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Vissarion Shebalin
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
Focus 2020 Pioneering Women Composers of the 20Th Century
MUSICAL CENSORSHIP and REPRESSION in the UNION of SOVIET COMPOSERS: KHRENNIKOV PERIOD Zehra Ezgi KARA1, Jülide GÜNDÜZ
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
Actes Des Congrès De La Société Française Shakespeare, 35
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
TOCC0164DIGIBKLT.Pdf
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Proquest Dissertations
Toccata Classics TOCC 0136 Notes
MYASKOVSKY • SHEBALIN • NECHAEV Violin Sonatas
An Examination of Vissarion Shebalin's Concertino for Horn Op
A Performer's Guide and Structural Analysis of Sergei Taneyev's Concert Suite for Violin and Orchestra by Aihua Zhang a Rese
Sources of Inspiration in Selected Piano Works By
Program Notes: the Russian Quartet Notes on the Program by Dr
The Influence of Brain Lesion on Musical Masterpieces of Famous Composers Mazzucchi A1*, Fanticini F2, Bellocchio MG3, Petracchi D4 and Boller F5
Dmitry Shostakovich: Second Piano Sonata by Karina
Jerusalem Quartet
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Geography, Music, Space Volume 2
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
Season Joana Carneiro Music Director
Artistic Influence, Stylistic Irony, and Musical Reference in Dmitri Shostakovich’S Cello Concerto No
DSCH Journal No. 34
A Critical Re-Evaluation of Taneyev's Oresteia
Explore Unknown Music with the Toccata Discovery Club
Sofia Gubaidulina: Chaconne for Solo Piano in the Context of Her Life And
Durham Research Online