Political Protest Italian-Style: the Dissonance Between the Blogosphere and Mainstream Media in the Promotion and Coverage of Beppe Grillo’S V-Day?
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Universitá Degli Studi Di Pisa
UNIVERSITÁ DEGLI STUDI DI PISA Dipartimento di Scienze Politiche CORSO DI LAUREA MAGISTRALE IN COMUNICAZIONE D’IMPRESA E POLITICA DELLE RISORSE UMANE Il framing dell’elezione del Presidente della Repubblica: processi di ibridazione tra Televisione, Twitter e Stampa quotidiana Candidato Antonio Martella Relatore Correlatore Prof.ssa Roberta Bracciale Prof. Andrea Salvini Anno Accademico 2014-2015 Indice Introduzione .................................................................................................................................. 3 I - Quadro teorico e metodologico ................................................................................................ 7 1.1 - Ibridazione e politica pop .................................................................................................. 7 1.2 - Talk show e Social TV ...................................................................................................... 10 1.3 - Agenda Setting e Framing ............................................................................................... 13 1.4 – Metodologia ................................................................................................................... 17 II - Prima giornata di elezione del Presidente della Repubblica – 29 gennaio 2015 ................... 19 2.1 - Contesto .......................................................................................................................... 19 2.2 - Quotidiani del 29 gennaio 2015 ..................................................................................... -
Die Grenzen Der Satire: Vergleich Zweier Italienischer Talk-Show-Formate
DIPLOMARBEIT Titel der Diplomarbeit Die Grenzen der Satire: Vergleich zweier italienischer Talk-Show-Formate Verfasserin Martina Brenner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Hilde Haider-Pregler 2 Erklärung Ich erkläre, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst habe, andere als die angegebenen Quellen nicht verwendet habe und die den benutzten Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Anmerkungen: In dieser Diplomarbeit wurde aus Gründen der Lesbarkeit auf die gendergerechte Form verzichtet. Männliche Schreibweisen umfassen auch die weiblichen. Das geschah völlig wert- und vorurteilsfrei. Die direkten Zitate in italienischer Sprache wurden von der Autorin ins Deutsche übersetzt. 3 4 Inhaltsverzeichnis 1. Einleitung ....................................................................................... 9 2. Die Satire ........................................................................................ 12 2.1. Etymologie ..................................................................................................... 13 2.2. Indignatio als Antrieb, Satire zu schreiben ............................................. 17 2.3. Satire als gattungsübergreifende Form ................................................... 18 2.4. Der satirische Weltentwurf ................................................................... -
This Is a Contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding
________________________________________________ This is a contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding This electronic file may not be altered in any way. The author(s) of this article is /are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. __________________________________________________ Cultus THE JOURNAL OF INTERCULTURAL MEDIATION AND COMMUNICATION TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 ICONESOFT EDIZIONI - GRUPPO RADIVO HOLDING BOLOGNA - ITALY CULTUS __________________________________________________ Registrazione al Tribunale di Terni n. 11 del 24.09.2007 Direttore Responsabile Agostino Quero Editore Iconesoft Edizioni – Radivo Holding Anno 2014 ISSN 2035-3111 Policy: double-blind peer review © Iconesoft Edizioni – Radivo Holding srl via Ferrarese 3 – 40128 Bologna 2 ________________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 Editors David Katan University of Salento Cinzia Spinzi University of Palermo ICONESOFT EDIZIONI – RADIVO HOLDING BOLOGNA 3 CULTUS __________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication Editorial Board Michael Agar Ethknoworks LLC and University of Maryland, College Park, USA Patrick Boylan Emeritus Professor University Roma 3 Milton Bennet Intercultural Development Research -
M Franchi Thesis for Library
The London School of Economics and Political Science Mediated tensions: Italian newspapers and the legal recognition of de facto unions Marina Franchi A thesis submitted to the Gender Institute of the London School of Economics for the degree of Doctor of Philosophy, London, May 2015 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work. The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 88924 words. Statement of use of third party for editorial help (if applicable) I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by Hilary Wright 2 Abstract The recognition of rights to couples outside the institution of marriage has been, and still is, a contentious issue in Italian Politics. Normative notions of family and kinship perpetuate the exclusion of those who do not conform to the heterosexual norm. At the same time the increased visibility of kinship arrangements that evade the heterosexual script and their claims for legal recognition, expose the fragility and the constructedness of heteronorms. During the Prodi II Government (2006-2008) the possibility of a law recognising legal status to de facto unions stirred a major controversy in which the conservative political forces and the Catholic hierarchies opposed any form of recognition, with particular acrimony shown toward same sex couples. -
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www.ssoar.info The 5 star people and the unconventional parliament Bordignon, Fabio; Ceccarini, Luigi Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Bordignon, F., & Ceccarini, L. (2013). The 5 star people and the unconventional parliament. Studia Politica: Romanian Political Science Review, 13(4), 675-692. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-447780 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de The 5 Star People and the Unconventional Parliament 675 The 5 Star People and the Unconventional Parliament FABIO BORDIGNON, LUIGI CECCARINI INTRODUCTION With the triumphal entrance of the Movimento 5 Stelle (Five Star Movement)1 into the Italian Parliament following the General Election of 2013, the level of ”anti- politics” in Italian institutions has grown. With its 163 elected MPs, an ”anti-system” party has entered the political system – not merely the electoral arena, but also the very heart of representative democracy. This political entity, led by former comedian Beppe Grillo, has responded to a social demand for renewal and revitalization of democracy. The rise of the M5S participates to a scene of strong de-legitimization of the political class, and of widespread sentiments of intolerance towards the political parties. At the same time, the Movement has reached the point of calling into question the representative character of Italian democracy, albeit by using the very mechanisms that typify such a regime: elections and Parliament. -
Freedom of the Press - Italy (2011)
Page 1 of 2 Print Freedom Of The Press - Italy (2011) Status: Partly Free Legal Environment: 11 Political Environment: 13 Economic Environment: 10 Total Score: 34 Freedoms of speech and of the press are constitutionally guaranteed and generally respected despite ongoing concerns regarding concentration of media ownership. The 2004 Gasparri Law on broadcasting was heavily criticized for provisions that enabled Prime Minister Silvio Berlusconi to maintain his control of the private media market, largely through his ownership of the Mediaset Group. In October 2009, the Constitutional Court overturned a law that had granted Berlusconi protection from prosecution while he remains in office. The ruling opened the way for a number of court cases against him to proceed, including a tax fraud case involving Mediaset. In June 2010, the Senate passed a bill that would limit the use of police wiretaps, prescribing heavy fines and up to 30 days in jail for journalists who publish content from such recordings before the implicated defendant goes to trial. The controversial bill was seen primarily as an effort to keep embarrassing information about politicians out of the news. Following international condemnation and protests by journalists, including a national strike in July, the government put a hold on the draft law, and it had not been enacted at the end of the year. In addition to this threat to media freedom, a comprehensive report released by the Vienna-based International Press Institute noted a number of other legal impediments, including the lack of a proper law to deal with conflict of interest (particularly between media ownership and holding political office), as well as licensing procedures for journalists that can potentially lead to official influence and limited opportunities for foreign-born reporters. -
Qseseries Editor: Duncan Prowse
Maurice Forget BROOKEMEAD ENGLISH LANGUAGE TEACHING Series editor: Duncan Prowse Consultant: Rosemary Harris Editor: Picot Cassidy Artist: Belinda Evans Design: John Anastasio, Wendi Watson, Lapiz Digital QSE Advanced Common European Framework Level B2-C1 QSE Series Common Cambridge Michigan TOEFL Trinity College, Edexcel Title European ESOL (New TOEFL) London, ESOL London Test Framework of English Quick Start A1-A2 KET ISE 0 Level (A1) 1 English GESE Grade 1, 2, 3 (in preparation) Quick Smart A2-B1 PET BCCE ISE I, Level 1- 2 English GESE Grade 4, 5, 6 Pre-Intermediate Quick Smart B1-B2 FCE ECCE 450-525 ISE II, Level 2-3 English Target 485 GESE Grade 7,8,9 Intermediate (NT 163) Quick Smart B2-C1 CAE ALCE Target 525 ISE III, Level 3-4 English (NT 197) GESE Grade 10,11 Advanced ISBN: 1-905248-01-6 978-1-905248-01-8 Also available: Other books in the QSE Series: QSE Advanced Teacher’s DVD-ROM QSE Pre-Intermediate (CEF A2-B1) Video, Audio and Text ISBN 1-905248-02-04 Student’s Book, Workbook, Audio CDs, Teacher’s 978-1-905248-02-05 Guide with Photocopiable Resources QSE Advanced Student’s Book ISBN 1-905248-00-8 978-1-905248-00-1 QSE Intermediate (CEF B1-B2) QSE Advanced Student’s DVD-ROM ISBN 1-905248-03-2 Student’s Book, Workbook, Audio CDs, Teacher’s 978-1-905248-03-2 Guide with Photocopiable Resources QSEPublished by: Brookemead English Language Teaching, London © Brookemead Associates Ltd. 2007 All rights reserved. No part of this publication may be reproduced, recorded, transmitted, or stored in any form whatsoever, without the prior written permission of the copyright holders. -
Q27portada EN.Qxp
Political satire in Italy: a successful television genre Rossend Domènech . Political satire is present in every Italian media, There's a lot of political satire on Italian television: two daily specially on television. The author examine in this programmes on national channels and four weekly article the most outstanding satirical scheduled programmes, not to mention the doses of satire dotted programmes and analyses its evolution. He ends throughout many programmes that are not specifically claiming that politics has been transferred to the satirical. During the last season (2006), there were five television stage, instead of any Parliament, and it has exclusive daily programmes and, in previous seasons, from also assumed the television laguage, even satire. 1994 to 2006, half a dozen appeared and disappeared. Since spring 2007, and in addition to these programmes, broadcasters have started to show new comedy and satire programmes in general that sometimes include political sketches. Keywords At the same time there has also been a proliferation in the Political satire, television, Italy, Berlusconi, Le Iene, country of satirical cartoons in the press, and every year Blob, Striscia la notizia, Parla con me, RaiOt, Che one or two books appear on this area. But, where the genre tempo che fa, Crozza Italia. is most abundant is on the Internet, principally since Silvio Berlusconi entered politics (1994), when satire on the ruling classes was more difficult to carry out by means of traditio- nal public and private instruments. This was due to relent- less censorship of this category. We can therefore say that satire has become fashionable. -
Contentious Migration Policies: Dynamics of Urban Governance and Social Movement Outcomes in Milan and Barcelona
Contentious migration policies: Dynamics of urban governance and social movement outcomes in Milan and Barcelona PhD dissertation by Raffaele Bazurli Scuola Normale Superiore, Florence Faculty of Political and Social Sciences Ph.D. Program in Political Science and Sociology, XXXI Cycle 28 April 2020 Ph.D. Coordinator Professor Donatella della Porta Ph.D. Supervisor Professor Donatella della Porta To those who struggle, whose pain is the very reason for my efforts. To my family and friends, whose love is the very reason for my happiness. ii Abstract Local governments—of large cities especially—enact policies that crucially affect the daily life of immigrants. Migration policy-making has proliferated across cities of the Global North—and so did its own contestation. The urban environment is, in fact, a fertile breed- ing ground for the flourishing of activist networks by and in solidarity with immigrants. Yet, research on social movement outcomes in the field of migration has been lagging behind. This thesis is aimed to theorize how and under what conditions pro-immigrant activists can affect policy-making at the city-level and beyond. By adopting a strategic-interaction and mechanisms-based approach to the study of contentious politics, the research con- tends and demonstrates that movements can rely on strategic leverages within three arenas of interaction. First, brokerage mechanisms are essential to the emergence of a social movement in the civil society arena. The peculiar qualities of urban spaces—notably, the availability of dense relational networks extended over an array of geographical scales— allow immigrants to create bonds of solidarity, craft alliances, and ultimately turn into vo- cal political subjects. -
The (D)Evolution of Political Communication in Italy: Beppe
ACTAACTA UNIVERSITATIS UNIVERSITATIS LODZIENSIS LODZIENSIS ACTA UNIVERSITATIS LODZIENSIS FoliaFolia Litteraria Litteraria Polonica Polonica 3(58) 2(57) 2020 2020 Folia Litteraria Polonica 2(57) 2020 http://dx.doi.org/10.18778/1505-9057.58.27http://dx.doi.org/10.18778/1505-9057.57.01 http://dx.doi.org/10.18778/1505-9057.57.01 ACTA UNIVERSITATIS LODZIENSIS Folia Litteraria Polonica 2(57) 2020 * Marcin Kępiński* Łukasz Marcinhttp://dx.doi.org/10.18778/1505-9057.57.01 JKępińskian Berezowski* https://orcid.org/0000-0003-4367-3224 https://orcid.org/0000-0003-4367-3224https://orcid.org/0000-0002-5312-5451 ArturMarcin Gałkowski** Kępiński* The Thehttps://orcid.org/0000-0003-4367-3224https://orcid.org/0000-0003-2471-0886 wall wall of of silence silence surrounding surrounding literatureliterature and and remembrance: remembrance: TheVarlamVarlam (d)evolutionwallS halamov’sofShalamov’s silence of ArtificialsurroundingpoliticalArtificial Limbs, Limbs, Etc. Etc. communicationasliteratureasaa m metaphoretaphor and remembrance: of inof the Italy: the soviet soviet empire empire BeppeVarlam Grillo’sShalamov’s case Artificial Limbs, Etc. The camp solitary confinement block was old and decrepit. It looked as if a wall The camp solitary confinement block was old and decrepit. It looked as if a wall as amight m falletaphor down, the whole of block the crumble, soviet and the beams empire collapse, if you just In themight 21st fall century, down, togetherthe whole with block the crumble, rapid widespread and the beams of social collapse, media if andyou justdigital knocked against a wooden cell wall. But the solitary confinement block wasn’t go- communication,knocked against political a wooden parties cell wall. -
Teresa Filizzola Phd Thesis Final Copy
Italians’ Perception and Reception of British Stand-Up Comedy Humour with Interlingual Subtitles A Qualitative and Quantitative Study on Eddie Izzard’s Shows Teresa Filizzola Submitted in accordance with the requirements for the degree of PhD University College London Centre for Translation Studies, CMII September 2016 Primary Supervisor: Dr Federico M. Federici Subsidiary Supervisor: Dr Louisa Desilla 1 Declaration I, Teresa Filizzola, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Teresa Filizzola 30th September 2016 2 Abstract If we look at the existing publications addressing topics related to the audiovisual translation mode of subtitling and the rendering of humour into another language, we shall notice that there has been an undeniable growth within these branches of translation studies. Nonetheless, this statement does not apply to the specific field of translation of stand-up comedy humour by means of interlingual subtitles. The literature related to this research field reveals a significant gap especially when the focus is on how audiences respond to this type of translated audiovisual products, and when the source language and the target language are respectively British English and Italian. The present PhD project was designed to fill the aforementioned research gap and, in order to attain this purpose, some sketches selected from three of Eddie Izzard’s stand-up comedy shows (Dress to Kill, Circle and Stripped, for which Italian subtitles are available in the official DVDs) were played to a sample of 103 Italians based in Italy so as to observe their reaction. -
I Am Ready Interview by Stefania Taviano
The Open Page Franca Rame I Am Ready Interview by Stefania Taviano Anomalo bicefalo, the new comedy by and starring Franca Rame and Dario Fo started touring recently and is sold out. Why did I continue? Franca is not feeling very well, but this does not prevent her Because through my work from writing, working on the show, rehearsing with Dario I can talk to many people and even being interviewed over the phone. When I call every day and I can deal her, Franca is typing at the computer, she is updating the with political issues, text. Every night the show is recorded and the following day I can fight for the causes Franca introduces improvisations from the previous night. I believe in, like an occupied She asks me to call back in ten minutes. Then we start: "I factory, a house for am ready". Her voice reveals her tiredness and fatigue, but a homeless person, the tone is generous and available as Franca always is. It is a job for an immigrant the tone of voice of a woman for whom struggle is a raison family, a bed in a hospital d'être. Struggle intended as a political struggle, a class for someone who is HIV struggle, a social struggle, a struggle for the weakest. It is a positive. fight for women's rights, a fight for political prisoners and a fight without compromise. It is a fight at a national and international level, both public and private, as a woman, writer, actress and wife of the Nobel Prize winner Dario Fo.