Translating Metaphor and Simile from Persian to English: a Case Study of Khayyam‘S Quatrains
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9781474448185 Persian Prese
The Persian Presence in Victorian Poetry Reza Taher-Kermani 66276_Taher-Kermani.indd276_Taher-Kermani.indd i 224/02/204/02/20 11:14:14 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Reza Taher-Kermani, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 4816 1 (hardback) ISBN 978 1 4744 4818 5 (webready PDF) ISBN 978 1 4744 4819 2 (epub) The right of Reza Taher-Kermani to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66276_Taher-Kermani.indd276_Taher-Kermani.indd iiii 224/02/204/02/20 11:14:14 PPMM Contents Series Editor’s Preface iv Acknowledgements vi Introduction 1 1. Persia in the West 13 2. Persia and Nineteenth-Century English Poetry 75 3. ‘Sohrab and Rustum’ 114 4. Rubáiyát of Omar Khayyám 146 5. Ferishtah’s Fancies 174 Epilogue: The Persian Presence in Victorian Poetry 204 Bibliography 207 Index 221 66276_Taher-Kermani.indd276_Taher-Kermani.indd iiiiii 224/02/204/02/20 11:14:14 PPMM Series Editor’s Preface ‘Victorian’ is a term, at once indicative of a strongly determined con- cept and an often notoriously vague notion, emptied of all mean- ingful content by the many journalistic misconceptions that persist about the inhabitants and cultures of the British Isles and Victoria’s Empire in the nineteenth century. -
The Rubaiyat of Omar Khayyam
B 1.172.553 Digitized by Coogle Digitized by Coogle Digitized by Coogle THE RUBA’IYAT OF OMAR KHAYYAM Digitized by Google This Edition has bttn specially revised by the Translator for L. C. Page and Company. Digitized by Google *-' THE RUBA IYAT OF OMAR KHAYYAM AFACSI M I LE-OFTHE MSifl*! *1 ik INTHEBODLE lAN-LI B RARY-lf TRANSLATEDANOEDITEO# ,‘EbmRDHERONALLENl m Digitized by Google ?K G5I> .ES nsc ! Digitized by Coogle THE RUBA’IYAT OF OMAR KHAYYAM BEING A Facsimile of the Manuscript in the Bodleian Library at Oxford, with a Transcript into modem Persian Characters, TRANSLATED, WITH AN INTRODUCTION AND NOTES, AND A BIBLIOGRAPHY, AND SOME SIDELIGHTS UPON EDWARD FITZGERALD’S POEM BY EDWARD HERON-ALLEN ,iyj lia^ )l iS kilc SECOND EDITION Carefnlty Revised and considerably Enlarged BOSTON L. C. PAGE AND COMPANY, INC. MDCCCXCVIII Digitized by Google ?\( (iSlI COPYRIGHT i8o8 by L. C. PAGE AND COMPANY. INC. Entered at Stationers,' Hall, Loyidon. Digitized by G Digitizod by Google fJt). /./f- TABLE OF CONTENTS fAGI Introduction i— ulii English tfansUtion i Photographic facsimile of MS. 29 Bibliographical references, for abbreviationb in tlic notes ns Facsimile pages with transcript, translation, and notes 110 Bibliography of Omar Khayyam - • • 281 Some Sidelights upon Edward FitzGerald's Poem, ’’ “ The Rnba'iyat of Omar Khayyam - • 280 Digitized by Google PREFATORY NOTE TO THE SECOND EDITION I CONFESS that I am surprised—and agreeably so—to find that, within six months of the first publication of this volume, a second and larger edition is called for. I am not, however, so blinded with satisfaction as not to realize that the success of my book has been brought about, not so much by any intrinsic merits of its own, as by the ever-widening interest that is felt in the matchless poem of FitzGerald which was primarily responsible for its appearance. -
OMARIANA Bulletin of the Dutch Omar Khayyám Society
OMARIANA Bulletin of the Dutch Omar Khayyám Society Volume 10, nr. 1, Summer 2010 Issued once or twice a year [email protected] Celebrating the Rubaiyat in 2009 Review and assessment he year 2009 marked the 150th anniversary of the publication of Edward FitzGerald's first edition of his Rubaiyat of Omar Khayyam. The year also T saw the 200th birthday of Edward FitzGerald himself. This coincidence of anniversaries encouraged a number of Rubaiyat enthusiasts in different countries to stimulate a renewal of interest in FitzGerald and the Rubaiyat, by creating events of various kinds that would make 2009 a real Year of the Rubaiyat. This note reviews the volume, edited by Professor Erik Gray, main Rubaiyat related provided a useful updating of the state of events that took place FitzGerald and Rubaiyat studies mainly either during or from the point of view of English litera- shortly after the year, ture. In November of the same year, the and makes some assessment of what they first commemorative exhibition was have achieved. A full listing of all the opened in Phoenix, Arizona, when the events known to the authors can be seen Phoenix Art Museum presented the origi- on their Rubaiyat website1. Inevitably nal artwork of Elihu Vedder's famous il- there were good ideas for celebrations that lustrated Rubaiyat published in 1884. fell by the wayside. However, some 50 different events took place and their range The programme of exhibitions took off was wide, falling into the following main from the beginning of 2009 with five dif- categories: exhibitions; lectures and con- ferent exhibitions opening in January and ferences, broadcasts on radio and TV; February, three in the United Sates, one in verse recitals and music performances; the Nether- creation of new plays, paintings and other lands and one artworks. -
The Great 'Umar Khayyam
The Great ‘Umar Khayyam Great The IRANIAN IRANIAN SERIES SERIES The Rubáiyát by the Persian poet ‘Umar Khayyam (1048-1131) have been used in contemporary Iran as resistance literature, symbolizing the THE GREAT secularist voice in cultural debates. While Islamic fundamentalists criticize ‘UMAR KHAYYAM Khayyam as an atheist and materialist philosopher who questions God’s creation and the promise of reward or punishment in the hereafter, some A GLOBAL RECEPTION OF THE RUBÁIYÁT secularist intellectuals regard him as an example of a scientist who scrutinizes the mysteries of the universe. Others see him as a spiritual A.A. Seyed-Gohrab (ed.) master, a Sufi, who guides people to the truth. This remarkable volume collects eighteen essays on the history of the reception of ‘Umar Khayyam in various literary traditions, exploring how his philosophy of doubt, carpe diem, hedonism, and in vino veritas has inspired generations of poets, novelists, painters, musicians, calligraphers and filmmakers. ‘This is a volume which anybody interested in the field of Persian Studies, or in a study of ‘Umar Khayyam and also Edward Fitzgerald, will welcome with much satisfaction!’ Christine Van Ruymbeke, University of Cambridge Ali-Asghar Seyed-Gohrab is Associate Professor of Persian Literature and Culture at Leiden University. A.A. Seyed-Gohrab (ed.) A.A. Seyed-Gohrab WWW.LUP.NL 9 789087 281571 LEIDEN UNIVERSITY PRESS The Great <Umar Khayyæm Iranian Studies Series The Iranian Studies Series publishes high-quality scholarship on various aspects of Iranian civilisation, covering both contemporary and classical cultures of the Persian cultural area. The contemporary Persian-speaking area includes Iran, Afghanistan, Tajikistan, and Central Asia, while classi- cal societies using Persian as a literary and cultural language were located in Anatolia, Caucasus, Central Asia and the Indo-Pakistani subcontinent. -
( Ahwal) in the Rubaiyat of Omar Khayyam
AICLL KnE Social Sciences The 1st Annual International Conference on Language and Literature Volume 2018 Conference Paper The Spiritual States (Ahwal) in the Rubaiyat of Omar Khayyam Sri Wulan and Devi Pratiwy Fakultas Sastra, Universitas Islam Sumatera Utara, Medan, Indonesia Abstract The Rubaiyat is a collection of four line stanzas. Originally, it was written by Omar Khayyam, a Persian poet, but later it was translated by Edward FitzGerald into English. It is translated version of FitzGerald, established in five editions that make the Rubaiyat widely known in the world of literature, especially English literature. This study deals with the 1859 first edition. The Rubaiyat is the exposition of Khayyam’s contemplation of life and Divinity, which is highly appreciated, and of great importance in the world of literature and a stepping progress to spirituality. Concerning the contemplation Corresponding Author: of Divine existence, the poet has experienced spiritual states. These spiritual states Sri Wulan or experiences are called Ahwal in the concept of Sufism. The Ahwal are the main [email protected] concern of this study. This concept is referred to the classification of Ahwal given by Received: 13 March 2018 Qushayri (1966). There are six forms of Ahwal expressed by Omar Khayyam in the Accepted: 10 April 2018 Rubaiyat. They are Wajd ‘Ecstacy’, Dzawq ‘Taste’, Fana ‘Exctincion’, Baqa ‘Permanency’, Published: 19 April 2018 ‘Ishq ‘Divine Love’, and Sukr’ ‘Intoxication’. Then, it is found that the six spiritual states, Publishing services provided by Ahwal, are undergone by Omar khayam and they are replected through his Rubaiyat. Knowledge E Sri Wulan and Devi Keywords: the Rubaiyat, spiritual state, ahwal, divinity, sufi poem. -
Persia's Contribution to Literature
PERSIA'S CONTRIBUTION TO LITERATURE BY SIR E. DENISON ROSS THE PURELY literary output of Persia, in the pre-Islamic period between the sixth century B.C. and the seventh century A.D., consisted primarily of the sacred books of the Zoroastrians, to which were added a few secular works. The sacred books included the Zend Avesta, the Gathas, and the later translations and commen- taries on the Avesta. The secular literature was, first, narratives, of which the most famous was the lost translation from the Sans- krit of the Fables of Bidpai ; and histories dealing with the exploits and adventures of the Sasanian kings, of which only a few exam- ples have come down to us. All these were in the old Persian as written in the Pahlevi script, which is so difficult that it is little more than a code. The sacred books naturally had no influence on Islamic historical, were mainly responsible for Fir- literature ; the however, dawsi's great epic of the kings. With the arrival of the conquering and proselytizing Arabs in Persia, Zoroastrian literature was supplanted by the Qur'an ; and for a century or more the illiterate masses of Persia, to whom the clumsy Pahlevi script had been quite unintelligible, were brought face to face with a sacred book written not only in a practical alpha- bet, but also in a language actually spoken by those who taught it, so that the people as a whole were rapidly becoming literate. Xot all the Persians accepted Islam, but the vast majority did, and thus, while Persian in its various dialects continued to be spoken through- out the country, the intelligentsia were learning Arabic. -
A Contemporary Re-Interpretation of the Rubaiyat of Omar Khayyam
DOCTORAL THESIS Ruby: A Contemporary Re-interpretation of The Rubaiyat of Omar Khayyam Ahanchian, Michael Zand Award date: 2014 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Ruby: A Contemporary Re-interpretation of The Rubaiyat of Omar Khayyam by Michael Zand Ahanchian MA (Cantab), MRes A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of English and Creative Writing University of Roehampton Abstract This study is a practice-based creative writing project with an accompanying thesis. It consists of Ruby, a work of poetry and prose, along with a thesis that seeks to contextualise it within literary poetics. The Rubaiyat of Omar Khayyam is the creative point of origin of Ruby. It is not a translation of The Rubaiyat in the traditional sense but rather a re-interpretation of the earlier text. -
Omar Khayyam's Ruba'iyat and Rumi's Masnavi Interpreted. The
Chapter 6 Omar Khayyam’s Ruba’iyat and Rumi’s Masnavi Interpreted. The Politics and Scholarship of Translating Persian Poetry 1Truth and Poetry of TwoPersian Poets In 1072,the youngphilosopher Omar Khayyamenteredthe CentralAsian capital of scholarshipSamarkand.Ashewalkedthroughthe city,hefound amob assault- ingastudentofthe greatphilosopher Ibn Sina (Avicenna).Khayyam intervened to save thestudent.But hisreputationasaphilosopherand poet of hereticmateri- alistverseshad preceded Khayyamand when thecrowd discovered whohewas, they turned on himand roughedhim up.Khayyam wasthen broughtbeforeSa- markand’sleading qadi (judge/magistrate),Abu Taher. Insteadofcondemning thephilosopher,who challenged thestricturesoforthodoxtheology, AbuTaher recognised hisintellect, butwarned Khayyamofutteringhis critical poetry openly. Theqadihandedthe philosopherabeautifulnotebookintowhich he should write hiswitty andthought-provoking quatrains,instead of speaking hispoems openly andthereby endangeringhis ownsafety. This notebook wastobecomethe manu- script that marked thebeginning of the Ruba’iyat of Omar Khayyam, whichwould gain global fame in thenineteenthcentury andbecomefor decadesthe second most printedbookinthe Englishspeakingworld afterthe Bible. This is how Amin Maalouf has it in the opening of his historic fiction novel Samarcande.¹ In areview afew years later,Rashid noted that “Omar Khayyam is treated likeamedieval Salman Rushdie”,onlythat backinthe Middle Ages, dur- ing the days of glorious scientific Islam,hewas not condemned to death by the orthodoxy but protected by an Islamic jurist.² The almostsimultaneous publica- tion of Samarcande and Rushdie’s Satanic Verses in 1988 preclude Maalouffrom having been influenced by Khomeini’sinfamous fatwa against the British Indian author ayearlater,but Rashid’scommentary pointstothe rise of political Islam and its growingintolerance of contrarian views in the 1980s, which had also seen the ban of Khayyam’s Ruba’iyat in Iran after the revolution in 1979.³ Maa- Amin Maalouf, Samarcande (Paris:Jean-Claude Lattès, 1988), 4–17. -
The Poetics of Romantic Love in Vis & Rāmin
THE UNIVERSITY OF CHICAGO THE POETICS OF ROMANTIC LOVE IN VIS & RĀMIN A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF NEAR EASTERN LANGUAGES AND CIVILIZATIONS BY CAMERON LINDLEY CROSS CHICAGO, ILLINOIS AUGUST 2015 Copyright © 2015 by Cameron Lindley Cross All Rights Reserved To TJ Quinn and Farouk Abdel Wahab In Memoriam َ َ ُّ َ ْ َ ً ْ اﻻﻳ ﺎ ﻛﻳ ﻬ ﺎاﻟ ﺴ ﺎﻗ ﻰ ا ِدر ﻛ ﺄﺳ ﺎ وﻧ ِﺎوﻟ ﻬ ﺎ َ ُ ُ ﻛ ﻪ ِ ﻋﺸ ﻖ آﺳ ﺎن ﻧِﻤ ﻮد ا ول َوﻟ ﻰ اﻓ ﺘ ﺎد ﻣﺸ ِ ﻜﻠ ﻬ ﺎ Boy bring round the wine and give me some for love that at first seemed easy turned difficult —Ḥāfeẓ (tr. Geoffrey Squires) Contents Abstract viii Acknowledgments ix A Note on Transcription xiii Transliteration Charts xix List of Figures xxi List of Tables xxii List of Abbreviations xxiii Introduction xxiv Proem: The Tale of Fakhri and the Slave-Boy 1 1 The Story of the Story 5 1.1 A portrait of the artist (as a young man?) ......................... 7 1.2 The rise of the Seljuk Turks ................................ 20 1.3 The mysterious sources of Vis & Rāmin .......................... 26 1.4 The Nachleben ....................................... 36 1.5 Recovery, revulsion, and revision ............................. 48 1.6 Welcome to the conversation ............................... 54 2 Finding Romance 71 2.1 The Persian renaissance .................................. 78 2.2 “Love-stories and all that sort of stuff” ........................... 94 2.3 Sailing the sea: Vāmeq & ʿAẕrā ............................... 106 v 2.4 Traversing the desert: Varqa & Golshāh ......................... -
An Arab Perspective on the Rubaiyyat of Omar Khayyam
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1972 An Arab Perspective on the Rubaiyyat of Omar Khayyam Elias Agel Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Agel, Elias, "An Arab Perspective on the Rubaiyyat of Omar Khayyam" (1972). Electronic Theses and Dissertations. 4616. https://openprairie.sdstate.edu/etd/4616 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. l 1 Al� ARAB PERSPEC'I'IVE ON THE RUBAIYYAT O:F\ OHAR KHAYY AM BY ELIAS AGEL A thesis submitted in partial fulfillment of the requirements for the degree Ma8ter of Arts, Major in English, South Dakota State University 1972 'SOUTH DAKOTA STATE UNIVERSITY t::faRAm' ii AN ARAB PERSPECTIVE ON THE RUBAIYYAT OF OMAR KHAYYAH This thesis is approved as a creditable and independent investigation by a candidate for the degree, Master of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department . 'Date H�act;· English Departme11t Date ACKNOWLEDGI't1ENTS It would be· ungrateful of me to ac cept credit for this thesis without paying due re sp e ct to many people who were around me when I needed them. -
Rubáiyát of Omar Khayyám, and Salámán and Absál / Together With
The Project Gutenberg EBook of Rubáiyát of Omar Khayyám and Salámán and Absál, by Omar Khayyám and Ralph Waldo Emerson and Jami This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Rubáiyát of Omar Khayyám and Salámán and Absál Together With A Life Of Edward Fitzgerald And An Essay On Persian Poetry By Ralph Waldo Emerson Author: Omar Khayyám and Ralph Waldo Emerson Jami Translator: Edward Fitzgerald Release Date: September 7, 2007 [EBook #22535] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK RUBÁIYÁT OF OMAR KHAYYÁM *** Produced by Credit: Tamise Totterdell and the Online Distributed Proofreading Team at http://www.pgdp.net Frontispiece “The Moon of Heav’n is rising once again: How oft hereafter rising shall she look Title Page Through this same Garden after me—in vain!” THE FITZGERALD CENTENARY EDITION Rubáiyát of Omar Khayyám AND Salámán and Absál RENDERED INTO ENGLISH VERSE BY EDWARD FITZGERALD TOGETHER WITH A LIFE OF EDWARD FITZGERALD AND AN ESSAY ON PERSIAN POETRY BY RALPH WALDO EMERSON PEACOCK, MANSFIELD & CO., LTD. PATERNOSTER ROW, LONDON MCMIX BOYLE, SON & WATCHURST, Printers, &c. Warwick Square, London, E.C. CONTENTS. PAGE TO E. FITZGERALD iv LIFE OF EDWARD FITZGERALD 1 PREFACE TO RUBÁIYÁT OF OMAR KHAYYÁM 11 RUBÁIYÁT OF OMAR KHAYYÁM 21 SALÁMÁN AND ABSÁL 43 PERSIAN POETRY, AN ESSAY BY RALPH WALDO EMERSON 101 TO E. -
Rubáiyát of Omar Khayyám;
Glass Book. GojpghtN .. \Ro_oJ COEXRI6HT DEPOSIT. HE RUBAIYAT OF OMAR K H A Y Y A M Comprising the METRICAL TRANS LAT IONS <By EDWARD FITZGERALD & E. H. WHINFIELD . And the Prose Version of JUSTIN HUNTLY MCCARTHY With an Appendix showing the Variations in the First Three Editions of FitzGerald's rendering . Edited, with an Introduction by JESSIE B. RITTENHOUSE * "BOSTON • LITTLE, BROWN, AND COMPANY . m^CCCC Copyright, 1900, ffy LITTLE, BROWN AND COMPANY S37T9 >- j'v... CWltf Kfctt:*ED OCT 11 1900 A* CopynpM entry |Ocfc\A \uvcH«. BtPfW COPY. [Jfitvterqri to OKDfc^ DIVISION, University Press • John Wilson and Son • Cambridge, U.S.A. TABLE OF CONTENTS Page NTRODUCTION—Jessie B. RUtenhouse vii THE RUBAIYAT OF OMAR KHAYYAM To Omar Khayyam — Andrew Lang xxxvii Omar Khayyam, the Astronomer-Poet of Persia i Edward FitzGerald's Version 19 Notes by Edward FitzGerald 45 Variations in the Text of the First, Second and Third Editions of FitzGerald's Translation 52 THE RUBAIYAT OF OMAR KHAYYAM Omar Khayyam —Justin Hardly McCarthy 69 Justin Huntly McCarthy's Version 71 THE QUATRAINS OF OMAR KHAYYAM On Reading the Rubaiyat of Omar Khayyam in a Kentish Rose Garden — mathilde 'Blind 149 E. H. Whinfield's Version 151 APPENDIX Comparative Stanzas 227 Bibliography 233 INTRODUCTION Dante Gabriel Rossetti, the artist-poet and mystic, IF had not been lounging one day about the book- stalls of Piccadilly, dipping now into the " far- thing " and now into the "penny box," in search of treasure, the " Rubaiyat of Omar Khayyam" would doubtless have sunk still deeper under the dusty piles of unsalable old books and waited another decade for a discoverer.