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Theodore Komisarjevsky
The New Cambridge Shakespeare
The Ideal of Ensemble Practice in Twentieth-Century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London P
Text Pages Layout MCBEAN.Indd
Elisaveta Fen's Chekhov Translations Claire Warden Since The
Front Matter
Shylock : a Performance History with Particular Reference to London And
A Travelling Tale: Shakespeare on the Italian Stage Considers the Transposition from Page to Stage of Some of Shakespeare’S Plays in Italy
Reading the Old Left in the Ewan Maccoll and Joan Littlewood's
The Stage Art of Theodore Komisarjevsky: an Exhibition in the Harvard Theatre Collection
The English Theatre Studios of Michael Chekhov And
Komisarjevsky, Shakespeare and Russophobia in the British Theatre
Deconstructing the Transhistorical in Contemporary Productions of the Merchant of Venice
The Translations of Brian Friel, Translations and Dancing at Lughnasa
Theatre Reviews
The Development of the Pre-Show in English Shakespearean Performance, 1932-2014
Title the Convergence of Influences on and Evolving Praxis of Mid-Twentieth Century British Theatre Design (1935-1965) Through A
SHAKESPEARE's DIALOGIC STAGE : TOWARDS a POETICS of PERFORMANCE By
Interpreting Chekhov
Top View
The Significance of Geographic Location and Architectural Space in the Indenties of the Royal Shakespeare Company and Shakespeare’S Globe
A Director's Approach to Anton Chekhov's the Seagull by Rebecca
Walter Richard Sickert and the Theatre, C.1880-C.1940