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The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2014 A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama Virginia Hanlon Murphy University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Murphy, Virginia Hanlon, "A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama. " PhD diss., University of Tennessee, 2014. https://trace.tennessee.edu/utk_graddiss/2773 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Virginia Hanlon Murphy entitled "A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Heather A. Hirschfeld, Major Professor We have read this dissertation and recommend its acceptance: Rob Stillman, Laura Howes, Kate Buckley Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Virginia Hanlon Murphy May 2014 Copyright © 2014 by Virginia H. -
A HISTORY of the CAMBRIDGE UNIVERSITY PRESS 1521-1921 [Ii]
[i] A HISTORY OF THE CAMBRIDGE UNIVERSITY PRESS 1521-1921 [ii] CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER LONDON: FETTER LANE, E.C. 4 N E W Y O R K : T H E M A C M I L L A N C O . BOMBAY CALCUTTA MACMILLAN AND CO., MADRAS LTD. T O R O N T O : T H E M A C M I L L A N C O . O F CANADA, LTD. T O K Y O : MA R U Z E N -K A B U S H IK I-K A IS H A ALL RIGHTS RESERVED THE PITT PRESS BUILDING [iii] A HISTORY OF THE CAMBRIDGE UNIVERSITY PRESS 1521-1921 BY S. C. ROBERTS, M.A. SOMETIME SCHOLAR OF PEMBROKE COLLEGE CAMBRIDGE AT THE UNIVERSITY PRESS 1921 [iv] [v] PREFACE As may be inferred from the title-page, this book has been written to mark the four hundredth anniversary of Cambridge printing. Of the original authorities used in its compilation the most valuable has been the large collection of documents relating to the Press which are preserved in the Registry of the University. Access to this collection has enabled me to glean some fresh information concerning the careers of the university printers and a series of accounts and vouchers from 1697 to 1742 has brought to light several new titles of books printed at Cambridge during that period. The making of this book, however, would not have been feasible, in the limited time at my disposal, had I not been free to use the work of the pioneers, from Christopher Wordsworth and Henry Bradshaw onwards, and the chief items of this work are recorded in the short bibliography on page xiii. -
Jonson's Use of the Morality of Vice in Volpone and the Alchemist
JONSON'S USE OF THE MORTALITY VICE IN VOLPONE AND THE ALCHEMIST JONSON'S USE OF THE MORALITY VICE IN VOLPONE AND THE ALCHEMIST By JANE CHRISTINE GARRETT A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jane Christine Garrett, September, 1990 MASTER OF ARTS (1990) McMaster University (English) Hamilton, Ontario TITLE: Jonson's Use of the Morality of Vice in Volpone and The Alchemist AUTHOR: Jane Christine Garrett, Hons. B.A. (McMaster University) SUPERVISOR: Dr. Anthony Brennan NUMBER OF PAGES: vi, 98 11 ABSTRACT This thesis is an attempt to demonstrate the ways in which Ben Jonson incorporates some of the qualities of the Morality Vice into the lead characters of Volpone and The Alchemist. While critics have often ignored Jonson's Morality heritage, the similarity between his lead cozeners and the Vice is often striking. Face and Mosca's overwhelming love of the theatre manifests itself in their superior ability to create a drama in which their scheming partners and ambitious clients expose the faults to which all humanity is prone. Certainly, as it strives to rule the dramatic world, the Vice forms a precarious bond with the audience. Its Morality traits underscore its evil nature and therefore alienate us from the Vice to some degree. However, this figure could imitate humanity and thus invites the audience into an uncomfortable camaraderie which exposes the spectators' own attraction to greed. The first chapter of my thesis examines many of the Vice's central characteristics, such as his love of masks and his ability to create and sustain anarchy. -
Cambridge University Reporter No 6611, Wednesday 17 March 2021
CAMBRIDGE UNIVERSITY REPORTER No 6611 Wednesday 17 March 2021 Vol cli No 23 CONTENTS Notices Obituaries Calendar 431 Obituary Notice 437 Discussion on Tuesday, 23 March 2021 431 Graces Honorary Degree Congregation on Grace submitted to the Regent House on Wednesday, 23 June 2021: Cancellation 431 17 March 2021 437 Sermon at the Commemoration of John Mere: Postponement 431 End of the Official Part of the ‘Reporter’ Election to the Board of Scrutiny 431 Report of Discussion: 9 March 2021 Awards, etc. Remarks on the Report of the Council on Thomas Mulvey Egyptology Fund, 2021 431 recognition of the merger of Cambridge Events, courses, etc. University Press and Cambridge Assessment Announcement of lectures, seminars, etc. 432 in the University’s Statutes and Ordinances 438 No remarks on the Report of the General Notices by Faculty Boards, etc. Board on the establishment of a Professorship 440 History and Modern Languages Tripos, 2020–21 432 Linguistics Tripos, 2020–21 434 College Notices Elections 441 Modern and Medieval Languages Tripos, 2020–21 435 PUBLISHED BY AUTHORITY 431 CAMBRIDGE UNIVERSITY REPORTER 17 March 2021 NOTICES Calendar 19 March, Friday. Full Term ends. 23 March, Tuesday. Discussion via videoconference at 2 p.m. (see below). 24 March, Wednesday. Last issue of the Reporter in the Lent Term. 25 March, Thursday. Lent Term ends. 27 March, Saturday. Congregation of the Regent House via videoconference at 11 a.m. 17 April, Saturday. Easter Term begins. 21 April, Wednesday. First issue of the Reporter in the Easter Term. Discussion on Tuesday, 23 March 2021 The Vice-Chancellor invites those qualified under the regulations for Discussions (Statutes and Ordinances, p. -
Proquest Dissertations
Joyce Mansour's poetics: A discourse of plurality by a second-generation surrealist poet Item Type text; Dissertation-Reproduction (electronic) Authors Bachmann, Dominique Groslier Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 06:15:18 Link to Item http://hdl.handle.net/10150/280687 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
The Love Letters of Henry VIII to Anne Boleyn Sources of the Love That Changed England Forever
Corso di Laurea Magistrale in Scienze del Linguaggio [LM5-08] Tesi di Laurea The Love Letters of Henry VIII to Anne Boleyn Sources of the Love that changed England Forever Relatore Prof.ssa Marina Buzzoni Correlatore Prof. Marco Infurna Laureando Susi Bellinello Matricola 829025 Anno Accademico 2016 / 2017 Ai miei genitori: senza di loro tutto ciò non sarebbe stato possibile. A Denis, che continua ad essere il raggio di sole che in mezzo alla pioggia crea l’arcobaleno. A Valentina che, nonostante la distanza, mi è sempre stata vicina. A tutti quelli che non hanno mai creduto che questo giorno arrivasse. Questa è la mia vittoria. 2 CONTENTS INTRODUCTION ...................................................................................................................... 7 CHAPTER I: HENRY AND ANNE: THE MOST HAPPY LOVE STORY THAT CHANGED HISTORY ............................................................................................................................... 12 I.1 Anne Boleyn: the woman who bewitched the heart of Henry VIII .............................. 12 I.1.2 Return to the English Court .................................................................................... 14 I.2 1527 - 1528: The Love Letters and the Great Matter .................................................... 17 I.3 1529: Two Queens for a Throne ................................................................................... 21 I.4 1530: Ainsi Sera, Groigne qui Groigne ........................................................................ 23 I.5 -
The Opening of the Atlantic World: England's
THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII By LYDIA TOWNS DISSERTATION Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy at The University of Texas at Arlington May, 2019 Arlington, Texas Supervising Committee: Imre Demhardt, Supervising Professor John Garrigus Kathryne Beebe Alan Gallay ABSTRACT THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII Lydia Towns, Ph.D. The University of Texas at Arlington, 2019 Supervising Professor: Imre Demhardt This dissertation explores the birth of the English Atlantic by looking at English activities and discussions of the Atlantic world from roughly 1481-1560. Rather than being disinterested in exploration during the reign of Henry VIII, this dissertation proves that the English were aware of what was happening in the Atlantic world through the transnational flow of information, imagined the potentials of the New World for both trade and colonization, and actively participated in the opening of transatlantic trade through transnational networks. To do this, the entirety of the Atlantic, all four continents, are considered and the English activity there analyzed. This dissertation uses a variety of methods, examining cartographic and literary interpretations and representations of the New World, familial ties, merchant networks, voyages of exploration and political and diplomatic material to explore my subject across the social strata of England, giving equal weight to common merchants’ and scholars’ perceptions of the Atlantic as I do to Henry VIII’s court. Through these varied methods, this dissertation proves that the creation of the British Atlantic was not state sponsored, like the Spanish Atlantic, but a transnational space inhabited and expanded by merchants, adventurers and the scholars who created imagined spaces for the English. -
Download Standing in the Need, Adolphus Ward, III, Wordpro Press
Standing in the Need, Adolphus Ward, III, WordPro Press, 2004, 0975357115, 9780975357118, . , , , , . Adolf Hitler was raised by an anticlerical, sceptic father and a devout Catholic mother. Baptized and confirmed as a child in Austria, he ceased to participate in the sacraments after childhood. In adulthood, Hitler became disdainful of Christianity, but in seeking out and in trying to retain power in Germany, he was prepared to set aside his views on religion out of political considerations. He repeatedly stated that Nazism was a secular ideology founded on science.[1] It is generally accepted by historians that Hitler's post war and long term goal was the eradication of Christianity in Germany.[2][3] The adult Hitler did not believe in the Judeo-Christian notion of God, though various scholars consider his final religious position may have been a form of deism. Others consider him "atheist". The question of atheism is debated, however reputable Hitler biographers Ian Kershaw, Joachim Fest and Alan Bullock agree Hitler was anti-Christian. This view is evidenced in sources such as the Goebbels Diaries, the memoirs of Albert Speer, and the transcripts edited by Martin Bormann which are contained within Hitler's Table Talk, an influential translation of which was completed by historian Hugh Trevor-Roper. During his early career, and for a variety of reasons, Hitler made various public comments against non-Nazi atheistic (i.e. "Bolshevik") movements, and in favour of so-called positive Christianity (a movement which purged Christianity of -
Comparison of the Two Plays
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Eliška Poláčková Everyman and Homulus: analysis of their genetic relation Bachelor’s Diploma Thesis Supervisor: Mgr. Pavel Drábek, Ph.D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Eliška Poláčková Acknowledgement I would like to thank my supervisor Mgr. Pavel Drábek, Ph.D. for his patient and kind help, Prof. PhDr. Eva Stehlíková for useful advice, and Mgr. Markéta Polochová for unprecedented helpfulness and support. Table of Contents Introduction ....................................................................................................................... 1 1 Morality Play and Its Representatives ........................................................................... 3 1.1 Morality Play .......................................................................................................... 3 1.2 Everyman ................................................................................................................ 5 1.3 Homulus .................................................................................................................. 7 2 Concept of Translation in The Middle Ages ................................................................. 9 3 Comparison of Everyman and Homulus ...................................................................... 11 3.1 Composition ......................................................................................................... -
Guide to the PCE (Fifth Draft)
[FIFTH DRAFT TO THE] GUIDE TO THE Pure Cäm´-brìdîe Edition OF THE KING JAMES BIBLE. Matthew Verschuur ' Bible Protector Published by Bible Protector http://www.bibleprotector.com Copyright © Matthew William Verschuur 2010 Fifth Draft 2010 Published in Australia Typeface: Junius Family (freeware) The whole scripture is dited by God’s Spirit, thereby (as by his lively word) to instruct and rule the whole Church militant, till the end of the world. (KING JAMES I, Basilikon Doron, 1599.) we shall be traduced by Popish Persons at home or abroad, who therefore will malign us, because we are poor instruments to make God’s holy Truth to be yet more and more known unto the people (T. BILSON, The Epistle Dedicatory, 1611.) The true Succession is through the Spirit given in its measure. The Spirit is given for that use, ‘To make proper Speakers-forth of God’s eternal Truth;’ and that’s right Succession. (O. CROMWELL, Speech the First, 1653.) Dread sovereign, how much are we bound to heaven In daily thanks, that gave us such a prince; Not only good and wise, but most religious: One that, in all obedience, makes the church The chief aim of his honour; and, to strengthen That holy duty, out of dear respect, His royal self in judgment comes to hear The cause betwixt her and this great offender. Wherever the bright sun of heaven shall shine, His honour and the greatness of his name Shall be, and make new nations: he shall flourish, And, like a mountain cedar, reach his branches To all the plains about him: our children’s children Shall see this, and bless heaven.