Binnenwerk Anthony Danso-Appiah.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Binnenwerk Anthony Danso-Appiah.Indd Treatment Effects and Integrated Morbidity Control of Schistosomiasis Anthony Danso-Appiah Colofon Copyright © 2009 Anthony Danso-Appiah All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without written prior permission from the author or the copyright-owning journals for previously published papers. Layout: Legatron Electronic Publishing, Rotterdam, The Netherlands Printing: Ipskamp Drukkers, Enschede, The Netherlands Cover photo: Marieke J. van der Werf Publication of this thesis was supported fi nancially by the Netherlands Foundation for the Advancement of Tropical Research (WOTRO, grant number WB 50-426) and the Department of Public Health, Erasmus MC, University Medical Center Rotterdam, The Netherlands. Treatment Effects and Integrated Morbidity Control of Schistosomiasis Behandelresultaten en geïntegreerde ziektebestrijding bij schistosomiasis Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnifi cus Prof.dr. H.G. Schmidt en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op donderdag 5 november 2009 om 9.30 uur door Anthony Danso-Appiah geboren te Accra, Ghana Promotiecommissie Promotor: Prof.dr.ir. J.D.F. Habbema Overige leden: Prof.dr. M.C.J.M. Sturkenboom Prof.dr. H.A. Verbrugh Prof.dr. J. Utzinger Copromotor: Dr. S.J. de Vlas To my dear wife Joyce and son Nana Owusu Contents Chapter 1 General introduction 7 Chapter 2 Interpreting low praziquantel cure rates of Schistosoma mansoni infections 49 in Senegal Chapter 3 Drugs for treating urinary schistosomiasis 61 Chapter 4 Treatment of urinary schistosomiasis: methodological issues and 103 research needs identifi ed through a Cochrane systematic review Chapter 5 Determinants of health seeking behaviour for schistosomiasis-related 125 symptoms in the context of integrating schistosomiasis control within the regular health services in Ghana Chapter 6 Health seeking behaviour and utilization of health facilities for 147 schistosomiasis-related symptoms in Ghana Chapter 7 Quantitative evaluation of integrated schistosomiasis control: the example 171 of passive case fi nding in Ghana Chapter 8 General discussion 183 Summary 205 Samenvatting 213 Acknowledgements 219 Curriculum Vitae 221 PhD Portofolio 223 Publications reprinted with permission in this thesis Chapter 2 Danso-Appiah A, De Vlas SJ. Interpreting low praziquantel cure rates of Schistosoma mansoni infections in Senegal. Trends Parasitol. 2002;18:125-9. Chapter 3 Danso-Appiah A, Utzinger J, Liu J, Olliaro P. Drugs for treating urinary schistosomiasis. Cochrane Database of Systematic Reviews 2008, Issue 3. Art. No.: CD000053. DOI: 10.1002/14651858.CD000053.pub2. Chapter 4 Danso-Appiah A, Garner P, Olliaro PL, Utzinger J. Treatment of urinary schistosomiasis: methodological issues and research needs identifi ed through a Cochrane systematic review. Parasitology. 2009;136:1-13. Chapter 5 Danso-Appiah A, De Vlas SJ, Bosompem KM, Habbema JD. Determinants of health seeking behaviour for schistosomiasis-related symptoms in the context of integrating schistosomiasis control within the regular health services in Ghana. Trop Med Int Health. 2004;9:784-94. Chapter 6 Danso-Appiah A, Stolk WA, Bosompem KM, Otchere J, Looman CNW, Habbema JDF, De Vlas SJ. Health seeking behaviour and utilization of health facilities for schistosomiasis-related symptoms in Ghana. (Submitted). Chapter 7 De Vlas SJ, Danso-Appiah A, van der Werf MJ, Bosompem KM, Habbema JD. Quantitative evaluation of integrated schistosomiasis control: the example of passive case fi nding in Ghana. Trop Med Int Health. 2004;9:A16-21. Chapter 1 General introduction 10 Chapter 1 1.1 Human schistosomiasis Distribution and burden of the disease Schistosomiasis is caused by the blood fl uke and leads to signifi cant ill-health and economic burden. The disease is common in the tropics and subtropics and acquired through contact with freshwater bodies infested with the infective cercariae shed from the intermediate host snail. From a public health perspective, the three most important species are Schistosoma mansoni and S. japonicum (causing intestinal schistosomiasis) and S. haematobium (causing urinary schistosomiasis). Schistosomiasis is endemic in 76 countries and territories worldwide (Engels et al. 2002; Steinmann et al. 2006) with around 85% of the infections confi ned to sub- Saharan Africa (Savioli et al. 1997; Chitsulo et al. 2000). Schistosomiasis is largely confi ned to rural dwellings and exacerbates poverty (Hotez et al. 2008; Wang et al. 2008). In some areas of sub-Saharan Africa there is an overlap in distribution of S. mansoni and S. haematobium resulting in mixed infections (WHO 2002). This thesis focuses on urinary schistosomiasis due to S. haematobium and intestinal schistosomiasis due to S. mansoni. Schistosomiasis is largely related to poverty, and efforts to alleviate poverty through development of water-related projects tend to increase transmission of the infection (Poda et al. 2004; Steinmann et al. 2006). Mostly children, women and farmers in poor rural areas who depend on water contact for recreational, domestic or occupational activities are affected. Peri-urban schistosomiasis is on the increase (Kloetzel et al. 1994; Chimbari & Chirundu 2003; Njiokou et al. 2004), and movement of displaced people from confl ict zones has contributed to the spread of the disease to previously non-endemic areas (Chitsulo et al. 2000). Schistosome life cycle and mode of transmission Figure 1.1 gives a schematic representation of the life cycle of the schistosome. Man is the defi nitive host and some species of the Planorbid fresh water snails are the intermediate hosts in the transmission of the infection. Animals such as dogs, cats, rodents, pigs, horses and goats can serve as reservoirs, especially for S. japonicum (Combes 1990; Rey 1993; Duplantier & Séne 2000). Eggs of schistosomes are excreted through faeces (for intestinal schistosomiasis) or urine (for urinary schsitosomiasis) of infected people. In contact with water body and under suitable conditions, the eggs hatch to release larvae called miracidia, which swim to locate and penetrate specifi c snail intermediate hosts. In the snail, a schistosome passes through two developmental stages leading to the production of cercariae. General introduction 11 Immediately after their release into the water the cercariae swim vigorously to locate the human host. The infectivity potential of the cercariae increases rapidly after one hour and reaches saturation (plateau) nine hours post-emergence from the snail (Whitfi eld et al. 2003). Cercariae are phototropic and are shed into the water at mid- day to coincide with the time of most intense water contact activity such as swimming by children. The cercariae penetrate the peripheral capillaries in the skin of the human host losing their tails in the process (Ryan 1994). However, recent evidence suggests that the cercariae penetrate the human host with the whole body (Whitfi eld et al. 2003). The cercariae (schistosomulae) migrate through venules, right chamber of the heart and lungs through the mesenteric arteries and the liver via the portal vein. Throughout the migratory processes, the parasite undergoes stages of transformation and maturation until the adult worms fi nally reside in venules in locations characteristic of the parasite species. S. mansoni worms are mostly located in the superior mesenteric veins draining the large intestine whilst S. japonicum worms are commonly found in the superior mesenteric veins draining the small intestine. S. haematobium are mostly located in the venous plexus of the urinary bladder but can also reside in the rectal venules. Mature female schistosomes averaging 7-20 mm in length and longer than their male counterparts pair-up with the males and live in the gynaecophoric canal of the males where they mate and produce large numbers of eggs. On average, adult worm pair lives for 3-5 years, but some can live up to 30 years (Warren 1982; Arnon 1990; Hornstein et al. 1990) with reproduction potential of one schistosome pair estimated to be up to 600 billion schistosomes (Gryseels et al. 2006). schistosome eggs have characteristic spines and must traverse the lumen of the intestine (S. mansoni and S. japonicum) and bladder and ureters (S. haematobium) for excretion with faeces or urine, respectively. A considerable number of the eggs become trapped in the tissues in the process of elimination from the body. Pathology and morbidity The schistosome worms themselves do not cause disease. Eggs trapped in the tissues cause the disease by initiating immune-induced infl ammatory reactions. Within few hours after infection a rash or itchy skin may occur at the site of penetration. Fever, chills, cough, muscle aches, abdominal pain, diarrhea, hepatospenomegaly and eosinophilia may begin within 1-2 months of infection. This is known as Katayama’s syndrome and mainly occurs in individuals who do not have protective immunity (Zuidema 1981; Istre et al. 1984). Occasionally, there is central nervous system involvement with fatal outcomes (Naus et al. 2003). The severity of disease depends 12 Chapter 1 upon the intensity of infection and most individuals with few schistosome worms, especially adults, remain asymptomatic whilst about 80% of infected children show early symptoms
Recommended publications
  • Full Spectrum of Selves in Modern Chinese Literature: from Lu Xun to Xiao Hong
    UCLA UCLA Electronic Theses and Dissertations Title Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong Permalink https://escholarship.org/uc/item/5022k8qv Author Ho, Felicia Jiawen Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in East Asian Languages and Cultures by Felicia Jiawen Ho 2012 © Copyright by Felicia Jiawen Ho 2012 ABSTRACT OF THE DISSERTATION Full Spectrum of Selves in Modern Chinese Literature: From Lu Xun to Xiao Hong by Felicia Jiawen Ho Doctor of Philosophy in East Asian Languages and Cultures University of California, Los Angeles, 2012 Professor Shu-mei Shih, Chair Despite postcolonial theory’s rejection of legacies of Western imperial dominance and cultural hierarchy, the superiority of Euro-American notions of subjectivity remains a persistent theme in third world cross-cultural literary analysis. Interpretations of the Chinese May Fourth era often reduce the period to one of wholesale westernization and cultural self- repudiation. Euro-American notions of the self often reify ideologies of individuality, individualism, rationalism, evolution, and a “self-versus-society” dichotomy, viewing such positions as universal and applicable for judging decolonizing others. To interrogate this assumption, I examine the writing of Lu Xun and Xiao Hong, two May Fourth writers whose fictional characters present innovative, integrated, heterogeneous selves that transcend Western ii critical models. This “full spectrum of selves” sustains contradicting pulls of identity—the mental (the rational, the individual), the bodily (the survivalist, the affective), the cerebral (the moral), the social (the relational, the organismic), as well as the spiritual and the cosmic.
    [Show full text]
  • 2018 Available in Carbon Fibre
    NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished
    [Show full text]
  • The Rivers Awards Composition Competition (RACC)
    附件二 / ANNEX II The Rivers Awards Composition Competition(RACC) Designated Traditional Chinese Instruments Introduction Erhu Erhu Erhu Performance Demonstration (by LU Yiwen) The Erhu generally has two strings, namely the inner string and the outside string, with a bow between them. It is almost always tuned to the interval of a fifth and the treble clef is applied in Erhu music notation based on the actual pitch. Pipa Pipa and the artificial fingernails (right hand) Pipa Performance Demonstration (by SHU Yin) The strings of the Pipa are conventionally tuned to A-D-E-A. Players always wear the artificial fingernails for Pipa performance. The grand stave is applied in Pipa music notation based on the actual pitch. 1 / 2 附件二 / ANNEX II Dizi - Bamboo Flute (including Xiao) From top to bottom: Bangdi in G key, Qudi in D key, Xindi in G key and Xiao in G key Dizi Performance Demonstration (By WANG Junkan) Xiao Performance Demonstration (By WANG Junkan) The Dizi is a traditional Chinese transverse flute usually made of bamboo. It has six finger-holes, one blowing hole and one membrane hole. The membrane has a great influence on the sound produced by the flute. Qudi and Bangdi are the most predominant among the many varieties of Chinese flute. To satisfy the needs of different music, professional players usually have a set of dizi, each in a different key and size, where the Bangdi in G key and the Qudi in D key are most commonly used. A low octave approach in treble staff is applied to Dizi music notation.
    [Show full text]
  • George Kwasi Danso
    Water Trading: Irrigation Technology Adoption and Economic Impact of Transboundary Water Reallocation by George Kwasi Danso A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Agricultural and Resource Economics Department of Resource Economics and Environmental Sociology University of Alberta © George Kwasi Danso, 2014 Abstract The overall purpose of the study is to evaluate how water trading could improve water use efficiency in southern Alberta, Canada and how benefits of water reallocation could be achieved in the Nile River basin in Africa. The impact of water scarcity has become more prominent in these areas in recent years because of increasing population growth, urbanization rates, and unexpected changes in climate patterns. The ability to supply water to meet the needs of multiple sectors of the society is a compelling challenge to policy makers in the developed and in the developing world. In the first paper, the gain of adopting efficient irrigation technologies as a major water conservation strategy is assessed in southern Alberta, Canada. Water trading is modeled with a choice of irrigation technology adoption. Simulation results show that farmers will be willing to use efficient irrigation technologies when the net gains from adoption are higher than the cost of adoption. However, the adoption of most efficient irrigation technologies is more likely to occur when water conservation-induced polices are provided in the South Saskatchewan River Basin (SSRB). In the second paper, the economic impact of altering the current agreement governing the Nile River Basin is assessed. The Nile River basin is still governed by the 1959 agreement signed between Egypt and Sudan, without the upstream countries.
    [Show full text]
  • Musician, Composor, Woodwind Teacher I'ved Studied and Played Shakuhachi on Stage with My Other Favorite Mouthharp , Clarinets , Jews-Harps and Ethnics Flutes
    MAKERS’ PROFILE: Name of maker: Jean-luc Peilhon Name of the making dojo: L'atelier du bambou Type of shakuhachi made: Ji-nashi and ji-nori nobekan from 1.1 to 3.6 , kaval-shakuhachi (ten holes chromatic C shakuhachi) , shakuhaflute (bambou joint for transverse flute) Sold shakuhachi since: 2013 Location: Villeurbanne/Lyon France Address/website: [email protected] Email: [email protected] 200 word description of your work/bio: Musician, composor, woodwind teacher i'ved studied and played shakuhachi on stage with my other favorite mouthharp , clarinets , jews-harps and ethnics flutes. I'm proud to be consider as one of the main harp player in Europa by the great Toots Thielemans himself... I study shakuhachi in France with Daniel Liferman Sensei , Fukuda Teruhisa Sensei and also make some stage with Tadachi Tajima Sensei and Christophe Gaston (Jun-shihan). I used shakuhachis on non traditional composition on stage with band as Totem project, Manu Vallognes quartet, Etranges Primitifs, La Tribu Hérisson and on Concert with cinema as Chang and Nanouk l'esquimau that i'ved played in Europe, Africa, Indian Ocean, South and North America... My composition mixed traditional music and improvisation as we'ved done ...in jazz. i'ved composed more than 50 piece who had been played by orchestra from 2 to 35 musicians. New maker , I 'ved discovered the making process with John Kaizan Neptune Sensei in Aout 2013 on stage in Barcelona with ESS. So i begin make my own shakuhachis since September 2013. i'm liking harvest and choose by myself good bamboo to transform in instrument: ...and will continu to study in futur with other maker's Sensei.
    [Show full text]
  • Acoustical Impedance of the Xiao Y
    ISMA 2014, Le Mans, France Acoustical Impedance of the Xiao Y. Lan and C. Waltham University of British Columbia, Dept of Physics & Astronomy, 6224 Agricultural Road, Vancouver, BC, Canada V6T 1Z1 [email protected] 517 ISMA 2014, Le Mans, France The xiao is a Chinese end-blown flute with a history of over a millennium, traditionally made of bamboo, notched at the blowing end, with six or eight finger holes. The tone range of the xiao is two to three octaves. Tones starting from the second octave come from over-blowing, and cross fingerings have to be used for the third octave. Currently most xiaos have difficulties in sounding the higher notes, which also have serious intonation problems. This paper aims at explaining and solving the xiao’s problems by studying its input impedance. As an air-reed instrument, the xiao plays at its input impedance minima. We use the transmission-matrix method to model the instrument, and experimentally measure the input impedance to validate the model. For finger hole configurations of 24 tones in the two and a half octaves under test, the model has a maximum deviation of 8 cents from measurements. Then the player’s effects are taken into account, and the model is able to predict the tuning of a xiao with any tone hole positions, sizes, and arbitrary bore shape along the symmetry axis. Based on this model, numerical optimizations were applied to find the best configurations. A xiao made of PVC pipe with optimized tone holes shows good tuning results. Modifying the bore shape shifts the frequencies of the impedance minima and can be used for controlling the brightness and volume of the instrument.
    [Show full text]
  • Wye---A-History-Of-The-Flute.Pdf
    A History of the Flute Trevor Wye 1. Whistles What a daunting prospect to write a simple flute history without missing anything. Looking at a pamphlet a few years ago, it stated that in the South Pacific Islands, those tiny islands south of Hawai, there are about 1300 different named flutes. Our modern flute is just one of thousands of flutes worldwide of all shapes and sizes from miniature ocarinas to giants like the Slovakian Fujara. A sensible way to begin would be to understand how flutes are made to emit sound and so we will look at the four main varieties. These are Endblown where the player blows across the end of the tube; Sideblown as in our modern flute; a Fipple or encapsulated such as is found in a referee's whistle and a Globular flute such as in ocarinas and gemshorns. In all cases, the air is directed against a sharp edge which causes the air to alternate between entering the tube where it meets resistance, then shifting to going outside the tube. This alternation takes place at great speed causing the air inside the tube or vessel to vibrate and so make a sound. In the endblown flute shown below, the tube is held upright and the air directed across the cutaway top of the tube. The fipple flute is sounded by the player directing air through a tube or windway against the sharp edge. An example is the recorder and the pitch is changed by covering the holes down the tube in succession. Globular flutes are sounded either by blowing across a hole or via the fipple which is connected to the 'globe' shown above, though the way the instrument responds is unlike the whistle; the notes can be changed by uncovering any hole, no matter in what position it is placed.
    [Show full text]
  • Congressional-Executive Commission on China Annual
    CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2019 ONE HUNDRED SIXTEENTH CONGRESS FIRST SESSION NOVEMBER 18, 2019 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: https://www.cecc.gov VerDate Nov 24 2008 13:38 Nov 18, 2019 Jkt 036743 PO 00000 Frm 00001 Fmt 6011 Sfmt 5011 G:\ANNUAL REPORT\ANNUAL REPORT 2019\2019 AR GPO FILES\FRONTMATTER.TXT 2019 ANNUAL REPORT VerDate Nov 24 2008 13:38 Nov 18, 2019 Jkt 036743 PO 00000 Frm 00002 Fmt 6019 Sfmt 6019 G:\ANNUAL REPORT\ANNUAL REPORT 2019\2019 AR GPO FILES\FRONTMATTER.TXT CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2019 ONE HUNDRED SIXTEENTH CONGRESS FIRST SESSION NOVEMBER 18, 2019 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: https://www.cecc.gov U.S. GOVERNMENT PUBLISHING OFFICE 36–743 PDF WASHINGTON : 2019 VerDate Nov 24 2008 13:38 Nov 18, 2019 Jkt 036743 PO 00000 Frm 00003 Fmt 5011 Sfmt 5011 G:\ANNUAL REPORT\ANNUAL REPORT 2019\2019 AR GPO FILES\FRONTMATTER.TXT CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate JAMES P. MCGOVERN, Massachusetts, MARCO RUBIO, Florida, Co-chair Chair JAMES LANKFORD, Oklahoma MARCY KAPTUR, Ohio TOM COTTON, Arkansas THOMAS SUOZZI, New York STEVE DAINES, Montana TOM MALINOWSKI, New Jersey TODD YOUNG, Indiana BEN MCADAMS, Utah DIANNE FEINSTEIN, California CHRISTOPHER SMITH, New Jersey JEFF MERKLEY, Oregon BRIAN MAST, Florida GARY PETERS, Michigan VICKY HARTZLER, Missouri ANGUS KING, Maine EXECUTIVE BRANCH COMMISSIONERS Department of State, To Be Appointed Department of Labor, To Be Appointed Department of Commerce, To Be Appointed At-Large, To Be Appointed At-Large, To Be Appointed JONATHAN STIVERS, Staff Director PETER MATTIS, Deputy Staff Director (II) VerDate Nov 24 2008 13:38 Nov 18, 2019 Jkt 036743 PO 00000 Frm 00004 Fmt 0486 Sfmt 0486 G:\ANNUAL REPORT\ANNUAL REPORT 2019\2019 AR GPO FILES\FRONTMATTER.TXT C O N T E N T S Page I.
    [Show full text]
  • Dayton C. Miller Flute Collection
    Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction ......................................................................................................................................................... iii Biographical Sketch.............................................................................................................................................. vi Scope and Content Note..................................................................................................................................... viii Description of Series............................................................................................................................................. xi Container List ........................................................................................................................................................ 1 FLUTES OF DAYTON C. MILLER............................................................................................................... 1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright
    [Show full text]
  • Flute Acoustics Outline
    04/11/2014 Norwegian Acoustical Society, Autumn Meeting 2014, Gardermoen Flute acoustics Jens Holger Rindel Multiconsult 2014-10-24 Outline • Origins of flutes • Acoustic principles • Flutes with closed tube • Vessel (cavity) flutes • Overtone flutes • Vertical flutes • Fipple flutes (recorders) • Transverse flutes 1 04/11/2014 The Jiahu gǔdí (贾湖骨笛 ) is the oldest known musical instrument from China, dating back to around 6000 BC. Gudi literally means "bone flute". Sound generation Air stream against a sharp edge, Coltman, 1968 2 04/11/2014 Acoustical principles of flutes • Cavity flutes • Closed tube • Open tube Open and closed tubes Lowest resonances (harmonics) 3 04/11/2014 Open and closed tubes Lowest resonances (harmonics) Open – relative frequencies: 2 – 4 – 6 – 8 – 10 - 12 Closed – relative frequencies: 1 – 3 – 5 – 7 – 9 - 11 Selje-fløyten (Norwegian willow flute, combining open and closed harmonics) Chr. Skredsvig 1889 4 04/11/2014 Tone holes 1 1: Marno flute (Denmark) for demonstrating principles 5 04/11/2014 2 3 4 Flutes with closed tube 2: Pan flute, 3: Wiking pan flute (York, ca. 1000 AD), 4: Swanee flute 5 Organ pipe, closed type 6 04/11/2014 8 6 7 10 11 9 Vessel (cavity) flutes 6: Ancient (China), 7: Boatman’s whistle, 8: Nightingale whistle (Turkey) 9: Medieval (Wismar, Germany) 10: Modern clay flute (Austria) 11: Gemshorn (Germany) 12 13 Overtone flutes 12: Willow flute (Selje fløyte, Norway) 13: Txistu (Basque) 7 04/11/2014 14 Overtone flute 14: Fujara (Slovakia) 15 16 17 Vertical flutes 15: Bamboo flute (Africa) 16:
    [Show full text]
  • Flute in Oxford Music Online
    14.3.2011 FluteinOxfordMusicOnline Oxford Music Online Grove Music Online Flute article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/40569 Flute [concert flute, cross flute, German flute, transverse flute]. (Fr. flûte , flûte traversière , flûte allemande , flûte d’Allemagne , traversière ; Ger. Flöte , Querflöte ; It. flauto , flauto traverso , traversa ). Term used to refer to a vast number of wind instruments, from the modern orchestral woodwind to folk and art instruments of many different cultures. See also ORGAN STOP . I. General 1. Acoustics. Generically, a flute is any instrument having an air column confined in a hollow body – whether tubular or vessel – and activated by a stream of air striking against the edge of an opening, producing what acousticians call an ‘edge tone’ (see ACOUSTICS, §IV, 7 ); flutes are therefore often called edge-tone instruments. The edge is generally referred to as ‘sharp’, although sharpness is by no means necessary and may even be a disadvantage, as for example, on the modern orchestral flute – most makers prefer a slightly rounded edge. The opening is either at one end of a tube, or in the side of a tube or vessel. The air stream may be shaped and directed by the player’s lips as on the modern orchestral flute; confined in a channel, or duct, which leads the air across the hole, as on the RECORDER or WHISTLE ; or produced by the wind, as in the bulu pārinda , a large (up to 10 metres in length) aeolian pipe hung in treetops in Southeast Asia. Where the air meets the edge it is divided, peeling off in vortices like miniature swiss rolls, alternately outside and inside the instrument.
    [Show full text]
  • Chinese Music Across Generations – Case Studies of Conservatory Musicians in 20Th-Century China
    Chinese Music across Generations – Case Studies of Conservatory Musicians in 20th-Century China Frank Kouwenhoven, Lin Chen and Helen Rees Abstract: This paper looks at ways in which some instrumental realms of traditional Chinese music have survived in or alongside modern music conservatory contexts, and how subsequent generations of musicians in China have dealt with the challenges of new teaching methods or performing styles. Four case studies will be presented here in some detail, with additional references to some other musicians recently interviewed. Frank Kouwenhoven introduces Li Guangzu,1 widely regarded as one of the founders of modern style pipa (lute) playing in China. Li never studied or taught at a music conservatory, but was very influential. Next, together with Lin Chen, Kouwenhoven traces the musical and spiritual development of Chinese guqin (seven-string zither) master Lin Youren (Lin Chen's father). He was among the first generation of qin students to be trained at a music conservatory and witnessed the clash of tradition with modernity first-hand. He struggled with it for much of his life. Thirdly, the fate of Cantonese instrumental ensemble music will briefly be traced via the stories of senior fiddle player Yu Qiwei (Hong Kong) and his son Yu Lefu (Guangzhou [Canton]). The latter built up an impressive career as a modern style erhu (two-stringed fiddle) virtuoso at the Xinghai Conservatory in Guangzhou, but he also began to teach the favorite traditional music of his father, trying to be “more traditional” than his dad. Such a smooth continuation of tradition is rare in Chinese conservatory contexts, but one further example of this is provided by Helen Rees; she looks at two Shanghai-based performers of the endblown bamboo flute xiao, an instrument too quiet and introspective to be favored by many conservatory students.
    [Show full text]