A. D. LACAILLE, F.S.A.Scot. (91 Stone Ball, Grey-Green in Colour, Having Six Flat Knobs, Found in the 190 PROCEEDING E SOCIETYTH F O S , 1946-48

Total Page:16

File Type:pdf, Size:1020Kb

A. D. LACAILLE, F.S.A.Scot. (91 Stone Ball, Grey-Green in Colour, Having Six Flat Knobs, Found in the 190 PROCEEDING E SOCIETYTH F O S , 1946-48 DONATIONS TO AND PURCHASES FOR THE MUSEUM. 189 DONATION PURCHASED E MUSEUMAN TH O T SR FO S, 1946-47. Donations. (1) Relics fro linke mth s sout Hedderwicf ho k Sand wesd sHedderf an o t - wick Burn, on the Tyne Estuary near Dunbar, East Lothian. Of the several hundred Neolithic and Bronze Age potsherds many were described by the late J. Graham Callander in the Proceedings, vol. Ixiii. The collection also includes four hundred flint implement d variouan s s object f stoneo s . Presente e finderth y b ,d JAME . RICHARDSONS S , F.S.A.Scot., wite th h permission Righ e ofth t Hon Eare .Haddingtonth f lo , M.C., T.D., F.S.A.Scot., President. (2) Bronze palstave from Gavinston, Duns, and a collection of stone implements, including over eight hundre flinf verd o an ty many fragments, from Lauderdale and adjacent areas. About a hundred of the flint imple- ments come fro e prolifimth c Airhouse Farm. Presente e lat. th eH y b d REABMAN, Maxwell Place, Kelso. (3) Various stone objects found on Airhouse Farm, Lauderdale. Dumb- bell-shaped bronze stud, length -85 inch, having a serrated collar on either side of the central bar, probably from Newstead Fort (fig. 1,4). Presented by J. R. FORTUNE, Corresponding Member. (4) Twenty-six worked flint thred an sf chert eo ; three spindle whorls; a jet pendant, -9 inch by -85 inch by -2 inch, in the form of a Maltese cross, having inscribed on one face six dot-and-circles. Found on the Farm of Trabroun, Lauder, Berwickshire. Flint knife found by the donor on Flock- house Farm, Blairadam, Kinross-shire. Presented by GEORGE S. GUTHRIE, Cockairney Feus, Cleish, Kinross. (5) Tange d barbedan d arrow-hea e butt-halth a flind f an do tf knife. Foune donor . FINGLANDth G y . db S , Carricgarde s 0 hi 10 n t i ,n a k Knowe Avenue, Edinburgh. (6) Lop-sided arrow-head of dark grey-brown flint, found near the Knaps, Killellan, Kilmalcolm, by the late Norman Deggerman, the donor's grandfather. (See Notes . 179.p , ) Presente . MULLINS y MisM b d . C s , F.S.A.Scot. (7) Two small flint cores and a worked flake, found in the garden of "Fourwinds," Port Dunbar, Wickdonore th y ,b , CHARLES BEGG, F.S.A.Scot. (8) Carved ball of granite, having six low cylindrical bosses. Labelled "TAR CARIDE N.B.," believe froe b mo d t Aberdeenshire. Presentey db A. D. LACAILLE, F.S.A.Scot. (91 Stone ball, grey-green in colour, having six flat knobs, found in the 190 PROCEEDING E SOCIETYTH F O S , 1946-48. Husky Burn, Port of Menteith, Perthshire. Presented by A. MAcKBiTH, Fettes College, Edinburgh. (10) Stone axe of dark grey schist with rough surface, length 6-4 inches, found at Gallow Hill, Monikie, Angus. Presented by JAMES F. ANTON, Bridge of Cally, Perthshire. (11) Axe of polished flint, patinated yellow-brown, one corner broken, the edges slightly flattened. Found at Caldhame, Kinnordy, Angus, in 1835 formerld an e Lyel, th n lyi collection. Presente e GEOLOGICAth y db L DEPARTMENT, University of Edinburgh, per Professor S. Piggott, B.Litt., F.S.A.Scot. (12) Grooved hammer-stone consisting of an oval pebble of igneous rock, foun t Newtoda n Stewart, Wigtownshire. Presente . SULLEYF y db , The Lodge, The Avenue, Bedford Park, London, W. 4. (13) Hammer consistin e basa red-dee th f o ef go r antler, length 3-75 inches, maximum diamete f shafo r t hole 1-05 inch. Foun t Watnallda , Nottingham, "in the sandstone rock." Presented by J. BRELSFORD, Foo Shan, Fairlight Cove, Sussex. sherdo (14 Neolithia Tw f ) so rimcB , foun Glenlucn do e e Sandth y sb donor, JAMES S. RICHARDSON, F.S.A.Scot. (15) Relics from excavations .at Rinyo, Rousay, Orkney, in 1946. (See above, pp. 34—42.) Fragmentary Neolithic bowl of dark corky ware, uppee pard th f an ro t par anothef o t rathef o r r gritty ware, e blacth t ka core, both decorated in Unstan fashion, from a chambered cairn at Kierfea Hill,, Rousay. Fragment rathef so r coarse hard reddish-buff pottery from a mound underneath the farm of Swandale, Sourin, Rousay. Fragments of a quadrangular steatite urn with two grooves below the rim, and a cleat- like objec steatitf o t inchee2 s long, fro mcisa t Trumlandta , Rousay. Relics from the excavation of a long house at Swandro, Rousay. Presented by the late WALTE . GRANRG f TrumlandTo , F.S.A.Scot. (16) Food-vessel, found in a short cist near Abernethy, Perthshire. (See Notes . 185.p , ) Presente PERTy db H COUNTY COUNCIL. (17) Five food-vessels and portions of two others; cast of miniature food-vessel, -8 inch high; hal dozea f n piece undecoraten a f so d vessel with a red exterior; eleven barrel-shaped beads of jet; sixty-eight disc-shaped jet beads, -25 inch or less in diameter, and three white ones; triangular splinte flintf ro ; modern brass ring. From Greenhill Cairn, Balmerino, Fife. (See Proceedings, vol. xxxvi. pp. 635-53.) Several of the vessels have been o ne Museu th loa n i r nman mfo y years. Presente y Captaib d. J . H n SCRYMGEOUR-WEDDERBURN, Birkhill House, Balmerino, Fife. (18) Upper portion of a food-vessel, found in a cist during the excavation of a cairn at Kalemouth, Roxburghshire, in 1932. Presented by s GracHi e THE DUK F BUCCLEUCHO E , Drumlanrig Castle, Thornhill, Dumfriesshire. DONATION PURCHASED E MUSEUMAN TH O 1 T SR 19 FO S. (19) Fragment a collare f o s d cinerary urn iron a , n objectflinta d an , scraper, fro excavatioe mth Kipe 192n ncaira i th f ,7n o n o Falla , Oxnam, Roxburghshire. (See Notes . 183.p , ) Fragmen uppee th f o rt portioa f no reddish food-vesse , founl 1) smala (fig , n 1 di . l cair Camphousn no e Farm, close to Camptown, Roxburghshire. Fragments of a grey food-vessel, with black corinned ean r surface diametem ri , r estimate inched6 s (fig , 2)—thi1 . s vesse s extremeli l y similafroe on m o t rAlwinton , Northumberland (B.M. Bronze Age Guide, 1920, p. 69 and fig. 60); knife of pale grey flint, 2-2 inches long, -6 inch wide, retouched on both edges of the upper face, half of one edge being finely serrated anothed an , r 1-6 inch long, 1-2 inch wide lone ,th g sides retouche alternatn do e faces, both fro kere mth bf under o stones e on ; fro mgrave-circla e abou fee2 1 tt across, surrounded with stones t aboua , t 800 feet O.D Camphousn .o e Farm, nea Romano-Britise rth h Fort, Edgerston. Portion reddisa f o s h beaker, estimated height 8-5 inches, decorated with roughly executed notched impressions criss-crosse horizontan di l zones, from Edgerston Estate. Presented by Mrs F. S. OLIVER, F.S.A.Scot. (20) Cinerary urns fro Late mth e Bronz cemetere eAg t Pinkiya e Mains (West), Musselburgh. (See Notes, p. 177.) Presented by MUSSELBURGH TOWN COUNCIL. (21) Late Bronz penannulae Ag e r "lock-ring f goldo " , diameter 1-05 inch, of hollow triangular cross-section, each side consisting of a separate thin corrugated strip, joined togethe foldiny rb edgee gth s over (PI. XXIV. ,1) Found near the Biggar Water, Boghall, Lanarkshire. Presented by the finder, Miss G. I. C. GOVAN, 43 Nile Grove, Edinburgh. (22) Bronze double-edged razor and part of its wooden sheath, found Laughton'n i s Knowe Cairn, Holm, Orkney. (See Notes . 173.,p ) Presented by P. SUTHERLAND GRAEME, F.S.A.Scot. (23) Relics from Midhowe Broch, Rousay, Orkney. (See Proceedings, vol. Ixviii.) Bequeathed by WALTER G. GRANT of Trumland. (24) Fragment hand-madf so t rimepo s (fig 5-7), 1 . , walls basesd ,an e on , of the latter having in the centre an impressed dot-and-circle made with the finger-tips; pounder f pino s k granite; small steatite moul ringa r dfo , -75 inch in diameter; small lumps of pumice; part of a cast-iron cannon ball. Fro e Cumlinsmth , Olnesfirth, Shetland (Royal Commission Inventory,. No 1363). Found whe moun e edge th nencroacheth s f eo dwa d upo abouy nb t 3 feet in constructing a farm road in. 1935-37. (The vessel from the same site describe Proceedings,n di illustratew no vols ) i , . 8. fig dn Ixxi, i 23 1 . p . Presente JOHy db N SUTHERLAND e CumlinsTh , , Olnesfirth, through Peter Moar, Corresponding Member. (25) Fragment vessea f s o blac f o l k pottery, havin inside gbevea th n elo of the lip and a sharp shoulder 1 inch below the rim. Found under 4 feet of peat about J mile north-eas thouse e ofth s of Murrion, Eshaness, Northmavine, Shetland. Portion of a slab of red sandstone, sculptured on one side, Fig. 1. an1 ( ) Food-vesseld2 s from Edgerston, Roxburghshire Silve) (3 ; r hand-pin, Freswiok, Caithness; (4) Bronze stud, Newstead Fort; (6-8) Pottery from OInesflrth, Shetland. (No. I two-thirds; Nos. 4/wd 3an Breste size;th l half-size.)al DONATIONS TO AND PURCHASES FOR THE MUSEUM: 193 including near the edge four or five ogham letters (PI. XXII, 4): the two apparent score muce ar s hA betwee lesd san definitnN e tha otherse nth , theid an r ends were certainl t joinedyno , while what migh interpretee b t d s dot a eithen o s e ster th sidm f eo lin e separatin e wordg th probable ar s y accidental bruises.
Recommended publications
  • A Society Wedding in Newport, Rhode Island, in 1910
    A society wedding in Newport, Rhode Island, in 1910. By the end of the 17th century, white had become identified with maidenly innocence. But pink, blue, and yellow bridal dresses persisted until the late 19th century, when "white weddings1'-with bridesmaids, the best man, and composer Richard Wagner's "Bridal Chorusw-became an established tradition. Defining "tradition" is no easy matter. Sociologist Edward Shils called it "anything which is transmitted or handed down from the past to the present." In Chinese weddings as in the U.S. Ma- rine Corps, beliefs, images, social practices, and institutions may all partake of the traditional. Yet the symbols and rituals are less important than the human motives that guide their transmission down through the ages. Tradition may simply function as a means of promoting social stability and continuity. On the other hand, scholars note, it may be deliberately developed and culti- vated as a way of rewriting the past in order to justify the present. Here, in two case studies, Hugh Trevor-Roper and Terence Ran- ger suggest that what we now regard as "age-old" traditions may have their origins in inventive attempts to "establish or legiti- mize . status or relations of authority." by Hugh Trevor-Roper Today, whenever Scotsmen gather together to celebrate their national identity, they wear the kilt, woven in a tartan whose colors and pattern indicate their clan. This apparel, to which they ascribe great antiquity, is, in fact, of fairly recent ori- gin. Indeed, the whole concept of a distinct Highland culture and tradition is a retrospective invention.
    [Show full text]
  • Antiquaries in the Age of Romanticism: 1789-1851
    Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms.
    [Show full text]
  • Gaelic Views
    Gaelic views Follow the gold numbers on the floor to locate the featured objects and themes Gallery plan 16 15 14 17 18 13 Royal favour 12 19 11 A tour of 20 Scotland 10 21 A romantic vision 9 of Scotland 7 22 8 3873 6 4 23 5 3 The Highland ideal Scotland after Culloden 26 24 25 27 2 1 Wild and Majestic: Romantic visions of Scotland Wild and Majestic: Romantic Visions of Scotland 1 Wild and Majestic: Romantic Visions of Scotland Symbols of Scotland These images and objects tell us immediately how a culture came into being in Scotland that was rooted in the traditional culture of the Highlands. But these ‘roots’ are still a matter of contention. How deep do they really go? Do they derive from an ancient culture that was truly Gaelic? Or was this culture created in the Romantic era? We see weaponry, tartans, a painting and a bagpipe. To an extent each item is a new creation: the new tourist view over Loch Katrine in about 1815; sword designed in the 18th century; a dress sense growing out of army uniforms in the years when Highland dress and tartan was proscribed; and a Highland bagpipe in a new style created about 1790. Certainly, the impact of recent fashions was clear to see. But Gaels would still recognise that each piece, to a greater or lesser extent, formed part of their heritage. Wild and Majestic: Romantic Visions of Scotland 2 The Piper and Champion to the Laird of Grant In the wake of the Jacobites The British government had their reason to pass laws against Highland dress after Culloden.
    [Show full text]
  • PICKLE the SPY Or the Incognito of Prince Charles 'I
    PICKLE THE SPY or The Incognito of Prince Charles ‘I knew the Master: on many secret steps of his career I have an authentic memoir in my hand.’ THE MASTER OF BALLANTRAE PREFACE This woful History began in my study of the Pelham Papers in the Additional Manuscripts of the British Museum. These include the letters of Pickle the Spy and of JAMES MOHR MACGREGOR. Transcripts of them were sent by me to Mr. ROBERT LOUIS STEVENSON, for use in a novel, which he did not live to finish. The character of Pickle, indeed, like that of the Master of Ballantrae, is alluring to writers of historical romance. Resisting the temptation to use Pickle as the villain of fiction, I have tried to tell his story with fidelity. The secret, so long kept, of Prince Charles’s incognito, is divulged no less by his own correspondence in the Stuart MSS. than by the letters of Pickle. For Her Majesty’s gracious permission to read the Stuart Papers in the library of Windsor Castle, and to engrave a miniature of Prince Charles in the Royal collection, I have respectfully to express my sincerest gratitude. To Mr. HOLMES, Her Majesty’s librarian, I owe much kind and valuable aid. The Pickle Papers, and many despatches in the State Papers, were examined and copied for me by Miss E. A. IBBS. In studying the Stuart Papers, I owe much to the aid of Miss VIOLET SIMPSON, who has also assisted me by verifying references from many sources. It would not be easy to mention the numerous correspondents who have helped me, but it were ungrateful to omit acknowledgment of the kindness of Mr.
    [Show full text]
  • Don't Take the High Road: Tartanry and Its Critics David Goldie If You W
    Don’t take the High Road: Tartanry and its Critics David Goldie If you were of a religious persuasion and had a sense of humour you might think tartan to be one of God’s better jokes. To match up this gaudy, artificial, eye- strainingly irrational fabric with a countryside characterised by its mists and rains and a correspondingly rather dour people known throughout the world for canniness, pragmatism, and rationality, seems a rather sublime piece of audacity and one that can hardly be explained by the normal historical means. It’s true that there may be material historical reasons for tartan, that an impoverished people might weave a kind of textile bricolage from whatever stray fibres might come to hand, for example, and it’s also plausible that muted tartans might have a practical role as an effective camouflage. But this is still quite far from explaining how a piece of such abstract and unwarranted extravagance as ‘Ye principal clovris of ye clanne Stewart tartan’ might have come into being.1 In a similar vein it’s entirely credible to argue that the heady collision of Sir Walter Scott, King George IV, and European Romanticism in Edinburgh in 1822 explains much about tartanry’s sentimental vulgarity and its weird mixture of ostentation and supplication. But what remains seemingly beyond the range of explication (and what Scott already sensed in his fiction) is the fundamental, almost ridiculous mismatch between this impractical concoction and its symbolic importance to a nation seeking to build an international reputation on its hard practical skills in engineering, industrial chemistry, and finance.
    [Show full text]
  • Landscape and History Since 1500 Ian D
    Landscape and History since IAND. WHYTE landscape and history globalities Series editor: Jeremy Black globalities is a series which reinterprets world history in a concise yet thoughtful way, looking at major issues over large time-spans and political spaces; such issues can be political, ecological, scientific, technological or intellectual. Rather than adopting a narrow chronological or geographical approach, books in the series are conceptual in focus yet present an array of historical data to justify their arguments. They often involve a multi-disciplinary approach, juxtaposing different subject-areas such as economics and religion or literature and politics. In the same series Why Wars Happen Mining in World History Jeremy Black Martin Lynch A History of Language China to Chinatown: Chinese Food Steven Roger Fischer in the West J. A. G. Roberts The Nemesis of Power Harald Kleinschmidt Geopolitics and Globalization in the Twentieth Century Brian W. Blouet Monarchies 1000–2000 W. M. Spellman A History of Writing Steven Roger Fischer The Global Financial System 1750 to 2000 Larry Allen Landscape and History since 1500 ian d. whyte reaktion books For Kathy, Rebecca and Ruth Published by Reaktion Books Ltd 79 Farringdon Road, London ec1m 3ju, uk www.reaktionbooks.co.uk First published 2002 Copyright © Ian D. Whyte 2002 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in Great Britain by Biddles Ltd, Guildford and King’s Lynn British Library Cataloguing in Publication Data Whyte, I.
    [Show full text]
  • Download Issue
    MAN AND THE OCEANS THE CAUSES OF WARS by Michael Howard INVENTING TRADITION COOUNG THE SOUTH WALLACE STEVENS Pertodicds / Books WILSON COLUMBIA THE COLUMBIA BOOK OF THE ANDEAN PAST CHINESE POETRY LAND,SOCIETIES, AND CONFLICTS FROM EARLY TIMES TO THE Magnus Morner. The first comprehensive THIRTEENTH CENTURY history of the area that once comprised the Inca Translated and Edited by Burton Watson. "An Empire and today consists of Bolivia, Ecuador, invaluable body of renderings from the vast and Peru. Explores the way in which man adapted to the awsome Andean environment. tradition of Chinese poetry.. .The presentation of.. [Watson's] assembled translations, drawn Illus. 320 pp., $25.00 (September) from decades of work, is an event to celebrate."-W.S. Merwin.Trans1ations from the INTERNATIONAL STUDIES AND Oriental Classics. 352 pp., $19.95 (August) ACADEMIC ENTERPRISE A CHAPTER IN THE ENCLOSURE OF UNDERSTANDING IMPERIAL AMERICAN LEARNING RUSSIA Robert A. McCaughey, A critical account of the Marc Raeff: Translated by Arthur Goldhammer. historical process by which the scholarly study I was delighted to read this book, which I found by Americans of the outside world, from the interesting, provocative, and informative."- early nineteenth century on, became essentially Richard Wortrnan, Princeton University. 240 pp., an academic enterprise. 312 pp., $28.00 $19.95 (June) GOVERNOR REAGAN, "THE GOVERNMENT OF GOD" GOVERNOR BROWN IRAN'S ISLAMIC REPUBLIC A SOCIOLOGY OF EXECUTIVE POWER Cheryl Benard andzalmay Khalilzad. This is the Gary G. Hamilton and Nicole W Biggart. Based first disciplined study of Iran's turbulent recent on interviews with more than 100 participants history.
    [Show full text]
  • Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 'A Room of Their Own': Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives Carys O'Neill University of Central Florida Part of the European History Commons, and the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation O'Neill, Carys, "'A Room of Their Own': Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives" (2019). Electronic Theses and Dissertations, 2004-2019. 6738. https://stars.library.ucf.edu/etd/6738 ‘A ROOM OF THEIR OWN’: HERITAGE TOURISM AND THE CHALLENGING OF HETEROPATRIARCHAL MASCULINITY IN SCOTTISH NATIONAL NARRATIVES by CARYS ATLANTA O’NEILL B.A. Furman University, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2019 Major Professor: Amelia H. Lyons © 2019 Carys Atlanta O’Neill ii ABSTRACT This thesis explores the visibility of women in traditionally masculine Scottish national narratives as evidenced by their physical representation, or lack thereof, in the cultural heritage landscape. Beginning with the 1707 Act of Union between Scotland and England, a moment cemented in history, literature, and popular memory as the beginning of a Scottish rebirth, this thesis traces the evolution of Scottish national identity and the tropes employed for its assertion to paint a clearer picture of the power of strategic selectivity and the effects of sacrifice in the process of community definition.
    [Show full text]
  • The Invention of Tradition
    The Invention of Tradition Edited by ERIC HOBSBA WM and TERENCE RANGER .:... ,.;.,.CAMBRIDGE - ::: UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarc6n 13, 28014 Madrid, Spain © E. J. Hobsbawm 1983 © Hugh Trevor-Roper 1983 © Prys Morgan 1983 © David Cannadine 1983 © Bernard S. Cohn 1983 © Terence Ranger 1983 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1983 First paperback edition 1984 Reprinted 1985,1986, 1987, 1988, 1989 Canto edition 1992 Reprinted 1993,1994,1995,1996,1997,1999,2000 Printed in the United Kingdom at the University Press, Cambridge Library of Congress Catalogue card number: 82-14711 British Library Cataloguing in Publication data The invention of tradition- (Past and present publications) 1. Sociology 2. Folklore- History I. Hobsbawm, E. J. II. Ranger, Terence Ill. Series 303.3'72 HM201 ISBN 0 521 43773 3 paperback Cover illustration: Car! Haag, Evening at Balmoral. Watercolour, 1854. Windsor Castle, Royal Library. © Her Majesty The Queen. Contents Contributors page vi Introduction: Inventing Traditions ERIC HOBS BA WM 2 The Invention of Tradition: The Highland Tradition of Scotland HUGH TREVOR-ROPER 15 3 From a Death to a View: The Hunt for the Welsh Past in the Romantic Period PRYS MORGAN 43 4 The Context, Performance and Meaning of Ritual: The British Monarchy and the 'Invention of Tradition', c.
    [Show full text]
  • Univttiritv Santa Bil: of Caijforni Jana College
    UNIV’ T T IR IT V O F CA I J F SA NT A B OR NI i l':J A NA COLLEGE LI BRA R Y THE LIST OF CHAPTERS I T HE L S H OPE OF T HE S R S a e . A T TUA T p g 3 I I T HE GR E A VEN R E . AT D TU N R E IN N B III . PRI CE CHA L S EDI URGH FR OM D ER BY T o CUL LOD EN V I H A N W N E N . H s IGHL D A D RI GS A VAGR A N T P R INCE T HE SOB ESK S S VII . I I TUART LIST OF ILLUSTRATIONS ' P R INCE CHAR LI E Fron tiqbzece From a min iature in the possessio n of JEFFR EY TE E Es . WHI H AD , q — JAMES STUA R T T HE OLD P R ETENDER page 4 m v n Fro an en gra i g. — JAM ES STUA R T T H E OLD P R ET ENDER B kin d e rm ssi n o f C HA LK ER ’I‘ O N F . S WOO OR y p i o L D , E . E r h s d n u . q , i b g D ISCUSSI N G T HE NEWS E n m G . O I I R . S . A . B k d er ss n M rs G LVY R D , y i p i io of .
    [Show full text]
  • Ampleforth College Magazine | Spring 2019
    AMPLEFORTH COLLEGE MAGAZINE | SPRING 2019 Our Compass CONTENTS // Production Team: 2 WHY AMPLEFORTH? Editors: Daniel Davison, Chris Starkey & Claire Evans 4 SLEEPING OUT FOR THE HOMELESS Creative Director: [email protected] Design: [email protected] 5 REMEMBRANCE SUNDAY 10 THE ARKWRIGHT SCHOLARSHIP 11 RETREATS 12 REELING 14 MESSIAH 15 THE BUILD UP TO AN EXHIBITION 18 ART CONTENTS 20 NATWEST BOWL 22 CERN 23 ASTRONOMY CLUB Our Compass SPRING 2019 24 DANCE SHOW 26 SMA’S GOT TALENT 27 JUNIOR HOUSE CHRISTMAS SLEEPOVER 28 DA VINCI DECATHLON 30 ERASMUS PROJECT 31 ZAMBIA 34 REMEMBERING THE HOLOCAUST 36 ROCK CONCERT 38 HOCKEY SUCCESS 39 COLOUR RUN 40 AN AMPLEFORTH CABARET 42 HOW IS SCOTTISH IDENTITY CREATED? 46 NEW EQUESTRIAN CENTRE 48 KARATE 49 4X4 IN SCHOOLS 52 BATTLEFIELD TRIP 56 ISRAEL 60 ENGLISH AT CAMBRIDGE 61 AFTERWORD OUR COMPASS | SPRING 2019 | 1 \\ WHY AMPLEFORTH? What advice would you pass onto first year self: “Don’t worry so much; On the challenges of leaving Ampleforth: “One amazing thing about enjoy the friendships you have and don’t take anything for granted. Ampleforth is the network of support, the Housemasters, the Now we are leaving I can see that it is easy to think like that – 5 years Matrons. There is always someone who can help you. I feel like that seems like a lifetime but it goes so quickly. Appreciate what you have.” structure will not be there at university.” “Ampleforth is a place full or opportunities and helps you to “I think I will miss the routine, the order of the day and always thrive, grow and be happy everyday; whatever passions you have, seeing your friends.
    [Show full text]
  • The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2015 The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity Erin F. Walker University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Walker, Erin F., "The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity" (2015). Theses and Dissertations--Music. 45. https://uknowledge.uky.edu/music_etds/45 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]