Montclair Film Launches Matinee Program and FIAF Partnership
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A Film by Chris Hegedus and D a Pennebaker
a film by Chris Hegedus and D A Pennebaker 84 minutes, 2010 National Media Contact Julia Pacetti JMP Verdant Communications [email protected] (917) 584-7846 FIRST RUN FEATURES The Film Center Building, 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] PRAISE FOR KINGS OF PASTRY “The film builds in interest and intrigue as it goes along…You’ll be surprised by how devastating the collapse of a chocolate tower can be.” –Mike Hale, The New York Times Critic’s Pick! “Alluring, irresistible…Everything these men make…looks so mouth-watering that no one should dare watch this film on even a half-empty stomach.” – Kenneth Turan, Los Angeles Times “As the helmers observe the mental, physical and emotional toll the competition exacts on the contestants and their families, the film becomes gripping, even for non-foodies…As their calm camera glides over the chefs' almost-too-beautiful-to-eat creations, viewers share their awe.” – Alissa Simon, Variety “How sweet it is!...Call it the ultimate sugar high.” – VA Musetto, The New York Post “Gripping” – Jay Weston, The Huffington Post “Chris Hegedus and D.A. Pennebaker turn to the highest levels of professional cooking in Kings of Pastry,” a short work whose drama plays like a higher-stakes version of popular cuisine-oriented reality TV shows.” – John DeFore, The Hollywood Reporter “A delectable new documentary…spellbinding demonstrations of pastry-making brilliance, high drama and even light moments of humor.” – Monica Eng, The Chicago Tribune “More substantial than any TV food show…the antidote to Gordon Ramsay.” – Andrea Gronvall, Chicago Reader “This doc is a demonstration that the basics, when done by masters, can be very tasty.” - Hank Sartin, Time Out Chicago “Chris Hegedus and D.A. -
Le Chemin Des Etoiles
LE CHEMIN DES ETOILES 1.Pedro Almodovar 2004 27.Vanessa Redgrave 1992 44. Val Kilmer 2005 2. Pénélope Cruz 2006 28. Isabella Rosselini 1990 45. Pierre Richard 1985 3. Julie Andrews 1992 29. Ettore Scola 1988 46. Jean Rochefort 2003 4. Luc Besson 1988 30. Jean Louis Trintignant 1985 47. Richard Bohringer 1987 5. Claudia Cardinale 1993 31. Andrezj Wadja 1990 48. Micheline Presle 1987 6. Jean-Paul Belmondo 1988 32. Franco Zeffireli 1986 49. Anthony Quinn 1994 7. Charlotte Gainsbourg 1990 33. Jodie Foster 2001 50. Sidney Pollack 1986 8. Lars Von Trier 2003 34. Lambert Wilson 1987 51. Keanu Reeves 2003 9. Catherine Deneuve 1985 35. Sylvester Stallone 1993 52. Charlotte Rampling 1986 10. Sandrine Bonnaire 2006 36. Quentin Tarantino 2004 53. Gregory Peck 1989 11. Claude Chabrol 1985 37. Jack Nicholson 2002 54. Diane Kruger 2007 12. Kar-Wai Wong 2001 38. Sophia Loren 1989 55. Claude Lelouch 1986 13. Tim Burton 2006 39. David Lynch 1990 56. Michelangelo Antonioni 1977 14. Andrezj Zulawski 1990 40. Paul McCartney 2001 57. Nicole Kidman 2001 15. Johnny Hallyday 1986 41. Nicolas Cage 1990 58. Cameron Diaz 2002 16. Dennis Hopper 1991 42. Meryl Streep 1989 59. Nathalie Portman 2008 17.Angelina Jolie 2007 43. Liza Minelli 2005 60. Georges Lucas 2002 18. Vigo Mortensen 2005 61. Ewan Mac Gregor 2001 19. Michel Legrand 1987 62. Michel Piccoli 2007 20. Meg Ryan 2003 63. Tim Robbins 1992 21. Leonardo Dicaprio 2002 70. Ben 2004 64. Francesco Rosi 1990 22. Gérard Jugnot 1985 71. Michael Moore 2004 65. Claude Sautet 1990 23. -
American Society
AMERICAN SOCIETY Prepared By Ner Le’Elef AMERICAN SOCIETY Prepared by Ner LeElef Publication date 04 November 2007 Permission is granted to reproduce in part or in whole. Profits may not be gained from any such reproductions. This book is updated with each edition and is produced several times a year. Other Ner LeElef Booklets currently available: BOOK OF QUOTATIONS EVOLUTION HILCHOS MASHPIAH HOLOCAUST JEWISH MEDICAL ETHICS JEWISH RESOURCES LEADERSHIP AND MANAGEMENT ORAL LAW PROOFS QUESTION & ANSWERS SCIENCE AND JUDAISM SOURCES SUFFERING THE CHOSEN PEOPLE THIS WORLD & THE NEXT WOMEN’S ISSUES (Book One) WOMEN’S ISSUES (Book Two) For information on how to order additional booklets, please contact: Ner Le’Elef P.O. Box 14503 Jewish quarter, Old City, Jerusalem, 91145 E-mail: [email protected] Fax #: 972-02-653-6229 Tel #: 972-02-651-0825 Page 2 TABLE OF CONTENTS CHAPTER ONE: PRINCIPLES AND CORE VALUES 5 i- Introduction 6 ii- Underlying ethical principles 10 iii- Do not do what is hateful – The Harm Principle 12 iv- Basic human rights; democracy 14 v- Equality 16 vi- Absolute equality is discriminatory 18 vii- Rights and duties 20 viii- Tolerance – relative morality 22 ix- Freedom and immaturity 32 x- Capitalism – The Great American Dream 38 a- Globalization 40 b- The Great American Dream 40 xi- Protection, litigation and victimization 42 xii- Secular Humanism/reason/Western intellectuals 44 CHAPTER TWO: SOCIETY AND LIFESTYLE 54 i- Materialism 55 ii- Religion 63 a- How religious is America? 63 b- Separation of church and state: government -
James Ivory in France
James Ivory in France James Ivory is seated next to the large desk of the late Ismail Merchant in their Manhattan office overlooking 57th Street and the Hearst building. On the wall hangs a large poster of Merchant’s book Paris: Filming and Feasting in France. It is a reminder of the seven films Merchant-Ivory Productions made in France, a source of inspiration for over 50 years. ....................................................Greta Scacchi and Nick Nolte in Jefferson in Paris © Seth Rubin When did you go to Paris for the first time? Jhabvala was reading. I had always been interested in Paris in James Ivory: It was in 1950, and I was 22. I the 1920’s, and I liked the story very much. Not only was it my had taken the boat train from Victoria Station first French film, but it was also my first feature in which I in London, and then we went to Cherbourg, thought there was a true overall harmony and an artistic then on the train again. We arrived at Gare du balance within the film itself of the acting, writing, Nord. There were very tall, late 19th-century photography, décor, and music. apartment buildings which I remember to this day, lining the track, which say to every And it brought you an award? traveler: Here is Paris! JI: It was Isabelle Adjani’s first English role, and she received for this film –and the movie Possession– the Best Actress You were following some college classmates Award at the Cannes Film Festival the following year. traveling to France? JI: I did not want to be left behind. -
Patrice Chéreau. Cineasta Del Corpo Retrospettiva
Patrice Chéreau. Cineasta del corpo Retrospettiva 16 - 21 febbraio 2010 Cinema Gnomo Milano Iniziativa promossa dal Comune di Milano A cura di Pier Giorgio Carizzoni Organizzata dall’ Associazione Culturale Dioniso Con il patrocinio del Centre Culturel Français de Milan Media partner: Rai Radio Tre Martedì 16 febbraio 2010 si inaugura al Cinema Gnomo di Milano la prima retrospettiva italiana di Patrice Chéreau, celebre regista francese di teatro e di cinema, al quale il Comune di Milano rende omaggio fino a domenica 21 febbraio con la proiezione dei 10 lungometraggi da lui diretti dal 1975 a oggi. L’iniziativa, curata da Pier Giorgio Carizzoni e organizzata dall’Associazione Culturale Dioniso con il patrocinio del Centre Culturel Français de Milan e la collaborazione di Rai RadioTre, si svolge in concomitanza con la presenza a Milano di Chéreau per la regia lirica dell’opera “Da una casa di morti” di Leoš Janá ček, al Teatro alla Scala dal 28 febbraio. Chéreau ha diretto nei suoi film alcuni dei più grandi attori del cinema europeo: Isabelle Huppert, Valeria Bruni Tedeschi, Jean-Louis Trintignant, Isabelle Adjani, Daniel Auteuil, Charlotte Gainsbourg, Simone Signoret, Charlotte Rampling, Jean-Hugues Anglade. Dalla sua filmografia emerge il profilo di un autore che sa esplorare con notevole vigore espressivo i volti e i corpi dei suoi personaggi, indagando in profondità nei risvolti più intimi e nascosti dell’animo umano, senza compiacimenti né rassicurazioni. Circa la metà dei film in programma, irreperibili in Italia, sono presentati in versione originale con sottotitoli in italiano. La rassegna si inaugura martedi 16 con la proiezione di Persécution (ore 18:30, replica domenica 21 ore 21:15, versione originale con sottotitoli in italiano), ultimo film diretto dal regista, presentato al Festival del cinema di Venezia 2009 e alla “Panoramica” milanese in anteprima assoluta, che racconta l’infelicità di un uomo perseguitato e persecutore, amante geloso e infedele fagocitato dal suo stesso narcisismo. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Femininity and Gender in Lars Von Trier's Depression Trilogy
FEMININITY AND GENDER IN LARS VON TRIER’S DEPRESSION TRILOGY by Carles Pérez Gutiérrez B.A. (Universitat de Barcelona) 2018 THESIS/CAPSTONE Submitted in partial satisfaction of the requirements For the degree of MASTER OF ARTS in HUMANITIES in the GRADUATE SCHOOL of HOOD COLLEGE April 2020 Accepted: _______________________ _______________________ Robert Casas, Ph.D. Corey Campion, Ph.D. Committee Member Program Advisor _______________________ Didier Course, Ph.D. Committee Member _______________________ April M. Boulton, Ph.D. Dean of the Graduate School _______________________ Aaron Angello, Ph.D. Capstone Advisor STATEMENT OF USE AND COPYRIGHT WAIVER I do authorize Hood College to lend this Thesis (Capstone), or reproductions of it, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. ii CONTENTS STATEMENT OF USE AND COPYRIGHT WAIVER ...………………………….. ii ABSTRACT ………………………………………………………………………… iv ACKNOWLEDGEMENTS …………………………………………………………. v CHAPTER 1: INTRODUCTION ………………………….………………………... 2 CHAPTER 2: ANTICHRIST ………………………………………………...……… 9 CHAPTER 3: MELANCHOLIA …………………………………….…………….. 36 CHAPTER 4: NYMPHOMANIAC ……………………………………..…………. 57 CHAPTER 5: CONCLUSION ………………………………………...…………… 82 BIBLIOGRAPHY AND FILMOGRAPHY ……………………………………….. 86 iii ABSTRACT Both praised and criticized, Lars von Trier’s Depression Trilogy—a film trilogy that includes Antichrist (2009), Melancholia (2011), and Nymphomaniac (2013)— provides an exploration of femininity and gender roles. This study explores how von -
DA Pennebaker ФиÐ
D. A. Pennebaker Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) 65 Revisited https://bg.listvote.com/lists/film/movies/65-revisited-1765462/actors Jimi Plays Monterey https://bg.listvote.com/lists/film/movies/jimi-plays-monterey-104883643/actors Monterey Pop https://bg.listvote.com/lists/film/movies/monterey-pop-1179100/actors Moon Over Broadway https://bg.listvote.com/lists/film/movies/moon-over-broadway-12126255/actors Dont Look Back https://bg.listvote.com/lists/film/movies/dont-look-back-1242182/actors The Videos 86–98 https://bg.listvote.com/lists/film/movies/the-videos-86%E2%80%9398-1631438/actors https://bg.listvote.com/lists/film/movies/original-cast-album%3A-company- Original Cast Album: Company 19928838/actors Unlocking the Cage https://bg.listvote.com/lists/film/movies/unlocking-the-cage-24602700/actors Depeche Mode: 101 https://bg.listvote.com/lists/film/movies/depeche-mode%3A-101-30106960/actors Town Bloody Hall https://bg.listvote.com/lists/film/movies/town-bloody-hall-30324618/actors Sweet Toronto https://bg.listvote.com/lists/film/movies/sweet-toronto-3506548/actors Audition at RCA https://bg.listvote.com/lists/film/movies/audition-at-rca-35229956/actors Ziggy Stardust and the Spiders from https://bg.listvote.com/lists/film/movies/ziggy-stardust-and-the-spiders-from-mars- Mars 3648454/actors https://bg.listvote.com/lists/film/movies/assume-the-position-with-mr.-wuhl- Assume the Position with Mr. Wuhl 4810324/actors Down from the Mountain https://bg.listvote.com/lists/film/movies/down-from-the-mountain-5302947/actors Keep on Rockin' https://bg.listvote.com/lists/film/movies/keep-on-rockin%27-6383139/actors Kings of Pastry https://bg.listvote.com/lists/film/movies/kings-of-pastry-6413078/actors One P.M. -
Niterói, RJ 2007 1
UNIVERSIDADE FEDERAL FLUMINENSE PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO FERNANDO WELLER FREDERICK WISEMAN – RUPTURA E TRANSFORMAÇÕES NO CINEMA DOCUMENTÁRIO Niterói, RJ 2007 1 Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. FERNANDO WELLER FREDERICK WISEMAN – RUPTURA E TRANSFORMAÇÕES NO CINEMA DOCUMENTÁRIO Dissertação apresentada ao Programa de Pós – Graduação em Comunicação da Universidade Federal Fluminense, com requisito para obtenção do Título de Mestre em Comunicação. Orientadora: Prof. Dra. HILDA MACHADO Niterói, RJ 2007 2 FERNANDO WELLER FREDERICK WISEMAN – RUPTURA E TRANSFORMAÇÕES NO CINEMA DOCUMENTÁRIO Dissertação apresentada ao Programa de Pós – Graduação em Comunicação da Universidade Federal Fluminense, com requisito para obtenção do Título de Mestre em Comunicação. _____________ em maio de 2007 BANCA EXAMINADORA Prof. Dr. André Queiróz, UFF Prof. Dr. Roberto Moura, UFF Prof. Dr. Marcius Freire, UNICAMP Niterói, RJ 2007 3 AGRADECIMENTOS Pela conclusão desta etapa em meus estudos, agradeço: À minha orientadora, Profa. Hilda Machado, pelo feliz encontro em momentos tão difíceis. Pela disponibilidade, estímulo e leitura crítica. À minha querida Nina, pelo amor. Aos professores e amigos que, direta ou indiretamente, colaboraram com o trabalho desde a elaboração do projeto até a momento atual: André Queiróz Andrea Molfetta Anita Leandro Breno Kuperman Elizabeth Pacheco Marcius Freire Roberto Moura Tunico Amâncio Aos meus pais, Rubens e Liliana, pelo apoio constante. Aos meus amigos da pós, Ericson Saint Clair, Danielle Brasiliense, Marina Caminha e Mariana Baltar, pelo humor e pelo diálogo. À Universidade Federal Fluminense e à CAPES, pela bolsa pública que me permitiu realizar esta pesquisa. -
Gainsbourg 2008
Gainsbourg 2008 Exposition du 21 octobre 2008 au 1er mars 2009 Dossier de presse « Les images, je les ai écrites, plaquées sur des symboles musicaux, c’est là mon drame. Peintre, j’aurais fait une œuvre. » Extrait de « Gainsbourg, voyeur de première » de Franck Maubert « Ma vie n’est qu’œuvre hélas ! » Émission « Discorama », le 16 mars 1963 « Dans la vie moderne, il y a tout un langage à inventer. Un langage autant musical que de mots. Tout un monde à créer, tout est à faire. » Émission « Entrez dans la conidence », le 13 avril 1968 Commissaire de l’exposition : Frédéric Sanchez Présentation Le Musée de la musique consacre une exposition à Serge inluencé l’évolution des mœurs et celle des mouvements Gainsbourg (1928-1991) à l’heure où sa popularité prend artistiques et culturels. une envergure internationale. Tandis qu’à Londres et à New York, la pop contemporaine découvre les talents de poète Il jouait avec les mots et les références, empruntait tant à et de mélodiste du « French artist », Tokyo connaît une la culture classique que populaire, décalait, transformait, véritable « gainsbourgmania », mixant et samplant ses arrangeait, inventant ainsi une nouvelle forme de compositions. composition faite de montages et de collages. Cette exposition est organisée grâce à des prêts L’exposition met en avant la modernité de son travail sur exceptionnels consentis par la famille, et particulièrement la musique, les mots et les images. Sampling, mixage, Charlotte Gainsbourg, ainsi que par les proches de Serge remixage, emprunt, citation, autocitation et détournement Gainsbourg. prédominent et préigurent les images et les sons de la culture d’aujourd’hui. -
Seminario Sobre Documental Interactivo
SEMINARIO SOBRE DOCUMENTAL INTERACTIVO Prof. Arnau Gifreu La Casa del Cine/Curso 2009-2010 DISTINCIÓN Y ESTUDIO DE GENEROS SEGUN XAVIER BERENGUER: Documentales antropológicos expositivos: - Robert Flaherty - John Grierson Documentales antropológicos reflexivos: - Dziga Vertov Documentales antropológicos de observación: - Leacok - Pennebaker Documentals antropológicos reactivos: - Michael Moore Documentales fuera de linea: -The day alter trinity (J. Robert -Oppenheimer) -Immemory (Chris Marker) -Ann Frank House Documentales en linea: -J.B.Wiesner TIPOLOGIA DEL DOCUMENTAL SEGUN BILL NICHOLS 1. EXPOSITIVO 2. DE OBSERVACIÓN 3. INTERACTIVO 4. REFLEXIVO 1. DOCUMENTALES ANTROPOLÓGICOS EXPOSITIVOS: - ROBERT FLAHERTY - JOHN GRIERSON 2. DOCUMENTALES ANTROPOLÓGICOS DE OBSERVACIÓN: - LEACOK - PENNEBAKER 3. DOCUMENTALES ANTROPOLÓGICOS REFLEXIVOS: - DZIGA VERTOV 4. DOCUMENTALES ANTROPOLÓGICOS REACTIVOS: MICHAEL MOORE EVOLVING DOCUMENTARY GLORIANNA DAVENPORT MICHAEL MURTANGH Enlaces de interés: Pàgines de Xavier Berenguer – Documental Interactiu www.boschuniverse.org www.artmuseum.net www.theyrule.net www.becomingwoman.org www.pbs.org/wgbh/nova/galileo www.nostranau.net www.abc.net.au/longjourney/australia www.witness.org www.oneworld.net 1. DOCUMENTALES ANTROPOLÓGICOS EXPOSITIVOS: - ROBERT FLAHERTY - JOHN GRIERSON ROBERT FLAHERTY (1884 – 1951) El documental explorador: Flaherty Robert Joseph Flaherty Nació en Iron Mountain, Michigan. un 16 de Febrero de 1884 y murió en Dummerston Vt. un 23 de Julio de 1951). Era hijo de un Ingeniero de minas y desde pequeño tuvo mucha relación con mineros e indios. Su padre se hizo explorador de nuevas tierras y a veces llevaba a Robert en sus exploraciones. En 1910 Flaherty inició su trayectoria de explorador en busca de yacimientos y en 1913 la persona que lo contrataba le sugirió que grabase su expedición. Así fue. -
RÉTROSPECTIVE JANE BIRKIN EN SA PRÉSENCE Du 25 Janvier Au 11 Février 2017
RÉTROSPECTIVE JANE BIRKIN EN SA PRÉSENCE du 25 janvier au 11 février 2017 Apparition fugace dans le Blow Up d’Antonioni, Jane Birkin entre dans le cinéma français à la toute fin des années 60. Son parcours mêle avec aisance comédies populaires et cinéma d’auteur. Égérie de Serge Gainsbourg, elle fut aussi la muse de Jacques Doillon et de Jacques Rivette, mêlant humour et gravité dans ses plus beaux rôles. Samedi 28 janvier à 14h30 FILMS + DIALOGUE AVEC JANE BIRKIN ANIMÉ PAR FRÉDÉRIC BONNAUD À la suite de la projection de : Je t’aime moi non plus de Serge Gainsbourg. « J’ai adoré ce film Je t’aime moi non plus, je me suis jetée dedans à corps perdu et à âme perdue, comme Johnny dans le film. Je désirais le faire, et c’était écrit pour moi. Je savais que je le ferais bien parce que c’était une partie de moi qui n’avait jamais été montrée ; j’adorais ce petit personnage de Johnny Jane. (…) Là je me suis donnée tellement que j’ai failli mourir. » Jane Birkin Je t’aime moi non plus, Serge Gainsbourg, 1975 Samedi 4 février à 17h00 JANE BIRKIN : 3 x JACQUES DOILLON À l’issue de la projection de La Pirate, un dialogue entre Jane Birkin et Jacques Doillon autour des trois films qu’ils ont fait ensemble (La Fille prodigue, La Pirate et Comédie !). « Jacques (Doillon) vous met à nu, il aime ça. Ça donne un curieux réconfort, quelqu’un qui vous demande autant, qui a tant besoin de vous, et qui vous donne l’impression d’avoir été active, d’avoir participé à un résultat splendide.