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Barbarigo' by Titian in the National Gallery, London
Edinburgh Research Explorer
REMBRANDT the LATE WORKS Supplement with Provenance, Selected Literature and Bibliography
Michael Sweerts (1618-1664) and the Academic Tradition
Albrecht Dürer's “Oblong Passion”
Brepols Sandrart.Indd 1 10/05/16 16:59 Herausgegeben Von Susanne Meurer Anna Schreurs-Morét & Lucia Simonato
Self-Reference in Caravaggio's Calling of St. Matthew Matthew B
Was Hendrick Ter Brugghen a Melancholic?
« Peter Paul Rubens / Mahler Von Antorf»
Frankfurt Am Main As Market for Northern Art 1500–1800</I>
Lavin Davidslingmichelangelob
The Physicality of Rubens‟ Human Bodies: Visuality and Medicine in Early Modern Europe Aikaterini Georgoulia Two Volumes Volum
The Universal Art of Samuel Van Hoogstraten (1627-1678) Painter, Writer, and Courtier Amsterdam University Press
Rembrandt's Etched Sketches and Seventeenth-Century
Rethinking Rembrandt's Renaissance
Anthony Van Dyck: Thomas Howard, the Earl of Arundel
Drawing Acts David Rosand Frontmatter More Information
Top View
Was Hendrick Ter Brugghen a Melancholic?
4: Schilder-Aristocraat: Joachim Von Sandrart (1606-1688)
Artist Anecdotes and the ‘Dialogues of the Dead’
Caravaggio and Vasari's "Lives" Author(S): Sharon Gregory Source: Artibus Et Historiae, Vol
Lexart- WORDS for ART- Copie(1).Pdf