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China Perspectives, 2008/3 | 2008 Eugenia Lean, Public Passions
China Perspectives 2008/3 | 2008 China and its Continental Borders Eugenia Lean, Public Passions. The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China Jérôme Bourgon Electronic version URL: http://journals.openedition.org/chinaperspectives/4273 DOI: 10.4000/chinaperspectives.4273 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 July 2008 Number of pages: 154-155 ISSN: 2070-3449 Electronic reference Jérôme Bourgon, « Eugenia Lean, Public Passions. The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China », China Perspectives [Online], 2008/3 | 2008, Online since 01 July 2008, connection on 22 September 2020. URL : http://journals.openedition.org/chinaperspectives/4273 ; DOI : https://doi.org/10.4000/chinaperspectives.4273 This text was automatically generated on 22 September 2020. © All rights reserved Eugenia Lean, Public Passions. The Trial of Shi Jianqiao and the Rise of Popu... 1 Eugenia Lean, Public Passions. The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China Jérôme Bourgon 1 On 13 November 1935, a young woman slipped into a Buddhist temple in Tianjin and fired several shots at a peaceable 50- year-old man kneeling in front of the altar. Turning towards the witnesses who were beginning to run away, the young woman threw down her weapon and began to explain her act aloud, while distributing a mimeographed document. Her name was Shi Jianqiao, the daughter of Shi Congbin, who ten years earlier had been the officer commanding the units in Shandong on behalf of the Zhili clique led by the warlord Zhang Zuolin. -
Theory and Practice in Language Studies Contents
Theory and Practice in Language Studies ISSN 1799-2591 Volume 8, Number 6, June 2018 Contents REGULAR PAPERS Learning Styles and Motivations for Practicing English as a Foreign Language: A Case Study of 555 Role-play in Two Ecuadorian Universities Jhonny S. Villafuerte, Maria A. Rojas, Sandy L. Hormaza, and Lourdes A. Soledispa Criteria and Scale for Argumentation 564 Chamnong Kaewpet Female Teachers’ Perspectives of Learner Autonomy in the Saudi Context 570 Jameelah Asiri and Nadia Shukri Jordanian Arabic: A Study of the Motivations for the Intentionality in Dialect Change 580 Ahmad M. Saidat Using New Media in Teaching English Reading and Writing for Hearing Impaired Students—Taking 588 Leshan Special Education School as an Example Bo Xu An Analytic Study of Ironic Statements in Ahlam Mistaghanmi’s Their Hearts with Us While Their 595 Bombs Launching towards Us Hayder Tuama Jasim Al-Saedi A Study of Students’ English Cooperative Learning Strategy in the Multimedia Environment 601 Ling Wang The Role of EFL Teacher’s Talk and Identity in Iranian Classroom Context 606 Afsaneh Alijani and Hamed Barjesteh Exploration of the Non-normal Students’ Attitude to Taking Part in the Teacher Qualification 613 Examination in China Lu Gong A Study on English Acquisition from the Perspective of the Multimodal Theory 618 Huaiyu Mu Social Identity and Use of Taboo Words in Angry Mood: A Gender Study 623 Mohammad Hashamdar and Fahimeh Rafi On the Norm Memes in English Translation of Classics—A Case Study of the Translation of the 629 Works by Jiangxi Native -
Beyond Life and Death Images of Exceptional Women and Chinese Modernity Wei Hu University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2017 Beyond Life And Death Images Of Exceptional Women And Chinese Modernity Wei Hu University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Hu, W.(2017). Beyond Life And Death Images Of Exceptional Women And Chinese Modernity. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/4370 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. BEYOND LIFE AND DEATH IMAGES OF EXCEPTIONAL WOMEN AND CHINESE MODERNITY by Wei Hu Bachelor of Arts Beijing Language and Culture University, 2002 Master of Laws Beijing Language and Culture University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2017 Accepted by: Michael Gibbs Hill, Major Professor Alexander Jamieson Beecroft, Committee Member Krista Jane Van Fleit, Committee Member Amanda S. Wangwright, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Wei Hu, 2017 All Rights Reserved. ii DEDICATION To My parents, Hu Quanlin and Liu Meilian iii ACKNOWLEDGEMENTS During my graduate studies at the University of South Carolina and the preparation of my dissertation, I have received enormous help from many people. The list below is far from being complete. First of all, I would like to express my sincere gratitude to my academic advisor, Dr. -
Exploration of the Path of Art Education Resources in Colleges and Universities in Jiangxi
E3S Web of Conferences 189, 03004 (2020) https://doi.org/10.1051/e3sconf/202018903004 ASTFE 2020 Exploration of the path of art education resources in Colleges and universities in Jiangxi LAI Wenqing1,2 1College of Applied Science, Jiangxi University of Science and Technology, Ganzhou 341000, China; 2Digital Research Institute of Hakka Culture, Ganzhou 341000, China Abstract: Art education in colleges and universities is an important part of China’s higher education. It takes art as the content and educates people. Through educational activities, it fosters college students to form correct aesthetic concepts, improve their personal personality, and stimulate their imagination and creativity. The integration of art education into Hakka cultural inheritance has the problem of compatibility between the law of cultural inheritance and the law of education. Efforts should be made to activate static local cultural resources into dynamic educational and cultural capital. Hakka culture curriculum system should be integrated with traditional cultural characteristics and art education concepts. The contents should be closely related to art education, and the Hakka spirit of simplicity and diligence should be transmitted through the connotation of Hakka culture. The "cultural resources into curriculum resources", "cultural elements into cultural creativity" double path teaching implementation, to achieve the value of Hakka cultural resources inheritance. between Hakka and maritime silk road, grasp the national " the Belt and Road initiative " development strategy, and 1 Introduction explore and integrate the historical and cultural resources Art Education in Colleges and universities is an important of Hakka ancestral land and overseas Hakka. It is also part of China’s higher education. -
HAN MEILIN Biografia Dell'artista Han Meilin È Nato Nel 1936 a Jinan Nella
HAN MEILIN Biografia dell’artista Han Meilin è nato nel 1936 a Jinan nella provincia cinese dello Shandong. Nel 1955 è stato ammesso all’Accademia Centrale di Belle Arte di Pechino (attualmente incorporato nell’UniverstàTsinghua). Ricopre la carica di professore all’Universita’Tsinghua, di Vice- Presidente della Consiglio Accademico dell’Università Tsinghua e di tutor per i dottorandi dell’Accademia Nazionale Cinese di Arte. Inoltre è membro esecutivo della Commissione Plenaria del Partito Comunista, dell’Istituto Centrale di Ricerca per la Cultura e la Storia, presidente della commissione per le arti ceramiche dell’Associazione degli Artisti Cinesi, vice-presidente dell’Associazione dei Cinesi Uniti nel Mondo, presidente della Commissione di pittura e calligrafia dell’Associazione di Arte e Scultura Cinese, membro permanente della Commissione per la promozione della riunificazione pacifica cinese e autore speciale per il Dipartimento Creativo di Ricerca nell’Associazione degli Autori Cinesi. Han Meilin è un creatore e un esploratore artistico instancabile. Le sue opere spaziano dalla pittura alla calligrafia, dalla scultura alla ceramica, dal design alla letteratura e molto altro ancora. Il suo stile artistico unico trae spunto dall’essenza della cultura tradizionale cinese e dalle arti popolari e si riflette in opere artistiche con un’esteticadel tutto moderna. Nel 1980 ha realizzato un tour intitolato “Mostra di opere personali” in 21 città negli USA, durante il quale ha ricevuto la “chiave d’oro” della città di San Diego. Sempre nello stesso anno, Manhattan ha decretatoil 1 Ottobre come la “Giornata di Han Meilin”. Ha ottenuto il premio per migliore opera d’arte al 4° Festival Internazionale del Cartone Animato di Zagabria con l’opera intitolata “La volpe e il cacciatore”. -
Buddhist Print Culture in Early Republican China Gregory Adam Scott Submitted in Partial Fulfillment Of
Conversion by the Book: Buddhist Print Culture in Early Republican China Gregory Adam Scott Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Gregory Adam Scott All Rights Reserved This work may be used under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. For more information about that license, see http://creativecommons.org/licenses/by-nc-nd/3.0/. For other uses, please contact the author. ABSTRACT Conversion by the Book: Buddhist Print Culture in Early Republican China 經典佛化: 民國初期佛教出版文化 Gregory Adam Scott 史瑞戈 In this dissertation I argue that print culture acted as a catalyst for change among Buddhists in modern China. Through examining major publication institutions, publishing projects, and their managers and contributors from the late nineteenth century to the 1920s, I show that the expansion of the scope and variety of printed works, as well as new the social structures surrounding publishing, substantially impacted the activity of Chinese Buddhists. In doing so I hope to contribute to ongoing discussions of the ‘revival’ of Chinese Buddhism in the modern period, and demonstrate that publishing, propelled by new print technologies and new forms of social organization, was a key field of interaction and communication for religious actors during this era, one that helped make possible the introduction and adoption of new forms of religious thought and practice. 本論文的論點是出版文化在近代中國佛教人物之中,扮演了變化觸媒的角色. 通過研究從十 九世紀末到二十世紀二十年代的主要的出版機構, 種類, 及其主辦人物與提供貢獻者, 論文 說明佛教印刷的多元化 以及範圍的大量擴展, 再加上跟出版有關的社會結構, 對中國佛教 人物的活動都發生了顯著的影響. 此研究顯示在被新印刷技術與新形式的社會結構的推進 下的出版事業, 為該時代的宗教人物展開一種新的相互連結與構通的場域, 因而使新的宗教 思想與實踐的引入成為可能. 此論文試圖對現行關於近代中國佛教的所謂'復興'的討論提出 貢獻. Table of Contents List of Figures and Tables iii Acknowledgements v Abbreviations and Conventions ix Works Cited by Abbreviation x Maps of Principle Locations xi Introduction Print Culture and Religion in Modern China 1. -
Ecological Focus Boosts Tourism, Agriculture
CHINA DAILY chinadaily.COM.CN Friday, September 8, 2017 | PAGE S1-4 | SUPPLEMENT BasicBasic facts facts of Jiangxi EconomicEconomic structure structure ExportedExported products, products, 2016 2016 BasicBasic facts facts of Jiangxiof Jiangxi EconomicEconomic structure structure ExportedExported products, products, 2016 2016 Green developmentGreen development ImportImport and export and exportvolume volume PerPer capita capitaPer disposablecapita disposable disposable income income income of ofurban urban of residentsurban residents residents (yuan) (yuan) (yuan) Green development Import and export volume Per capita disposable income of urban residents (yuan) ElectromechanicalElectromechanicalElectromechanical products products products 41.45%41.45%41.45% Green development Import and(Unit: export $ billion)(Unit: volume $ billion) ExportsExportsImportsImports 20,085 20,085 PrimaryPrimaryPrimary industry: industry: industry: SecondarySecondarySecondary Primary PrimaryPrimary industry: industry: industry: Secondary SecondarySecondary Electromechanical products (Unit: $ billion) Exports Imports 2012 2012 20,085 (Unit: $ billion) 2012 45.9245.9245.92 166,900166,900166,900 53.153.153.1 11.8%11.8% industry:industry: 53.6% 53.6%10.4% 10.4% industry:industry: 49.2% 49.2% 14.92% 63.163.1 22 22 1,5351,5 35 60 60 35 Exports Imports 33.12 33.122012 20,085 45.92 166,900 53.1 11.8%11.8% industry:industry: 53.6% 53.6% 10.4%10.4% industry:industry: 49.2% 49.2% High-techHigh-techHigh-tech products products products 14.92%14.92%14.92% 63.1 22 1,535 60 -
Olympic Summer Games Mascots from Munich 1972 to Rio 2016 Reference Document
Olympic Summer Games Mascots from Munich 1972 to Rio 2016 Reference document 09.02.2017 Olympic Summer Games Mascots from Munich 1972 to Rio 2016 CONTENT Introduction 3 Munich 1972 4 Montreal 1976 6 Moscow 1980 8 Los Angeles 1984 10 Seoul 1988 12 Barcelona 1992 14 Atlanta 1996 16 Sydney 2000 18 Athens 2004 20 Beijing 2008 22 London 2012 24 Rio 2016 26 Credits 28 The Olympic Studies Centre www.olympic.org/studies [email protected] 2 Olympic Summer Games Mascots from Munich 1972 to Rio 2016 INTRODUCTION The word mascot is derived from the Provencal and appeared in French dictionaries at the end of the 19th century. “It caught on following the triumphant performance of Mrs Grizier- Montbazon in an operetta called La Mascotte, set to music by Edmond Audran in 1880. The singer’s success prompted jewellers to produce a bracelet charm representing the artist in the costume pertaining to her role. The jewel was an immediate success. The mascot, which, in its Provencal form, was thought to bring good or bad luck, thus joined the category of lucky charms.” 1 The first Olympic mascot – which was not official – was named “Schuss” and was created for the Olympic Winter Games Grenoble 1968. A little man on skis, half-way between an object and a person, it was the first manifestation of a long line of mascots which would not stop. It was not until the Olympic Summer Games Munich 1972 that the first official Olympic mascot was created. Since then, mascots have become the most popular and memorable ambassadors of the Olympic Games. -
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3rd International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2015) Promotion Mechanism of Ganpo Local Culture’s “Going-out” Strategy Pingrong Tu, Suqin Zhou Yichun University, Yichun, 336000, China Keywords: Ganpo Local Culture, “Going-out” Strategy, Promotion Mechanism Abstract. Ganpo local culture is one shining star among Chinese local culture, which has bred and accumulated profound local culture for Ganpo. These local cultures have also vigorously promoted the development of economic society in Jiangxi. However, Ganpo local culture has not enjoyed high reputation or influence throughout the country at present. To go out, it has been confronted by many problems, including insufficient capital, weak marketization, insufficient governmental supervision and defective cultural innovations. Therefore, to implement the “going-out” strategy of Ganpo local culture, it must vigorously promote the “going-out” strategy, from theses perspectives, respectively are expanding capital investment mechanism, promoting market operation mechanism, improving governmental supervision mechanism, strengthening opening and cooperation mechanism and promoting cultural innovative mechanism. Introduction Jiangxi has a long history, prosperous humanity and profound cultural deposits. As a big agricultural province, Ganpo does not only possess the unique natural resources for agricultural development, but also profound local culture resources. Under the guidance of advocating the loud slogan of creating a powerful cultural province, local culture has manifested its strong vitality to promote the economic development of Jiangxi, as the “soft power” for economic and social development of Ganpo. According to relevant data, there were more than 10000 “agritainment” in Jiangxi in 2012, which promoted 360000 peasants to get jobs; Jiangxi received more than 10 million tourists per year, with a comprehensive revenue of more than 6 billion yuan. -
Chinese Communists and Rural Society, 1927-1934
Center for Chinese Studies • CHINA RESEARCH MONOGRAPHS UNIVERSITY OF CALIFORNIA, BERKELEY NUMBER THIRTEEN CHINESE COMMUNISTS AND RURAL SOCIETY, 1927-1934 PHILIP C. C. HUANG LYNDA SCHAEFER BELL KATHY LEMONS WALKER Chinese Communists and Rural Society, 1927-1934 A publication of the Center for Chinese Studies University of California, Berkeley, California 94720 Cover Colophon by Shih-hsiang Chen Center for Chinese Studies • CHINA RESEARCH MONOGRAPHS UNIVERSITY OF CALIFORNIA, BERKELEY NUMBER THIRTEEN CHINESE COMMUNISTS AND RURAL SOCIETY, 1927-1934 PHILIP C. C. HUANG LYNDA SCHAEFER BELL KATHY LEMONS WALKER Although the Center for Chinese Studies is responsible for the selection and acceptance of monographs in this series, respon sibility for the opinions expressed in them and for the accuracy of statements contained in them rests with their authors. © 1978 by the Regents of the Universit y of California ISBN 0-912966-18-1 Library of Congress Catalog Number 78-620018 Printed in the United States of America $5.00 Contents INTRODUCTION ......... ........... .. .. ..... Philip C. C. Huang INTELLECTUALS, LUMPENPROLETARIANS, WORKERS AND PEASANTS IN THE COMMUNIST MOVEMENT.................. 5 Philip C. C. Huang AGRICULTURAL LABORERS AND RURAL REVOLUTION . 29 Lynda Schaefer Bell THE PARTY AND PEASANT WOMEN 57 Kathy LeMons Walker A COMMENT ON THE WESTE RN LITERATURE. 83 Philip C. C. Huang REFERENCES . 99 GLOSSARY . .. .......... ................. .. .. 117 LIST OF MAPS I. Revolutionary Base Areas and Guerilla Zones in 1934 2 II. The Central Soviet Area in 1934 . 6 III. Xingguo and Surrounding Counties......... .. 10 1 The Jiangxi Period : an Introduction Philip C. C. Huang The Chinese Communist movement in its early years was primarily urban-based. -
From Games Symbols to Historical and Cultural Representations: the Summer Mascots*
From Games Symbols to Historical and Cultural Representations: The Summer Mascots* By Larry Gerlach The city pictogram of Mexico City in 1968 was characterized by the dove of peace. Summer Olympics not only produced the first official before the first official mascot debuted, an unofficial mascot, but also the best-known examples of the genre. talisman appeared during the Los Angeles Games. In contrast to Winter Games mascots (JOH, Vol. 21, No. 3, A black Scottish terrier, presumably a stray, wandered pp. 24-31), they have received greater media publicity into the Olympic Village, whereupon athletes anointed and more extensive utilization because of the scope and “Smoky” a mascot. A photograph of the dog wearing a international exposure of Olympiads. But also, given white blanket bearing the designation “Mascot” below unrestrained design possibilities, they have been more the Olympic rings is all that is known of mysterious ambitiously creative and commercially oriented – and canine.2 Thirty-two years later, in recognition of the successful – than their winter counterparts.1 Olympic debut of judo, the martial art and combat sport The first de facto Summer Olympic mascot, in the that originated in Japan, the official Tokyo Games pin original French sense of a good luck charm, is lost in featured an unnamed cartoon-like figure wearing a time and subject to interpretation. In 1932, forty years judo headband.3 Smoky was indeed a mascot, but only as a personal Unmistakable – a dog talisman for some athletes, not as a totem for the as mascot of the 1932 Games, and the Tokyo figure was a souvenir image, not a Games. -
OLGA GALEEVA Project – Lisbon Olympic Games 2028
2016 Escola Superior de Design OLGA GALEEVA Project – Lisbon Olympic Games 2028 Projecto apresentado à Escola Superior de Design do IADE para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Design e Cultura Visual, ramo de especialização em Teoria da Cultura Visual realizada sob a orientação científica do Doutor Professor Carlos Miguel Lopes Rosa e sob co-orientação da Professor Fernando Oliveira. 2 Dedico este trabalho aos meus pais, meu marido e minha filha por sempre me apoiarem e acreditarem naquilo que faço. 3 4 JURY Presidente Doutora Maria Emilia Capucho Duarte Professora Auxiliar do Instituto de Arte, Design e Empresa – Universitario Vogais Doutor Daniel Raposo Martins Professor Adjunto da Escola Superior de Artes Aplicadas do Instituto Politécnico de Castelo Branco Doutor Carlos Miguel Lopes Rosa Professor Auxiliar do Instituto de Arte, Design e Empresa – Universitario 5 6 AKNOWLEDGEMENTS First of all, I would like to express my deepest gratitude to all of my family, my parents, my husband and my daughter and to all of my friends for their incredible support, love and help throughout my education and life, especially over the last two years. I want to give a special thanks to my supervisor Professor Carlos Miguel Lopes Rosa, Professor Armando Jorge Gomes Vilas-Boas and Professor Fernando Fernando António de Oliveira Carvalho Rodrigues for their huge help and support during this project, I would not be here it without it. A special thank is due to Professor at the Faculty of Beautiful Arts, Porto University and creator of The White Studio, and Manuela Teles, Head of Communication of White Studio for their participation in this study.