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D. A. Pennebaker Ð¤Ð¸Ð»Ð¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð¤Ð¸Ð»Ð¼Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ) 65 Revisited https://bg.listvote.com/lists/film/movies/65-revisited-1765462/actors Jimi Plays Monterey https://bg.listvote.com/lists/film/movies/jimi-plays-monterey-104883643/actors Monterey Pop https://bg.listvote.com/lists/film/movies/monterey-pop-1179100/actors Moon Over Broadway https://bg.listvote.com/lists/film/movies/moon-over-broadway-12126255/actors Dont Look Back https://bg.listvote.com/lists/film/movies/dont-look-back-1242182/actors The Videos 86â€“98 https://bg.listvote.com/lists/film/movies/the-videos-86%E2%80%9398-1631438/actors https://bg.listvote.com/lists/film/movies/original-cast-album%3A-company- Original Cast Album: Company 19928838/actors Unlocking the Cage https://bg.listvote.com/lists/film/movies/unlocking-the-cage-24602700/actors Depeche Mode: 101 https://bg.listvote.com/lists/film/movies/depeche-mode%3A-101-30106960/actors Town Bloody Hall https://bg.listvote.com/lists/film/movies/town-bloody-hall-30324618/actors Sweet Toronto https://bg.listvote.com/lists/film/movies/sweet-toronto-3506548/actors Audition at RCA https://bg.listvote.com/lists/film/movies/audition-at-rca-35229956/actors Ziggy Stardust and the Spiders from https://bg.listvote.com/lists/film/movies/ziggy-stardust-and-the-spiders-from-mars- Mars 3648454/actors https://bg.listvote.com/lists/film/movies/assume-the-position-with-mr.-wuhl- Assume the Position with Mr. Wuhl 4810324/actors Down from the Mountain https://bg.listvote.com/lists/film/movies/down-from-the-mountain-5302947/actors Keep on Rockin' https://bg.listvote.com/lists/film/movies/keep-on-rockin%27-6383139/actors Kings of Pastry https://bg.listvote.com/lists/film/movies/kings-of-pastry-6413078/actors One P.M. https://bg.listvote.com/lists/film/movies/one-p.m.-6458502/actors The War Room https://bg.listvote.com/lists/film/movies/the-war-room-743292/actors Shake! Otis at Monterey https://bg.listvote.com/lists/film/movies/shake%21-otis-at-monterey-7462567/actors Daybreak Express https://bg.listvote.com/lists/film/movies/daybreak-express-97959099/actors World Kitchen https://bg.listvote.com/lists/film/movies/world-kitchen-98112643/actors Gestures https://bg.listvote.com/lists/film/movies/gestures-98112683/actors Brussels Loops https://bg.listvote.com/lists/film/movies/brussels-loops-98112728/actors.

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FACULTY Fl FAMOUS
U.S. POSTAGE BULK RATE zoz<z$ I ft '993fHBMTTW PAID °^yi *a ^t8T PERMIT NO. 33 uomxS uopaoo Port Washington, Wis. FBI DOCUMENTS, pg. 3 + WAYSIDE INN CLOSED, pg. 2 + MANGELSDORFF ON CONCERTS, pg. 7 I THE FAMOUS REVOLUTIONARIES SCHOOL Are you one of the angry ones who bangs his nead against the wall while all your friends talk about "peace and love" and "reforming the system"? Then why not send away for our simple aptitude test and see if you might not have the potential to become a real revolutionary. FAMOUS REVOLUTIONARIES SCHOOL | the only correspondance school of revolution actually taught by real revolutionaries. You'll receive personal attention in your attempts to off the pig and relate through Marxist-Leninist dialectics to the oppreseed masses. Write in today. If you are one of the first 500 people to answer this ad, you'll receive a free AK-47 and 2000 rounds of ammunition. SAMPLE QUESTIONS FROM THE FAMOUS REVOLUTIONARIES SCHOOL APTITUDE TEST: Fill in the blanks: Multiple choise: a 1. "Right, The chairman of the standing committee of the Chinese People's 2. "Ho, Ho, Ho Chi Mihn/ NLF will surely" Jj|§ Communist Party is; « 1. Blaze Starr | 2. Gregory Peck 3."1 ... 2 ... 3 ... 4.../ 3. Tina Turner II We don't want your fucking 4. All of the above FACULTY fL Enver Hoxha Alexander Karenskv Kin Agnew Mario Savio Charles Manson Maharishi Mahesh Yogi Nikita Khrushchev Adam Clayton Powell Tim Leary Vance Packard Bo Bolinski Amelia Earhart William Burroughs John Dos Passos &u FAMOUS REVOLUTIONARIES SCHOOL 233 E.
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A Film by Chris Hegedus and D a Pennebaker
a film by Chris Hegedus and D A Pennebaker 84 minutes, 2010 National Media Contact Julia Pacetti JMP Verdant Communications juliapacetti@earthlink.net (917) 584-7846 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: info@firstrunfeatures.com PRAISE FOR KINGS OF PASTRY “The film builds in interest and intrigue as it goes along…You’ll be surprised by how devastating the collapse of a chocolate tower can be.” –Mike Hale, The New York Times Critic’s Pick! “Alluring, irresistible…Everything these men make…looks so mouth-watering that no one should dare watch this film on even a half-empty stomach.” – Kenneth Turan, Los Angeles Times “As the helmers observe the mental, physical and emotional toll the competition exacts on the contestants and their families, the film becomes gripping, even for non-foodies…As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.” – Alissa Simon, Variety “How sweet it is!...Call it the ultimate sugar high.” – VA Musetto, The New York Post “Gripping” – Jay Weston, The Huffington Post “Chris Hegedus and D.A. Pennebaker turn to the highest levels of professional cooking in Kings of Pastry,” a short work whose drama plays like a higher-stakes version of popular cuisine-oriented reality TV shows.” – John DeFore, The Hollywood Reporter “A delectable new documentary…spellbinding demonstrations of pastry-making brilliance, high drama and even light moments of humor.” – Monica Eng, The Chicago Tribune “More substantial than any TV food show…the antidote to Gordon Ramsay.” – Andrea Gronvall, Chicago Reader “This doc is a demonstration that the basics, when done by masters, can be very tasty.” - Hank Sartin, Time Out Chicago “Chris Hegedus and D.A.
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American Society
AMERICAN SOCIETY Prepared By Ner Le’Elef AMERICAN SOCIETY Prepared by Ner LeElef Publication date 04 November 2007 Permission is granted to reproduce in part or in whole. Profits may not be gained from any such reproductions. This book is updated with each edition and is produced several times a year. Other Ner LeElef Booklets currently available: BOOK OF QUOTATIONS EVOLUTION HILCHOS MASHPIAH HOLOCAUST JEWISH MEDICAL ETHICS JEWISH RESOURCES LEADERSHIP AND MANAGEMENT ORAL LAW PROOFS QUESTION & ANSWERS SCIENCE AND JUDAISM SOURCES SUFFERING THE CHOSEN PEOPLE THIS WORLD & THE NEXT WOMEN’S ISSUES (Book One) WOMEN’S ISSUES (Book Two) For information on how to order additional booklets, please contact: Ner Le’Elef P.O. Box 14503 Jewish quarter, Old City, Jerusalem, 91145 E-mail: nerlelef@netvision.net.il Fax #: 972-02-653-6229 Tel #: 972-02-651-0825 Page 2 TABLE OF CONTENTS CHAPTER ONE: PRINCIPLES AND CORE VALUES 5 i- Introduction 6 ii- Underlying ethical principles 10 iii- Do not do what is hateful – The Harm Principle 12 iv- Basic human rights; democracy 14 v- Equality 16 vi- Absolute equality is discriminatory 18 vii- Rights and duties 20 viii- Tolerance – relative morality 22 ix- Freedom and immaturity 32 x- Capitalism – The Great American Dream 38 a- Globalization 40 b- The Great American Dream 40 xi- Protection, litigation and victimization 42 xii- Secular Humanism/reason/Western intellectuals 44 CHAPTER TWO: SOCIETY AND LIFESTYLE 54 i- Materialism 55 ii- Religion 63 a- How religious is America? 63 b- Separation of church and state: government
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American Old-Time Musics, Heritage, Place A
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COLIN LINDEN from Canada to Nashville
The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL service@bluesmusicmag.com WEB bluesmusicmagazine.com GuitarDMasterEEP ROOTS COLIN LINDEN’S Journey from Howlin’ Wolf to Hollywood by Larry Nager WHO YOU THINK sideman deluxe ﬂying under the radar for pre-war blues to his eerie recreation Colin Linden is depends on which side in his trademark black hat and shades. of Skip James’ “Hard Time Killing Floor.” of the border you call home. In his native Specializing in the bluesier side of He toured arenas with the O Brother Canada, he’s long been known as one Americana, he can be heard on spinoff tour Down From The Mountain of the world’s premier blues and roots wide-ranging, high proﬁle projects and put in a year backing Country Music guitarists and producers, lending his including the O Brother Where Art Thou? Hall of Famer Emmylou Harris.
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Ctba Newsletter 0304
REA ONGOING EVENTS AUSTIN AREA Chriesman Community Center CTBA Don Cook 979-567-0573 PARIS •Beginner/Intermed. Jam CLEBURNE • Jam & Stage Show Central Texas A • Show & Jam • 3rd Sat: Jam 5:00, Show 7:00 1st & 3rd Thursday 7-9 pm 3rd Fri Cleburne Civic Center, Chisum HS, Hwy 19 & 24, south Steve Mangold 512-345-6155 1501 W Henderson (Hwy 67)7 pm, of Paris $5-members $6-others • CTBA Jam Session $3 www.geocities.com/ntbbluegrass Brenda Burks 903-784-8859 Sunday at Artz Rib House COPPERAS COVE PEARL Bluegrass 3-5 pm,512-442-8283 • Jam • Jam & Stage Show ARTZ RIB HOUSE Fri-VFW Post 8577 at 1506 1st Sat: Jam 12:00, Show 4:30 Volume 25 • Live Bluegrass Show Veterans Ave 7 pm Hwy 183, 7 mi. south of Purmela 2330 S. Lamar, 6:00 pm Number 4 512-442-8283 254-542-6710 wlangdon@hot.rr.com Ronald Medart 254-865-6013 AAAMS JAM GARLAND ROCKNE Wed, Anderson Mill Baptist • Bluegrass on the Square • Bluegrass/Country Jam April 2003 Church,10633 Lake Creek Pkwy Sat- March thru October between 1st Sat: 3pm til ..., 8 mi. S. of Dinner 5:30 ($3) 6:30-8:30 pm, Main and State Sts. at 6th, 7:30- Cedar Creek on FM 535 Bulletin 1 am Jim Miller 972-276-3197 TOMBALL 259-7702- call to join for dinner GRANITE SHOALS • Spring Creek Club Jam/Show Tom, Brad & Alice Fredericksburg •AFTM (Austin Friends of • Bluegrass and Gospel Jam 4th Sat: 5pm-jam, 7pm-show Traditional Music)Contra Dance Last Sat: 6:30-10:00 pm Oklahoma Community Center, 3rd Sat., Lutheran church at 3501 706 Phillips Ranch Rd.
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Using Pop Soundtrack As Narrative Counterpoint Or Complement Margaret Dudasik Honors College, Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 5-1-2013 Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement Margaret Dudasik Honors College, Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Film and Media Studies Commons Recommended Citation Dudasik, Margaret, "Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement" (2013). Honors College Theses. Paper 127. http://digitalcommons.pace.edu/honorscollege_theses/127 This Thesis is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact rracelis@pace.edu. Genre as Bait: Using Pop Soundtrack as Narrative Counterpoint or Complement By: Margaret Dudasik May 15, 2013 BA Film & Screen Studies/ BFA Musical Theatre Dr. Ruth Johnston Film & Screen Studies, Dyson College of Arts and Sciences 1 Abstract There is much argument against using pre-existing music in film, Ian Garwood noting three potential problems with the pop song: obtrusiveness, cultural relevance, and distance from the narrative (103-106). It is believed that lyrics and cultural connotations can distract from the action, but it is my belief that these elements only aid narrative. By examining the cinematic functions of the soundtracks of O Brother Where Are Thou? (2000) and Marie Antoinette (2006), I will argue that using pre-existing music in film is actually more effective than a score composed specifically for a film. Film theorist Claudia Gorbman notes that film scores have “temporal, spatial, dramatic, structural, denotative, [and] connotative” abilities” (22), and it is my belief that pop music is just as economical in forming character, conveying setting, and furthering plot.
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Niterói, RJ 2007 1
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Seminario Sobre Documental Interactivo
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Unlocking the Cage
UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker Running Time: 91 minutes ﬁlmswelike CANADIAN DISTRIBUTION Films We Like Bookings and Inquries: mike@filmswelike.com UNLOCKING THE CAGE A film by Chris Hegedus and D A Pennebaker LOGLINE Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans, by filing the first lawsuits that seek to transform a chimpanzee from a “thing” with no rights to a “person” with legal protections. SYNOPSIS Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans. After 30 years of struggling with ineffective animal welfare laws, Steve and his legal team, the Nonhuman Rights Project (NhRP), are making history by filing the first lawsuits that seek to transform an animal from a “thing” with no rights to a “person” with legal protections. Supported by affidavits from primatologists around the world, Steve maintains that, based on scientific evidence, cognitively complex animals such as chimpanzees, whales, dolphins and elephants have the capacity for limited personhood rights (such as bodily liberty) that would protect them from physical abuse. Using writs of habeas corpus (historically used to free humans from unlawful imprisonment), Wise argues on behalf of four captive chimpanzees in New York State. Unlocking the Cage captures a monumental shift in our culture, as the public and judicial system show increasing receptiveness to Steve’s impassioned arguments. It is an intimate look at a lawsuit that could forever transform our legal system, and one man’s lifelong quest to protect “nonhuman” animals.
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Elondocs Docfilmmaker DVD
Contents Introduction to Documentary Film What is Documentary? (2:37) Why Documentary Matters (4:55) Why they make films (3:45) A Student of Film (2:37) Story Finding Good Stories (4:18) Finding Good People (2:14) Story into film (3:25) First Person Perspective (3:12) Shooting & Editing Sound & Picture (8:32) Editing (5:18) Screening your rough cut (1:08) Legal Issues Releases & Clearances (3:28) Fair Use (1:52) Music (2:38) Ethics General Ethics (4:21) Specific Ethics (7:30) Financial & Distribution Getting Your Film Made (7:30) Getting Your Film Out There (4:06) Documentary Filmmaking: Tips from the Trenches Every year I attend the Full Frame documentary film festival in Durham, North Carolina, bringing a group of students from Elon University. Without fail, we return from the Festival energized by the films and inspired by the expert advice from filmmakers. So I started thinking about ways to recreate that energy in the class- room, eventually arriving at the concept for this DVD. This DVD is a chance to hear from emerging and seasoned filmmakers as they discuss technical, legal, ethical and busi- ness issues of documentary film. It was created to be watched in brief topical sections, although it can also be watched straight through. We’ve organized the subjects as they might be encoun- tered in creating a film, from finding good stories to getting your film out there. This booklet also contains short discussion ques- tions to be used in class or by aspiring filmmakers to think more about the ideas and insights offered by our interviewees.
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Don Alan Pennebaker [*] Kevin Finner
Kieler Beiträge zur Filmmusikforschung, 5.2, 2010 // 203 Don Alan Pennebaker [*] Kevin Finner [*] Don Alan Pennebaker, auch nominiert als D.A., Don A. oder Donn A. Pennebaker. Geboren am 15. Juli 1925, dreht der heute vierundachtzigjährige Don Alan Pennebaker, Sohn eines Fotografen, noch immer Filme. Nach seinem Militärdienst und einem Ingenieurstudium in Yale sowie am M.I.T in Cambridge arbeitete er in verschiedenen Berufen, bevor er auf Drew und Leacock stieß. Michael Barchet zufolge verdiente Pennebaker sein Geld zunächst als Werbetexter und entwickelte u.a. ein computergestütztes Buchungssystem für Fluglinien (Barchet 1991, 154). Inspiriert durch den Filmemacher Francis Thompson drehte Pennebaker mit Ende zwanzig mit DAYBREAK EXPRESS (1953) und BABY (1954) seine ersten Filme über die New Yorker U-Bahn und einen Zoobesuch mit seiner Tochter. Letzterer war eigentlich nichts anderes als ein Amateur-Familienfilm. Jedoch wurde ihm während des Schneidens bewusst, dass er nicht seinem Material eine Story aufdrängen, sondern dass er sich Story und Rhythmus später in der Montage aus sich selbst heraus entwickeln lassen sollte (Saunders 2007, 10). Zusammen mit Richard Leacock wurde Pennebaker ein Gründungsmitglied von Drew Associates und arbeite dort für die nächsten drei Jahre. Nach den Erfolgen um PRIMARY (1960, Robert Drew), THE CHAIR (1963, ROBERT DREW) und CRISIS: BEHIND A PRESIDENTIAL COMMITMENT (1963, Robert Drew) sah sich Pennebaker nicht mehr in der Lage, die Forderungen von ABC, Time-Life und Drew zu erfüllen und strebte zusammen mit Leacock nach mehr künstlerischer Freiheit: My decision to quit wasn’t the result of any great moral conflict, I simply wasn’t able to fulfill their demands, because I realized that our process of filming could produce better films.
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