DOCSLIB.ORG

Request for Reconsideration After Final Action

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Request for Reconsideration After Final Action Under the Paperwork Reduction Act of 1995 no persons are required to respond to a collection of information unless it displays a valid OMB control number. PTO Form 1960 (Rev 10/2011) OMB No. 0651-0050 (Exp 09/20/2020) Request for Reconsideration after Final Action The table below presents the data as entered. Input Field Entered SERIAL NUMBER 87522459 LAW OFFICE ASSIGNED LAW OFFICE 106 MARK SECTION (current) MARK FILE NAME https://tmng-al.uspto.gov/resting2/api/img/87522459/large STANDARD CHARACTERS NO USPTO-GENERATED IMAGE NO COLOR(S) CLAIMED Color is not claimed as a feature of the mark. (If applicable) The mark consists of the configuration of a three-dimensional handbag featuring the distinct combination of: (1) a structured and flat front and back panels made of thin, uniformly-sized strips of rigid material; (2) arranged in an interlocking manner to form three concentric half circles creating a distinctive see-through sunburst design; (3) topped by horizontal strips and a handle made of the same DESCRIPTION OF THE MARK (and Color Location, if applicable) material with a curved tapering cutaway; (4) a curved side panel made of interlocking pieces of the same material and in the same width as the pieces that make up the front and back panels; and (5) spacers in the form of circular beads that connect the handle pieces that are either clear or the same color as the bag. All of the elements submitted as part of the drawing are claimed as part of the mark. Color is not claimed as part of the mark and the stippling is a feature of the mark and does not indicate color. MARK SECTION (proposed) MARK FILE NAME \\TICRS\EXPORT17\IMAGEOUT 17\875\224\87522459\xml16 \RFR0002.JPG STANDARD CHARACTERS NO USPTO-GENERATED IMAGE NO COLOR MARK NO The mark consists of the configuration of a three-dimensional handbag featuring the distinct combination of: (1) a structured and flat panel made of (a) 12 long uniformly-sized strips, (b) 11 medium length uniformly-sized strips, and (c) 22 short uniformly-sized strips, all such strips having a DESCRIPTION OF THE MARK width and depth range of 0.3 to 1 centimeters; (2) arranged in an interlocking manner to form three (and Color Location, if applicable) concentric half circles creating a distinctive see-through sunburst design; (3) topped by five central horizontal strips which are, in turn, (4) flanked by 8 interlocking horizontal strips, all of the same width and depth range, and (5) spacers in the form of circular beads that connect the horizontal pieces. The dotted lines are not part of the mark but are intended only to show placement of the mark. PIXEL COUNT ACCEPTABLE YES PIXEL COUNT 500 x 647 EVIDENCE SECTION EVIDENCE FILE NAME(S) ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._CultG.Response.OfficeAction.Final.02-03-20_CLEAN.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0003.JPG (13 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0004.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0005.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0006.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0007.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0008.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0009.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0010.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0011.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0012.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0013.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0014.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0015.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_1_-_Trade_Dress_Drawing.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0016.JPG (1 page) ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_2__Book.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0017.JPG (4 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0018.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0019.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0020.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_3_Burberry.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0021.JPG (30 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0022.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0023.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0024.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0025.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0026.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0027.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0028.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0029.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0030.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0031.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0032.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0033.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0034.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0035.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0036.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0037.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0038.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0039.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0040.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0041.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0042.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0043.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0044.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0045.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0046.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0047.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0048.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0049.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0050.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_4__Bottega_Venetta.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0051.JPG (5 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0052.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0053.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0054.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0055.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_5_Doc_Martens.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0056.JPG (8 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0057.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0058.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0059.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0060.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0061.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0062.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0063.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_6_Martial_art.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0064.JPG (2 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0065.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_7_Tassle.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0066.JPG (5 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0067.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0068.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0069.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0070.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_8_Bags.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0071.JPG (16 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0072.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0073.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0074.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0075.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0076.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0077.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0078.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0079.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0080.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0081.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0082.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0083.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0084.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0085.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0086.JPG ORIGINAL PDF FILE evi_6320917811-20200203171155364747_._Exhibit_9_-_Articles_counterfeit_goods.pdf CONVERTED PDF FILE(S) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0087.JPG (40 pages) \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0088.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0089.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0090.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0091.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0092.JPG \\TICRS\EXPORT17\IMAGEOUT17\875\224\87522459\xml16\RFR0093.JPG
Load more

Recommended publications
  • A Society Wedding in Newport, Rhode Island, in 1910
    A society wedding in Newport, Rhode Island, in 1910. By the end of the 17th century, white had become identified with maidenly innocence. But pink, blue, and yellow bridal dresses persisted until the late 19th century, when "white weddings1'-with bridesmaids, the best man, and composer Richard Wagner's "Bridal Chorusw-became an established tradition. Defining "tradition" is no easy matter. Sociologist Edward Shils called it "anything which is transmitted or handed down from the past to the present." In Chinese weddings as in the U.S. Ma- rine Corps, beliefs, images, social practices, and institutions may all partake of the traditional. Yet the symbols and rituals are less important than the human motives that guide their transmission down through the ages. Tradition may simply function as a means of promoting social stability and continuity. On the other hand, scholars note, it may be deliberately developed and culti- vated as a way of rewriting the past in order to justify the present. Here, in two case studies, Hugh Trevor-Roper and Terence Ran- ger suggest that what we now regard as "age-old" traditions may have their origins in inventive attempts to "establish or legiti- mize . status or relations of authority." by Hugh Trevor-Roper Today, whenever Scotsmen gather together to celebrate their national identity, they wear the kilt, woven in a tartan whose colors and pattern indicate their clan. This apparel, to which they ascribe great antiquity, is, in fact, of fairly recent ori- gin. Indeed, the whole concept of a distinct Highland culture and tradition is a retrospective invention.
    [Show full text]
  • Antiquaries in the Age of Romanticism: 1789-1851
    Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms.
    [Show full text]
  • Gaelic Views
    Gaelic views Follow the gold numbers on the floor to locate the featured objects and themes Gallery plan 16 15 14 17 18 13 Royal favour 12 19 11 A tour of 20 Scotland 10 21 A romantic vision 9 of Scotland 7 22 8 3873 6 4 23 5 3 The Highland ideal Scotland after Culloden 26 24 25 27 2 1 Wild and Majestic: Romantic visions of Scotland Wild and Majestic: Romantic Visions of Scotland 1 Wild and Majestic: Romantic Visions of Scotland Symbols of Scotland These images and objects tell us immediately how a culture came into being in Scotland that was rooted in the traditional culture of the Highlands. But these ‘roots’ are still a matter of contention. How deep do they really go? Do they derive from an ancient culture that was truly Gaelic? Or was this culture created in the Romantic era? We see weaponry, tartans, a painting and a bagpipe. To an extent each item is a new creation: the new tourist view over Loch Katrine in about 1815; sword designed in the 18th century; a dress sense growing out of army uniforms in the years when Highland dress and tartan was proscribed; and a Highland bagpipe in a new style created about 1790. Certainly, the impact of recent fashions was clear to see. But Gaels would still recognise that each piece, to a greater or lesser extent, formed part of their heritage. Wild and Majestic: Romantic Visions of Scotland 2 The Piper and Champion to the Laird of Grant In the wake of the Jacobites The British government had their reason to pass laws against Highland dress after Culloden.
    [Show full text]
  • PICKLE the SPY Or the Incognito of Prince Charles 'I
    PICKLE THE SPY or The Incognito of Prince Charles ‘I knew the Master: on many secret steps of his career I have an authentic memoir in my hand.’ THE MASTER OF BALLANTRAE PREFACE This woful History began in my study of the Pelham Papers in the Additional Manuscripts of the British Museum. These include the letters of Pickle the Spy and of JAMES MOHR MACGREGOR. Transcripts of them were sent by me to Mr. ROBERT LOUIS STEVENSON, for use in a novel, which he did not live to finish. The character of Pickle, indeed, like that of the Master of Ballantrae, is alluring to writers of historical romance. Resisting the temptation to use Pickle as the villain of fiction, I have tried to tell his story with fidelity. The secret, so long kept, of Prince Charles’s incognito, is divulged no less by his own correspondence in the Stuart MSS. than by the letters of Pickle. For Her Majesty’s gracious permission to read the Stuart Papers in the library of Windsor Castle, and to engrave a miniature of Prince Charles in the Royal collection, I have respectfully to express my sincerest gratitude. To Mr. HOLMES, Her Majesty’s librarian, I owe much kind and valuable aid. The Pickle Papers, and many despatches in the State Papers, were examined and copied for me by Miss E. A. IBBS. In studying the Stuart Papers, I owe much to the aid of Miss VIOLET SIMPSON, who has also assisted me by verifying references from many sources. It would not be easy to mention the numerous correspondents who have helped me, but it were ungrateful to omit acknowledgment of the kindness of Mr.
    [Show full text]
  • Don't Take the High Road: Tartanry and Its Critics David Goldie If You W
    Don’t take the High Road: Tartanry and its Critics David Goldie If you were of a religious persuasion and had a sense of humour you might think tartan to be one of God’s better jokes. To match up this gaudy, artificial, eye- strainingly irrational fabric with a countryside characterised by its mists and rains and a correspondingly rather dour people known throughout the world for canniness, pragmatism, and rationality, seems a rather sublime piece of audacity and one that can hardly be explained by the normal historical means. It’s true that there may be material historical reasons for tartan, that an impoverished people might weave a kind of textile bricolage from whatever stray fibres might come to hand, for example, and it’s also plausible that muted tartans might have a practical role as an effective camouflage. But this is still quite far from explaining how a piece of such abstract and unwarranted extravagance as ‘Ye principal clovris of ye clanne Stewart tartan’ might have come into being.1 In a similar vein it’s entirely credible to argue that the heady collision of Sir Walter Scott, King George IV, and European Romanticism in Edinburgh in 1822 explains much about tartanry’s sentimental vulgarity and its weird mixture of ostentation and supplication. But what remains seemingly beyond the range of explication (and what Scott already sensed in his fiction) is the fundamental, almost ridiculous mismatch between this impractical concoction and its symbolic importance to a nation seeking to build an international reputation on its hard practical skills in engineering, industrial chemistry, and finance.
    [Show full text]
  • Landscape and History Since 1500 Ian D
    Landscape and History since IAND. WHYTE landscape and history globalities Series editor: Jeremy Black globalities is a series which reinterprets world history in a concise yet thoughtful way, looking at major issues over large time-spans and political spaces; such issues can be political, ecological, scientific, technological or intellectual. Rather than adopting a narrow chronological or geographical approach, books in the series are conceptual in focus yet present an array of historical data to justify their arguments. They often involve a multi-disciplinary approach, juxtaposing different subject-areas such as economics and religion or literature and politics. In the same series Why Wars Happen Mining in World History Jeremy Black Martin Lynch A History of Language China to Chinatown: Chinese Food Steven Roger Fischer in the West J. A. G. Roberts The Nemesis of Power Harald Kleinschmidt Geopolitics and Globalization in the Twentieth Century Brian W. Blouet Monarchies 1000–2000 W. M. Spellman A History of Writing Steven Roger Fischer The Global Financial System 1750 to 2000 Larry Allen Landscape and History since 1500 ian d. whyte reaktion books For Kathy, Rebecca and Ruth Published by Reaktion Books Ltd 79 Farringdon Road, London ec1m 3ju, uk www.reaktionbooks.co.uk First published 2002 Copyright © Ian D. Whyte 2002 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed and bound in Great Britain by Biddles Ltd, Guildford and King’s Lynn British Library Cataloguing in Publication Data Whyte, I.
    [Show full text]
  • Download Issue
    MAN AND THE OCEANS THE CAUSES OF WARS by Michael Howard INVENTING TRADITION COOUNG THE SOUTH WALLACE STEVENS Pertodicds / Books WILSON COLUMBIA THE COLUMBIA BOOK OF THE ANDEAN PAST CHINESE POETRY LAND,SOCIETIES, AND CONFLICTS FROM EARLY TIMES TO THE Magnus Morner. The first comprehensive THIRTEENTH CENTURY history of the area that once comprised the Inca Translated and Edited by Burton Watson. "An Empire and today consists of Bolivia, Ecuador, invaluable body of renderings from the vast and Peru. Explores the way in which man adapted to the awsome Andean environment. tradition of Chinese poetry.. .The presentation of.. [Watson's] assembled translations, drawn Illus. 320 pp., $25.00 (September) from decades of work, is an event to celebrate."-W.S. Merwin.Trans1ations from the INTERNATIONAL STUDIES AND Oriental Classics. 352 pp., $19.95 (August) ACADEMIC ENTERPRISE A CHAPTER IN THE ENCLOSURE OF UNDERSTANDING IMPERIAL AMERICAN LEARNING RUSSIA Robert A. McCaughey, A critical account of the Marc Raeff: Translated by Arthur Goldhammer. historical process by which the scholarly study I was delighted to read this book, which I found by Americans of the outside world, from the interesting, provocative, and informative."- early nineteenth century on, became essentially Richard Wortrnan, Princeton University. 240 pp., an academic enterprise. 312 pp., $28.00 $19.95 (June) GOVERNOR REAGAN, "THE GOVERNMENT OF GOD" GOVERNOR BROWN IRAN'S ISLAMIC REPUBLIC A SOCIOLOGY OF EXECUTIVE POWER Cheryl Benard andzalmay Khalilzad. This is the Gary G. Hamilton and Nicole W Biggart. Based first disciplined study of Iran's turbulent recent on interviews with more than 100 participants history.
    [Show full text]
  • Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2019 'A Room of Their Own': Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives Carys O'Neill University of Central Florida Part of the European History Commons, and the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation O'Neill, Carys, "'A Room of Their Own': Heritage Tourism and the Challenging of Heteropatriarchal Masculinity in Scottish National Narratives" (2019). Electronic Theses and Dissertations, 2004-2019. 6738. https://stars.library.ucf.edu/etd/6738 ‘A ROOM OF THEIR OWN’: HERITAGE TOURISM AND THE CHALLENGING OF HETEROPATRIARCHAL MASCULINITY IN SCOTTISH NATIONAL NARRATIVES by CARYS ATLANTA O’NEILL B.A. Furman University, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2019 Major Professor: Amelia H. Lyons © 2019 Carys Atlanta O’Neill ii ABSTRACT This thesis explores the visibility of women in traditionally masculine Scottish national narratives as evidenced by their physical representation, or lack thereof, in the cultural heritage landscape. Beginning with the 1707 Act of Union between Scotland and England, a moment cemented in history, literature, and popular memory as the beginning of a Scottish rebirth, this thesis traces the evolution of Scottish national identity and the tropes employed for its assertion to paint a clearer picture of the power of strategic selectivity and the effects of sacrifice in the process of community definition.
    [Show full text]
  • The Invention of Tradition
    The Invention of Tradition Edited by ERIC HOBSBA WM and TERENCE RANGER .:... ,.;.,.CAMBRIDGE - ::: UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarc6n 13, 28014 Madrid, Spain © E. J. Hobsbawm 1983 © Hugh Trevor-Roper 1983 © Prys Morgan 1983 © David Cannadine 1983 © Bernard S. Cohn 1983 © Terence Ranger 1983 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1983 First paperback edition 1984 Reprinted 1985,1986, 1987, 1988, 1989 Canto edition 1992 Reprinted 1993,1994,1995,1996,1997,1999,2000 Printed in the United Kingdom at the University Press, Cambridge Library of Congress Catalogue card number: 82-14711 British Library Cataloguing in Publication data The invention of tradition- (Past and present publications) 1. Sociology 2. Folklore- History I. Hobsbawm, E. J. II. Ranger, Terence Ill. Series 303.3'72 HM201 ISBN 0 521 43773 3 paperback Cover illustration: Car! Haag, Evening at Balmoral. Watercolour, 1854. Windsor Castle, Royal Library. © Her Majesty The Queen. Contents Contributors page vi Introduction: Inventing Traditions ERIC HOBS BA WM 2 The Invention of Tradition: The Highland Tradition of Scotland HUGH TREVOR-ROPER 15 3 From a Death to a View: The Hunt for the Welsh Past in the Romantic Period PRYS MORGAN 43 4 The Context, Performance and Meaning of Ritual: The British Monarchy and the 'Invention of Tradition', c.
    [Show full text]
  • Univttiritv Santa Bil: of Caijforni Jana College
    UNIV’ T T IR IT V O F CA I J F SA NT A B OR NI i l':J A NA COLLEGE LI BRA R Y THE LIST OF CHAPTERS I T HE L S H OPE OF T HE S R S a e . A T TUA T p g 3 I I T HE GR E A VEN R E . AT D TU N R E IN N B III . PRI CE CHA L S EDI URGH FR OM D ER BY T o CUL LOD EN V I H A N W N E N . H s IGHL D A D RI GS A VAGR A N T P R INCE T HE SOB ESK S S VII . I I TUART LIST OF ILLUSTRATIONS ' P R INCE CHAR LI E Fron tiqbzece From a min iature in the possessio n of JEFFR EY TE E Es . WHI H AD , q — JAMES STUA R T T HE OLD P R ETENDER page 4 m v n Fro an en gra i g. — JAM ES STUA R T T H E OLD P R ET ENDER B kin d e rm ssi n o f C HA LK ER ’I‘ O N F . S WOO OR y p i o L D , E . E r h s d n u . q , i b g D ISCUSSI N G T HE NEWS E n m G . O I I R . S . A . B k d er ss n M rs G LVY R D , y i p i io of .
    [Show full text]
  • Ampleforth College Magazine | Spring 2019
    AMPLEFORTH COLLEGE MAGAZINE | SPRING 2019 Our Compass CONTENTS // Production Team: 2 WHY AMPLEFORTH? Editors: Daniel Davison, Chris Starkey & Claire Evans 4 SLEEPING OUT FOR THE HOMELESS Creative Director: [email protected] Design: [email protected] 5 REMEMBRANCE SUNDAY 10 THE ARKWRIGHT SCHOLARSHIP 11 RETREATS 12 REELING 14 MESSIAH 15 THE BUILD UP TO AN EXHIBITION 18 ART CONTENTS 20 NATWEST BOWL 22 CERN 23 ASTRONOMY CLUB Our Compass SPRING 2019 24 DANCE SHOW 26 SMA’S GOT TALENT 27 JUNIOR HOUSE CHRISTMAS SLEEPOVER 28 DA VINCI DECATHLON 30 ERASMUS PROJECT 31 ZAMBIA 34 REMEMBERING THE HOLOCAUST 36 ROCK CONCERT 38 HOCKEY SUCCESS 39 COLOUR RUN 40 AN AMPLEFORTH CABARET 42 HOW IS SCOTTISH IDENTITY CREATED? 46 NEW EQUESTRIAN CENTRE 48 KARATE 49 4X4 IN SCHOOLS 52 BATTLEFIELD TRIP 56 ISRAEL 60 ENGLISH AT CAMBRIDGE 61 AFTERWORD OUR COMPASS | SPRING 2019 | 1 \\ WHY AMPLEFORTH? What advice would you pass onto first year self: “Don’t worry so much; On the challenges of leaving Ampleforth: “One amazing thing about enjoy the friendships you have and don’t take anything for granted. Ampleforth is the network of support, the Housemasters, the Now we are leaving I can see that it is easy to think like that – 5 years Matrons. There is always someone who can help you. I feel like that seems like a lifetime but it goes so quickly. Appreciate what you have.” structure will not be there at university.” “Ampleforth is a place full or opportunities and helps you to “I think I will miss the routine, the order of the day and always thrive, grow and be happy everyday; whatever passions you have, seeing your friends.
    [Show full text]
  • The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2015 The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity Erin F. Walker University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Walker, Erin F., "The Scottish Pipe Band in North America: Tradition, Transformation, and Transnational Identity" (2015). Theses and Dissertations--Music. 45. https://uknowledge.uky.edu/music_etds/45 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]