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The Huguenots and Art, C. 1560–1685*
chapter 7 The Huguenots and Art, c. 1560–1685* Andrew Spicer 1 Introduction At an extraordinary meeting of the Royal Academy of Painting and Sculpture in Paris on 10 October 1681, the president Charles Le Brun read a command from the king’s minister Jean-Baptiste Colbert. On the orders of Louis xiv, those who were members of the Religion Prétendue Reformée were to be deprived of their positions within the Academy; their places were to be taken by Catholics, and membership in the future was to be restricted to this confes- sion. The measure particularly targeted seven men: Henri Testelin (1616–95), Secretary of the Academy; Jean Michelin (1623–96), Assistant Professor; Louis Ferdinand Elle, père (1612–89), Samuel Bernard (1615–87), Jacques Rousseau (1630–93), council members; Mathieu Espagnandel (1616–89) and Louis Ferdinand Elle fils (1648–1717), academicians. The secretary, Testelin, who had painted several portraits of the young king during the 1660s, acquiesced to the royal order but requested that the Academy recognize that he was deprived of his position not due to any personal failings concerning his honesty and good conduct. The academicians acknowledged this to be the case and similarly noted that the other Huguenots present—Bernard, Ferdinand Elle and Michelin—had acquitted their charge with probity and to the satisfaction of the company.1 The following January, the names of Jacob d’Agard and Nicolas Eude were struck from the Academy’s registers because they had both sought refuge in England.2 The expulsion of these artists and sculptors from this learned society was part of the increasing personal and religious restrictions imposed on the Huguenots by Louis xiv, which culminated in the revocation of the Edict of Nantes in October 1685. -
The Dodo and Its Kindred
4ti € Kl 4;fii,v Cd 4 S C tx • V V (1 (^ S <^' « ^C i>i» <rr*i. C'^'^ ^ ^ r<rv I' c(t ^*^ CM Jl^ljf ..r.f -I- i,t C Cffi'l <Vi cr- die C^J^ V:? i^''» ^^» :^^ ^ 2--,// \rrC /^fL /" v/ V y^£,x^- y.^c.^>-^ x)c^ 7 /OH THE DODO AND ITS KINDRED. .a pq 4^ '+2 q-io CD O PHr-H '^cn CO o CO o —: ff^-' THE DODO AND ITS KINDRED; HISTORY, AFFINITIES, AND OSTEOLOGY DODO, SOLITAIRE, OTHER EXTINCT BIRDS or THE ISLANDS MAUKITIUS, KODRIGUEZ, AND BOURBON. ^^-^ H. E. STRICKLAND, M.A., F.G.S., F.R.G.S., PRESIDENT OF THE ASHMOLEAN SOCIETY, &c., A '-X > U^'^^' A. G. MELVILLE, M.D. Edin., M.R.C.S. "Pes et Caput uni Eeddentur fornije." Hor. LONDON EEEVE, BENHAM, AND KEEVE, 8, KING WILLIAM STEEET, STEAND. 1848. REEVE, BE?iHAM. AND REEVE. PRINTERS A:<D publishers OF SCIENTIFIC WORKS, KING WILLIAM STREET, STRAND, TO P. B. DUNCAN, ESQ., M.A., KEEPER OF THE ASHMOLEAN MUSEUM, Cftig seaorfe IS! fingcnbrli, AS A SLIGHT TOKEN OF REGARD AND ESTEEM, BY HIS SINCERE FRIENDS, THE AUTHORS. ilist Of ^ubsrrtbfrs. H.R.H. PRINCE ALBEET, K.G. HEll GRACE THE DUCHESS OF BUCCLEUCH (two copies). THE MOST NOBLE THE MARQUIS OF NORTHAMPTON, Pres. Brit. Assoc, Pres. R.S. THE RIGHT HON. THE EARL OF DERBY, Pres. Z.S., F.R.S. The Eadcliffe Library, Oxford. Mrs. Dixon, Govan HUl, Glasgow. The Belfast Library. Mrs. A. Smith, Edinburgh. The Edinburgh College Library. Mrs. C. Clarke, Matlock. -
The History of Egypt Under the Ptolemies
UC-NRLF $C lb EbE THE HISTORY OF EGYPT THE PTOLEMIES. BY SAMUEL SHARPE. LONDON: EDWARD MOXON, DOVER STREET. 1838. 65 Printed by Arthur Taylor, Coleman Street. TO THE READER. The Author has given neither the arguments nor the whole of the authorities on which the sketch of the earlier history in the Introduction rests, as it would have had too much of the dryness of an antiquarian enquiry, and as he has already published them in his Early History of Egypt. In the rest of the book he has in every case pointed out in the margin the sources from which he has drawn his information. » Canonbury, 12th November, 1838. Works published by the same Author. The EARLY HISTORY of EGYPT, from the Old Testament, Herodotus, Manetho, and the Hieroglyphieal Inscriptions. EGYPTIAN INSCRIPTIONS, from the British Museum and other sources. Sixty Plates in folio. Rudiments of a VOCABULARY of EGYPTIAN HIEROGLYPHICS. M451 42 ERRATA. Page 103, line 23, for Syria read Macedonia. Page 104, line 4, for Syrians read Macedonians. CONTENTS. Introduction. Abraham : shepherd kings : Joseph : kings of Thebes : era ofMenophres, exodus of the Jews, Rameses the Great, buildings, conquests, popu- lation, mines: Shishank, B.C. 970: Solomon: kings of Tanis : Bocchoris of Sais : kings of Ethiopia, B. c. 730 .- kings ofSais : Africa is sailed round, Greek mercenaries and settlers, Solon and Pythagoras : Persian conquest, B.C. 525 .- Inarus rebels : Herodotus and Hellanicus : Amyrtaus, Nectanebo : Eudoxus, Chrysippus, and Plato : Alexander the Great : oasis of Ammon, native judges, -
Camera Di Commercio Di COMO-LECCO
Ulisse — InfoCamere Pagina 1 di 56 Camera di Commercio di COMO-LECCO Elenco CO5955433500 del 03/06/2019 11:45:41 Registro Imprese ordinato per [tipo movimento, comune, denominazione] Utente: CCO0096 Posizioni: 258 Note: ISCRITTE Criteri: Impresa - Tipo Solo Imprese nuove iscritte Impresa - Albo Registro Imprese Impresa - Territorio COMO Impresa - Periodo Registrazione dal 01/05/2019 al 31/05/2019. 1) Prov: CO Sezioni RI: O Data iscrizione RI: 21/05/2019 N.REA: 400765 F.G.: SR Denominazione: GDL S.R.L. C.fiscale: 03840770139 Partita IVA: 03840770139 Indirizzo: VIA C. CANTU', 1 Comune: 22031 ALBAVILLA - CO - INATTIVA - Capitale Sociale: deliberato 10.000,00 Valuta capitale sociale: EURO 1) pers.: RUBINO MASSIMO, PRESIDENTE CONSIGLIO AMMINISTRAZIONE, CONSIGLIERE 2) pers.: RODA MAURIZIO FRANCESCO, CONSIGLIERE 2) Prov: CO Sezioni RI: P Data iscrizione RI: 24/05/2019 N.REA: 400812 F.G.: DI Ditta: HU XIANZE C.fiscale: HUXXNZ96L20H501C Partita IVA: 02062370669 Indirizzo: VIA MILANO, 15 Comune: 22031 ALBAVILLA - CO - INATTIVA - Attività: COMMERCIO AL DETTAGLIO DI GENERI DI MONOPOLIO (TABACCHERIE) COMMERCIO AL DETTAGLIO DI GIORNALI, RIVISTE E PERIODICI http://ulisse.intra.infocamere.it/ulis/gestione/get -document -content.action 03/ 06/ 2019 Ulisse — InfoCamere Pagina 2 di 56 1) pers.: HU XIANZE, TITOLARE FIRMATARIO 3) Prov: CO Sezioni RI: P - A Data iscrizione RI: 23/05/2019 N.REA: 400781 F.G.: DI Ditta: POLETTI GIORGIO C.fiscale: PLTGRG71T21C933L Partita IVA: 03838110132 Indirizzo: VIA ROMA, 83 Comune: 22032 ALBESE CON CASSANO - CO Data dom./accert.: 21/05/2019 Data inizio attività: 21/05/2019 Attività: INTONACATURA E TINTEGGIATURA C. Attività: 43.34 I / 43.34 A 1) pers.: POLETTI GIORGIO, TITOLARE FIRMATARIO 4) Prov: CO Sezioni RI: P - C Data iscrizione RI: 07/05/2019 N.REA: 400576 F.G.: DI Ditta: AZIENDA AGRICOLA LOLO DI BOVETTI FRANCESCO C.fiscale: BVTFNC84S01F205Q Partita IVA: 03839240136 Indirizzo: LOCALITA' RONDANINO SN Comune: 22024 ALTA VALLE INTELVI - CO Data inizio attività: 02/05/2019 Attività: ALLEVAMENTO DI EQUINI, COLTIVAZIONI FORAGGERE E SILVICOLTURA. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Curriculum Vitae
CURRICULUM VITAE INFORMAZIONI PERSONALI nome CUFALO NICOLO’ data di nascita 02/01/1956 qualifica SEGRETARIO COMUNALE - FASCIA “A” (Abilitato per i Comuni con più di 65000 abitanti) incarico attuale SEGRETARIO COMUNALE DELLA SEDE CONVENZIONATA CERMENATE – VERTEMATE CON MINOPRIO numero telefonico 03188881213 e-mail [email protected] TITOLI DI STUDIO E PROFESSIONALI ED ESPERIENZE LAVORATIVE Titolo di studio Laurea in Giurisprudenza conseguita presso l’Università di Palermo nell’anno 1981 con il voto di 105/110 Altri titoli di studio e Diploma Ministero dell’Interno Corso di Studi per Aspiranti professionali Segretari Comunali conseguito presso l’Università di Milano nell’anno 1984 con il voto di 54/60 Esperienze Segretario Comunale F.R c/o Comune di Vescovana (PD). Classe 4^ dal 20.12.1984 professionali al 01.07.1985. Segretario Comunale F.R. c/o Comune di Barbona (PD) Classe 4^ dal 04.07.1985 al 05.08.1985. Segretario Comunale F.R. c/o Segreteria Consorziata Vezza d’Oglio – Incudine (BS) Clase 4^ dal 05.08.1985 al 07.10.1987 Segretario Comunale in ruolo c/o Segreteria Consorziata Santa Maria Rezzonico – Sant’Abbondio (COMO) Classe 4^ dal 08.10.1987 al 15.06.1992 Reggenza Segretria Consorziata Dongo – Stazzona (CO) Classe 3^ dal 10.12.1989. al 20.06.1991 e dal 24.04.1992 al 15.06.1992 Segretario Capo dal 09.10.1989. Segretario Capo titolare Segreteria Consorziata Dongo- Sant’Abbondio (CO) classe 3^ dal 16.06.1992 al 31.01.1997 Segretario Capo titolare Comune di Dongo (CO) Classe 3^ dal 01.02.1997 al 13.05.1998. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
ROCKY MOUNTAIN National Park CO LO 1^^.00
ROCKY MOUNTAIN National Park CO LO 1^^.00 UNITED STATES RAILROAD ADMINISTRATION NATIONAL PARK. SERIES Copyright by WiswaU The Village of Estes Park nestles in a quiet little valley, surrounded by mountains Page two An Appreciation of Rocky Mountain National Park By ENOS A. MILLS, Author of "Wild Life on the Rockies," "The Rocky Mountain Wonderland," etc. Written Especially fer the United States Railroad Administration j]HE Rocky Mountain National Park is a marvelous grouping of gentle ness and grandeur; an eloquent, wordless hymn, sung in silent, poetic pictures; a wilderness mountain world of groves and grass plots, crags and canyons, rounded lakes with shadow-matted shores that rest in peace within the purple forest. There are wild flowers of every color, and many a silken meadow edged with ferns. Brokenness and beauty, terrace upon terrace, a magnificent hanging wild garden. Over these terraces waters rush and pour. From ice-sculptured, snow-piled peaks, young and eager streams leap in white cascades between crowding cliffs and pines. Through this wildness winds the trail, with its secrets of the centuries, where adventures come and go and where the magic camp fire blossoms in the night. In these primeval scenes the grizzly bear gives to the wilderness its master spell; the mountain ram poses on the cliff; the laughing, varied voice of the coyote echoes when the afterglow falls; the home-loving beaver builds his willow-fringed hut; the birds sing; the cheerful chipmunk frolics and never grows up; and here the world stays young. The Rocky Mountain National Park holds adventure for every visitor. -
Birding Northern California by Jean Richmond
BIRDING NORTHERN CALIFORNIA Site Guides to 72 of the Best Birding Spots by Jean Richmond Written for Mt. Diablo Audubon Society 1985 Dedicated to my husband, Rich Cover drawing by Harry Adamson Sketches by Marv Reif Graphics by dk graphics © 1985, 2008 Mt. Diablo Audubon Society All rights reserved. This book may not be reproduced in whole or in part by any means without prior permission of MDAS. P.O. Box 53 Walnut Creek, California 94596 TABLE OF CONTENTS Introduction . How To Use This Guide .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. Birding Etiquette .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. Terminology. Park Information .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 5 One Last Word. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 5 Map Symbols Used. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 6 Acknowledgements .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 6 Map With Numerical Index To Guides .. .. .. .. .. .. .. .. .. 8 The Guides. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 10 Where The Birds Are. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 158 Recommended References .. .. .. .. .. .. .. .. .. .. .. .. .. .. 165 Index Of Birding Locations. .. .. .. .. .. .. .. .. .. .. .. .. .. 166 5 6 Birding Northern California This book is a guide to many birding areas in northern California, primarily within 100 miles of the San Francisco Bay Area and easily birded on a one-day outing. Also included are several favorite spots which local birders -
A Theory of Spatial Acquisition in Twelve-Tone Serial Music
A Theory of Spatial Acquisition in Twelve-Tone Serial Music Ph.D. Dissertation submitted to the University of Cincinnati College-Conservatory of Music in partial fulfillment of the requirements for the degree of Ph.D. in Music Theory by Michael Kelly 1615 Elkton Pl. Cincinnati, OH 45224 [email protected] B.M. in Music Education, the University of Cincinnati College-Conservatory of Music B.M. in Composition, the University of Cincinnati College-Conservatory of Music M.M. in Music Theory, the University of Cincinnati College-Conservatory of Music Committee: Dr. Miguel Roig-Francoli, Dr. David Carson Berry, Dr. Steven Cahn Abstract This study introduces the concept of spatial acquisition and demonstrates its applicability to the analysis of twelve-tone music. This concept was inspired by Krzysztof Penderecki’s dis- tinctly spatial approach to twelve-tone composition in his Passion According to St. Luke. In the most basic terms, the theory of spatial acquisition is based on an understanding of the cycle of twelve pitch classes as contiguous units rather than discrete points. Utilizing this theory, one can track the gradual acquisition of pitch-class space by a twelve-tone row as each of its member pitch classes appears in succession, noting the patterns that the pitch classes exhibit in the pro- cess in terms of directionality, the creation and filling in of gaps, and the like. The first part of this study is an explanation of spatial acquisition theory, while the se- cond part comprises analyses covering portions of seven varied twelve-tone works. The result of these analyses is a deeper understanding of each twelve-tone row’s composition and how each row’s spatial characteristics are manifested on the musical surface. -
Cognitive Psychology
COGNITIVE PSYCHOLOGY PSYCH 126 Acknowledgements College of the Canyons would like to extend appreciation to the following people and organizations for allowing this textbook to be created: California Community Colleges Chancellor’s Office Chancellor Diane Van Hook Santa Clarita Community College District College of the Canyons Distance Learning Office In providing content for this textbook, the following professionals were invaluable: Mehgan Andrade, who was the major contributor and compiler of this work and Neil Walker, without whose help the book could not have been completed. Special Thank You to Trudi Radtke for editing, formatting, readability, and aesthetics. The contents of this textbook were developed under the Title V grant from the Department of Education (Award #P031S140092). However, those contents do not necessarily represent the policy of the Department of Education, and you should not assume endorsement by the Federal Government. Unless otherwise noted, the content in this textbook is licensed under CC BY 4.0 Table of Contents Psychology .................................................................................................................................................... 1 126 ................................................................................................................................................................ 1 Chapter 1 - History of Cognitive Psychology ............................................................................................. 7 Definition of Cognitive Psychology -
Of French and Italian Literature
c b, l m A Journal of French and e Italian Literature r e 5 Volume XVII Number 2 Chimères is a literary journal published each acade- mic semester (Fall and Spring numbers) by the gradu- ate students of the Department of French and Italian at The University of Kansas. The editors welcome the submission of papers written by non-tenured Ph. D's and advanced gradua te s tudents which deal with any aspect of French or Italian language, lite- rature, or culture. We shall consider any critical s tudy, essay, bibliography, or book review. Such material may be submitted in English, French, or Italian. In addition, we encourage the subrnission of poems and short staries written in French or Italian; our language request here applies only to c·rea tive works. Manus crip ts must conform to the MLA Style Sheet and should not exceed 15 pages in length. All subrnis- sions should be double-spaced and be clearly marked with the author's name and address. Please submit all material in duplicate. If return of the mater- ial is desired, please enclose a stamped, self- addressed envelope. The annual subscription rate is $4 for individuals and $10 for institutions and libraries. Single copies: $4. Chimères is published with funds provided in part by the Student Activity Fee through the Graduate Student Council of The University of Kansas. Please direct all manuscripts, subscriptions, and correspondence to the following address: Editor Chimères Department of French and I talian The University of Kansas ISSN 0276-7856 Lawrence KS 66045 PRINTEMPS 1984 C H I M E R E S Vol.