|||GET||| the Chinese Zheng Zither 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

|||GET||| the Chinese Zheng Zither 1St Edition THE CHINESE ZHENG ZITHER 1ST EDITION DOWNLOAD FREE Sun Zhuo | 9781351892971 | | | | | Top 10 Traditional Chinese Guzheng Music A The Chinese Zheng Zither 1st edition in the Life compilation. New York: Infobase Publishing. It also created some playing techniques which were never used before. Artists create unique cultural and artistic content on the instrument. Throughout the centuries, the zheng became the parent instrument of the Asian zither family as it spread from China to a number of adjacent countries giving birth to the Japanese koto, the Korean kayagum and the Vietnamese dan tranh. New techniques include playing harmony and counterpoint with the left hand. Add to basket. To his surprise, a woodman named Zhong Ziqi could understand that he was depicting the The Chinese Zheng Zither 1st edition of high mountains and the vigor of running water. Handbook to life in medieval and early modern Japan. Owen Wright. Since the fourth or third centuries B. In a number of new compositions, as many as The Chinese Zheng Zither 1st edition or five fingers may be used to pluck the strings. In modern playing technique, the left hand often joins the right hand to play a counter-melody. A Cultural History of the Chinese Language. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The top and bottom plates are usually made of Paulownia wood. When Zhong died, Yu smashed his Guqin as he thought nobody could understand his music again. The guzheng has existed since the Warring States Period and became especially popular during the Qin dynasty. Many new pieces have been composed since the s which used new playing techniques such as the playing of harmony and counterpoint by the left hand. Categories : Zithers Chinese musical instruments Chinese words and phrases. The sound of Guzheng is full of Chinese typical flavor and there are many famous pieces of music. I accept the Privacy Policy. It has its limitations, preventing the subtle ornamentation provided by the left hand in traditional music. Please help improve this article by adding citations to reliable sources. It originated during the Warring Period more than 2, years ago in China. Timothy Rice. Paris: Presses Universitaires de France, A modern guzheng should not to be confused with the guqin, another ancient Chinese zither but without bridges. Ancient picks were made of ivory and later also from tortoise shell. Page This work arises out of, and reflects on, the research methodologies known as performance as research. Chinese Zither Chinese name: Guzheng is one of traditional musical instruments in China. The guzheng has a large resonant cavity made from wu tong wood Paulownia tomentosa. One iconic sound is a tremolo produced by the right thumb rotating rapidly around the same note. These techniques of playing the guzheng can create sounds that can evoke the sense of a cascading waterfall, thunder and even the scenic countryside. John Morgan The Chinese Zheng Zither 1st edition. The Chinese Zheng Zither : Contemporary Transformations The guzheng has gone through many changes during its long history. Throughout the centuries, the zheng became the parent instrument of the Asian zither family as it spread from China to a number of adjacent countries giving birth to the Japanese koto, the Korean kayagum and the Vietnamese dan tranh. Guban Muyu Paiban Yu Zhu. Advanced players may use picks attached to the fingers of both hands. Download as PDF Printable version. The guzheng has existed since the Warring States Period and became especially popular during the Qin dynasty. Search for:. Mei Hua Chinese language is plum blossom and Sannong means repeating the major melody for 3 times. Retrieved The day you think of returning home, my heart is already broken. Owen Wright. The guzheng has a long and proud history, which is believed to have been invented during the Qin Dynasty BC. This piece of music conveys the loneliness of the composer and self-admiration of ancient Chinese scholars. Chinese musical instrument Guzheng By the Tang Dynasty AD - ADthe number of strings had increased from five to thirteen, and the bamboo had been replaced with wu- tong or paulownia wood for the frame of the instrument. Gudi Kouxian Lusheng Xun. The modern guzheng usually has 21 to 25 strings made of metal wound with nylon. There are distinct northern and southern playing styles, [8] each comprising schools specific to a region. Other components may be made from other woods, usually for structural and decorative purposes. The guzheng is often decorated. Development Guzheng became very popular in the imperial court and among the common people. The Cao family of Henan The Chinese Zheng Zither 1st edition known as masters of the guzheng. With simple tone and elegant style, it shows noble sentiment of the lotus which are always clear when grown out of the dirty mud, and are always seductive when pured by the clean water. Koto player Brett Larner developed innovative works for the guzheng and played the instrument in a duet with electronic musician Samm Bennett on his CD Itadakimasu. You can learn more The Chinese Zheng Zither 1st edition our use of cookies here. The ancient guzheng had 12 strings, which gradually evolved into it current forms. The strings are made of steel and have varying diameters. The choices you make here will The Chinese Zheng Zither 1st edition to your interaction with this service on this device. It is also the parent instrument of the Asian long zither family. The guzheng has played an important role in Chinese history and folk music. The modern guzheng commonly has 21, 25 or 26 strings, is 64 inches 1. Performance and Analytics. Guzheng, Traditional Chinese Musical Instrument Harry Potter. Your email address will not be published. There are distinct northern and southern playing styles, [8] each comprising schools specific to a region. Flutes Dizi Koudi Paixiao Xiao. From Wikipedia, the free encyclopedia. All these instruments descend from a common model, the ancient zheng. We use cookies to provide our servicesfor example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. The sound is that of a guzheng. Download as PDF Printable version. The Chinese Zheng Zither 1st edition 7, at am. The guzheng has a large resonant cavity made from wu tong wood Paulownia tomentosa. Chinese Zither Chinese name: Guzheng is one of traditional musical instruments in China. They are The Chinese Zheng Zither 1st edition to the pentatonic scale. There are many techniques used in the playing of the guzheng, including basic plucking actions right or both hands at the right portion and pressing actions at the left portion by the left hand to produce pitch ornamentations and vibrato as well as tremolo right hand. It still exists side by side with the distinguished ch'in and se. Description The zheng zither is one of the most popular instruments in contemporary China. Not to be confused with Guqin. The Canadian composer Kevin Austin has written several pieces for guzheng and electroacoustic sounds. Robert Faulkner. Harmonie Park Press. China Tours. Hulusheng Hulusi Sheng Yu. The top and bottom plates are usually made of Paulownia wood. The oldest specimen yet discovered held 13 strings and was dated to around BC, The Chinese Zheng Zither 1st edition possibly during the Warring States period — BC. Other books in this series. Other components may be made from other woods, usually for structural and decorative purposes. The two soon became good friends since then. Cancel Save settings. Traditional playing styles use the right hand to pluck notes and the left hand to add ornamentation such as pitch slides and vibrato by pressing the strings to the left of the movable bridges. Wikimedia The Chinese Zheng Zither 1st edition. Guzheng students who take the Central Conservatory of Music examinations are required to learn traditional and modern pieces. Historical records from ancient books and scholarly writings give vivid accounts of the instrument and its music. The Chinese Zheng Zither 1st edition the first century AD, the guzheng is described as a plucked half-tube wood zither with movable bridges, over which a number of strings are stretched, and in the 2nd century BC the guzheng was described as having twelve silken strings and high narrow jade bridges. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. Important players and teachers in the 20th century include; Wang Xunzhi — who popularized the Wulin zheng school centered in Hangzhou in Zhejiang, Lou Shuhua rearranged a traditional guzheng piece and named it Yu zhou chang wan, Liang Tsai-Ping edited the first guzheng teaching manual Nizheng pu inCao Dongfu — from Henan, Gao Zicheng and Zhao Yuzhai from Shandong; Su Wenxian —71Guo Ying and Lin Maogen from Chaozhou, the Hakka Luo Jiuxiang —78and Cao Zheng who trained in the Henan school. With the 'opening up' of China's economy since the s, the zheng has been brought into the wider stage of international music-making which includes contemporary art music compositions by overseas based Chinese composers and commercial world music works by Western composers. https://cdn-cms.f-static.net/uploads/4565079/normal_5fbe333c95809.pdf https://cdn-cms.f-static.net/uploads/4564305/normal_5fbe95c75dfb9.pdf https://cdn-cms.f-static.net/uploads/4564919/normal_5fbec663c60da.pdf https://cdn-cms.f-static.net/uploads/4564904/normal_5fbea63d3f508.pdf https://cdn-cms.f-static.net/uploads/4564425/normal_5fbe98d568757.pdf https://cdn-cms.f-static.net/uploads/4564726/normal_5fbe6570d0966.pdf.
Recommended publications
  • The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
    The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below).
    [Show full text]
  • Full Spectrum of Selves in Modern Chinese Literature: from Lu Xun to Xiao Hong
    UCLA UCLA Electronic Theses and Dissertations Title Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong Permalink https://escholarship.org/uc/item/5022k8qv Author Ho, Felicia Jiawen Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in East Asian Languages and Cultures by Felicia Jiawen Ho 2012 © Copyright by Felicia Jiawen Ho 2012 ABSTRACT OF THE DISSERTATION Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong by Felicia Jiawen Ho Doctor of Philosophy in East Asian Languages and Cultures University of California, Los Angeles, 2012 Professor Shu-mei Shih, Chair Despite postcolonial theory’s rejection of legacies of Western imperial dominance and cultural hierarchy, the superiority of Euro-American notions of subjectivity remains a persistent theme in third world cross-cultural literary analysis. Interpretations of the Chinese May Fourth era often reduce the period to one of wholesale westernization and cultural self- repudiation. Euro-American notions of the self often reify ideologies of individuality, individualism, rationalism, evolution, and a “self-versus-society” dichotomy, viewing such positions as universal and applicable for judging decolonizing others. To interrogate this assumption, I examine the writing of Lu Xun and Xiao Hong, two May Fourth writers whose fictional characters present innovative, integrated, heterogeneous selves that transcend Western ii critical models. This “full spectrum of selves” sustains contradicting pulls of identity—the mental (the rational, the individual), the bodily (the survivalist, the affective), the cerebral (the moral), the social (the relational, the organismic), as well as the spiritual and the cosmic.
    [Show full text]
  • 體驗中樂無窮魅力 Where Chinese Music Is a Universe of Magical Possibilities Tour Map.Indd 1 17年10月23日 下午3:25 香港中樂團齊心致力於奉獻卓越的中樂藝術, 緊貼時代脈搏,發揮專業精神,追求音樂至高境界, 成為香港人引以為榮的世界級樂團。
    香港中樂團有限公司 Hong Kong Chinese Orchestra Limited 2016-17 年報 Annual Report 年報 Annual Report 2016-2017 體驗中樂無窮魅力 Where Chinese music is a universe of magical possibilities tour map.indd 1 17年10月23日 下午3:25 香港中樂團齊心致力於奉獻卓越的中樂藝術, 緊貼時代脈搏,發揮專業精神,追求音樂至高境界, 成為香港人引以為榮的世界級樂團。 Hong Kong Chinese Orchestra is united in its commitment to offering excellence in Chinese music. With a contemporary momentum and a professional spirit, we aim to strive for the peak in music and attain the status of a world-class orchestra that is the pride of Hong Kong people. 香港中樂團 Hong Kong Chinese Orchestra 2 目 錄 目錄 Table of Contents Table of Contents 1 使命宣言 Mission Statement 3 公司資訊 Corporate Information 4 主席報告 Statement from the Chairman 6 總監報告 Directors’ Review 藝術總監報告 Artistic Director’s Review 行政總監報告 Executive Director’s Review 10 業務回顧 Business Review 演出及活動統計 Statistics of Performances and Activities 年內點滴 Highlights 年度音樂會、場地伙伴計劃、 List of Regular Concerts, 外訪活動、新創作及首演作品 Venue Partnership Activities, 一覽表 Touring Activities and Commission Works 51 企業管治報告 Statement on Corporate Governance 理事會 The Council 委員會 The Committees 與權益相關者的關係 Stakeholders Relations 理事會及總監簡介 Brief Biodata of Council Members and Principal Executive 72 財務摘要 Financial Highlights 73 財務報表 Financial Statements 理事會成員報告 Report of the Council Members 獨立核數師報告 Independent Auditors’ Report 綜合收益賬 Consolidated Statement of Income and Expenditure 全面綜合收益賬 Consolidated Statement of Comprehensive Income 綜合財務狀況表 Consolidated Statement of Financial Position 綜合權益變動表 Consolidated Statement of Changes in Equity 綜合現金流量表 Consolidated
    [Show full text]
  • Composer Performer
    Capital Normal University is well-known for its role in educational and cultural transmission and innovation in China. It has set up various departments and offers complete sets of academic disciplines, including liberal arts, science, engineering, management, law, education, art, music and foreign languages etc.. It has also opened many research fields with unique oriental cultural characteristics. Music College of CNU is one of the most famous music schools in China. It comprises 7 departments serving undergraduate and graduate degrees in music education, composing, conducting, piano, vocal, Chinese and western musical instruments, recording technique, dancing,. It also serving doctoral degrees of music education, composing, theory of composing, musicology, music science as well as dancing. The Music College has its chorus troupe, national music band, Chinese and western chamber music band and dancing troupe. Composer Yangqing: Famous composer of Zhou Xueshi: composer,Professor of China. Professor, Dean of Music College Music College of CNU. of CNU. His works involves orchestral <New arrangement: Birds in the Shade>, music, chamber music, dance drama for Chinese Flute, Sheng, Xun, Pipa, Erhu and movie music, His music win a high and Percussion. The musical materials of admiration in china. Leader of this this piece originate from this work—Birds visiting group to USA. Special invited in the Shade for Chinese Flute Solo by to compose a piece of music for both Guanyue Liu. It presents an interesting Chinese and USA instrumentalists. counterpoint in ensemble and shows the technical virtuosity of performers by developing fixed melody patterns and sound patterns. Performer Zhou Shibin: Vice dean, professor Wang Chaohui: Pipa performer .
    [Show full text]
  • Singapore Chinese Orchestra Instrumentation Chart
    Singapore Chinese Orchestra Instrumentation Chart 王⾠威 编辑 Version 1 Compiled by WANG Chenwei 2021-04-29 26-Musician Orchestra for SCO Composer Workshop 2022 [email protected] Recommendedabbreviations ofinstrumentnamesareshown DadiinF DadiinG DadiinA QudiinBb QudiinC QudiinD QudiinEb QudiinE BangdiinF BangdiinG BangdiinA XiaodiinBb XiaodiinC XiaodiinD insquarebrackets ˙ ˙ ˙ #˙ ˙ ˙ #˙ ˙ ˙ 2Di ‹ ˙ ˙ ˙ ˙ #˙ [Di] ° & ˙ (Transverseflute) & ˙ ˙ ˙ ˙ ¢ ˙ ˙ ˙ ˙ b˙ ˙ ˙ ˙ s˙ounds 8va -DiplayerscandoubleontheXiaoinForG(samerangeasDadiinForG) -ThischartnotatesmiddleCasC4,oneoctavehigherasC5etc. #w -WhileearlycompositionsmightdesignateeachplayerasBangdi,QudiorDadi, -8va=octavehigher,8vb=octavelower,15ma=2octaveshigher 1Gaoyin-Sheng composersareactuallyfreetochangeDiduringthepiece. -PleaseusethetrebleclefforZhonghupartscores [GYSh] ° -Composerscouldwriteonestaffperplayer,e.g.Di1,Di2andspecifywhentousewhichtypeofDi; -Pleaseusethe8vbtrebleclefforZhongyin-Sheng, (Sopranomouthorgan) & ifthekeyofDiislefttotheplayers'discretion,specifyatleastwhetherthepitchshould Zhongyin-GuanandZhongruanpartscores w soundasnotatedor8va. w -Composerscanrequestforamembranelesssound(withoutdimo). 1Zhongyin-Sheng -WhiletheDadiandQudicanplayanother3semitonesabovethestatedrange, [ZYSh] theycanonlybeplayedforcefullyandthetimbreispoor. -ForeachkeyofDi,thesemitoneabovethelowestpitch(e.g.Eb4ontheDadiinG)sounds (Altomouthorgan) & w verymuffledduetothehalf-holefingeringandisunsuitableforloudplaying. 低⼋度发⾳ ‹ -Allinstrumentsdonotusetransposednotationotherthantranspositionsattheoctave.
    [Show full text]
  • February 2019 a Winter Wonderland That Warms Your Spirit
    CHINAINSIGHT Fostering business and cultural harmony between China and the U.S. VOL. 18 NO. 2 February 2019 A winter wonderland that warms your spirit . News, p. 4 Business & Economy, p. 5 Language, p. 7 The 35th Harbin International Ice and Snow Festival, the largest in the world, is celebrated during Harbin’s Sister Cities Conference. See pages 8-9. Books, p. 11 Community Minneapolis artist Paul Kwok exhibits at Chung Chi College in Hong Kong By Greg Hugh More than 100 guests recently attended Kwok currently lives in Minneapolis an exhibit of landscape paintings titled “In with his partner Pat Hui where they also and Out of Tradition” by Paul Ka Yin Kwok share a studio at Traffic Zone Center for Arts & Culture, p. 14 held at Chung Chi College of The Chinese Visual Art. The studio was the site of the University of Hong Kong from which Kwok recent group discussion of “Crazy Rich graduated in 1967. Asians” held by the Chinese Heritage Foundation. ♦ In This Issue Arts & Culture 12-14 Right: Books 10-11 Pat Hui Business & Economy 5 and Kwok in front of Community 8-9 one of his Events 15-16 paintings Government & Politics 6 Language 7 Officiating at the ribbon cutting ceremony was News 3-4 (far left Professor Fong Wing Ping, head of Pronouncements 2 college; and artist Kwok (second from left). Recent CHF discussion at studio. PAGE 2 / February 2019 pronouncements www.chinainsight.info Publisher’s Pronouncements CHINAINSIGHT Greetings and Gung Hay Fat Choy (Happy New Year): As we went to press with this issue of We also are pleased to announce that a team player.
    [Show full text]
  • 2018 Available in Carbon Fibre
    NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished
    [Show full text]
  • Chinese Video Tape (3)
    Chinese Video Tape (3) 3-1 "Gusuxing" – Dizi (transverse flute) with ensemble. Song is based on melodies from music found in Jiangsu province. Note the lyrical quality that depicts a teahouse and garden. Ensemble also features the erhu (bowed lute), sheng (mouth organ), yangqin (hammered zither), zheng (plucked zither with movable bridges), and pipa (plucked lute). 3-2 "Shimian maifu" - Pipa solo (Lute) – famous solo piece that depicts an ancient battle. Performance techniques include tremolo (plucking the strings quickly with alternating fingers), stopping the string with the fingernails, and striking the body of the instrument to depict the sounds of war. 3-3 "Erquan yingyue" - Erhu with yangqin (zither). Erhu was originally used only for accompanying the voice or in ensemble settings but since the 1900s become a solo instrument as well. 3-4 "Yuzhuo changwan" – Zheng (zither) solo – song depicting a fisherman singing in the evening. Note use of pitch bending by pressing the strings (called an) and vibrato (called rou). 3-5 "Chunjiang huayeuye" - ten part instrumental ensemble suite. Depicts the mood of a river flowing on a spring night. Other instruments include a dongxiao (end-blown flute), erhu, sheng, yangqin, zheng, and pipa. The lead instruments are the dongxiao and the pipa. 3-6 "Paixiongwu" – excerpt from theatre work, depicts men walking down the street beating their chests. Originally a folk dance, it eventually made its way into the theatre. Accompanied here by a paiban (clapper), erxian (fiddle), dongxiao (flute), sanxian (lute), pipa, xiangzhan (small gong), nangu (drum), and gujiao (small gong). Dancers use a sibao ( clappers ), ruan (large, plucked lute), yugu ( drum ), and erxian (fiddle).
    [Show full text]
  • Free Recorder Fingering Chart
    Free Recorder Fingering Chart Is Curtis multilobed or premier when eructate some grandniece diluted undespairingly? Appositive Osbert catalyzing subject. Hermann phenolates contrariwise. Land called staff and labels what works both fingering recorder chart into fun and half covering the Yamaha recorder finger chart. Play is for four beats. FBX records in the background without lagging the game, and F are on each line of the staff, found only on this fileshare. Is black, gives better intonation recorder finger chart circles are promote the four fingers on the recorder. Dizi Lesson 1 First steps to making tones with fingering chart Dizi Lesson 2 Basic. The finger chart. Perhaps the fingering worksheets document template provides you are you opt in the melody until you and then download. Prompt shipping via USPS First Class mail. Series recorders with a lightweight carrying Case at names. You primary need to impact that section to firm a baby fit. Get exclusive discounts and coupons. Venova is the latest noise maker from Yamaha fingerings! Alto Recorder Fingering Chart Sheet good for Recorder Solo. Looks way portable than the ones online and in books. You click through the mouth and recorder fingering chart quickly take screengrabs of recorder more complex fingering chart in the middle, notably a link through a wide for? The shape of the mouth and vocal tract affect are closely related to the consonant used to articulate. Holes which are precisely the ones we cite to leave free if riot want to slip the notes altered. Free Easy Recorder Song With Letters Printable BAG An air way to teach beginner recorder with lettered notes colored notes and recorder fingering I.
    [Show full text]
  • Woodwind Family
    Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute.
    [Show full text]
  • The Equality of Kowtow: Bodily Practices and Mentality of the Zushiye Belief
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Apollo Journal of Cambridge Studies 1 The Equality of Kowtow: Bodily Practices and Mentality of the Zushiye Belief Yongyi YUE Beijing Normal University, P.R. China Email: [email protected] Abstract: Although the Zushiye (Grand Masters) belief is in some degree similar with the Worship of Ancestors, it obviously has its own characteristics. Before the mid-twentieth century, the belief of King Zhuang of Zhou (696BC-682BC), the Zushiye of many talking and singing sectors, shows that except for the group cult, the Zushiye belief which is bodily practiced in the form of kowtow as a basic action also dispersed in the group everyday life system, including acknowledging a master (Baishi), art-learning (Xueyi), marriage, performance, identity censorship (Pandao) and master-apprentice relationship, etc. Furthermore, the Zushiye belief is not only an explicit rite but also an implicit one: a thinking symbol of the entire society, special groups and the individuals, and a method to express the self and the world in inter-group communication. The Zushiye belief is not only “the nature of mind” or “the mentality”, but also a metaphor of ideas and eagerness for equality, as well as relevant behaviors. Key Words: Belief, Bodily practices, Everyday life, Legends, Subjective experience Yongyi YUE, Associate Professor, Folklore and Cultural Anthropology Institute, College of Chinese Language and Literature, Beijing Normal University, Beijing, 100875, PRC Volume
    [Show full text]
  • Identification of Bile Salt Hydrolase Inhibitors, the Promising Alternative to Antibiotic Growth Promoters to Enhance Animal Production
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2013 Identification of bile salt hydrolase inhibitors, the promising alternative to antibiotic growth promoters to enhance animal production Katie Rose Smith [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Animal Sciences Commons Recommended Citation Smith, Katie Rose, "Identification of bile salt hydrolase inhibitors, the promising alternative to antibiotic growth promoters to enhance animal production. " Master's Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/2457 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Katie Rose Smith entitled "Identification of bile salt hydrolase inhibitors, the promising alternative to antibiotic growth promoters to enhance animal production." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Animal Science. Jun Lin, Major Professor We have read this thesis and recommend its acceptance: John C. Waller, Michael O. Smith, Niki Labbe Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Identification of bile salt hydrolase inhibitors, the promising alternative to antibiotic growth promoters to enhance animal production A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Katie Rose Smith August 2013 DEDICATION This thesis is dedicated to Dr.
    [Show full text]