Descriptive Analysis of the Social Functions of Swearing in American English
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Getting a Read on Marblehead
TUESDAY, JANUARY 5, 2021 Bittersweet Brigade cleans up Salem By Guthrie Scrimgeour the grasses, shrubs and trees that go reddish-brown creeping stems and ITEM STAFF along with those, we’re going to contin- clusters of orange berries, can be ue to lose the native biodiversity. Cut- found along many Salem roadsides, as SALEM — A crew of 16, including ting the bittersweet is part of that.” well as in parks and forests. several city council members, were Bittersweet is an invasive species The group focused on the area hard at work Sunday in front of the in front of Horace Mann (formerly Horace Mann Lab School, clearing native to Asia that can devastate a lo- cal ecosystem if left unregulated. Bowditch) because of the four large the area of invasive bittersweet vines, native cottonwoods that were being which have been killing local cotton- “The bittersweet has the capacity to climb 70 or 80 feet up a tree,” said threatened by the bittersweet. wood trees. The crew, which dubbed itself the Salem resident Chris Burke orga- Burke. “Then it kills the tree by put- ting its foliage over the tree’s foliage. “Bittersweet Brigade,” included City nized the project, along with Richard Councilors Domingo Dominguez and The binds are tight so they pull the Stafford, also of Salem, in hopes of in- Patti Morsillo. branches down to the ground. I hate to creasing the biodiversity of the area. “Everyone brought their own tool and see mature trees pulled down by the “There’s been a real crash of native method,” said Burke. -
See What's on ¶O – Lelo This Week, This Hour, This Second
FOR THE WEEK OF MAY 28 - JUNE 3, 2017 THE GREAT INDEX TO FUN DINING • ARTS • MUSIC • NIGHTLIFE Look for it every Friday in the HIGHLIGHTS THIS WEEK on Fox. Jamie Foxx hosts this new game show, which TODAY TUESDAY features Shazam, the world’s most popular song identi- The Leftovers World of Dance fication app. HBO 6:00 p.m. KHNL 9:00 p.m. FRIDAY Kevin (Justin Theroux) assumes an alternate identity Extraordinary dancers from all ages and walks of life Shark Tank when he embarks on a mission of mercy in a new epi- kick off the qualifier round for the chance to win a life- sode of “The Leftovers,” airing today on HBO. altering $1-million prize in the premiere of “World of KITV 7:00 p.m. The post-apocalyptic drama follows a family of survi- Dance,” airing Tuesday on NBC. Jenna Dewan Tatum vors a few years after the mysterious simultaneous dis- serves as mentor and host, while Jennifer Lopez, Business moguls decide whether or not to invest appearance of 140 million people. Derek Hough and Ne-Yo serve as judges. their own money in new products and companies in back-to-back episodes of the critically acclaimed reali- ty TV series “Shark Tank,” airing Friday on ABC. MONDAY WEDNESDAY Hopeful entrepreneurs pitch their ideas in the hopes of Lucifer The F Word snagging a deal with a Shark. KHON 8:00 p.m. KHON 8:00 p.m. SATURDAY Charlotte (Tricia Helfer) acciden- Celebrity chef and TV personality Gordon Ram- To Tell the Truth tally charbroils a man to death say hosts as foodie families and friends compete in self-defence, and Lucifer in high-stakes cook-offs in “The F Word,” pre- KITV 7:00 p.m. -
The Vagina Monologues by Eve Ensler
The Vagina Monologues by Eve Ensler Official guidelines and script for the V-Day 2004 College Campaign Available by special arrangement with Dramatists Play Service, Inc. To order copies of the beautiful, bound acting edition of the script of “The Vagina Monologues” (the original – slightly different from the V-Day version of the script) for memento purposes, to sell at your event, or for use in theatre or other classes or workshops, please contact: Customer Service DRAMATISTS PLAY SERVICE, INC. 440 Park Avenue South, New York, NY 10016 Telephone: 212-683-8960, Fax: 212-213-1539 You may also order the acting edition online at www.dramatists.com. Ask for: Book title: The Vagina Monologues ISBN: 0-8222-1772-4 Price: $5.95 Be sure to mention that you represent the V-Day College Campaign. DRAMATISTS PLAY SERVICE, INC. Representing the American theatre by publishing and licensing the works of new and established playwrights. For more than 65 years Dramatists Play Service, Inc. has provided the finest plays by both established writers and new playwrights of exceptional promise. Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Dramatists Play Service, Inc. has grown steadily to become one of the premier play-licensing agencies in the English speaking theatre. Offering an extensive list of titles, including a preponderance of the most significant American plays of the past half-century, Dramatists Play Service, Inc. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Swearing a Cross-Cultural Study in Asian and European Languages
Swearing A cross-cultural study in Asian and European Languages Thesis Submitted to Radboud University Nijmegen For the degree of Master of Arts (M.A) Name: Syahrul Rahman / s4703944 Email: [email protected] Supervisor 1: Dr. Ad Foolen Supervisor 2: Professor Helen de Hoop Master Linguistics Radboud University Nijmegen 2016/2017 0 Acknowledgment In the name of Allah, the beneficent and merciful. All praises be to Allah for His mercy and blessing. He has given me health and strength to complete this master thesis as particular instance of this research. Then, may His peace and blessing be upon to His final prophet and messenger, Muhammad SAW, His family and His best friends. In writing and finishing this thesis, there are many people who have provided their suggestion, motivation, advice and remark that all have helped me to finish this paper. Therefore, I would like to express my big appreciation to all of them. For the first, the greatest thanks to my beloved parents Abd. Rahman and Nuriati and my family who have patiently given their love, moral values, motivation, and even pray for me, in every single prayer just to wish me to be happy, safe and successful, I cannot thank you enough for that. Secondly, I would like to dedicate my special gratitude to my supervisor, Dr. Ad Foolen, thanking him for his guidance, assistance, support, friendly talks, and brilliant ideas that all aided in finishing my master thesis. I also wish to dedicate my big thanks to Helen de Hoop, for her kind willingness to be the second reviewer of my thesis. -
Language Change: Identity Management and the Boundaries of Acceptable Verbal Conduct in School Settings
LANGUAGE CHANGE: IDENTITY MANAGEMENT AND THE BOUNDARIES OF ACCEPTABLE VERBAL CONDUCT IN SCHOOL SETTINGS Lynn Downes BA primAry educAtion, BA pre-primary education, BTTC, Master of EducAtion, Inclusive EducAtion, QUT, Master of EducAtion, TESOL, QUT. CELTA, UQ Principal Supervisor: Associate Professor Margaret Kettle Associate Supervisor: Professor Gordon Tait Associate Supervisor: Dr Peter O’Brien Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Office of Education Research Faculty of Education Queensland University of Technology May 2019. This page has been intentionally left blank “Fuck is a sacred word?” you ask. Fucking A right it is. It is a word that one should not utter because it is such a terrible word of epic proportions, a word whose mere utterance is a sin. A fucking sin, can you imagine? That’s how fucking important fuck is. And because it’s a sin, using it is so enticing to the young that when they hear it for the first time they are spellbound. And when they use it for the first time, that F and the U bang so deliciously against the hard K, ripping through the lips, it’s as if a caged animal has been unleashed. They feel that they have taken that first mighty step toward adulthood. Some of them may even repeat it over and over, testing to see if God will strike them down for saying it. It’s a word you don’t use in polite conversation or in front of your parents, which makes it even more glorious when chewed up and spit out in the schoolyard or in the bowels of the basement. -
Abdul-Hakim, I
African American English Bibliography A Abdul-Hakim, I. (2002). Florida preservice teachers' attitudes toward African-American Vernacular English. (Doctoral dissertation, The Florida State University, 2002), Dissertation Abstracts International 64(10). (AAT 3109259) Abrahams, R. D. (1962). Playing the dozens. Journal of American Folklore, 75, 209-218. Abrahams, R. D. (1964). Deep down in the jungle...: Negro narrative folklore from the streets of Philadelphia. Hatboro, PA: Folklore Associates. Abrahams, R. D. (1970). Rapping and capping: Black talk as art. In J. F. Szwed (Ed.), Black American (pp. 132-142). New York: Basic Books, Inc. Abrahams, R. D. (1972). Joking: The training of the man of words in talking broad. In T. Kochman (Ed.), Rappin' and stylin' out: Communication in black America (pp. 215-240). Urbana, IL: University of Illinois Press. Abrahams, R. D. (1974). Black talking on the streets. In R. Bauman & J. Sherzer (Eds.), Explorations in the ethnography of speaking (pp. 240-262). London: Cambridge University Press. Abrahams, R. D. (1975). Negotiating respect: Patterns of presentation among black women. In C. R. Farrer (Ed.), Women and folklore (pp. 58-80). Austin: University of Texas Press. Abrahams, R. D. (1976). Talking black. Rowley, MA: Newbury House. Abrahams, R. D. (1993). Black talking on the streets. In L. M. Cleary & M. D. Linn (Eds.), Linguistics for teachers (pp. 173-198). New York: McGraw-Hill. Adams, T. M., & Fuller, D. B. (2006). The words have changed but the ideology remains the same: Misogynistic lyrics in rap music. Journal of Black Studies, 36(6), 938- 957. Adger, C. T. (1994). Enhancing the delivery of services to black special education students from non-standard English backgrounds. -
An Assessment of Emotional-Force and Cultural Sensitivity the Usage of English Swearwords by L1 German Speakers
Graduate Theses, Dissertations, and Problem Reports 2019 An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the German Linguistics Commons Recommended Citation Cooper, Sarah Dawn, "An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers" (2019). Graduate Theses, Dissertations, and Problem Reports. 3848. https://researchrepository.wvu.edu/etd/3848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper Thesis submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in World Languages, Literatures, and Linguistics Cynthia Chalupa, Ph.D., Chair Jonah Katz, Ph.D. -
Germanistische Studien
Eine Zeitschrift des Vereins Deutsche Sprache (Georgien) GERMANISTISCHE STUDIEN N. 10 Jubiläumsausgabe Herausgegeben von Lali Kezba-Chundadse und Friederike Schmöe Begründet von Samson (Tengis) Karbelaschwili Tbilissi · Dortmund Verlag „Universal“ Germanistische Studien Herausgegeben von Prof. Dr. Lali Kezba-Chundadse und PD. Dr. Friederike Schmöe Begründet von Prof. Dr. Samson Karbelaschwili († 2009) Die Zeitschrift „Germanistische Studien“ des Vereins Deutsche Sprache (Abteilung Tbilissi) ist ein Forum für Forschungsbeiträge aus dem Bereich der deutschen Sprachwissenschaft, Literaturtheorie und Deutsch als Fremdsprache. Es ist interdisziplinär angelegt und offen für alle theoretischen Ansätze in oben genannten Teilbereichen der Germanistik. Die Zeitschrift erscheint seit 2000 einmal jährlich in gedruckter Form. Bis 2009 wurden Fallstudien in allen Teilbereichen der Germanistik veröffentlicht. Die letzten zwei Hefte (2009/10) der Zeitschrift, je einem Schwerpunktthema gewidmet, sind Tagungsberichte. Beiträge können nur in deutscher Sprache verfasst eingereicht werden. Die eingesandten Beiträge werden durch den international besetzten Beirat begutachtet. Die Druckausgabe wird unterstützt durch den Verein Deutsche Sprache. Allen Beiträgen wird ein kurzes 10- 15 Zeilen, (maximal ein halbseitiges englischsprachiges) Abstract vorangestellt. Die Inhaltsverzeichnisse der Print-Ausgaben, die Abstracts aller publizierten Beiträge und ausgewählte Artikel, nach den Namen der Autoren alphabetisch geordnet, sind im Volltext unter http://germstud.wordpress.com -
Euphemism and Language Change: the Sixth and Seventh Ages
Lexis Journal in English Lexicology 7 | 2012 Euphemism as a Word-Formation Process Euphemism and Language Change: The Sixth and Seventh Ages Kate Burridge Electronic version URL: http://journals.openedition.org/lexis/355 DOI: 10.4000/lexis.355 ISSN: 1951-6215 Publisher Université Jean Moulin - Lyon 3 Electronic reference Kate Burridge, « Euphemism and Language Change: The Sixth and Seventh Ages », Lexis [Online], 7 | 2012, Online since 25 June 2012, connection on 30 April 2019. URL : http:// journals.openedition.org/lexis/355 ; DOI : 10.4000/lexis.355 Lexis is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Lexis 7: “Euphemism as a Word-Formation Process” 65 Euphemism and Language Change: The Sixth and Seventh Ages Kate Burridge1 Abstract No matter which human group we look at, past or present, euphemism and its counterpart dysphemism are powerful forces and they are extremely important for the study of language change. They provide an emotive trigger for word addition, word loss, phonological distortion and semantic shift. Word taBoo plays perpetual havoc with the methods of historical comparative linguistics, even undermining one of the cornerstones of the discipline – the arBitrary nature of the word. When it comes to taBoo words, speakers Behave as if there were a very real connection Between the physical shape of words and their taBoo sense. This is why these words are so unstaBle and why they are so powerful. This paper reviews the various communicative functions of euphemisms and the different linguistic strategies that are used in their creation, focusing on the linguistic creativity that surrounds the topic of ‘old age’ in Modern English (Shakespeare’s sixth and seventh ages). -
Usage and Origin of Expletives Usage
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE USAGE AND ORIGIN OF EXPLETIVES IN BRITISH ENGLISH DIPLOMA THESIS BRNO 2006 SUPERVISED BY: WRITTEN BY: ANDREW PHILIP OOOAKLANDOAKLANDAKLAND,, M.A. HANA ČECHOVÁ ACKNOWLEDGEMENT I should like to thank to Mr. Andrew Philip Oakland, M.A. for his academic guidance and precious advice he provided me with and thus helped to accomplish the following thesis. I would also like to thank to Peter Martin Crossley for all his patience and kind help. BRNO, 20th APRIL 2006 DECLARATION I hereby declare that I have worked on this undergraduate diploma thesis on my own and that I have used only the sources listed in the bibliography. I also give consent to deposit this thesis at Masaryk University in the library or the Informational system of the Faculty of Education and to be made available for study purposes. ___________________________________________________ Hana ČECHOVÁ CONTENTS 4 CONTENTS 1. INTRODUCTION ............................................................................6 2. WHAT ARE EXPLETIVES? ................................................................ 9 2.1 EXPLETIVES IN GRAMMAR 2.2 EXPLETIVES AS A PART OF SOCIO-LINGUISTICS 3. WHY DO PEOPLE USE EXPLETIVES? ................................................12 3.1 WHY DO WE SWEAR? 3.2 IS SWEARING A SIGN OF A WEAK MIND? 4. SWEARING IN HISTORICAL PERIODS ............................................. 20 4.1 OLD ENGLISH 4.2 MIDDLE ENGLISH 4.3 THE REFORMATION 4.4 THE RENAISSANCE 4.5 MODERN PERIOD 4.5.1 PYGMALION (1914) 4.5.2 LADY CHATTERLEY´S LOVER (1928, 1960) 4.5.3 OTHER INCIDENTS (1965-2004) 5. SEMANTIC CATEGORIES AND SPEAKERS PREFERENCES ..................56 5.1 HEAVEN AND HELL 5.2 SEX/BODY AND ITS FUNCTIONS 6.