Geo-Semantic Exploration of a Very Large Corpus of Danish Folklore Peter M
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The Testimony of the Hoofprints: Danish Legends About the Medieval Union Queen Margrethe
John Lindow 2021: The Testimony of the Hoofprints: Danish Legends about the Medieval Union Queen Margrethe. Ethnologia Europaea 51(1): 137–155. DOI: https://doi.org/10.16995/ee.1899 The Testimony of the Hoofprints Danish Legends about the Medieval Union Queen Margrethe John Lindow, University of California, Berkeley, United States, [email protected] Barbro Klein’s “The Testimony of the Button” is still, fifty years after it appeared, a fundamental study of legends and legend scholarship. Inspired by Klein’s article, I analyze legends about “lord and lady” Margrethe (1353–1412), who reigned for decades as the effective ruler of the medieval union of Denmark, Norway, and Sweden. Proceeding through various groups of related legends, I show how these legends were adapted to Margrethe’s anomalous status as a female war leader, including their cross-fertilization with robber legends and the use of a ruse usually associated with male protagonists. This article ends by indicating the importance of place within history as articulated in legends. Ethnologia Europaea is a peer-reviewed open access journal published by the Open Library of Humanities. © 2021 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. OPEN ACCESS 138 “The Testimony of the Button”: Legend and History Barbro Klein’s “The Testimony of the Button” (1971) remains an important landmark in legend studies. -
Tales in an Underground Landscape
LARS CHRISTIAN KOFOED RØMER DEPARTMENT OF ANTHROPOLOGY university of copenhagen FACULTY OF SOCIAL SCIENCES faculty of social sciences UNIVERSITY OF COPENHAGEN · DENMARK PHD THESIS 2018 · ISBN 978-87-7209-158-7 LARS CHRISTIAN KOFOED RØMER Tales in an Underground Landscape Anthropological Excursions in the Danish Island of Bornholm Tales in an Underground Landscape · in an Underground Tales Anthropological Excursions in the Danish Island of Bornholm Excursions Anthropological Tales in an Underground Landscape Anthropological Excursions in the Danish Island of Bornholm PhD thesis 2018 · Lars Christian Kofoed Rømer LARS CHRISTIAN KOFOED RØMER DEPARTMENT OF ANTHROPOLOGY university of copenhagen FACULTY OF SOCIAL SCIENCES faculty of social sciences UNIVERSITY OF COPENHAGEN · DENMARK PHD THESIS 2018 · ISBN 978-87-7209-158-7 LARS CHRISTIAN KOFOED RØMER Tales in an Underground Landscape Anthropological Excursions in the Danish Island of Bornholm Tales in an Underground Landscape · in an Underground Tales Anthropological Excursions in the Danish Island of Bornholm Excursions Anthropological Tales in an Underground Landscape Anthropological Excursions in the Danish Island of Bornholm PhD thesis 2018 · Lars Christian Kofoed Rømer Tales in an Underground Landscape Anthropological Excursions in the Danish Island of Bornholm i Tales in an Underground Landscape Anthropological Excursions in the Danish Island of Bornholm PhD thesis by Lars Christian Kofoed Rømer Danish Folklore Archives Department of Anthropology Royal Danish Library Faculty of Social Sciences University of Copenhagen Submitted: January 2018 Supervisor: Kirsten Blinkenberg Hastrup Professor, Department of Anthropology, University of Copenhagen This PhD is funded by the Danish Council for Independent Research|Humanities (FKK) (grant no. 4089-00034B) Copyright © 2018 Lars Christian Kofoed Rømer ISBN 978-87-7209-158-7 (Printed book) ISBN 978-87-7209-168-6 (E-book) Printed by SL grafik, Frederiksberg, Denmark (slgrafik.dk) ii Europe has two histories: a well-known, written history and an underground history. -
28. Evald Tang Kristensen Har Nu Udsendt Fjerde Og Sidste Bind Af Sine »Minder Og Oplevelser« (Forf
247 AF DEN NYE LITERATUR VEDRØRENDE ALMUEKULTUR OG FO LK EM IN D ER 1927— 28. Evald Tang Kristensen har nu udsendt fjerde og sidste Bind af sine »Minder og Oplevelser« (Forf. Forlag, Mindebo, Vejle. 1928. 111. 442 S. 9 Kr.), hvori skildres Tidsrummet 1894— 1928. 1897 flyttede E. T. Kr. fra Hadsten til Vejle, hvor han stadig bor. Hovedparten af 4. Bind er naturligvis optaget af Redegørelser for Forfatterens mange Folkemindeindsamlingsrejser, der væsent ligt sluttede i 1915. Man læser her med særlig Interesse om Tang Kristensens Indsamlinger i Sønderjylland, på Fyn, Sjælland og Lolland-Falster, og om hans Rejser sammen med H. Grimer Nielsen (Folkesang) og Chr. Axel Jensen (Bondegårde). Den fremtidige Forskning har E. T. Kr. gjort en stor Tjeneste ved at nedskrive og udgive sine Erindringer, idet man i dem får ikke alene utallige Oplysninger om hans eget Arbejde, men også mangfoldige især personal historiske Småtræk, der dog ikke alle er lige skånsomme; thi det bør ikke skjules i en Anmeldelse, at rier i E. T. Kr.’s Minder findes talrige Indiskretioner, men han har jo altid sagt sin Mening lovlig rent ud om og til Mennesker, hvilket undertiden er bleven taget noget ilde op, hvad ikke er uforståeligt. I sine Erindringer er han selv morsomst hele T i den; hans kostelige Naivitet og hans skarpe Evne til at skelne mellem ægte og uægte, giver sig i hans Memoirer hyppige Ud slag. E. T. Kr.’s Minder er meget vidtløftige, men alligevel uhyre fængslende, ligesom hans jydsk-prægede Stil tit er så festlig, at man oprigtig frydes derover. -
Historical GIS and Folklore Collection in 19Th Century Denmark
Folklore Tracks: Historical GIS and Folklore Collection in 19th Century Denmark Ida Storm a,b,c,d UCLA [email protected] Holly Nicol c UCLA [email protected] Georgia Broughton c UCLA [email protected] Timothy R. Tangherlini a,b,c,e UCLA [email protected] a Conceived of the project b Developed methods and workflow c Extracted and cleaned data d Developed visualizations: maps, charts, graphs e Wrote text Keywords: historical GIS, folklore, history of folklore, ethnography, fieldwork Abstract The “golden age” of folklore collection in 19th century Scandinavia coincided with rapid changes in political, economic, and social organization as well as the rise of the Scandinavian countries broadly conceived of as “nations”. The large folklore collections created during this period were a result of broad field collecting efforts across the region. Tracing the routes of folklorists as they conducted fieldwork helps us discern the developing conceptions of the nation and its cultural boundaries, as well as identify the areas that were most associated, in the minds of collectors, publishers, and scholars, with the cultural locus of the nation. Unraveling the fieldwork methods of early folklore collectors is not a trivial undertaking, and requires a combination of archival research and modern computational methods to reverse engineer the processes by which their collections were created. In this paper, we show how techniques from GIS used in conjunction with time-tested archival research methods can reveal how a folklore collection came into being. Our target corpus is the folklore collections of the Danish school teacher, Evald Tang Kristensen (1843-1929) who, over the course of his fifty-year career, traveled nearly 70,000 kilometers, much of it on foot. -
Visionen for Danmark GULD
VISIONEN FOR DANMARK: EN POLITISK LANDSKABSKUNST RESUMÉ Årstallene 1814 og 1864 har altid markeret sig som smertelige ar i 1800-tallets historie: Tabet af Norge på den ene side og afståelsen af Slesvig og Holsten på den anden side. Disse skelsættende amputeringer reducerede det danske riges status og jordbesiddelser fra dobbeltmonarki af betragtelig størrelse til en lilleputstat med en grænse, der gik syd for Kolding. Det yndige land, som Adam Oehlenschläger (1779-1850) beskrev i national- sangen, blev stækket i størrelse og kraft efter 1814, og ud af denne stemning, der indfandt sig mellem årene 1814 og 1864, mobiliserede en landskabskunst sig med nye skildringer af det danske land. I billeder søgte kunstnerne at definere den særligt danske natur, som den kunne opleves i skovene, ved kysterne og arkitektoniske seværdigheder. Disse billeder, der blev til i den tidsånd, hvor samfundets magthavere og kulturelle elite havde behov for at definere en ny og forstærket national identitet, var imidlertid ofte politisk motiveret. Det viste sig nemlig, at ikke kun var kunstnerne venner med tidens førende politikere; politikerne bestilte også kunstværker hos dem og prægede herigennem deres motivvalg. “Visionen for Danmark: en politisk landskabskunst” er fortællingen om tiden omkring 1840’erne til 1860’erne, hvor kunst og politik dannede parløb, og hvor kunstnerne lod sig forføre af tidens nationalliberale politikere, der talte for demokratiske styreformer. KARINA LYKKE GRAND PH.D., ADJUNKT I KUNSTHISTORIE OG VISUEL KULTUR VED AARHUS UNIVERSITET 94 REJSEBILLEDER – TURIST I ARKADIEN? THE VISION FOR DENMARK: A POLITICAL LANDSCAPE PAINTING ABSTRACT The years 1814 and 1864 have always stood out as painful scars in the history of the 1800s: the loss of Norway on the one hand and the cession of Schleswig and Holstein on the other. -
Udgivet Af Iver Kjær Og Flemming Lundgreen-Nielsen Under Medvirken Af Merete K. Jørgensen C. A. Reitzels Forlag • København
danske studier Udgivet af Iver Kjær og Flemming Lundgreen-Nielsen under medvirken af 1990 Merete K. Jørgensen C. A. Reitzels Forlag • København Danske Studier 1990, 85. bind, ottende række 1. bind Universitets-Jubilæets danske Samfund nr. 512 Omslag og typografi: Knud A. Knudsen Printed in Denmark by Special-Trykkeriet Viborg a-s ISSN 0106-4525 ISBN 87-7421-662-7 Udgivet med støtte fra Statens humanistiske Forskningsråd Indhold Britta Olrik Frederiksen, lektor, mag.art., Københavns Universi tet. En detalje i Den hellige Jomfrus anatomi. Om udtrykket mirra thorn i en gammeldansk Mariavise 5 Henrik Hansen, adjunkt, mag.art., Horsens Statsskole. Tryllevi- sens dæmoniforståelse. Forsøg på en historisk bestemmelse . 41 Karen Skovgaard-Petersen, forskningsstipendiat, cand.phil., Kø benhavns Universitet. Klassikerimitation og danmarkshistorie i den tidlige enevælde. Om Vitus BeringsFlorusDanicus 55 Larry Syndergaard, associate professor, Western Michigan Uni- versity. "An Amateur" and his Translations of the Danish Bal lads. Identity and Significance 80 Svend Bruhns, assisterende fagleder, cand.phil., Danmarks Bib- liotekskole, Aalborg. Erslew som nationalbibliograf 94 Kirsten Thisted, kandidatstipendiat, mag.art., Københavns Uni versitet. Nationalfølelse og skriftsprog - et studie i de første grønlandske romaner 109 Marie Normann, cand.mag., Daghøjskolen ved Peder Lykke Centeret. Hvorfor blev Jacob Paludan essayist? En rundtur til kunstnere og skrivende personligheder i Jacob Paludans for fatterskab i tiden 1921-1933 130 MINDRE BIDRAG Carl Jørgen Nielsen, adjunkt, cand.mag., Dronninglund Gymna sium. Om Starup-stenen, Ribe-kraniestykket og dannelsen af den korte runerække 145 Marie Stoklund, museumsinspektør, cand.mag., Nationalmuse et. Oksby-hjortetak. En ny runeindskrift og et hidtil ukendt mandsnavn 150 Erik A. Nielsen, docent, dr.phil., Københavns Universitet. -
Not One of Us: National Identity Versus Islam - a Comparative Discourse Analysis of the Danish People‟S Party, the PVV & the Sweden Democrats
Master‟s thesis Mette Pedersen Culture, Communication and Globalization Fall 2011 Not One of Us: National identity versus Islam - A comparative discourse analysis of the Danish People‟s Party, the PVV & the Sweden Democrats By Mette Pedersen Master‟s Thesis Fall 2011 Aalborg University Culture, Communication and Globalisation Supervisor: Susi Meret Characters: 191,754 (80 pages) Hand in date: July 29, 2011 ABSTRACT In this thesis, the communication of the Danish People‟s Party (DPP), the Party for Freedom (PVV) and the Sweden Democrats is analysed. The particular focus is on the three parties‟ paradoxical presentation of national identity including values such as liberal-mindedness and tolerance while simultaneously arguing for intolerance towards Islam and Muslims. In other words, the focus of this thesis is answering the question „Why, according to the DPP, PVV and SD, is it necessary to be intolerant towards Islam and Muslims in order to remain tolerant and liberal?‟. Before analysing the communication of the three parties, the political and cultural contexts in Denmark, the Netherlands and Sweden are examined. This background analysis shows how the immigration and multiculturalism debates have developed in the latter part of the 1900s up until today. It is seen that Denmark and the Netherlands today have very restrictive immigration policies and allow for a tone in the debate that many consider too harsh. In Sweden, it is not quite as harsh, although the debate seems to have become a little more critical than it used to be. The background analysis furthermore shows that particularly Danes have a clear vision of what Danish national identity is, whereas the Dutchmen are more polarised, partly showing an identity crisis. -
Book Reviews
The Bridge Volume 38 Number 1 Article 9 2015 Book Reviews Follow this and additional works at: https://scholarsarchive.byu.edu/thebridge Part of the European History Commons, European Languages and Societies Commons, and the Regional Sociology Commons Recommended Citation (2015) "Book Reviews," The Bridge: Vol. 38 : No. 1 , Article 9. Available at: https://scholarsarchive.byu.edu/thebridge/vol38/iss1/9 This Book Review is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in The Bridge by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Book Reviews Timothy R. Tangherlini, ed. and trans. Danish Folktales, Legends, and Other Stories. Seatt le: University of Washington Press, 2013. 280 pp, DVD. $50.00 Reviewed by Jason Schroeder In the preface to Danish Folktales, Legends and Other Stories, editor Timothy Tangherlini announces that the book represents an att empt to rethink how folklore collections are published. His att empt succeeds by harnessing the possibilities of computer databases to focus on the individual folklore informants and their repertoires in context. Folklore collections are generally centered around a generic concept: fairy tale, folktale, ballad, proverb, folk belief, legend, etc., and the genres are divided into subgenres: legends about revenants or legends about priests, for example. The concept of genre and its application in folklore editions has its basis in natural sciences, botany in particular. Tangherlini points out the weakness of such single designator classifi cation systems. A legend may have a ghost and a priest that exorcises the ghost: what type of legend is it then? What happens when fairy tales merge with legends? Perhaps most critically, Tangherlini explains that the human beings who tell the stories and sing the songs are eff ectively erased, as are their repertoires and the sequence in which they tell their stories to collectors. -
Estudis De Literatura Oral Popular / Studies in Oral Folk Literature, 3
Danish Folkloristics: between Philology and Ethnology Michèle Simonsen University of Copenhagen [email protected] Abstract This paper gives an overview of the most important scholars within Danish folkloristics – Svend Grundtvig, Axel Olrik, Evald Tang Kristensen, Bengt Holbek, Iørn Piø – and argues that, although most of them were originally trained in philology and mostly interested in oral literature, they were all, each in their own way, concerned with the “ecology” of folklore: i.e. its interplay with its environment. Who were the “folk” and what was “lore” for these scholars? The paper also tries to assess how Danish folkloristics deals with the contemporary shift of paradigm from folkloristics to cultural studies. Keywords Folklore; Denmark; Ballads; Epic Laws; Svend Grundtvig; Axel Olrik Resum Aquest article ofereix una visió general dels estudiosos més importants del folklore danès —Svend Grundtvig, Axel Olrik, Evald Tang Kristensen, Bengt Holbek, Iørn Piø— i sosté que, encara que la majoria d’ells van ser formats originalment en filologia i sobretot es van interessar per la literatura oral, estaven tots, cadascú a la seva manera, d’acord amb l’«ecologia» del folklore: és a dir, la seva interacció amb l’entorn. Què era el «poble» (folk) i què era la «saviesa» (lore) per a aquests erudits? L’article també tracta d’avaluar com els folkloristes danesos van tractar el canvi de paradigma des dels estudis folklòrics als culturals. Paraules clau Folklore; Dinamarca; Balades; Lleis de la narrativa; Svend Grundtvig; Axel Olrik Estudis de Literatura Oral Popular, núm. 3, 2014, 107–118 ISSN: 2014-7996 | http://revistes.publicacionsurv.cat/index.php/elop Michèle Simonsen Although some of the most famous folklorists have been Danish (Svend Grundtvig, Axel Olrik, Evald Tang Kristensen, Bengt Holbek, etc.), Danish folkloristics had a very short and tenuous institutional life. -
Contradiction Leads to a Miracle a Rethinking of Hans Christian Anderson and His Fairy Tales
Vol. 1, No. 2 Review of European Studies Contradiction Leads to a Miracle A Rethinking of Hans Christian Anderson and His Fairy Tales Ruizhen Feng School of Foreign Languages, Jiangsu University 301 Xuefu Road, Zhenjiang 212013, China Tel: 86-511-8879-1205 E-mail: [email protected] The research is financed by the Department of Science and Technology, Jiangsu University, China. (Project Code No. JDR 2008B07.) Abstract Hans Christian Anderson is the most renowned fairy tale masters throughout the history. His works have been translated into different languages and spread all over the world. This paper intends to discuss Anderson’s works via a review of newly obtained literature relevant to his works. There is contradiction between Anderson’s actual life and dreams; both the natural revelation of children’s spirit and the profound expression of adults’ thinking contrastively exist in his works; not only the casual style in folk writing but also the poetic creation of literature are simultaneously employed in his works. These three aspects are contradictory but also uniform as well in Anderson. It is just in this contradiction and unity that Andersen’s works can be so splendid and simple, so bright and profound. Based on the above reason, the author points out that Anderson’s success is by no means an accidental phenomenon and his works can not be interpreted in a narrow sense as just fairy tales only for children, they have a profound influence on the adult literature. Keywords: Hans Christian Anderson, Contradiction, Fairy tales 1. Introduction Hans Christian Anderson, a Danish poet, novelist, and an immortal storyteller, was Denmark's most famous figure. -
The Space of Folklore
Yale University Department of Linguistics e Space of Folklore: Mapping Folkloric Texts Semantically with Document Embeddings Benjamin Rewis Advisor: Robert Frank April 2020 Submi ed to the faculty of the Department of Linguistics in partial ful llment of the requirements for the degree of Bachelor of Arts Contents 1 Folklore 2 1.1 De nition and examples . .2 1.1.1 Fairy tales . .3 1.1.2 Myths and legends . .3 1.1.3 Folktales . .4 1.2 Genre......................................................4 1.3 Signi cance . .4 1.4 Goal of this paper . .4 2 Previous Work in Folklore Classi cation 5 2.1 Sociological approaches . .5 2.2 Computational approaches . .6 3 Meaning: e Distributional Hypothesis 7 3.1 Vector-based semantics . .7 3.2 doc2vec..................................................... 10 4 Methods 12 4.1 Folktexts: a library of folktales . 12 4.2 doc2vec for document embeddings . 12 4.3 Clustering algorithms . 13 4.3.1 K-means clustering . 13 4.3.2 Agglomerative clustering . 13 4.4 Vector visualization . 13 4.5 Measures of purity . 14 5 Results 15 5.1 Subtype clustering . 16 5.1.1 ATU 510A: “Cinderella” vs. ATU 445: “Puss-In-Boots” . 16 5.1.2 ATU 156: “Androcles and the Lion” vs. ATU 327: “Hansel and Gretel” . 17 5.1.3 Seven popular tales . 18 5.1.4 All subtypes . 19 5.1.5 Purity by subtype . 19 5.2 Supertype clustering . 20 5.2.1 All supertypes . 20 5.2.2 Purity by supertype . 20 5.3 Metatype clustering . 21 5.3.1 All metatypes . 21 5.3.2 Purity by metatype . -
Evald Tang Kristensen Som Folkeviseindsamler Og Udgiver - Belyst Ud Fra J Ens Mikkelsen Og Niels Albretsen I Kølvrå 1874
68 Evald Tang Kristensen som folkeviseindsamler og udgiver - belyst ud fra J ens Mikkelsen og Niels Albretsen i Kølvrå 1874 AfJens Henrik Koudal Den 8. marts 1874 skrev folkemindesamleren Evald Tang Kristensen til Svend Grundtvig: »Denne Egn har en vis Rædsel for mig, idet jeg er helt ukjendt med alle og har saa ondt ved at faa Natteherberge; men det er jo de gamle i Kølvraa, der atter har draget mig herop. I Gaar satte jeg 21 Toner op, og De kan tro, jeg var noget Ør i Hovedet af al den Musik og Spekule ren. Niels Albrektsens Hus er en frygtelig Svinesti, og dog var jeg glad ved at nyde et Maaltid der. Der var en omløbende Blikkenslaaer og havde været om Natten. Det var ellers en god Besætning til en Sæng: Mand og Kone og to store Børn. De sagde rigtignok Bl. havde ligget paa et Knippe Halm paa Gulvet, men der er nok ikke mere Halm i Huset end i dette Brev, da de hverken har Ko eller So. Isaadanne Omgivelser troner »Kongen« (det er N. A.s øgenavn) herovre i Kølv raa .... Ja, jeg kunde fortælle mange Karaktertræk fra Alhedeboerens Liv, men jeg søger at undgaa det for ikke at trætte Dem.«l Kristensen var på vinterens indsamlingsrejser i de midt- og vestjyske hede områder nået til Kølvrå midt mellem Herning og Viborg, og bemærkningen om de »21 Toner« gælder optegnelsesarbejdet hos to gode folkesangere, som Kristensen havde opsporet her: Husmændene Jens Mikkelsen og Niels Albretsen.2 Førsteoptegnelserne af alle de tekster og melodier, som Kristen sen nedskrev efter disse to sangere, er bevaret den dag i dag blandt Kristen sens efterladte manuskripter på Dansk Folkemindesamling.