijing International characters study. language teaching in Europe, the Design Week and other major THE BEAUT cultural projects. He was honored Association French and Teachers of as "Advanced Individual in National Chinese. Cultural Reform" and "2014 Chinese Y OF CHINESE CHARACTERS Cultural Industry Person of the Year." 07 Convenors The Convenor on Visual The Convenor on the Culture The General Convenor Communication of Chinese Characters YU DAN CHEN NAN WANG LI JUN Famous cultural scholar, professor Tsinghua University Academy of Arts Beijing Normal University professor, and Ph.D. adviser at Beijing Normal and Design Doctoral Supervisor; Deputy doctoral adviser; Director of the University, director of Beijing Director of The Research Centre of Chinese Character division at the Institute of Cultural Innovation Ancient Chinese Characters Art; Deputy Chinese traditional classic Texts and Communication. As a cultural Director of the Visual Communication Research Center, a key social science communication scholar, she is Department; research institute supported by committed to promote classical Member of the China Artists Association; Ministry of Education; core member Chinese culture worldwide, and has Member of the Design Committee of of the “General Standard Chinese her unique thinking in the innovative China Packaging Federation; Beijing Character Table” development development and communication of Industrial Design Center director; team. Representative works include Chinese character culture. Selected by the Education Ministry's Cultural Interpretation of Chinese New C e n t u r y E xc e lle n t Tale n t s Characters, General Rules of the Supporting Plan; Contributing designer Chinese Characters. for the 2008 Beijing Olympic Games mascots; Olympic torchbearer; Winner of the10 outstanding youth of China design industry. Designer of the world's THE BEAUT rst oracle font library, "Hanyi Chen style oracle". Y OF CHINESE CHARACTERS 08 Organizations Hosts Beijing Normal University Beijing Normal University, a key university under the administration of the Ministry of Education, is a renowned institution of higher education known for teacher education, education science and basic learning in both the arts and the sciences. The comprehensive disciplinary strength of Beijing Normal University puts the school at the forefront of the nation’s advanced teaching institutions. technology innovation and one of the national bases for talent development of high quality and creativity. Academy of Arts & Design, Tsinghua University Academy of Arts & Design, Tsinghua University was formerly the Central Academy of Craft Art founded in 1956. In 1999, it was incorporated into Tsinghua University. With a long history, the Academy of Fine Arts has a well-designed academic structure with its own complete teaching, research and experimental facilities. It is
Recommended publications
  • Ready, Set, Go …
    ChinaFostering business and culturalInsight harmony between China and the U.S. VOL. 16 NO. 2 February 2017 China Briefs, p. 3 Education, p. 7 Ready, set, go … ... or not! Chinese New Year ‘migration’ started the weekend of Jan. 14. This is the scene at the Wuhan Railway Station. Now Business, p. 5 you understand the Chinese saying, “People mountain, people sea.” Migrating nation By Elaine Dunn China’s “Golden Week” for celebrating began Jan. 13! This is the most important made on railways, 58 million by roads, Chinese New Year, or Spring Festival, as holiday for family reunions! 590,000 by waterways and 1.3 million by it is also known by in China, is slated for According to the Ministry of Transport, air across the country. Arts & Culture, p. 8 Jan. 27-Feb. 2. However, the travel rush on Friday, Jan. 13, 8.55 million trips were continued on page 9 Tiny house living Society, p. 10 By Elaine Dunn In This Issue According to the U.S. house-and-home media, tiny house-living is trending big. In Arts & Culture 8 – 9 Hong Kong, tiny homes have been the way Book review 12 – 13 of life for many for decades! A population Business & Economics 5 of 7.2 million people squeezed into 426 Education 7 square miles. Events 16 However, things have reached a new Approximately 88,000 families live in such Government & Politics 14 –15 (small) record in Hong Kong - a developer tiny, squalid conditions in Hong Kong. History 6 is planning to market spaces as homes on the island’s Happy Valley district that are mention that the 61.4 square feet excludes Hong Kong property prices have News 3 – 4 not much bigger than shoeboxes! kitchen and bathroom space.
    [Show full text]
  • HAN MEILIN Biografia Dell'artista Han Meilin È Nato Nel 1936 a Jinan Nella
    HAN MEILIN Biografia dell’artista Han Meilin è nato nel 1936 a Jinan nella provincia cinese dello Shandong. Nel 1955 è stato ammesso all’Accademia Centrale di Belle Arte di Pechino (attualmente incorporato nell’UniverstàTsinghua). Ricopre la carica di professore all’Universita’Tsinghua, di Vice- Presidente della Consiglio Accademico dell’Università Tsinghua e di tutor per i dottorandi dell’Accademia Nazionale Cinese di Arte. Inoltre è membro esecutivo della Commissione Plenaria del Partito Comunista, dell’Istituto Centrale di Ricerca per la Cultura e la Storia, presidente della commissione per le arti ceramiche dell’Associazione degli Artisti Cinesi, vice-presidente dell’Associazione dei Cinesi Uniti nel Mondo, presidente della Commissione di pittura e calligrafia dell’Associazione di Arte e Scultura Cinese, membro permanente della Commissione per la promozione della riunificazione pacifica cinese e autore speciale per il Dipartimento Creativo di Ricerca nell’Associazione degli Autori Cinesi. Han Meilin è un creatore e un esploratore artistico instancabile. Le sue opere spaziano dalla pittura alla calligrafia, dalla scultura alla ceramica, dal design alla letteratura e molto altro ancora. Il suo stile artistico unico trae spunto dall’essenza della cultura tradizionale cinese e dalle arti popolari e si riflette in opere artistiche con un’esteticadel tutto moderna. Nel 1980 ha realizzato un tour intitolato “Mostra di opere personali” in 21 città negli USA, durante il quale ha ricevuto la “chiave d’oro” della città di San Diego. Sempre nello stesso anno, Manhattan ha decretatoil 1 Ottobre come la “Giornata di Han Meilin”. Ha ottenuto il premio per migliore opera d’arte al 4° Festival Internazionale del Cartone Animato di Zagabria con l’opera intitolata “La volpe e il cacciatore”.
    [Show full text]
  • Olympic Summer Games Mascots from Munich 1972 to Rio 2016 Reference Document
    Olympic Summer Games Mascots from Munich 1972 to Rio 2016 Reference document 09.02.2017 Olympic Summer Games Mascots from Munich 1972 to Rio 2016 CONTENT Introduction 3 Munich 1972 4 Montreal 1976 6 Moscow 1980 8 Los Angeles 1984 10 Seoul 1988 12 Barcelona 1992 14 Atlanta 1996 16 Sydney 2000 18 Athens 2004 20 Beijing 2008 22 London 2012 24 Rio 2016 26 Credits 28 The Olympic Studies Centre www.olympic.org/studies [email protected] 2 Olympic Summer Games Mascots from Munich 1972 to Rio 2016 INTRODUCTION The word mascot is derived from the Provencal and appeared in French dictionaries at the end of the 19th century. “It caught on following the triumphant performance of Mrs Grizier- Montbazon in an operetta called La Mascotte, set to music by Edmond Audran in 1880. The singer’s success prompted jewellers to produce a bracelet charm representing the artist in the costume pertaining to her role. The jewel was an immediate success. The mascot, which, in its Provencal form, was thought to bring good or bad luck, thus joined the category of lucky charms.” 1 The first Olympic mascot – which was not official – was named “Schuss” and was created for the Olympic Winter Games Grenoble 1968. A little man on skis, half-way between an object and a person, it was the first manifestation of a long line of mascots which would not stop. It was not until the Olympic Summer Games Munich 1972 that the first official Olympic mascot was created. Since then, mascots have become the most popular and memorable ambassadors of the Olympic Games.
    [Show full text]
  • From Games Symbols to Historical and Cultural Representations: the Summer Mascots*
    From Games Symbols to Historical and Cultural Representations: The Summer Mascots* By Larry Gerlach The city pictogram of Mexico City in 1968 was characterized by the dove of peace. Summer Olympics not only produced the first official before the first official mascot debuted, an unofficial mascot, but also the best-known examples of the genre. talisman appeared during the Los Angeles Games. In contrast to Winter Games mascots (JOH, Vol. 21, No. 3, A black Scottish terrier, presumably a stray, wandered pp. 24-31), they have received greater media publicity into the Olympic Village, whereupon athletes anointed and more extensive utilization because of the scope and “Smoky” a mascot. A photograph of the dog wearing a international exposure of Olympiads. But also, given white blanket bearing the designation “Mascot” below unrestrained design possibilities, they have been more the Olympic rings is all that is known of mysterious ambitiously creative and commercially oriented – and canine.2 Thirty-two years later, in recognition of the successful – than their winter counterparts.1 Olympic debut of judo, the martial art and combat sport The first de facto Summer Olympic mascot, in the that originated in Japan, the official Tokyo Games pin original French sense of a good luck charm, is lost in featured an unnamed cartoon-like figure wearing a time and subject to interpretation. In 1932, forty years judo headband.3 Smoky was indeed a mascot, but only as a personal Unmistakable – a dog talisman for some athletes, not as a totem for the as mascot of the 1932 Games, and the Tokyo figure was a souvenir image, not a Games.
    [Show full text]
  • OLGA GALEEVA Project – Lisbon Olympic Games 2028
    2016 Escola Superior de Design OLGA GALEEVA Project – Lisbon Olympic Games 2028 Projecto apresentado à Escola Superior de Design do IADE para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Design e Cultura Visual, ramo de especialização em Teoria da Cultura Visual realizada sob a orientação científica do Doutor Professor Carlos Miguel Lopes Rosa e sob co-orientação da Professor Fernando Oliveira. 2 Dedico este trabalho aos meus pais, meu marido e minha filha por sempre me apoiarem e acreditarem naquilo que faço. 3 4 JURY Presidente Doutora Maria Emilia Capucho Duarte Professora Auxiliar do Instituto de Arte, Design e Empresa – Universitario Vogais Doutor Daniel Raposo Martins Professor Adjunto da Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco Doutor Carlos Miguel Lopes Rosa Professor Auxiliar do Instituto de Arte, Design e Empresa – Universitario 5 6 AKNOWLEDGEMENTS First of all, I would like to express my deepest gratitude to all of my family, my parents, my husband and my daughter and to all of my friends for their incredible support, love and help throughout my education and life, especially over the last two years. I want to give a special thanks to my supervisor Professor Carlos Miguel Lopes Rosa, Professor Armando Jorge Gomes Vilas-Boas and Professor Fernando Fernando António de Oliveira Carvalho Rodrigues for their huge help and support during this project, I would not be here it without it. A special thank is due to Professor at the Faculty of Beautiful Arts, Porto University and creator of The White Studio, and Manuela Teles, Head of Communication of White Studio for their participation in this study.
    [Show full text]
  • Searchable PDF Format
    VOL XXIX % »China's Democratic Parties • More Light Industry • The Jinuos—Newest Nationality CKiiia Articles of the Month DEMOCRATIC PARTIES IN CHINA t isl i. il Do the democrotic parties still have a function lit socialist China? Leaders of two talk about their parties, the Revolutionary Committee of the Chinese PUflLISHED MONTHLY IN ENGLISH, FRENCH. Kuomlntang ond the China Democratic League. SPANISH, ARABIC, GERMAN AND PORTUGUESE BY Page 2 THE CHINA WELFARE INSTITUTE (SOONG CHING LING, CHAIRMAN) VOL XXIX NO. 2 FEBRUARY 1960 CONTENTS Democratic Parties Find New Role Revolutionary Committee of the Kuomlntang — Inter view with Qu Wu Tan Manni 1 The Democratic League and Chinese Intellectuals — Interview with Prof. Wen Jiasi Wei Xiutang MORE LIGHT INDUSTRY The Democratic Parties 9 Light industry producb Light Industry Exhibition . Qiu Jian 10 are being made in places m Night View of the Yanzhou Coal Base (color photos) 13 they never were be Huge Yanzhou Goal Base in Shandong Jin Ruowen 17 fore, OS shown In a na New Start for Literature and Art 19 tional exhibition, part of Xia Yan — Difficulties and Prospects efforts to improve peo Yang Hansheng — Rebirth of the All-China Federation ple's life and get quick of Literary and Art Circles copltal for moderirrzation, Page 10 Winter Sports in Jiiin (color photos) 25 Olympic Plans 27 Clifna's Environmental Protection Law (Extracts) 28 PROTECTING THE Protecting the Environment Qu Geping 28 n ENVIRONMENT UN Environment Activities in China Li Jinchang 31 The Grape Harvest Peng Xianchu 33 What's China doing Treasures and Wonders of Wuyi Mountain Xia Wei' 34 and what are her prob Paving the Way for Deeper Understanding — Two weeks lems, plus a rundown on activities of the with the Old Vic Ylng Ruocheng 40 Berlin Orchestra and von Karajan Acclaimed Zhao'Jinglun United Nations Environ 42 ment Progrom in China.
    [Show full text]
  • Olympic Summer Games Mascots from Munich 1972 to London 2012
    Research and Reference Olympic Studies Centre Olympic Summer Games Mascots from Munich 1972 to London 2012 Reference document Visual overview of each mascot presented with a description. January 2013 © ODA © [Type copyright here] Reference document TABLE OF CONTENTS Introduction .................................................................................................................. 2 Munich 1972 ................................................................................................................. 3 Montreal 1976 ............................................................................................................... 4 Moscow 1980 ............................................................................................................... 5 Los Angeles 1984 ........................................................................................................ 6 Seoul 1988 .................................................................................................................... 7 Barcelona 1992 ............................................................................................................ 8 Atlanta 1996 ................................................................................................................. 9 Sydney 2000 ............................................................................................................... 10 Athens 2004 ............................................................................................................... 11 Beijing 2008 ...............................................................................................................
    [Show full text]
  • Exhibition in Shenzhen Spotlights Passion for Chinese Zodiac
    16 | Thursday, January 14, 2021 HONG KONG EDITION | CHINA DAILY LIFE Wishful thinking Jackie Chan’s voice graces a film with an Aladdin-like plot set in bustling Shanghai, Xu Fan reports. Stills from Sino-US animated film Wish Dragon, which will open across the Chinese mainland on Friday. Its presale box office was about 12 million yuan ($1.9 million) as of Wednesday. PHOTOS PROVIDED TO CHINA DAILY hroughout a film career span- to Beijing and Shanghai to interview ning five decades, action leg- numerous Chinese people as part of end Jackie Chan has amazed his research for the film. and astounded his legions of One of the turning points for the Tfans with death-defying stunts. So, for director was when he interviewed most of his admirers, it might be a sur- three boys as they were walking home prise to see the kung fu king appear as from school. Appelhans asked them a cute and fuzzy creature in his latest the same question: “If you had three outing. wishes — and you could have anything In the upcoming Sino-US animated — what would you wish for?” film, Wish Dragon, Chan lends his The first boy didn’t hesitate, saying voice to the titular character, a divine that he wished to have a BMW and the dragon covered with pink fur from second wished for world peace, but the head to toe. There is an almost uncan- last one thought very hard about the ny resemblance to a plush toy that question. most young girls will have an incredi- “I could see him really turning it ble urge to hug.
    [Show full text]
  • Ahead of the Curve a Unique Insiders Perspective on Brands, Opportunities and Online Transformation in China
    ahead of the curve a unique insiders perspective on brands, opportunities and online transformation in China webinar 09/04/2020 WHITE CAVIAR the strategic side of insight Ahead of the curve On April 9 Beautiful Lives together with White Caviar, our partner in China, organised a webinar to share the main socio-cultural changes caused by COVID-19 and its impact on brands. In the seminar we covered: China’s lockdown and its consequences for daily life The use of progressive smart technology and ai solutions Disruptive online transformation in all thinkable sectors Response of Western versus Chinese brands New market opportunities in the post-corona world This handout provides the slides of the webinar, answers to questions from participants and more! Enjoy the read! 2 About Beautiful Lives We always work closely together with our clients to be ‘Ahead of the Curve’ but even more so these days. How to adapt as a brand to the socio-cultural changes due to the COVID-19 situation? How to deal with changes in behaviour and mentality now that the storm is passing over? In an upcoming study we use our artificial intelligence solution BL*ai to uncover the territory of resilience and how people, brands and categories can bounce back in the new normal. We’ll keep you posted. Our online explorative tools such as BL*Campfire (understanding post corona target audiences) and online BL*Ideation (co-developing insight led propositions that work in the changed reality) can help you stay ahead of the curve. Beautiful Lives is an insight & innovation agency taking a human based approach to innovation and brand strategy challenges of (international) clients, working together towards new opportunities.
    [Show full text]
  • Gu Jingzhou 顧景舟 GLOBAL EA HUT Contentsissue 91 / August 2019 Tea & Tao Magazine Golden金萱 Lily
    GLOBAL EA HUT Tea & Tao Magazine 國際茶亭 August 2019 宜興大師 Gu Jingzhou 顧景舟 GLOBAL EA HUT ContentsIssue 91 / August 2019 Tea & Tao Magazine Golden金萱 Lily This month, we are going to learn about the life of the most famous, and perhaps most influential, Yix- ing purple-sand teapot master in the twentieth cen- Love is tury, Gu Jingzhou. His legacy is important to all tea lovers, and a study of his life is a study of modern changing the world Yixing craftsmanship and history. We also have a great Jin Xuan oolong to drink along the way! bowl by bowl Features特稿文章 19 19 Gu JingZhou (顧景舟): Purple-sand Master of the Twentieth Century By Huang Yi Jia (黃怡嘉) 33 My Days with Grandfather Gu By Gao Zhenyu (高振宇) 55 39 Zisha Through the Eyes of Gu Jingzhou By Gao Zhenyu (高振宇) 03 51 Time Line of Master Gu Jingzhou’s Lifetime & Achievements By Huang Yi Jia (黃怡嘉) 39 Traditions傳統文章 03 Tea of the Month “Golden Lily,” Jin Xuan Oolong Tea, Zhu Shan Village, Taiwan 55 Voices from the Hut “Fox-Walking with Tea,” By Alexandra Tijerina 59 A Call to Action © 2019 by Global Tea Hut All rights reserved. Help us to build the best Tea Center the world has ever known. Help us spread the word! recycled & recyclable No part of this publication may be reproduced, stored in a retrieval sys- 61 TeaWayfarer 高 tem or transmitted in any form or by 山 any means: electronic, mechanical, Claudia Coleman, U.K. 烏金 龍 photocopying, recording, or other- 茶 wise, without prior written permis- 萱 Soy ink sion from the copyright owner.
    [Show full text]
  • Tsinghua Newsletter Issue 36.Pdf
    Tsinghua ISSU E 36 April 2018 President’s Message for Tsinghua’s 107th Anniversary The Unveiling Ceremony of the China-Italy Design Innovation Hub and the Tsinghua Arts and Design Institute in Milan The Higher Education Roundtable, with the theme of the Rise of Asian Universities, held during the Boao Forum For Asia Annual Conference 1 APRIL | TSINGHUA UNIVERSITY NEWSLETTER At this time of the scientific research Tsinghua’s majestic system and mecha- spring, it gives me great President’s nisms that focus on a pleasure to extend cor- few key areas, includ- dial greetings and best ing interdisciplinary wishes to all Tsinghua Message for research, cutting-edge students, faculty and technologies, and tech- staff, as well as alumni, nology transfer. at home and abroad. Tsinghua’s 107th In 2017, five inter- My heartfelt apprecia- disciplinary research tion is extended to all institutes have been friends of Tsinghua, established: the Center throughout the world, Anniversary for Intelligent Auton- who have contributed omous Systems; the to Tsinghua’s develop- Center for Intelligent ment over the years. & Connected Vehicles The past year has been truly In replacement of the tradition- and Transportation; the Center for remarkable and fruitful. Major tasks al examination based admission, we Flexible Electronics Technology; the have come to fruition and solid prog- have adopted the application based Laboratory of Brain and Intelligence; ress in advancing the comprehensive admission process for Ph.D. programs, and the Future Laboratory. reform has been made, and we’ve which includes a comprehensive Policy reform measures have stepped up the implementation of review of the application materials been implemented to break the tradi- our global strategy.
    [Show full text]
  • Ceramics Monthly Dec92 Cei12
    William Hunt......................................... Editor Ruth C. Butler.......................Associate Editor Robert L. Creager..........................Art Director Kim S. Nagorski ....................Assistant Editor Mary Rushley.................Circulation Manager Mary E. Beaver.............Circulation Assistant Connie Belcher.............Advertising Manager Spencer L. Davis..............................Publisher Editorial, Advertising and Circulation Offices 1609Northwest Boulevard Box 12448,Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Profes­ sional Publications, Inc., 1609 Northwest Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to:Ceramics Monthly, Circulation Offices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustrations, announce­ ments and news releases about ceramics are wel­ come and will be considered for publication. Mail submissions toCeramics Monthly, Box 12448, Columbus, Ohio 43212. We also accept unillustrated materials faxed to (614) 488-4561. Writing and Photographic Guidelines: A book­ let describing standards and procedures for sub­ mitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Additionally,Ceramics Monthly articles are indexed in the Art Index. Printed, on-line and CD-ROM (computer) in­ dexing is available through Wilsonline, 950 University Ave., Bronx, New York 10452; and from Information Access Co., 362 Lakeside Dr., Forest City, California 94404. These services are available through your local library.
    [Show full text]