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The Scarecrow (opera)

Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
Developing the Young Dramatic Soprano Voice Ages 15-22 Is Approved in Partial Fulfillment of the Requirements for the Degree Of
The Baritone Voice in the Seventeenth and Eighteenth Centuries: a Brief Examination of Its Development and Its Use in Handel’S Messiah
Understanding the Lirico-Spinto Soprano Voice Through the Repertoire of Giovane Scuola Composers
An Analysis and Discussion of Zwischenfach Voices by Jennifer
Dispelling Vocal Myths. Part IV: “Talk Higher!”
Percy Mackaye: Spatial Formations of a National Character
Hofstra University Library Accessions List Report: May 2008
How Vocal Classification Affects Young Singers
The Development of a Fach System for the Tenor Oratorio Repertoire
Bridging the Gap Between Opera and Musical Theatre
University Microfilms, a XEROX Company, Ann Arbor, Michigan
The Fall of the Tenor with the Rise of the Larynx
Defining the Contralto Voice Through the Repertoire of Ralph Vaughan
Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
A Guide to Suitable Bass Solo Vocal Repertoire by J. S. Bach For
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Opera at Columbia: a Shining Legacy

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Selected Operas of Isabelle Aboulker As Repertoire for the University Opera Studio
Voice Classification and Fach: Recent, Historical and Conflicting Systems of Voice Categorization
Zwischenfach: Paradox Or Paradigm?
The Compositional Style of Judith Lang Zaimont As Found in Nattens Monolog
From Baritone to Tenor: Making the Switch
Technique for the Developing Dramatic Soprano
Songs to the Moon: a Song Cycle by Jake Heggie from Poems by Vachel Lindsay
Teaching Prospective Verdi Baritones: a Repertoire-Based Approach

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