Kristen Hogan's the Feminist Bookstore
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MlT's The Weather Oldest and Largest Today: Partly sunny, 35°F (2°C) Tonight: Clear, cold, 20°F (-60C) Newspaper Tomorrow: Cloudy, 37°F (30C) De~, Page 2 Volume 115, Number 8 Cambridge, Massachusetts 02139 Friday, March 3, 1995 loan Grows But Keeps Flexibility By Jeremy Hylton more applications this year than last, TECHNOWGY DIRECTOR and each graduate received an aver- The Sloan School of Manage- age of3.5 job offers, he said. ment will increase the size of its The increased class size will ~llso master's program by 33 percent bring "much added visibility and over the next two years, bringing impact in the' marketplace," Abeln e program's total enrollment to said. "We'll have more alumni out 80 students by fall 1996. there who can come back as An increased demand - both recruiters or recommend students." from applicants and from recruiters Abeln explained that the - prompted the school to expand increased number of applicants enrollment, said Dean of the Sloan reflects a more general trend in busi- School of Management 'Glen L. ness education. "Generally there is Urban in a February announcement. an increased demand for th.e master "We have seen a sustained of business administration degree. demand, both from prospective stu- Many of business schools are expe- ents seeking a Sloan degree and riencing similar increases in appli- from industry for Sloan master's cations," he said. graduates:: Utban said. : The difference between Sloan "We feel we're responding to the and other schools is size: Next " stomer," said Lawrence S. Abeln, year's entering class of 340 director of the master's program. -
In This Issue
The Women’s Review of Books Vol. XXI, No. 1 October 2003 74035 $4.00 I In This Issue I In Zelda Fitzgerald, biographer Sally Cline argues that it is as a visual artist in her own right that Zelda should be remembered—and cer- tainly not as F. Scott Fitzgerald’s crazy wife. Cover story D I What you’ve suspected all along is true, says essayist Laura Zimmerman—there really aren’t any feminist news commentators. p. 5 I “Was it really all ‘Resilience and Courage’?” asks reviewer Rochelle Goldberg Ruthchild of Nehama Tec’s revealing new study of the role of gender during the Nazi Holocaust. But generalization is impossible. As survivor Dina Abramowicz told Tec, “It’s good that God did not test me. I don’t know what I would have done.” p. 9 I No One Will See Me Cry, Zelda (Sayre) Fitzgerald aged around 18 in dance costume in her mother's garden in Mont- Cristina Rivera-Garza’s haunting gomery. From Zelda Fitzgerald. novel set during the Mexican Revolution, focuses not on troop movements but on love, art, and madness, says reviewer Martha Gies. p. 11 Zelda comes into her own by Nancy Gray I Johnnetta B. Cole and Beverly Guy-Sheftall’s Gender Talk is the Zelda Fitzgerald: Her Voice in Paradise by Sally Cline. book of the year about gender and New York: Arcade, 2002, 492 pp., $27.95 hardcover. race in the African American com- I munity, says reviewer Michele Faith ne of the most enduring, and writers of her day, the flapper who jumped Wallace. -
Blueprint for a Feminist Bookstore Future A
Spring 2020 67 BLUEPRINT FOR A FEMINIST BOOKSTORE Errol “E.R” Anderson, Charis Circle Executive Director TBooks and More is how homey the space feels, how “safe.” It is, in part, this feeling of warmth, of respite in an increasingly fractured world, that has kept customers and program attend- ees returning to Charis for more than forty-four years. I cannot write about Charis in an objective way because Charis raised me and made me so much of the person I am today. I came to Charis through the young women’s writer’s program run by Charis co- founder Linda Bryant in 1998 and have grown up within the walls of 1189 Euclid Ave., honing my politics and my writing, making - ris Circle. Because we have survived when many other feminist and independent bookstores have not, people want to know how we do it. As I write this in March of 2019, Charis is preparing to embark on a once in a lifetime move to begin a partnership with independent, feminist bookstore, Charis Books and More and and add Charis at Agnes Scott College, a school store serving the needs of the Agnes Scott College Community. This is our story 68 Sinister Wisdom 116- Making Connections The Charis Story, 1974–19951 a twenty-one-year-old philanthropist named Edie Cofrin that her dream of being “surrounded by books that would encourage and enlighten people.” Linda and her cofounder Barbara Borgman started without a business plan, or business experience, using an owner-operator setup, in a neighborhood that was then more run-down than revolutionary. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
The Sexual Politics of Meat by Carol J. Adams
THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women . -
Polish Journal for American Studies Yearbook of the Polish Association for American Studies
Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story ............................................. -
Anarcha-Feminism.Pdf
mL?1 P 000 a 9 Hc k~ Q 0 \u .s - (Dm act @ 0" r. rr] 0 r 1'3 0 :' c3 cr c+e*10 $ 9 TABLE OF CONTENTS Introduction.... 1 Anarcha-Feminism: what it is and why it's important.... 4 Anarchism. Feminism. and the Affinity Group.... 10 Anarcha-Feminist Practices and Organizing .... 16 Global Women's Movements Through an anarchist Lens ..22 A Brief History of Anarchist Feminism.... 23 Voltairine de Cleyre - An Overview .... 26 Emma Goldman and the benefits of fulfillment.... 29 Anarcha-Feminist Resources.... 33 Conclusion .... 38 INTRODUCTION This zine was compiled at the completion of a quarters worth of course work by three students looking to further their understanding of anarchism, feminism, and social justice. It is meant to disseminate what we have deemed important information throughout our studies. This information may be used as a tool for all people, women in particular, who wish to dismantle the oppressions they face externally, and within their own lives. We are two men and one woman attempting to grasp at how we can deconstruct the patriarchal foundations upon which we perceive an unjust society has been built. We hope that at least some component of this work will be found useful to a variety of readers. This Zine is meant to be an introduction into anarcha-feminism, its origins, applications, and potentials. Buen provecho! We acknowledge that anarcha-feminism has historically been a western theory; thus, unfortunately, much of this ziners content reflects this limitation. However, we have included some information and analysis on worldwide anarcha-feminists as well as global women's struggles which don't necessarily identify as anarchist. -
Women in Transition
eminist Collections Quarterly of Women's Studies Resources versity of Wisconsin System Memorial Library :Phyllis Holman Weisbard, Linda Shult : Miriam Greenwald sistance from: Ingrid Markhardt, Renee Beaudoin, Beth r, Christina Stross nsin individuals or nonprofit women's programs); $22.50 Feminkf CoIleCtiom, full text of Core Lids in Women's Studies on such topics as aging, feminist peda- gogy, fdm studies, health, lesbian studies, mass media, and women of color in the U.S., a listing of WinsinBibliographies in Women's Studies, including full text of a number of them, a catalog of films and videos in the UW System Women's Studies Audiovisual Collection, and links to other selected websites on women and gender as well as to search engines and general databases. Copyright 1996 Regents of the University of Wisconsin System Feminist Collections A Quarterly of Women's Studies Resources Volume 17, Nos.3-4, SpringISummer 1996 CONTENTS From the Editors Book Reviews Contesting Culture: Gender Interests and Strategies of Resistance by Sharon Tiffany "Get Used to the Noise. The Next Generation is Coming." by Amy Shepherd Exiles, Immigrants, and Refugees: Women Making Choices by Ivette Valdes Feminist Visions: Women in Transition: Perspectives from the Chippewa Valley by Sarah Harder Come On, Join the Conversation!:'Zines as a Medium for Feminist Dialogue and Community Building by Angela Richardson Computer Talk Compiled by Linda Shult Feminist Publishing Wisconsin Bibliographies in Women's Studies New Reference Works in Women's Studies Reviewed by Phyllis Holman Weisbard (with contributions by Margery Katz and Linda Krikos) Periodical Notes Compiled by Linda Shult Items of Note Compiled by Renee Beaudoin Books Recently Received Supplement: Index to Vo1.17 Contesting Culture: Gender Interests the wave of terror that swept the Guatemalan highlands during the and Strategies of Resistance 1970's and 1980's. -
In Libraries Volume 31, No
Women FF FEMINIST TASK FORCE in Libraries Volume 31, No. 2 The Feminist Task Force Spring2002 Bloomer Project Announces First Annual List Two years ago, Shana Carey introduced introduce children growing up in the South during nineteenth-centwy feminist activist Amelia Bloomer the Civil Rights Movement, photographers on the to young readers in You Forgot Your Skirt, Amelia cutting edge of their times, young women surviving Bloomer! This picture book uses humor and history in today's Afghanistan, and pioneers in the fields of to bring the life and work of this pioneering newspa· flying and space exploration. Other books feature per editor, feminist thinker, public speaker, and suf. girls who outwit dragons, create petroglyphs to save a fragist to a new generation. tribe, and train to win battles in medieval England In the spirit of Amelia Bloomer, the Femi From a picture book using bear hair and nist Task· Force proudly announces the first annual other earthen materials in its illustrations to a biogra· Amelia Bloomer List, a bibliography of appealing phy written in graphic-novel format, these books feminist books for young readers from birth to 18. show girls and women exploring exciting ways to Books in this list for this honor are published during solve practical dilemmas through the courage of their the 18 months prior to the selection in January of convictions. All spur the imagination and expand the each year. limits of dreams while confronting traditional female Set from prehistoric times to the present, stereotypes. And best of all, these books are fun these hooks, both fiction and nonfiction, provide role reading! models of strong, capable, creative women. -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library. -
Decolonial Feminist Comix Methodology (With Handy Illustrations)
From Inclusion to Transformation: Decolonial Feminist Comix Methodology (With Handy Illustrations) Frances Amelia Howes Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Rhetoric and Writing Katrina M. Powell, Chair Paul Heilker James M. Dubinsky Kelly Belanger Malea Powell June 27, 2014 Blacksburg, VA Keywords: rhetoric, comics, feminism, decolonial, composition Copyright 2014 From Inclusion to Transformation: Decolonial Feminist Comix Methodology (With Handy Illustrations) Frances Amelia Howes ABSTRACT Feminist rhetorics need to move us from inclusion to transformation: instead of “including” more and more marginalized groups into the scholarly status quo, or “including” comics into methods of analysis that we already use, we need to transform our practices themselves. Seeing comics research as an expedition into comics doesn't work. The spatial metaphor is failing because it's analogous to a takeover in the colonial sense. I center the both/and experience of being a producer of comics and analyst of them. Drawing from a critical reading of my own comic, I describe “the disobedient how,” a way of learning from transgressive models. I argue that instead of “collecting” comics, decolonial feminist methodology asks that we “attend” comics through listening, experiencing, and having a relationship with them and their creators. As Shawn Wilson's work suggests, knowledge lies in relationships. I use this concept to guide an analysis of Lynda Barry’s recent comics work as well as her comments during a panel at the Comics: Philosophy and Practice conference. In order for academics to have true knowledge about Barry’s work, we must have a right relationship to her and to it, which requires decolonizing our relationship to texts and taking Barry’s comics seriously as sources of theory. -
T H E U N I V E R S I T Y O F W I S C O N S I N S Y S T
T h e U n i v e r s i t y o f W i s c o n s i n S y s t e m Feminist Collections A Quarterly of Women’s Studies Resources W OMEN’ S S TUDIES Volume 25, Number 3, Spring 2004 Published by Phyllis Holman Weisbard L IBRARIAN Women’s Studies Librarian Feminist Collections A Quarterly of Women’s Studies Resources Women’s Studies Librarian University of Wisconsin System 430 Memorial Library 728 State St. Madison, WI 53706 Phone: 608-263-5754 Fax: 608-265-2754 Email: [email protected] Website: http://www.library.wisc.edu/libraries/WomensStudies/ Editors: Phyllis Holman Weisbard, JoAnne Lehman Cover illustration: Miriam Greenwald Cartoon (p.6): Steve Greenberg for the Seattle Post-Intelligencer, 1999. Reprinted with permission. Other line drawings: Miriam Greenwald Graphic design assistance: Dan Joe Staff assistance: Elizabeth Drake, Linda Fain, Melissa Gotlieb, Christine Kuenzle, Ingrid Markhardt, Mary Pfotenhauer Subscriptions: $30 (individuals or nonprofit women’s programs, outside Wisconsin); $55 (institutions, outside Wisconsin); $16 (Wisconsin individuals or nonprofit women’s programs); $22.50 (Wisconsin institutions); $8.25 (UW individuals); $15 (UW organizations). Wisconsin subscriber amounts include state tax, except for UW organization amount. Postage (for foreign subscribers only): surface mail (Canada: $13; all others: $15); air mail (Canada: $25; all others: $55). (Subscriptions are by calendar year and cover three publications produced by this office: Feminist Collections, Feminist Periodicals, and New Books on Women & Feminism.) Make checks payable to University of Wisconsin-Madison and send to the above address. Please indicate if you do not want your name and address shared with other groups.